Didn't think I'd ever hear Michael Mann praise Ryan Reynolds, in Turbo no less, but a good reminder that every director works hard as hell to make an idea into an actual movie and to make snail racing into a good, funny animated feature is a minor miracle that he clearly appreciates.
wonderful interview. We need more interviews like that, including interviews with directors, writers, dops, editors, and their favorite movies. very enriching.
What a joy to have Mann expound on film history and his craft. He weaves so many things into his replies-social commentary, history, psychology-it's amazing to listen to. And he does it all so effortlessly and with respect for all the filmmakers. Plus, his diverse selection is a testament to putting artistic merit above all. Not being narrowminded but really respecting a wide variety of genres, traditions, and directors. I cannot wait for Heat 2. Thank you Letterboxd, for the time and effort put into this interview.
If the Heat screening @ the Egyptian that he mentioned was back in January 2024, then I was there! Loved seeing it on the big screen. I was also able to get him to sign my 4k Blu-ray steelbook of Heat!!!
Purchase Apocalypse Now: The Complete Dossier. Features both the '79 theatrical release and the 2001 Redux. Plus extras galore, tons of info on every aspect of the film down to the audio remixing. I, personally, always prefer to watch Redux because I really enjoy the experience of sitting down and getting into the headspace of a long, cerebral film, and Redux delivers. I've seen the theatrical cut on DVD a couple times and of course it is still a masterpiece, still revelatory, "like a diamond bullet." Mostly, I believe that the excised French estate sequence and the Playboy Bunny encounter (fuel swap scene) are so tantamount to what the film has to say overall to the point that their excision is borderline criminal. Redux isn't just extra fat, I feel it all flows together. As for Final Cut, don't think I've seen that. My brother was streaming the film not too long ago and I watched it on and off, not sure exactly what cut it was, didn't see anything out of the ordinary. But I saw Godfather Coda and there was like two or three little differences to where I was thinking, ok? Get the soundtrack on vinyl too!
You should update your graphic design on that icon you display of film name and director. You should always display the YEAR of a film in parens after the name.
I love Michael Mann. One of my all time favorite directors but he's absolutely wrong about the "previous administration" or possibly "the next administration." Open your eyes Michael on who the truly Fascists are. It's the current administration.
Shame all this has happened after all the great directors have died. Would of loved to see Nic Roeg, Robert Altman, John Cassavetes, Monte Hellman, Douglas Sirk, Donald Cammell discuss their favourite films and what they thought about them.
Extremely talented director, I unfortunately didn't like Ferrari and wish he had a hit, he needs it... has been on a slump for a while... I have similar feelings for DePalma. The young lady interviewing did a great job here, she was very well prepared.
@@michailtsi636 my three line comment means I have to get a life? So many unbearable ‘fans’ of this film. Fandom is a disease of the brain. The fact the film has ‘fans’ shows what it is too. If you read user reviews of the novella online, it’s always only in about 3 stars out of 5 haha. Everyone calling it boring and confusing. It’s one of the greatest things ever written. Better than any film up to now. I’m just saying what is the truth. If that 100 million dollar plus spectacle is considered on par with Conrad’s 100 page novella than cinema is almost certainly a failure as it’s cant just about spectacle. The book, which is mere words, is way more powerful. Not a good look for film. Much prefer Nic Roeg’s take from 1993, made for television. Communicates the novella better. Apocalypse Now just spectacle. More American ego. Made some big fat nerd looking to prove a point and show how manly he is. It’s about career. Reminds me of Schindlers list, which is only about career and success. Only real part is Dennis Hopper’s role. Also, Carol Reed’s Outcast of the Islands (1951) better than Apocalypse Now. I mean, Apocalypse Now is Charlie Sheen’s favourite film. Says it all.
@@curiositytax9360 look the book is very good but the movie is a different beast. It is very separate from the source material but that's not inherently bad. The movie is it's own piece of art and there is no reason to even compare. Many people love the movie, If you are not a fan that's fine but I just don't understand why people online always have to hate on everything.
