Bro!!! Not only do you explain your "How To" videos amazingly well.... but bro you can sing!! I just thougt you was an engineer! Good voice... and keep doing ya thing my brother. Thanks for the pre-amp tip.
goodness gracious. FINALLY!!! someone answered my simple question in a clear way. THANKS SO MUCH DUDE. for real man. best explanation on youtube period.
I know, 4 years later... But your video is gold. Especially for idiots like me who plugged an external preamp into the audio interface (mic/hi-z) input with an XLR and wondering how come it keeps clipping and sounding like, well, manure. My previous audio interface actually had a mic/line physical switch, yet this one (Steinberg UR44c) doesn't. It turns the pre-amps on the second it detects XLR by default. The TRS 1/4" trick may seem obvious to the rest of the world, but i literally have been fighting my new setup for weeks now. Merci beaucoup!
This is super valuable advice Joe. Understanding what preamps were and that I already had these in my interface took me literally years to get my head around. Wish o had this video back then!
Dear Joe, Thomas here -a danish pro drummer and Presonus artist -first of all I will tell you, that I really enjoy the video´s from you and Gregor. In the process of trying to figure out how to expand and get more inputs to my quite simple recording setup, I have seen some different tutorials here on UA-cam, and to be quite honest...to much talk about complicated and expensive outboard gear and ADAT connections and so on...and then I find this video -- the moment where you show how to connect the 44VSL to your Eureka channelstrip interface, and you say : "It´s very easy...just do like this" and then you put them together -man, I was laughing and suddenly it strikes me, that there a no humor normally in these videos on the web, where people talks about interfaces, how to...and how to...etc etc. Damn Joe, this laugh was what I needed - and right now it´s a cold snowy winterday in Copenhagen and I´m sitting with my coffee and try to find out how to get more channels and what to connect to my Presonus Firepod for the cost of no money because of Covid19 ( I´m normally a live drummer playing live, touring ...) and watch this and a good laugh was required. Thanks man - damn it was fun. More of that. All the best
TL;DR: How to connect Ext. Preamp to Audio Interface Mic > pre-amp mic input. Pre-amp line level output > audio interface line input (w/ balanced cable). USB/Firewire (etc) > Laptop. Great video, thanks!
Hi Joe, Thanks for kicking my butt every morning with your emails. I sincerely appreciate it. I have the Eureka too! It's been sitting unused in my rack for years. I'll have to do something about that.
Hey Joe it's a year later and there's tons of new folks on the scene. You should definitely do an updated version of this video.. The whole input/output mistake made it seem like you were telling the viewers to actually use the output plugins and made the video kind of confusing because we still had to search for another video that didn't have that mistake. As somebody who clearly knows what he's talking about you should definitely have a video where you clearly guide folks to the correct input/output components. :) Cheers!
This is an awesome description. I just realized I have been plugging my outboard mic pre into mic inputs instead of line inputs. The nice thing is I can select mic/line on my interface inputs. Cool cool. Thanks for this video.
Tubes/valves bring even harmonics into the overall sound, this distortion is loved by many guitarists! Strong overtones in the octave above, less in 5ths and 4ths! Fraser
Good video Joe! Electrically speaking, a TRS balanced connection is the same as an XLR balanced connection. Mechanically speaking, the XLR is far more robust, and also has a much greater contact surface area per conductor. Whatever gets you there, as long as it works!
