@@randyrektor Yes! I especially like it in the low end. I think the Qs are slightly different or something. Or it affects the harmonic content differently for cut and boost... Like I said, I don't really understand it.
I love this. I'm not an audio guy at all but sometimes I'm forced into it. Proper EQ is a pain for me, but this simplified a lot of concepts. I can't wait to put it to good use!
Pro explanation, thanks man. Some pretty awesome advice here. Boosting with a narrow Q helps you hear which sounds live in which frequency. Lizardspawnofdeath should rewatch
LOL! Thanks man. Yea it’s not a perfect method for dialogue recording, but this is a tested method in live sound for finding problem areas in rooms that cause ringing. If it works for just about every live sound engineer ever, it must be decent :p
Some pretty bad advice here. Boosting with a narrow Q is rookie error 101. DON'T just boost with a narrow Q and start notching. Any frequency will sound terrible in isolation when boosted with a narrow Q. Pros hear potential issues first THEN target them if necessary. Boosting with a narrow Q simply creates problems that weren't even there in the first place.
Sure, Its not a perfect system. This is a starting place for people to find issues in their audio and rooms. Of course it’s best if you can find them first, but amateurs often can’t find them. This is merely a starting by place to start training your ears.
Who makes the best EQ?
Not parametric exactly, but I use the UAD Pultec EQP-1 on almost every track. For simple low-cut, I'll just use the built-in EQ in my DAW (Sonar).
Man, UAD plug-ins are insanely nice. I’m excited to get mine off an old machine I had. I love the Pultec on bass and kick. Such a clean mid scoop. :)
@@randyrektor the Pultec has that weird thing where you can boost and cut the same frequency simultaneously. I don't understand it, but it's magical!
Lol I never even noticed. Does it like.. do anything? Haha
@@randyrektor Yes! I especially like it in the low end. I think the Qs are slightly different or something. Or it affects the harmonic content differently for cut and boost... Like I said, I don't really understand it.
This is incredibly helpful!
Thanks man!
Hard to EQ a voice that already sounds like butter to me but you did a good job 😉
Give me a break ;)
I love this. I'm not an audio guy at all but sometimes I'm forced into it. Proper EQ is a pain for me, but this simplified a lot of concepts. I can't wait to put it to good use!
Oh that’s awesome! Thanks for sharing. Glad that this was of some use for you. 👌🏻👌🏻
Dope! Thanks for this man!
You got it man :)
Pro explanation, thanks man. Some pretty awesome advice here. Boosting with a narrow Q helps you hear which sounds live in which frequency. Lizardspawnofdeath should rewatch
LOL! Thanks man. Yea it’s not a perfect method for dialogue recording, but this is a tested method in live sound for finding problem areas in rooms that cause ringing. If it works for just about every live sound engineer ever, it must be decent :p
Great video
Thanks man!
@@randyrektor np
what app is this?
ProTools with some Waves plugins :)
Some pretty bad advice here. Boosting with a narrow Q is rookie error 101. DON'T just boost with a narrow Q and start notching. Any frequency will sound terrible in isolation when boosted with a narrow Q. Pros hear potential issues first THEN target them if necessary. Boosting with a narrow Q simply creates problems that weren't even there in the first place.
Sure, Its not a perfect system. This is a starting place for people to find issues in their audio and rooms. Of course it’s best if you can find them first, but amateurs often can’t find them. This is merely a starting by place to start training your ears.
Lizardspawnofdeath I disagree with you, you must’ve not watched the video properly?