LETTERS FROM THE DEVIL'S FOREST - ON THE BLACKCHAIR WITH ROBIN ARTISSON
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- Опубліковано 3 сер 2024
- Robin Artisson has been studying folklore, mythology, and the interior metaphysics of sorcery and traditional witchcraft for over 20 years. His specialty areas of knowledge include spiritual ecology, occult history, herbalism and wortcunning, divination, and soul-flight or trance induction, along with a vocational interest in the extraordinary exploration of the eldritch dimensions of the mind, the soul, and the world.
IN THIS latest work, witch, metaphysician, and traditionalist Robin Artisson presents an in-depth and darksome interior vision of many dimensions of the old and nearly forgotten Art of true Witchcraft. "Letters from the Devil's Forest" is a lengthy anthology of Artisson's writings regarding every topic of essence and interest to the student or researcher of the half-remembered occult practices of "spirit-pacting" and spirit-allegiance: the timeless root-practices that underlie the genuine sorcerous traditions of the West. Over 130 chapters, representing public and private writings done by Artisson in the last five years, but drawing on over 20 years of his own practice and in-depth researches, are brought together into one informative tome, to better serve the needs of the modern mystic or malcontent in search of a roadmap to the hidden angles of life's most seductive mystery: the mystery of sorcery, and the parallel mystery of spiritual ecology.
In this interview (60 minutes) we are going to talk about some of the letters about Life, Death, Witchcraft and Sorcery.
"Letters from the Devil's Forest" is a true treasury of the Hidden and Despised Art; it contains, in over 700 pages, almost ceaseless "Art-teaching" material, sorcerous maxims, gems of practice, some quite old invocations, poems, channeled writings, warnings, ethical and moral ponderings with regard to the sorcerous arts and to living outside of the mainstream of the modern and greedy spirit, inspirational quotes from past and present masters, wrapped together with Artisson's own sometimes sparkling, sometimes questionable brand of humor and wit, and crowned with original art flourishes and atmospheric ornamentation by Stephanie Houser.
Original idea and Concept by Karagan Griffith (c)2013
"On the Blackchair" Opening and Closing theme music: "Holiday Road" by Alex Collier and Joshua Lee Somak (goo.gl/f2qCpr), Executive Producer: Karagan Griffith
RedBird/Logios Publishing (c)2013 All Rights Reserved - Навчання та стиль
I could listen to Robin Artisson talk forever! I am hoping to take a class taught by him. I have tremendous respect for Robin Artisson.
This is the conversation I had been wishing for since I read Letters from the Devil’s forest.
I can’t believe this is 9 years old.
Everything Robin says (and writes) is still so valid. 👌🏼
I only wish I had read him before although I would have never been able to connect with his writing if it wasn’t for my previous occult background.
Thank you for conducting this interview with Robin - I am so glad I can listen to it; I enjoyed it very much. I especially enjoyed the chat about Isobel Gowdie; despite being such an influential character in our history, I feel that she often doesn't get enough recognition and attention. I look forward to seeing future interviews!
Letters from the Devil's Forest is an absolutely awesome book.
Amazing! Thank you! I've been looking into his books recently and have been curious to know more. I find it no coincidence that this was suggested on my feed. Thanks again for this video/interview... 🌿
listening to Karagan interview people is painful, he never lets them talk and always disrupts and talks over them. truly an unskilled interviewer. But he just so happens to be the only one to be interviewing many of the occult authors that i deeply respect.
Thank you very much for your review. You are clearly an expert. I do hope you continue to listen, considering my lack of skill.
What in the world are you talking about? He was fine and with a wonderful manner. Robin had ample time to talk and talked a lot. I like Karagan’s voice. Calming, conversational, sweet, sassy. It’s thoroughly an enjoyable experience. I’m surprised at the lack of comments. This is great stuff here, seriously. Wish there was more!
Nah, I always thought he did quite well.
Great book
♥