When I started recording at home, in the mid/late 90's, the preamps made a huge difference. The standard preamps on sound cards/interfaces were generally terrible, even on interfaces that cost $1000. I remember buying some preamps, or running it though a mixer bfore entering the sound card, and the difference was unbelievably large. Nowadays, as long as you put nearly $1000 on your interface (for example RME BabyFace Pro, Apogee Duet/Quartet, or UA Apollo), it'll have preamps that'll sound good. It won't be like having an SSL/Neve/API preamp, for example, but it'll be good enough to give you a clean, crisp, full-bodied sound
Another reason to get external preamps is if you want to add compression, EQ, or other signal processing before audio is recorded as you can't use on board stock audio interface preamps in that scenario
Depending on what you are using. If you are using digital mixer for recording vocals and audio interface for recording instruments (or vice versa), then you don't need external pre-amps with compression etc. I would say biggest advantage for external pre-amps is that most of them are portable, some of them have inserts or send and return channels and you won't be needing cloudlifter for dynamic mics like shure sm7b (unless you want to be able to mute your mic by shutting down the phantom power). Compression, eq and noise gate are nice things for live streaming or events, but if you record your tracks, you can always add them on your DAW (which you get pretty much for free, if you just happen to purchase one of those brands, which offer them for free), also if you purchase digital mixer, well those things have those allready. Downside for those is price. something like DBX 286s costs around 155€ and has only 1 XLR and TRS input, 1 insert and 1 TRS output with compressor, de-esser, LF and HF enhancer and noise gate (cheapest mic pre-amp with same functions I know). If you need to record drums (which requires 7-8 microphones), obviously something like a digital mixer would be more cheaper.
Hi Joe, you make brilliant videos. Lots of love and blessing to you beautiful little daughter who shoed up in the video explaining mid tones. Quick background: I am Amit from India, a novice in audio-video, but determined to set up a home studio to be able to 1. record videos to make online courses imparting life-education and 2. conduct webinars / podcasts / skype calls - record and upload them and someday even live-stream them. For audio recording of my spoken words, I like my voice to be bass-filled, full and sounding like a professional artist. I haven't purchased any gears yet but confused at second stage of the signal chain after mic. Signal Chain: Mic > mixer or interface > Software on a windows 10 PC [example 'Camtasia' to record webcam capture + screen capture + my audio capture. ] My confusion: What shall I connect at stage 2 - mixer or interface 1. ZEDi10fx a hybrid mixer with built in audio interface 4 in and 4 out 24 bit/96kbps with 3 band tone controls. or 2. Simply use Focus rite 2i2 3rd generation 24bit / 192kbps which has an AIR function built-in. or 3. use analog mixer with and attach audio interface, but if i select this option the interface will pick up the mixed version and I may not be able to obtain separate tracks which are preferable to edit. I have figure out Zed 10 FX and Zed Sixty 10 FX with mid sweep controls, both have USB but I am not able to figure out how they are different from ZED i series. or 4. use microphone processor like DBX 286s and connect it to Focus rite 2i2 generation 3 with AIR buttton; however, if i select this option, I am not sure If I can avail the benefit of MIX minus which will be required during podcast. Joe please guide.
Great video as usual Joe! The only thing I would add is that you might very well need an external preamp such as your Eureka, along with your external interface, if you are using a dynamic mic such as a Shure SM7B. Without using one you may find that your external interface has to be cranked so much that you get more background noise than anything or that the interface just doesn't have enough umphh to amplify things to get a usable signal.
Good stuff. One very nice thing about Universal Audio interfaces is you can buy for them a bunch of very good software pre-amps for a fraction of the cost of the equivalent hardware and get very nearly the same sound as the originals.
@@tonypeppers4987 If recording live you may want something ahead of the mix bus. For computer sources I find proper mixing and the occasional EQ is enough. If it doesn't sound great to begin with I'm not interested.
Awesome video! This explained very well the mic/line input difference to me. Now I can explore the possibilities of a Behringer MIC100 Preamp I happen to have here without risking the mic inputs of my interface. Thank you so much!
Joe, your videos are stellar! Thank you for the info as always. You could do a video on advanced toe-nail-clipping and I would watch, just because you are a great guy. You insight always helps and I appreciate you. We are never too old to learn. Thank you kindly.
It kind of comes down to the "which is more important, the mic or the preamp?" argument. Well, it's a bit of both. A bad mic and a mediocre preamp will give you a bad sound, because the mic is like a camera lens. A good mic with a mediocre preamp is OK, because your source input is better. But a really good mic (lens) and a really good preamp (aperture) will be amazing, because you capture all the wonderful detail. This can also be bad, because it exposes the flaws of the performance, so all have to be right.
