@@ericaveillette6388 🤠 Definitely! 👍 There's just too many to mention. My favorite is "Couldn't Stand the Weather," and the Capitol Theater performance is epic! 🎸💙
There's no question that SRV was very special. But as you also kind of said ... When you put him together with the double trouble guys it just becomes such an amazing symbiotic unstoppable groove train. React to a live version of Tin Pan Alley.
Loved your reaction!! Thanks for recognizing the band, as well. Might want to check out the same song from Austin, 1989. It’s a whole different vibe. He rages on that version! That Austin show has quite a few great performances, including “Mary Had a Little Lamb,” “Look at Little Sister,” “Couldn’t Stand the Weather,” and “Leave My Girl Alone.” Another must see is the iconic “Texas Flood “ from El Macombo,. Keep it going!!
look at little sister with Jeff Healey, or solo performance (for a smooth ass guitar change when string breaks) Mary had a little lamb. Pipeline with his brother Jimmie. Any song is amazing to watch him play, especially with the blue legends like BB and Albert King and so many others.
Love Stevie, first time clikin around found you Mike.. 9 months or so active with many dif guys/girls reactions.. Great reaction man and knowing guitar and music you see/hear understand the technical aspects of the guitar/drums/base etc... Its almost like Jimi wrote this for SRV, i must go home brother c you in about 20 years on the other side in the spirit realm.. And even not knowing each other there always was a soul connection.. Only you will be able to take my Voodoo Child to another level, its yours and i will be with you.. I listed many times (peoples reactions) to the El Mocambo performance, absolutely mind blowing phenomenal.. So cool how he jus tears her (his guitar) up and she responds so well sounds speaking in tongues.. Loving cooperation together connected with pure raw depth of passion heart & soul > beautiful relationship.. Sorry sweetheart didn't mean to break one of our strings again but when we go this hard you know.. Then he smiles shrugs, lets recover and do it again - love it otherworldly stuff always with Stevie and double trouble..
That guitar was called Number One. This performance was for Muscular Dystrophy hencehim saying remember Jerry's kids. Probably had time limit. Number One was originally owned by fellow Texan Christopher Cross at Ray Hennigs guitar store in Austin.
The Texas Blue's Ya'll. The wa petal hes usein' belonged to Jimi Hendrix. He used all those Amps he had em all hooked up turned em all the way up. 38 Amps at once. Sometimes he blew the Amps Up. He had the string's strung upside-down. He had 1inch holes in his finger's when his calasis would fall off he would take bakin' powder and Super glue and glue his Calises back on his finger's file em down the rough edges so they wouldn't get caught on the string's and keep right on playin'. He had 38 amps hooked up all together. He's got the tone from them Amps. Thank for the kind word's you said bout My Brother and Chris abd Tommy. ❤ Peace and Love to you ❤️ 💕 I'm his Little Sister Kiya Lynn Vaughan. PS. DONT MESS WITH TEXAS YA'LL!
Your Brother was an incredible person and inspiration to many of us, myself included. Thanks for the info and your kind words, means I'm doing something right on this channel!
Gear head here... stevie used a bunch of different amps but the ones he stuck with were a fender super reverb a Marshall jtm 45 a fender vibroverb (usually 2) a dumble steel string singer a soldano head a high power 57 tweed twin a fender 59 bassman and a marshall club and country. His string gauge was 13-15 -19-28-38-60 and his action was about 1cm or higher. What you saw with the marshall was just daisy chained amps together. On the super reverb and the vibroverb (same amp circuit just different speaker cabinet) he pulled the v1 and v5 tubes to make the bass tighter at higher volumes (more volume= more natural bass) his settings on many of his amps usually stuck to the general stevie rule : 3-6-9 meaning: Bass:3 Mids:6 Treble:9 His picks he used were 1.19mm wich he often broke ever 3 or so songs. I've done years of research on this man and know alot about his rig. Feel free to ask anything you want.
This is very helpful! The way you describe his gauges and action it's almost getting into slide guitar territory (but not quite). The man was possessed, clearly! So he's basically daisy chained the marshall and the fender together? Is he using both at once, or is the fender acting as a speaker cab for the marshall head?
