0:35 without reed (exhale) 0:45 (inhale) 0:57 exhale & inhale (can breathe) 5:25 with reed (inaudible) 6:13 open mouth slightly (“sh”) 7:24 a little away from the reed
A helpful video for me as a composer... but I do seek a clarification: 6:35 - 7:00 - You mention that the technique transposes by a semitone, but then give the example of a fingered B-flat sounding as D-flat, which is a minor third. Which exactly do you mean?
0:35 without reed (exhale)
0:45 (inhale)
0:57 exhale & inhale (can breathe)
5:25 with reed (inaudible)
6:13 open mouth slightly (“sh”)
7:24 a little away from the reed
Thank you! Very helpful for composers.
sehr standardisierte ausführliche Einführung, hilfreich für mich. Dankschön!
Wow, thank you so much! very helpful!
You are welcome!
How well does this project in a concert hall can it heard when trying to provide texture?
A helpful video for me as a composer... but I do seek a clarification: 6:35 - 7:00 - You mention that the technique transposes by a semitone, but then give the example of a fingered B-flat sounding as D-flat, which is a minor third. Which exactly do you mean?