2017 Turner Prize Winner, Lubaina Himid - Jelly Mould Pavilion by Sculpture Studios
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- Опубліковано 28 вер 2024
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Sculpture Studios are proud to offer their personal congratulations to Lubaina Himid for her success in winning the 2017 Turner Prize. The Jelly Mould Pavilion, created from glass fibre with an internal metalwork structure, was but one part of the entry selection of art pieces from Lubaina. Now set up on the Folkestone beachfront, the Jelly Mould Pavilion is a public piece of personal and interactive sculpture.
And yet another fantastic project. Thank you, as always, for sharing this.
Cheers Roger. Apologies for the delay, but a big thank you all the same.
congratulations,you're the best, you inspire me realy a lot .
Thank you Hamid!
@10:47 "Barley Leg Twists" 😝
I love your channel and always find your projects so inspiring. I'm based in east London and thinking of ways to incorporate BIG sculptures into my work. All the best for 2018 @Aden Hynes Sculpture Studios
Travis - The Modern Designer 😂 well spotted!
I am a architect student and this is a really nice work! I would love work with you guys!
Thank you very much indeed sir! Delayed response from us admittedly, but it's very much appreciated
Who exactly is supposed to get the Turner Prize for this? Lubaina should at least come to the studio and sweep up for you.
Hahaha brilliant! It was part of a collection of a lot of other work as well I think Keith, and this was just the cherry on top. ( A very BIG cherry! )
Ministry of Silly Walks cameo
Ajin🍲 in🇮🇳 like
Regurgitating Something Pacified and Black / The British Black Art Movement. 2017 - ongoing
by Hanz Koontz BA Fine Art(Hons) hanzkoontz.ga/
Any organisation, group, collective or movement that exists out of exclusion and continues in a state of separation with little or no impact on social or racial progression is allowed to exist to maintain separation. A black art movement is a contradiction, kept by institutions until their keepers periodically require them to perform a function that gives the impression of racial inclusion.
Lubaina Himid MBE ( Member of the Order of the British Empire) Christopher Ofili, CBE (Order of the British Empire) Franklin Bowling OBE ( Order of the British Empire) Sonia Dawn Boyce MBE(Most Excellent Order of the British Empire)
The British Black Art Movement (1982) is a group of pacified black artists that did not and do not challenge, they reinforce the establishment with a form of predictable managed art, they do not impact the now, they have made no significant contribution as a “movement” no impact beyond self-interest, controversial enough to secure employment and create opportunity but not enough to make a difference, selected members are given a platform when racial discrimination and inequality become a visible issue.
Almost forty years on and we see wider racial divisions in the arts, social fragmentation and a regurgitation of The British Black Art Movement, a movement that had no purpose beyond its own formation. British black art exists out of racial separation - reinforced by Arts Council England - to perpetuate this socially / racially and culturally regressive cycle of maintained separation Lubaina Himid and The British Black Arts Movement have been awarded - £280,000 goo.gl/gu8FyT 2016/2017 - Arts Council England disclosed under a Freedom of Information (FOI) request 2017
www.tate.org.uk/art/art-terms/b/british-black-arts-movement
The fundamental reason the Turner Prize age limit was lifted because the white art establishment couldn't find any young black or other minority artists, Lubaina Himid: “It was a box that needed ticking.” As a black woman in her sixties, in the year that the prize lifted its age limit, she says: “I just happened to tick every box there is to tick.” It's not that she ticked all the boxes the point is she put herself in a position to tick all the boxes, it's a cycle - a time when inequalities are acknowledged and the gaps are filled with the same racial tokenism.
inews.co.uk/culture/lubaina-himid-turner-prize-win-box-needed-ticking/
The British Black Art Movement is tokenism that has lasted almost half a century, institutional discrimination - a corruption that is normalised in the art world, misleading the public, a deception and gross abuse of power.
The British Black Art Movement version 2017 is a giant leap sideways and has condemned black and other minority artists to separation and isolation, reinforced by social ignorance, hype and institutional need to present an image of racial inclusion, The rigged establishment promotes docility in the visual arts its a way of cultivating rubbish that doesn't challenge, Lubaina Himid a black winning the Turner Prize is not for the benefit of progressive art or the public it is to convince the government to continue funding a system, in reality, artists only exist to ensure the continuation of a mechanisms that create an impression of racial inclusion, educational value - a system that allows art movements/collectives to form only to be managed to maintain separation and control.