@@mikenagoda every amp has it's own cab and here hes got 5 amps running ( Marshall into a 4x10 cab loaded with electro voice 30 watt speakers. A super reverb with the v1 and v5 tubes pulled out also loaded with 15 watt electro voice speakers. Hes got a dumble steel string singer running through 2 Mesa boogie 2x12 cabs with JBL 45 watt speakers. Hes got a vibroverb loaded with a 1x15 JBL 55 watt speaker that's driving the leslie spinning speaker (also has the v1 and v5 tubes pulled). Hes got a marshall club and country 2x10 loaded with electro voice 30 watt speakers. All amps are daisy chained together. Also yes stevie was known to be a killer slide player but didnt do it too often.
I fricken love you what a great reaction you have such an interesting perspective on his work I think you're channel is going to blow up!! Good luck and Rock on!!
I know I'm 2 years late to the party, but the Tokyo performance is 1a for me. Followed very closely with 1b at the Cotton Club. I just like it dirty and the ACL, that I love as well, was too clean.
@@mikenagoda His brother bought it for him & he used it whenever performing a Hendrix song; Vood00 Child, Little Wing, etc. So that he could get as authentic a sound as possible.
Umm...'unrestrained...& longer'...go to One Night in Austin (Voodoo Chile). And it's a sober Stevie...the crispness, pace, & solo flow equal an 'unrestrained' complete composition. A beautiful paradox.
What other SRV performances should I react to?
🤠 "Texas Flood" live at the El Mocambo is a classic Stevie performance. 👍
Tin Pan Alley at the Ripley Music Hall. This particular version is spectacular!
Lenny at El Mocambo
@@ericaveillette6388 🤠 Definitely! 👍 There's just too many to mention. My favorite is "Couldn't Stand the Weather," and the Capitol Theater performance is epic! 🎸💙
Little wing at El Mocambo
Chris was absolutely incredible and gets little credit. That band was the Goat and Stevie Ray was the Guitar King. Ain't none better!
There's no question that SRV was very special. But as you also kind of said ... When you put him together with the double trouble guys it just becomes such an amazing symbiotic unstoppable groove train.
React to a live version of Tin Pan Alley.
He was an amazing player who will be immensely missed always....
Stevie's bass player Tommy Shannon said it was like Stevie went into a trance and was channeling Jimi when he played a Jimi song.
SRV ~ 🎸🐐
Oh Yea!
The G O A T!
Never saw this performance; so good! Jimi would be proud.
My favorite song is life without you. RIP Stevie Ray
Loved your reaction!! Thanks for recognizing the band, as well. Might want to check out the same song from Austin, 1989. It’s a whole different vibe. He rages on that version! That Austin show has quite a few great performances, including “Mary Had a Little Lamb,” “Look at Little Sister,” “Couldn’t Stand the Weather,” and “Leave My Girl Alone.” Another must see is the iconic “Texas Flood “ from El Macombo,. Keep it going!!
look at little sister with Jeff Healey, or solo performance (for a smooth ass guitar change when string breaks) Mary had a little lamb. Pipeline with his brother Jimmie. Any song is amazing to watch him play, especially with the blue legends like BB and Albert King and so many others.
Love Stevie, first time clikin around found you Mike..
9 months or so active with many dif guys/girls reactions..
Great reaction man and knowing guitar and music you see/hear understand
the technical aspects of the guitar/drums/base etc...
Its almost like Jimi wrote this for SRV, i must go home brother c you
in about 20 years on the other side in the spirit realm..
And even not knowing each other there always was a soul connection..
Only you will be able to take my Voodoo Child to another level, its yours and i will be with you..
I listed many times (peoples reactions) to the El Mocambo performance, absolutely mind blowing phenomenal..
So cool how he jus tears her (his guitar) up and she responds so well sounds speaking in tongues..
Loving cooperation together connected
with pure raw depth of passion heart & soul > beautiful relationship..
Sorry sweetheart didn't mean to break one of our strings again but when we go this hard you know..
Then he smiles shrugs, lets recover and do it again - love it otherworldly stuff always with Stevie and double trouble..
"don't forget jerry's kids" haha
If you want "less restrained" check his cover of Jimi's 3rd Stone from the Sun.
