Impressionism Pt 2: Complications with Painting the Modern World | Otis College of Art and Design
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- Опубліковано 20 сер 2024
- Dr. Parme Giuntini, Director of Art History at Otis College of Art and Design, presents this series on Modern Art. She will discuss the movements and ideas that changed our perspectives on art and art making. She will begin with Realism in France, around 1850, and finish with Abstract Expressionism in New York City in the mid-20th Century.
This is the second half of the lecture on Impressionism. In this discussion, Dr. Giuntini discusses what post modern, mid 20th scholars are saying. They have different questions, different priorities, and different interpretations.
Miss Giuntini takes me on a journey, again and again... great lecturer. Grazie!
Fascinating! Thank you.
Not sure about the loge Renoir comment, but the weirdness is a great example of how hard it is to make sense of this era of impressionism. Such a fantastic lecture, thank you so much!
very good. Thank you very much.
Although some of the comments have some degree of validity, most of it is simply incredibly rude. Come on, somebody is actually putting up really good information for free and you can think about nothing but complaining? Even if some errors occur, one can simply double-check with an encyclopedia or read another thing. It will auto-correct in your mind if you supply enough of the right information. Probably you wont remember the dates anyway.
Remarkable, thanks for this new way of looking at impressionism :)
Thank you very much 🥰
Thank you very much for this educated lecture.
The academicians (members of France's state run Beaux Artes school) would often paint literary subjects. An example is Alexandre Cabanel, who painted the Birth of Venus. They were seen as the opposition by the Realists (Courbet, Millet, Manet) and also by the Impressionists.
excellent!
Fascinating video, thanks for sharing! Which painters tended to paint literary subjects? Is that pre-Impressionist?
Fine Art education, exhibitions and the market itself were dominated by great academies until the end of the 19th century. To gain favour with the academy and its powerful patrons, artists were obliged to paint certain "genres" in a certain way. This monopoly on style and subject matter had been maintained for several centuries until maverick artists started chipping away at the authority of those institutions.
The experiments carried out by the avant-garde artists of the 19th century questioned the validity of those dominant academic values.
If you watch the entire series of these well-planned and informative presentations, it should all make sense. :)
The Birth of Venus by Bouguereau presented here is mirror of the original image
Wonderful ,but wrong about absinthe.
Her eyes are terrifying.
I like the video, and that you are putting these videos on here, but...
Her voice...well, maybe not her voice, so much as having the microphone so close to her mouth, after a while, it just becomes unbearable to hear the breathing, and every other sound...a little harsh, could it not be equalized in post-prod? Even if you were just to use Audacity (free) or some other software to EQ out the hiss and take some of the edge off.
Some of your pronunciations of proper names are not correct.