Outstanding explanation! I bought a few, inexpensive Presonus TubePre's and replaced the tubes with vintage 60s new old stocks. The w main TubePre's I use regularly are a GE grey plate(the one everyone raves about and over spends for but there are great deals if you look) and a Delco Black Plate D ring, my absolute favorite and definitely can tell how different this sounds over the subtle Grey plates and other brands. Also a couple of different Philips, Westinghouse and Tungsol. All were around $7 each off of eband sound great. A nice upgrade from the Presonus 2X2 audio box preamps! Each Tube Pre was around $25- $30 on eBay as well. I've been recording a lot with them and definitely add some nicer character and cranked all way adds some grit to gtrs, bass, vox.... Fun to experiment with the different tubes also!
Good analogy with how guitar amps are like various flavors likewise to various preamps; when cranked up a bit they also give you the added warmth, saturation and can focus emphasis and add light onto different mics better to best qualities for more sound detail - but at that level is the danger zone input stage for digital artifacts & clipping (anything above -12-10db can start to sound more obviously digital and not pleasant like the analog counterpart)!
Great video again Joe! I think there is one more advice about audio interfaces connecting to external preamps that people should be given. It is that not all audio interfaces can bypass their internal pre-amps, even when you plug in your external preamp into the Line in on the interface. Kind of a rule of thumb is in my experience: If there is no mentioning of "direct to AD converters" or something like "line input is bypassing pre-amps" than that interface is probably still using it's pre-amps with the line connections. Example: Avid Mbox 3. There are line ins, but the pre-amp does not get bypassed. Other example on the flip side: Arturia Audiofuse.
Yeah you're right. It's not technically ideal, but it's also not a big deal. The benefits of a new preamp outweigh the downsides of technically running through another amp stage.
Not all built in mic / line inputs on converters bypass the gain stage op-amp of the converter line input - i.e. some will add another gain stage, thus coloring the signal more. Some offer the option to bypass the extra gain stage; others can bypass the extra gain stage if they have an insert - plug in the external mic preamp into the insert return. When in doubt, read the manual! There is a reason so many preamps are on the market, some highly prized: good transformers provide pleasant coloration; tube preamps add harmonics (among other factors); preamp slew rates vary (how quickly they respond to level fluctuations - see the Cranesong Europa: a preamp with a variable slew rate - a 'speed' knob); discrete transistors generally sound better than IC gain stages; preamps often have different input resistances, which vastly affect the way the microphones respond. The famous Avalon 737sp has a very low 700 (or 800 ohm) input, which, along with it's high end tubes and unusual topology provides a unique sound. Last, having a preamp with a good compressor can be very handy. The Universal Audio 6176 is a fantastic preamp which combines the UA 610B preamp and an 1176 compressor; together they provide a more or less mix ready tracking experience. The APIs are amazing. I was tracking with mid-level preamps and someone lent me a pair of API 512s; the difference was phenomenal. More sense of low end; more fidelity; more nice grit; more 'in your face'; more - everything. Ever hear of Hamptone? I have a 2 channel Hamptone JFET preamp that is awesome for kick and snare; the transformer saturation fattens them up nicely. Demeter? A 2 channel tube preamp that adds warmth to anything you run through it. While built in mic preamps in converters have improved, most are still not that great. Expect corners to be cut when manufacturers cram budget preamps into an inexpensive interfaces. They also frequently have an odd tendency toward asymmetric amplification - the waveform in the DAW is more 'full range' on on side and almost clipped looking on the other. But if it sounds good.. P.S. I have a modified Presonus Eureka with Jensen transformers; sounds great!
The difference between someone that is trying to actual help others is humility. Refreshing, Thanks Joe.
Bro!!! Not only do you explain your "How To" videos amazingly well.... but bro you can sing!! I just thougt you was an engineer! Good voice... and keep doing ya thing my brother. Thanks for the pre-amp tip.