@@michailtsi636 no, it’s not. The director has said and made public multiple times that it’s an adaptation of Conrad’s Heart of Darkness. They even joke about fat Brando turning up not having read it. If you look at user reviews for Heart of Darkness online, it’s middling. Many dismiss it as boring and confusing. They all mention Apocalypse Now though. I wish the film would just fuck off honestly. The fact that Apocalypse Now, which is just another American spectacle presented in a self serious, romantically artistic way could replace something like Heart of Darkness culturally is a tragedy and just another sign of these awful times. I love films more than literature but we live in times in which UA-camrs who stream, shamelessly screaming into mics and acting like literal idiots call themselves artists unironically and their million strong audience accept. In the world now, funerals are becoming less popular. Over 60 percent of people prefer to have what they call have a life party. Great but that’s just an excuse to have a party instead of paying respects and having a moment of reflection for a person who has died. Then that would mean they would have to put their iPhone down for a few seconds. I have read that many funeral directors constantly witness people taking selfies during burial. Only about 20 percent but still. If you read Heart of Darkness, there is no doubt you will take something away from it. If you watch Apocalypse Now, not everyone will see that other side too it, which isn’t deep anyway but all they will take away is the spectacle of violence, which is shot with such glee. It’s a film built to be sat with like that. The poetry they all won’t shut up about isnt at the forefront. That’s just pure pretentiousness. They know what they doing. I don’t care but don’t say it’s this or it’s that. I hate people who try to makes things that aren’t that deep, deep because they think them liking it somehow makes it worthy. It’s all just ego. Great but don’t pretend it’s anything else, which is what they do. They give it more depth than it actually deserves because they love it so much. That’s what I think anyway, so considering Apocalypse Now is considered one of the best films of all time, my opinion mostly means fuck all but I’m not going to stop saying it because it upsets you haha. There’s nothing wrong with balancing the scales, even if I’m just a grain of sand. I do not hate on everything. I have plenty of things that I love, including another film adaptation of Heart of Darkness that is barley known and I have plenty of other comments praising stuff. I’m not going to filter myself because I have an opinion that is considered negative. Michael Mann publicly praised Peaky Blinders. Another absolutely awful toilet bowel of a tv show made for curb chomping morons. Riots are kicking off in UK right now. I can 100 percent guarantee you that majority of those moron rioters watch Peaky Blinders. It’s a barrel scraper show. Mann loves all that masculine bullshit. That’s why some of his films are goofy. I also hate that stupid documentary made by his wife alongside the film called… you guessed it, Heart of Darkness. That has horrible scene: in it of what is essentially a fat loser nerd who’s made it big in the film industry on a massive ego trip talking about not being pretentious and getting it right and all this bullshit. More Romantic fodder. It is rather depressing that people value shit like that but it is what it is. Thank god we got the Conrad books. Conrad may of had an ego but he never was a fat American nerd thinking he’s da Vinci or some shit. He wasn’t a clown like that.
@@michailtsi636 Absolutely agree. The novella is quite something, for sure. The film, that's something else entirely. Both of these can coexist. There's no reason to disparage the film because it departs (starkly) from the source material.
Michael Mann facts
*michael mann farts
did you not hear all the chair squeaking?
michael mann facts
michael mann facts
Letterboxd, keep these interview coming
What a razor sharp mind this guy has, he has the knack to break down thematic details of his own work and others without being pretentious
Let alone as an 80 year old. Incredible
@@TheDragonSmasher year younger than Biden
50 MINUTES STRAIGHT OF MICHAEL EFFIN MANN, HELL YEAH LETTERBOXD
goodness, even the way you guys shot this… sublime
such a smart and well spoken man.
Michael Mann is a very young 80.
Jewish 80 is like Irish 30
He should run for president
Just rewatched Manhunter. This dude is a mastermind
All his films are goofy but Manhunter is way too goofy for me. Don’t get the love for that film
Incredible film
@@curiositytax9360you’ll never be happy if you can’t let go
@@womanfan5328 what does that even mean? Congratulations, I just lost some brain cells reading your comment.
Stylewise yes.
Storywise: Red Dragon is better.
Michael Mann is always so specific and thorough in his interviews. Amazing interview!
One of my top 10 directors. This man has done his homework
Didn't think I'd ever hear Michael Mann praise Ryan Reynolds, in Turbo no less, but a good reminder that every director works hard as hell to make an idea into an actual movie and to make snail racing into a good, funny animated feature is a minor miracle that he clearly appreciates.
My All-Time Favorite Movie Director.
just an incredible interview, thankyou so much for this Letterboxd
I'd love to see LB do more of these longer form talks with directors. This was terrific.
wonderful interview. We need more interviews like that, including interviews with directors, writers, dops, editors, and their favorite movies. very enriching.
What a joy to have Mann expound on film history and his craft. He weaves so many things into his replies-social commentary, history, psychology-it's amazing to listen to. And he does it all so effortlessly and with respect for all the filmmakers. Plus, his diverse selection is a testament to putting artistic merit above all. Not being narrowminded but really respecting a wide variety of genres, traditions, and directors. I cannot wait for Heat 2.
