Beautifully done. Nancy Lesh also does this raga on the cello, which is a completely different experience than the voice, but I adore both this version AND her cello version (she lives and studies in India, has 2 albums out, and had an Indian last name now, but I don't remember it off the top of my head). The disconnect and practice and knowledge it takes to do Dhrupad gives me great respect for the best artists. Their level of study and discipline reminds me of what opera singers have to master in order to be at the top. The breathing and placement of the voice, the use of the "squilo", keeping the voice very limber, the changes in intonation, it's truly amazing. You really do have to be related to blend this well, as if only one voice was singing, overlapping the sustained notes. Every serious music student worldwide should study Dhrupad, especially serious singers, IMHO. When they start with danana danana danana,, then they're introducing the part where they'll start playing with tones. I love that part. It's fascinating. As a singer, try to match those exactly to train your voice in pitch 😀.
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Thank u so much for your appreciation. Keep spreading the channel and help in popularizing the rich form of Indian classical music. Please share, like and subscribe. Thank u.
Thank u so much for your appreciation. Please spread the channel and help in popularizing the rich form of Indian classical music. Subscribe to this channel and like and share the contents. Thank u.
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No offence meant. But why keep the lyrics are always kept close to the chest. Think if Lord Shiva would have kept Dhrupad to himself would this beauty be accessible to us. If God himself wanted that it not be restricted then why do people keep their lineage related lyrics to themselves?🙏
@@branandubh I think I can hear them saying barana..barana... that seems to introduce the part where they are doing such amazing tonal work with their voices.. I love that part so much in all ragas. Well, I love every part.
@@frankG335 I think you are talking about the jor and jhalla portions. RaNaNaNa. Just syllables taken from a mantra. There is a nice UA-cam video “lecture demonstration recital by the Dagar brother” I think it’s called, explains lots. Brenan wrote the lyrics of the first composition (12 beats).
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Beautifully done. Nancy Lesh also does this raga on the cello, which is a completely different experience than the voice, but I adore both this version AND her cello version (she lives and studies in India, has 2 albums out, and had an Indian last name now, but I don't remember it off the top of my head).
The disconnect and practice and knowledge it takes to do Dhrupad gives me great respect for the best artists.
Their level of study and discipline reminds me of what opera singers have to master in order to be at the top.
The breathing and placement of the voice, the use of the "squilo", keeping the voice very limber, the changes in intonation, it's truly amazing.
You really do have to be related to blend this well, as if only one voice was singing, overlapping the sustained notes.
Every serious music student worldwide should study Dhrupad, especially serious singers, IMHO.
When they start with danana danana danana,, then they're introducing the part where they'll start playing with tones. I love that part. It's fascinating. As a singer, try to match those exactly to train your voice in pitch 😀.
It Moved something within me . Thank you . love you . jay ho
Thank for ur appreciation. Keep sharing..
Har har Mahadev ❤
Narayan❤maravillosa la conexión sagrada de su canto ✨
48:50 comienza paulatinamente el extasis de union de Shakti/ Shiva
Amazing experience while listening this..totally divine and blissful
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Bam Bhole
Simply Divine
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Divine experience ♥️🙏🏻🙏🏻🙏🏻ahaa
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❤ so sweet n so soothing raaga ...very well sung wah.. Classic style ..so much to learn from it
A very much deep
musical event 🎉
Such as Divine experience
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amazing rendition!
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Namo namostu..
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Excellant presentation ,. Raga Bhairab evokes calmness & tranquility , Every morning l listen this Raga in any format .
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Subscribed and shared to Facebook page.
Thank you so much 🙏🙏🙏🙏
so soothing 🎉💐
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🙏
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सामगान का अर्क है यह गायन
No offence meant. But why keep the lyrics are always kept close to the chest. Think if Lord Shiva would have kept Dhrupad to himself would this beauty be accessible to us. If God himself wanted that it not be restricted then why do people keep their lineage related lyrics to themselves?🙏
Saghana bana chaayo
Druma beli madho bhuvana
Ata prakasha barana barana
Pushpa ranga laayo.
Thanks Silvius
@@branandubh I can't read this and the translator won't translate it.
Are these the lyrics?
@@branandubh I think I can hear them saying barana..barana... that seems to introduce the part where they are doing such amazing tonal work with their voices.. I love that part so much in all ragas. Well, I love every part.
@@frankG335 I think you are talking about the jor and jhalla portions. RaNaNaNa. Just syllables taken from a mantra. There is a nice UA-cam video “lecture demonstration recital by the Dagar brother” I think it’s called, explains lots. Brenan wrote the lyrics of the first composition (12 beats).
ADBHOOT
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What does that mean?