Thanks brother
goodness gracious. FINALLY!!! someone answered my simple question in a clear way. THANKS SO MUCH DUDE. for real man. best explanation on youtube period.
Damn if this isn't the most personable and informative channel I've come across regarding home recording...thanks for your efforts!
I know, 4 years later... But your video is gold. Especially for idiots like me who plugged an external preamp into the audio interface (mic/hi-z) input with an XLR and wondering how come it keeps clipping and sounding like, well, manure. My previous audio interface actually had a mic/line physical switch, yet this one (Steinberg UR44c) doesn't. It turns the pre-amps on the second it detects XLR by default. The TRS 1/4" trick may seem obvious to the rest of the world, but i literally have been fighting my new setup for weeks now. Merci beaucoup!
This video was very helpful. This is the best and most simple explanation I have found. Thanks
This is super valuable advice Joe. Understanding what preamps were and that I already had these in my interface took me literally years to get my head around. Wish o had this video back then!
Excellent video. You explain things in a way that the viewer is persuaded to carry on watching you. Bravo. You just earned another subscriber.
Good stuff.
Nice when you find someone that just passes out some good info, without all the BS.
THANK YOU!
Dear Joe, Thomas here -a danish pro drummer and Presonus artist -first of all I will tell you, that I really enjoy the video´s from you and Gregor. In the process of trying to figure out how to expand and get more inputs to my quite simple recording setup, I have seen some different tutorials here on UA-cam, and to be quite honest...to much talk about complicated and expensive outboard gear and ADAT connections and so on...and then I find this video -- the moment where you show how to connect the 44VSL to your Eureka channelstrip interface, and you say : "It´s very easy...just do like this" and then you put them together -man, I was laughing and suddenly it strikes me, that there a no humor normally in these videos on the web, where people talks about interfaces, how to...and how to...etc etc. Damn Joe, this laugh was what I needed - and right now it´s a cold snowy winterday in Copenhagen and I´m sitting with my coffee and try to find out how to get more channels and what to connect to my Presonus Firepod for the cost of no money because of Covid19 ( I´m normally a live drummer playing live, touring ...) and watch this and a good laugh was required. Thanks man - damn it was fun. More of that. All the best
Really enjoyed how you broke down the pros and cons and how you explained something technical in a not too technical way.
TL;DR: How to connect Ext. Preamp to Audio Interface
Mic > pre-amp mic input. Pre-amp line level output > audio interface line input (w/ balanced cable). USB/Firewire (etc) > Laptop.
Great video, thanks!
I've two of these Eureka preamps, it makes me happy to see someone else uses them too
Brilliant. Clear. Articulate. You’re a fine teacher, Joe. Thank you.
You are my new hero, Joe! Thanks for this amazing class! 🤝🏼
Hi Joe,
Thanks for kicking my butt every morning with your emails. I sincerely appreciate it.
I have the Eureka too! It's been sitting unused in my rack for years. I'll have to do something about that.
Thanks SO MUCH for this useful information!!! I learnt so much!!!
Shout outs from Australia!
Your vids are awesome man, I usually speed up playback speed of advice videos but I keep yours at normal because they're actually entertaining.
That was the best explanation of a preamp I could find thank you.!!
I've been trying to understand pre amps for months, and I finally understand. Thank you
Hey Joe it's a year later and there's tons of new folks on the scene. You should definitely do an updated version of this video.. The whole input/output mistake made it seem like you were telling the viewers to actually use the output plugins and made the video kind of confusing because we still had to search for another video that didn't have that mistake. As somebody who clearly knows what he's talking about you should definitely have a video where you clearly guide folks to the correct input/output components. :) Cheers!
This is an awesome description. I just realized I have been plugging my outboard mic pre into mic inputs instead of line inputs. The nice thing is I can select mic/line on my interface inputs. Cool cool. Thanks for this video.
Cant get that song out of my head now. Thanks, dood...
I've been a follower for quite some time, Joe, and wanted to thank you for all this amazing stuff you always put out! cheers!!!!
