You'll notice how the resonance of Mark's horn is enhanced through his choice of open and minimal footwear, while combining it with socks allows him to keep a warm core throughout the range.
The socks with sandals was one of the first things I noticed as they were getting ready. I then wondered if anyone else noticed something as silly as that. And top comment of course...But a cleverer take on the fashion choice than I would have had.
after watching this i rushed out and bought a pair of sandals. after checking i was still wearing socks (very important tonally, apparently) i picked up the horn, blew and... it still sounded crap. oh well...
Sure, that's fair, but by that analogy, if folks are still listening to jazz in two or three hundred years, they'll be listening to Coltrane, Ayler and Rollins, not Turner and Potter.
+hanssvoboda I don't think you should sacrifice making good music in order to make new one. Every individual has its identity, that gives me enough reason to listen to them. What do you want them to play, modal weird urban jazz? For some reason it's not ok for Jazz musicians to keep alive what has already been done. Tell that 50 years shit to classical musicians and to folk musicians that can't go more advanced than C Am Dm G, and let us enjoy how Mark Turner manages to play through interesting harmonies.
You are aware they are playing old repertoire aka a standard? Have you heard the language they are using on this old repertoire? Does that really sound 50 years old to you?
how can you listen to more than 15 minutes of this music WITHOUT A HARMONY INSTRUMENT ?? these are all good players ,,but when you leave out one of the ESSENTIAL ELEMENTS OF MUSIC LIKE HARMONY you immediately limit the interest and comprehension of the music
Chordless trio (and larger groups like this one) is a pretty unique thing, and I like it very much. Check out Yayennings or Sonny Rollins live in the sixties. I find it opens up much more possibilities, opens up the sound too, while putting more harmonic responsibility on the soloist, so the playing is usually very clear.
@@alexambroise111 yes im sure it opens up possibilities for THE PLAYERS !!!im talking about the LISTENERS !!its kind of selfish dont you think ?? listen i was THERE in the 60 s at the VANGUARD with sonny rollins wilbur ware and either elvin or pete laroca ,i love sonny ,but truthfully ?? after 15 minutes it became BORING ,sorry
You'll notice how the resonance of Mark's horn is enhanced through his choice of open and minimal footwear, while combining it with socks allows him to keep a warm core throughout the range.
😂
hahahaha
boz otimov
Funny 😆
Spoken like a true podiatrist.
The socks with sandals was one of the first things I noticed as they were getting ready. I then wondered if anyone else noticed something as silly as that. And top comment of course...But a cleverer take on the fashion choice than I would have had.
Jonathan is one of the best drummers, stroke by stroke. His mastery and technique are amazing.!!
🎯
It is a shame, but only one video exists of such a magnificent team up. but at the same time, it is a miracle that at least one video exists
after watching this i rushed out and bought a pair of sandals. after checking i was still wearing socks (very important tonally, apparently) i picked up the horn, blew and... it still sounded crap. oh well...
Love this set-up. Two tenors, bass, drums. Lean and MEAN.
The drums!
We can tell that Mark felt very comfortable as if he were at home.
Great performance. Thanks for sharing this!
Did Chris take his pants off at 3:10?
Mr. Day by Coltrane.
gorgeous rendition!
Love the drummer's set-up. Everything on one plane, guaranteeing no wasted motion.
Doesn't get much better than this
Never underestimate the power of a pair of sandals.
just randomly clicked on the video, notice it was posted by you. I've been enjoying BEING HERE! thanks for the great read!
Thank you!
Do you have any more clips of this show? I URGE YOU! POSTTTT
Very nice, do you have more videos of this performance, Radhika?
Daaammnnn, so much goodness
wowowowowow
cool
It's most definitely Ben Street on bass.....
Damn this is swingin
no it's Ben Street
🌼😀🌱💛
Chris YA! :)
it is ben street
what will they have talked about in the minute 0:39
What’s the tune called? Interesting changes
It is a BLUES!
Mr. Day by coltrane. Im pretty sure its just a f# sus blues with a pretty cool bassline
Mark and Johnathan kicking ass. No slight meant to the other great musicians.....
Who's the drummer?
Johnathan Blake on drums.
Any1 else notice mark standing tall when playing high notes and squatting playing low notes thats kinda funny
NO DRUM SOLO. NOOOOOOOO :(
+Jared Goldman ONLY SAXOPHOOOOOOOOOOO
Marks doing squats while playing SMH
Sounds great though!!!
this is matt penman on bass, not ben street!
great gig!
LOL
@@joaopaulosilva6672 alguém viu o Stark?
Epá jazz
Manos é o Mark Turner
@@joaquimfestas3441 vdd bro
Good call, Mark. I wouldn't want to follow Chris either.
you need to go sleep, dude
Chris potter lol
Sandalias con calcetines...Sorry.
TAKE THAT
MARK
Listening to this, one might guess that pretty much zero has happened in jazz in the last 50 years.
+hanssvoboda folks still listen to mozart
Sure, that's fair, but by that analogy, if folks are still listening to jazz in two or three hundred years, they'll be listening to Coltrane, Ayler and Rollins, not Turner and Potter.
+hanssvoboda I don't think you should sacrifice making good music in order to make new one. Every individual has its identity, that gives me enough reason to listen to them. What do you want them to play, modal weird urban jazz?
For some reason it's not ok for Jazz musicians to keep alive what has already been done.
Tell that 50 years shit to classical musicians and to folk musicians that can't go more advanced than C Am Dm G, and let us enjoy how Mark Turner manages to play through interesting harmonies.
+passerell couldnt agree more
You are aware they are playing old repertoire aka a standard? Have you heard the language they are using on this old repertoire? Does that really sound 50 years old to you?
Great music. Terrible footwear.
how can you listen to more than 15 minutes of this music WITHOUT A HARMONY INSTRUMENT ?? these are all good players ,,but when you leave out one of the ESSENTIAL ELEMENTS OF MUSIC LIKE HARMONY you immediately limit the interest and comprehension of the music
I can listen to it because for me chords arent necessary to hear harmony. To be honest its really interesting to hear that space in between.
And if you listen closely they sometimes outline harmony with sax underneath
@@Zilvinas. good for you ,,glad you can enjoy it
Chordless trio (and larger groups like this one) is a pretty unique thing, and I like it very much. Check out Yayennings or Sonny Rollins live in the sixties. I find it opens up much more possibilities, opens up the sound too, while putting more harmonic responsibility on the soloist, so the playing is usually very clear.
@@alexambroise111 yes im sure it opens up possibilities for THE PLAYERS !!!im talking about the LISTENERS !!its kind of selfish dont you think ?? listen i was THERE in the 60 s at the VANGUARD with sonny rollins wilbur ware and either elvin or pete laroca ,i love sonny ,but truthfully ?? after 15 minutes it became BORING ,sorry
Boring....