What gets me is how can they possibly get the timing right. It's difficult for even myself as the listener to keep a steady beat to this. Not even sure what time signature this would be in.
Could be. Or it could be that they just said "eff it" and decided to applaud between movements,, breaking custom, because by golly it was just THAT gosh darned good. It happens.
A cultural, economic, and diplomatic boycott of israel must be in place to force the state to give Palestinians their right to their own state. Free Palestine 🇵🇸
For me, I think how a pianist plays Debussy is now the true measure of how good a pianist is. it doesn't get much better than it does here.
0:26 Avec emportement
4:57 Lent. Sombre
11:45 Scherzando
My emotion Ìs unfathomable depths
From
Tokyo‘s Debussyiest
Before reading description: Ivry Gitlis on the seat! 0:02
1915
Every phrase makes sense. Comparing with other great versions, here I can listen to no "notes".
Yeah, I hate notes.
What gets me is how can they possibly get the timing right. It's difficult for even myself as the listener to keep a steady beat to this. Not even sure what time signature this would be in.
You can study music to discover all of that
👍🏽👍🏽👍🏽
Odd how there's applause after the first movement- is it because nobody knows the piece so they think that's the only movement?
Not your usual showpiece.
Maybe they just loved it THAT much.
Could be. Or it could be that they just said "eff it" and decided to applaud between movements,, breaking custom, because by golly it was just THAT gosh darned good. It happens.
A cultural, economic, and diplomatic boycott of israel must be in place to force the state to give Palestinians their right to their own state. Free Palestine 🇵🇸