“Tell them… come talk to me” 😂 I absolutely love the energy! You’re right!
Very helpful. Thank you!
You have an amazing voice Brother Joe! I enjoy your posts.
Joe is number 1 when it comes to audio production tutorials.
☝️☝️☝️☝️☝️☝️☝️☝️☝️☝️
He is number 3 graham from the recording revolution is number two and I’m number one 😎 ahaha freaking guys you are awesome people
Thanks. Simple and clear, just what's needed !
hi joe thanks for the videos im a home recording guy mostly make tracks for church from ky so hey neighbor thanks again keep those vids coming
Great info Joe! I'm ready for a quality pre.
Tubes/valves bring even harmonics into the overall sound, this distortion is loved by many guitarists! Strong overtones in the octave above, less in 5ths and 4ths! Fraser
Good video Joe!
Electrically speaking, a TRS balanced connection is the same as an XLR balanced connection.
Mechanically speaking, the XLR is far more robust, and also has a much greater contact surface area per conductor.
Whatever gets you there, as long as it works!
Ahhh...that makes sense. Thanks John!1
GREAT SOUND ON THAT MIC SUITS YOUR VOICE , GREAT JOB
Incredibly timely video. That’s all I’m saying, you can fill in the gaps!
When I started recording at home, in the mid/late 90's, the preamps made a huge difference. The standard preamps on sound cards/interfaces were generally terrible, even on interfaces that cost $1000. I remember buying some preamps, or running it though a mixer bfore entering the sound card, and the difference was unbelievably large.
Nowadays, as long as you put nearly $1000 on your interface (for example RME BabyFace Pro, Apogee Duet/Quartet, or UA Apollo), it'll have preamps that'll sound good. It won't be like having an SSL/Neve/API preamp, for example, but it'll be good enough to give you a clean, crisp, full-bodied sound
I love this comment!!! Exactly what I used to say to everyone. It's not the soundblaster16 age
@@CHARLIEtheCATofficial Indeed!
Another reason to get external preamps is if you want to add compression, EQ, or other signal processing before audio is recorded as you can't use on board stock audio interface preamps in that scenario
Thanks !
@@GJames021 no problem!
Depending on what you are using. If you are using digital mixer for recording vocals and audio interface for recording instruments (or vice versa), then you don't need external pre-amps with compression etc.
I would say biggest advantage for external pre-amps is that most of them are portable, some of them have inserts or send and return channels and you won't be needing cloudlifter for dynamic mics like shure sm7b (unless you want to be able to mute your mic by shutting down the phantom power).
Compression, eq and noise gate are nice things for live streaming or events, but if you record your tracks, you can always add them on your DAW (which you get pretty much for free, if you just happen to purchase one of those brands, which offer them for free), also if you purchase digital mixer, well those things have those allready.
Downside for those is price. something like DBX 286s costs around 155€ and has only 1 XLR and TRS input, 1 insert and 1 TRS output with compressor, de-esser, LF and HF enhancer and noise gate (cheapest mic pre-amp with same functions I know). If you need to record drums (which requires 7-8 microphones), obviously something like a digital mixer would be more cheaper.
WOW! Great video with a great explanation! Thank you!
Really explained well here. And certainly that major input/output gaffe makes me feel a whole lot better about myself. ;)
Thank you, that makes my decision clearer.
Thank for the this. This cleared up a few questions I had. Got a new Focusrite IAS One to use with my Clarett, and now I am ready to go!
Perfect like black and white GOD bless you thank you for the explanation 👍
Great refresher. It is always good to go back to the basics to help understand how to move forward.
This has totally helped me out! Now I fully understand..! Thanks so much. Really great video. 😊
Great explanation, and well-detailed. Thanks for posting it.
Thank you so much!! That was extremely helpful!!!
Perfect video. Well done mate!
Thank you so much. Your videos are always very helpful! Good communication skills too.🔥
Hi Joe, you make brilliant videos. Lots of love and blessing to you beautiful little daughter who shoed up in the video explaining mid tones.
