There seem to be some disrepancies of tuning between the various members of this ensemble. Sticking with the authentic (non-Western 12-tone equal-tempered) tuning that would have been used in the late Qing Dynasty and early Republic period, prior to the Europeanization of many traditional Chinese musical genres, would seem the proper course of action.
There seem to be some disrepancies of tuning between the various members of this ensemble. Sticking with the authentic (non-Western 12-tone equal-tempered) tuning that would have been used in the late Qing Dynasty and early Republic period, prior to the Europeanization of many traditional Chinese musical genres, would seem the proper course of action.