That guitar was called Number One. This performance was for Muscular Dystrophy hencehim saying remember Jerry's kids. Probably had time limit. Number One was originally owned by fellow Texan Christopher Cross at Ray Hennigs guitar store in Austin.
Agreed. The accompaniment behind the solo section was quite nifty.
The Texas Blue's Ya'll. The wa petal hes usein' belonged to Jimi Hendrix. He used all those Amps he had em all hooked up turned em all the way up. 38 Amps at once. Sometimes he blew the Amps Up. He had the string's strung upside-down. He had 1inch holes in his finger's when his calasis would fall off he would take bakin' powder and Super glue and glue his Calises back on his finger's file em down the rough edges so they wouldn't get caught on the string's and keep right on playin'. He had 38 amps hooked up all together. He's got the tone from them Amps. Thank for the kind word's you said bout My Brother and Chris abd Tommy. ❤ Peace and Love to you ❤️ 💕 I'm his Little Sister Kiya Lynn Vaughan. PS. DONT MESS WITH TEXAS YA'LL!
Your Brother was an incredible person and inspiration to many of us, myself included. Thanks for the info and your kind words, means I'm doing something right on this channel!
Gear head here... stevie used a bunch of different amps but the ones he stuck with were a fender super reverb a Marshall jtm 45 a fender vibroverb (usually 2) a dumble steel string singer a soldano head a high power 57 tweed twin a fender 59 bassman and a marshall club and country. His string gauge was
13-15 -19-28-38-60 and his action was about 1cm or higher.
What you saw with the marshall was just daisy chained amps together. On the super reverb and the vibroverb (same amp circuit just different speaker cabinet) he pulled the v1 and v5 tubes to make the bass tighter at higher volumes (more volume= more natural bass) his settings on many of his amps usually stuck to the general stevie rule : 3-6-9 meaning:
Bass:3
Mids:6
Treble:9
His picks he used were 1.19mm wich he often broke ever 3 or so songs. I've done years of research on this man and know alot about his rig. Feel free to ask anything you want.
This is very helpful! The way you describe his gauges and action it's almost getting into slide guitar territory (but not quite). The man was possessed, clearly! So he's basically daisy chained the marshall and the fender together? Is he using both at once, or is the fender acting as a speaker cab for the marshall head?
@@mikenagoda every amp has it's own cab and here hes got 5 amps running ( Marshall into a 4x10 cab loaded with electro voice 30 watt speakers. A super reverb with the v1 and v5 tubes pulled out also loaded with 15 watt electro voice speakers. Hes got a dumble steel string singer running through 2 Mesa boogie 2x12 cabs with JBL 45 watt speakers. Hes got a vibroverb loaded with a 1x15 JBL 55 watt speaker that's driving the leslie spinning speaker (also has the v1 and v5 tubes pulled). Hes got a marshall club and country 2x10 loaded with electro voice 30 watt speakers. All amps are daisy chained together. Also yes stevie was known to be a killer slide player but didnt do it too often.
@@Nitsua_Atayha 5 amps for blues is nuts. Incredible.
I fricken love you what a great reaction you have such an interesting perspective on his work I think you're channel is going to blow up!! Good luck and Rock on!!
Leave my girl alone is a good one
His Austin City Limits, 1989 Voodoo Child performance is better in my opinion.
No way
In Montreux is better
Agreed! ACL performance was magical.
Austin City Limits was way too fast. It lost the groove.
I know I'm 2 years late to the party, but the Tokyo performance is 1a for me. Followed very closely with 1b at the Cotton Club. I just like it dirty and the ACL, that I love as well, was too clean.
Being an influence for you, you know he used one of Jimi's wah-wah pedal, then.
I actually didn't know that!
@@mikenagoda His brother bought it for him & he used it whenever performing a Hendrix song; Vood00 Child, Little Wing, etc. So that he could get as authentic a sound as possible.
Umm...'unrestrained...& longer'...go to One Night in Austin (Voodoo Chile).
And it's a sober Stevie...the crispness, pace, & solo flow equal an 'unrestrained' complete composition.
A beautiful paradox.
You should react ua-cam.com/video/t5OGknwMzr4/v-deo.html She is Erja Lyytinen, perhaps the best slide guitarist ever.
I would disagree, as far as guitar work there i s no one better than SRV. He surpassed Jimmi.