Quick background:
I am Amit from India, a novice in audio-video, but determined to set up a home studio to be able to 1. record videos to make online courses imparting life-education and 2. conduct webinars / podcasts / skype calls - record and upload them and someday even live-stream them.
For audio recording of my spoken words, I like my voice to be bass-filled, full and sounding like a professional artist. I haven't purchased any gears yet but confused at second stage of the signal chain after mic.
Signal Chain:
Mic > mixer or interface > Software on a windows 10 PC [example 'Camtasia' to record webcam capture + screen capture + my audio capture. ]
My confusion:
What shall I connect at stage 2 - mixer or interface
1. ZEDi10fx a hybrid mixer with built in audio interface 4 in and 4 out 24 bit/96kbps with 3 band tone controls.
or
2. Simply use Focus rite 2i2 3rd generation 24bit / 192kbps which has an AIR function built-in.
or
3. use analog mixer with and attach audio interface, but if i select this option the interface will pick up the mixed version and I may not be able to obtain separate tracks which are preferable to edit. I have figure out Zed 10 FX and Zed Sixty 10 FX with mid sweep controls, both have USB but I am not able to figure out how they are different from ZED i series.
or
4. use microphone processor like DBX 286s and connect it to Focus rite 2i2 generation 3 with AIR buttton; however, if i select this option, I am not sure If I can avail the benefit of MIX minus which will be required during podcast.
Joe please guide.
Thanks for the tips really needed. Didn't want to waste my money, I appreciate you.
Thank you. Really helped me when thinking how to upgrade my drumsound. Do not have to buy everything new. Great video.
5 secs of your singing made me "like" immediately!
great video. ive always wanted more info on this and some videos are hit or miss but this one explained everything i need. new sub here, cheers man!
Great info man. Thanks so much!
Great video. Thanks for that. Very clear.
Helpful info..love the song!
Thanks, cleared up a load of questions I had.
Love your explanation.
I love your videos. Thanks!
Great lesson Joe! Thanks!
You are a gift. Thank you!
Clear explanations!! Thank you!!!
Love your videos bro...I've been watching when I was doing research on different things but I just subscribed
Great video Joe. Answered a lot of questions👍🏾
Thank you so much for this video !
So helpful...thank you Joe! Love your song too!
Awesome video brother !!! 💯💯💯💯💯
"Hey, Joe, do I need a preamp?"
I thought it was...
"Hey, Joe, where ya goin' with that gun in your hand?"
Excellent and Informative! Thanks so much! Liked and Subbed!
Excellent explanation.
Great video as usual Joe! The only thing I would add is that you might very well need an external preamp such as your Eureka, along with your external interface, if you are using a dynamic mic such as a Shure SM7B. Without using one you may find that your external interface has to be cranked so much that you get more background noise than anything or that the interface just doesn't have enough umphh to amplify things to get a usable signal.
Yup. Great point.
Good stuff. One very nice thing about Universal Audio interfaces is you can buy for them a bunch of very good software pre-amps for a fraction of the cost of the equivalent hardware and get very nearly the same sound as the originals.
Yeah very true, but isn’t the point of the hardware to affect the signal before It’s recorded instead of using Those plugins for post processing ?
@@tonypeppers4987 If recording live you may want something ahead of the mix bus. For computer sources I find proper mixing and the occasional EQ is enough. If it doesn't sound great to begin with I'm not interested.
Quality video many thanks.
Excellent video so glad I found you - you’re a treasure chest
Great video Joe, thank you, Love your shirt!!
Great video, appreciate the detail
first video I seen from you and im an instant subscriber.... I love how you translate the information to the viewer about everything #salute
Welcome aboard. 😊👍
I just subscribed you have a very soothing and clear way of explaining things.
Awesome video! This explained very well the mic/line input difference to me. Now I can explore the possibilities of a Behringer MIC100 Preamp I happen to have here without risking the mic inputs of my interface. Thank you so much!
Thanks Joe very helpful!