With the support of Nicholas Serota, we have taken racial/social separation - a form of apartheid in the visual arts and exported it to Venice www.internationalcuratorsforum.org/projects/diaspora-platform/ This space represents a time warp where its ok to call black people niggers, a space rigged in favour of anyone willing to support social inequalities and artistic fraud.
Institutional discrimination is a societal failure by maintaining the pretence of racial progression and cultural advances, it is a social betrayal by gallery directors for knowingly supporting a system that creates racial separation - it is a cultural deception by The British Black Art Movement for creating and maintaining a separate system and making racism acceptable.
References
inews.co.uk/culture/lubaina-himid-turner-prize-win-box-needed-ticking/
i-d.vice.com/en_uk/article/59kygb/lubaina-himid-turner-prize
www.theguardian.com/artanddesign/2017/sep/24/lubaina-himid-turner-prize-2017-interview
www.mdx.ac.uk/news/2015/12/middlesex-professor-leads-major-art-project-investigating-black-artists-and-modernism
In Progress
The British art system operates out of self-preservation a network of pseudo-academics that have a career pattern of being on the board / panel membership of Arts Council England and recipients of ACE funding, in the case of Himid on the board of ACE and a recipient of ACE funding Himid has control over the selection/collection of culturally significant art ibaruclan.com/partners/lubaina-himid/ (Funded by ACE collected by ACE for the national collection) When Himid state that she is sympathetic when people do not receive funding for their art projects you must accept that this is bullshit at its most obvious.
Himid is qualified in theatre design, racial appeasement has awarded her a position of professor of contemporary art, a professor of contemporary art that can’t create art - a collective body of work an art foundation student couldn't get away with, it is conceivable this is why Himid has difficulties understanding anything beyond theatre and cardboard cutouts, her work consists of superficial aesthetics and contextual nonsense, describing anything she doesn't understand as “emotionless conceptual conceits” and stating “The process of creation is always the act of struggling with something that isn’t working” this is rhetoric commonly used as a defence mechanism for incompetence. Members of The British Black Art Movement hold positions as educators/peers for black other minority art students it should be no surprise that there has been zero progress in black and minority art, the art establishment endorsing stupid is a way of censorship a comprehensive form of institutional tokenism and a barrier for anyone that wants to participate.
Care to provide a brief list of artists or works of which you approve?
@@hd-xc2lz The United Kingdom has a rigged contemporary art system, it is unlikely you will find anything of purpose.
you have the most amazing
team!! congratulations on your
part of creating this sculpture.
God bless
Thank you very much Art lady! Apologies for the delay in reply! We're revisiting the comment section on this video as Aden and Sean went down to Folkestone today to touch up a little of the inside of the canopy (5 years later!)
That thing's ridiculous, it's amazing what they call art.
Fantastic job as always!
I know where to get 2inch wide foil tape ;)
Thank goodness you all can have fun at times Dancing, Tripping, Cart Wheeling, Hand standing and what a contrast to the absolute epic artistry, problem solving, craftsmanship, and Hard work that as a team you all baffle the rest of us!
Thank you very much Tracy! It certainly gets us through the day. And we feel like it keeps us sane (although many would no doubt suggest otherwise!). Thanks for watching!
The most awesome thing I see is how clean you keep your shop with all that going on.
In this case, it HAD to be clean! We needed the room for this one!
the little Lady is sooooo cute!!! I like her kind of humor. It´s so british...
JUST AMAZING! YOU GUYS INSPIRE ME TO NO END!
Thank yoooouuuu!
I really love these videos - it's so wonderful to see what goes into projects such as these. Thank you so much for sharing.
A lot more to it than first meets the eye, particularly with a project like this! Thank you very much
I like it❤
Sorry guys this isn't a sculpture...it's Architecture. It has a function, it's functional like a spoon or toilet. No matter the beauty, how conceptual or socially significant. It's just not a piece of Art.
It's function here appears to be lecturing us and society on so-called historical injustice, aimed primarily at your average white guy. Note the ones lecturing us only go so far back in history and context, then it stops. If they went farther back, everyone would be indicted, not just European males, and we can't have that can we? For history is made up of many winners and losers, and the guilt you are made to feel would be diluted amongst the many if truth be told...Thank you.
But did you like the video? :)
Thanks
Wonderful work, as always. You guys are the best!
Thanks Angel :) we appreciate it!