Thank you Letterboxd, for the time and effort put into this interview.
Mann is one of my favorite directors; I love how much history and research he puts into his projects!
I like how this interview feels like a Michael Mann movie
the interview we needed
Fantastic interview and editing! Thank you Letterboxd!
What a terrific interview with an absolute legend ! Would love to see more of these Letterboxd ❤
I had no idea there was a Heat 2 in the making. Can’t wait to see what MM does.
This is such a great series, please do many many more of them!
HEAT is still my favorite movie of all time
If the Heat screening @ the Egyptian that he mentioned was back in January 2024, then I was there! Loved seeing it on the big screen. I was also able to get him to sign my 4k Blu-ray steelbook of Heat!!!
I had to get it on man
well done keep these kind of sessions coming. added the films i havent seen yet to the site.
The GOAT
lol not quite, thief is great tho
@@crohmerwhos the „goat“ then
This was a master class!
This man's batting average of great to not great films is about as high as any director. So many great movies that I watch over and over.
More long interviews like this ! 🙏
When I saw the thumbnail, I thought: finally, Werner Herzog.
😂
I love his film "Grizzly Manhunter"
😅
Hahaha well I guess I'm not the only one
Omg right???
Loved this. And Mia, great fit
Hollywood legend 💜
Michael Mann Facts
truly great stuff
Brilliant
YAYYYYYY!!!!
We need him to do Miami vice again. More movies from him.
“Okay this is what your gonna do. And I was tortured by trying to figure that out.”
Now just think of any Michael Mann film
Michael Mann likes Turbo? Christopher Nolan likes the Fast and Furious Franchise and Talladega Nights? Hell yeah!
Poor thing oh Hell Yea !
Even the interview looks his film
I worked on location on one of his projects
Good Taste👍🏻!
30 Seconds Flat Club!!
Ferrari was impressive....Mann still has the juice!!
Tem que rolar um desses com o Scorsese. You must do this one with Scorsese.
🐐🐐
THAT SNAIL IS FAST!
That snail may be fast, but time is luck
Colin Farrell asked Michael Mann so many good questions in this interview.
Which edition of Apocalypse Now is best to watch and why? There's the original, the redux, and the final cut.
Get them all.
Purchase Apocalypse Now: The Complete Dossier. Features both the '79 theatrical release and the 2001 Redux. Plus extras galore, tons of info on every aspect of the film down to the audio remixing. I, personally, always prefer to watch Redux because I really enjoy the experience of sitting down and getting into the headspace of a long, cerebral film, and Redux delivers. I've seen the theatrical cut on DVD a couple times and of course it is still a masterpiece, still revelatory, "like a diamond bullet."
Mostly, I believe that the excised French estate sequence and the Playboy Bunny encounter (fuel swap scene) are so tantamount to what the film has to say overall to the point that their excision is borderline criminal. Redux isn't just extra fat, I feel it all flows together.
As for Final Cut, don't think I've seen that. My brother was streaming the film not too long ago and I watched it on and off, not sure exactly what cut it was, didn't see anything out of the ordinary. But I saw Godfather Coda and there was like two or three little differences to where I was thinking, ok?
Get the soundtrack on vinyl too!
michael mann hegel
This man is 81???!
i'm surprised that he didn't mention anything on jean-pierre melville as i see a lot of melville in his films.
19:24: I prefer Fail Safe
Is anyone ever truthful about these lists?
Michael why you forget Confessions (告白, Kokuhaku)
GET GEORGE MILLER PLEASE
We've interviewed him three times!
always up for another!
@@LetterboxdHQ but no 50 minute interview 😭
You should update your graphic design on that icon you display of film name and director. You should always display the YEAR of a film in parens after the name.
I love Michael Mann. One of my all time favorite directors but he's absolutely wrong about the "previous administration" or possibly "the next administration." Open your eyes Michael on who the truly Fascists are. It's the current administration.
Word salad
Shame all this has happened after all the great directors have died. Would of loved to see Nic Roeg, Robert Altman, John Cassavetes, Monte Hellman, Douglas Sirk, Donald Cammell discuss their favourite films and what they thought about them.
Please, it’s not “Odessa”, it’s “Odesa”. That’s how it correctly spelled❤
Extremely talented director, I unfortunately didn't like Ferrari and wish he had a hit, he needs it... has been on a slump for a while... I have similar feelings for DePalma.
The young lady interviewing did a great job here, she was very well prepared.
Apocalypse Now is a compete failure next to the novella. If that film is considered one of the heights of cinema then film itself is a failure.
Get a life
@@michailtsi636 my three line comment means I have to get a life? So many unbearable ‘fans’ of this film. Fandom is a disease of the brain. The fact the film has ‘fans’ shows what it is too. If you read user reviews of the novella online, it’s always only in about 3 stars out of 5 haha. Everyone calling it boring and confusing. It’s one of the greatest things ever written. Better than any film up to now.
I’m just saying what is the truth. If that 100 million dollar plus spectacle is considered on par with Conrad’s 100 page novella than cinema is almost certainly a failure as it’s cant just about spectacle. The book, which is mere words, is way more powerful. Not a good look for film.
Much prefer Nic Roeg’s take from 1993, made for television. Communicates the novella better. Apocalypse Now just spectacle. More American ego. Made some big fat nerd looking to prove a point and show how manly he is. It’s about career. Reminds me of Schindlers list, which is only about career and success.
Only real part is Dennis Hopper’s role.
Also, Carol Reed’s Outcast of the Islands (1951) better than Apocalypse Now. I mean, Apocalypse Now is Charlie Sheen’s favourite film. Says it all.
@@curiositytax9360 look the book is very good but the movie is a different beast. It is very separate from the source material but that's not inherently bad. The movie is it's own piece of art and there is no reason to even compare. Many people love the movie, If you are not a fan that's fine but I just don't understand why people online always have to hate on everything.
@@michailtsi636 no, it’s not. The director has said and made public multiple times that it’s an adaptation of Conrad’s Heart of Darkness. They even joke about fat Brando turning up not having read it.
If you look at user reviews for Heart of Darkness online, it’s middling. Many dismiss it as boring and confusing. They all mention Apocalypse Now though. I wish the film would just fuck off honestly.
The fact that Apocalypse Now, which is just another American spectacle presented in a self serious, romantically artistic way could replace something like Heart of Darkness culturally is a tragedy and just another sign of these awful times.
I love films more than literature but we live in times in which UA-camrs who stream, shamelessly screaming into mics and acting like literal idiots call themselves artists unironically and their million strong audience accept.
In the world now, funerals are becoming less popular. Over 60 percent of people prefer to have what they call have a life party.
Great but that’s just an excuse to have a party instead of paying respects and having a moment of reflection for a person who has died.
Then that would mean they would have to put their iPhone down for a few seconds. I have read that many funeral directors constantly witness people taking selfies during burial. Only about 20 percent but still.
If you read Heart of Darkness, there is no doubt you will take something away from it. If you watch Apocalypse Now, not everyone will see that other side too it, which isn’t deep anyway but all they will take away is the spectacle of violence, which is shot with such glee. It’s a film built to be sat with like that.
The poetry they all won’t shut up about isnt at the forefront. That’s just pure pretentiousness.
They know what they doing. I don’t care but don’t say it’s this or it’s that. I hate people who try to makes things that aren’t that deep, deep because they think them liking it somehow makes it worthy. It’s all just ego.
Great but don’t pretend it’s anything else, which is what they do. They give it more depth than it actually deserves because they love it so much.
That’s what I think anyway, so considering Apocalypse Now is considered one of the best films of all time, my opinion mostly means fuck all but I’m not going to stop saying it because it upsets you haha. There’s nothing wrong with balancing the scales, even if I’m just a grain of sand.
I do not hate on everything. I have plenty of things that I love, including another film adaptation of Heart of Darkness that is barley known and I have plenty of other comments praising stuff. I’m not going to filter myself because I have an opinion that is considered negative.
Michael Mann publicly praised Peaky Blinders. Another absolutely awful toilet bowel of a tv show made for curb chomping morons. Riots are kicking off in UK right now. I can 100 percent guarantee you that majority of those moron rioters watch Peaky Blinders. It’s a barrel scraper show. Mann loves all that masculine bullshit. That’s why some of his films are goofy.
I also hate that stupid documentary made by his wife alongside the film called… you guessed it, Heart of Darkness. That has horrible scene: in it of what is essentially a fat loser nerd who’s made it big in the film industry on a massive ego trip talking about not being pretentious and getting it right and all this bullshit. More Romantic fodder. It is rather depressing that people value shit like that but it is what it is.
Thank god we got the Conrad books. Conrad may of had an ego but he never was a fat American nerd thinking he’s da Vinci or some shit. He wasn’t a clown like that.
@@michailtsi636 Absolutely agree. The novella is quite something, for sure. The film, that's something else entirely. Both of these can coexist. There's no reason to disparage the film because it departs (starkly) from the source material.