Joe, your videos are stellar! Thank you for the info as always. You could do a video on advanced toe-nail-clipping and I would watch, just because you are a great guy. You insight always helps and I appreciate you. We are never too old to learn. Thank you kindly.
"Today we're going to learn how to transform your toenails into a can opener."
Joe Gilder • Home Studio Corner I'm in... where do I watch... hahaha. Thanks, man!
It kind of comes down to the "which is more important, the mic or the preamp?" argument. Well, it's a bit of both. A bad mic and a mediocre preamp will give you a bad sound, because the mic is like a camera lens. A good mic with a mediocre preamp is OK, because your source input is better. But a really good mic (lens) and a really good preamp (aperture) will be amazing, because you capture all the wonderful detail. This can also be bad, because it exposes the flaws of the performance, so all have to be right.
Thanks man , i was over complicating things . This definately helped.
I appreciate this info. have been battling with the need to buy one or not.
Well done!
Outstanding explanation! I bought a few, inexpensive Presonus TubePre's and replaced the tubes with vintage 60s new old stocks. The w main TubePre's I use regularly are a GE grey plate(the one everyone raves about and over spends for but there are great deals if you look) and a Delco Black Plate D ring, my absolute favorite and definitely can tell how different this sounds over the subtle Grey plates and other brands.
Also a couple of different Philips, Westinghouse and Tungsol. All were around $7 each off of eband sound great. A nice upgrade from the Presonus 2X2 audio box preamps! Each Tube Pre was around $25- $30 on eBay as well. I've been recording a lot with them and definitely add some nicer character and cranked all way adds some grit to gtrs, bass, vox.... Fun to experiment with the different tubes also!
Thank you for that... Mad skills dude!
Good analogy with how guitar amps are like various flavors likewise to various preamps; when cranked up a bit they also give you the added warmth, saturation and can focus emphasis and add light onto different mics better to best qualities for more sound detail - but at that level is the danger zone input stage for digital artifacts & clipping (anything above -12-10db can start to sound more obviously digital and not pleasant like the analog counterpart)!
I really love your send of humour.
Great video! thanks.
Do you have a video showing how to use outboard gear with the studio live? Keep up the great videos
Excellent video, perfect intelligibily of your English
This is good video, great explanation!
Great video!
Great video thank you !
Thanks A Lot,Mr Gilder....God Bless
Super informative vid 👌🏾
Great video again Joe! I think there is one more advice about audio interfaces connecting to external preamps that people should be given. It is that not all audio interfaces can bypass their internal pre-amps, even when you plug in your external preamp into the Line in on the interface. Kind of a rule of thumb is in my experience: If there is no mentioning of "direct to AD converters" or something like "line input is bypassing pre-amps" than that interface is probably still using it's pre-amps with the line connections. Example: Avid Mbox 3. There are line ins, but the pre-amp does not get bypassed. Other example on the flip side: Arturia Audiofuse.
Yeah you're right. It's not technically ideal, but it's also not a big deal. The benefits of a new preamp outweigh the downsides of technically running through another amp stage.
Not all built in mic / line inputs on converters bypass the gain stage op-amp of the converter line input - i.e. some will add another gain stage, thus coloring the signal more. Some offer the option to bypass the extra gain stage; others can bypass the extra gain stage if they have an insert - plug in the external mic preamp into the insert return. When in doubt, read the manual!
There is a reason so many preamps are on the market, some highly prized: good transformers provide pleasant coloration; tube preamps add harmonics (among other factors); preamp slew rates vary (how quickly they respond to level fluctuations - see the Cranesong Europa: a preamp with a variable slew rate - a 'speed' knob); discrete transistors generally sound better than IC gain stages; preamps often have different input resistances, which vastly affect the way the microphones respond. The famous Avalon 737sp has a very low 700 (or 800 ohm) input, which, along with it's high end tubes and unusual topology provides a unique sound. Last, having a preamp with a good compressor can be very handy. The Universal Audio 6176 is a fantastic preamp which combines the UA 610B preamp and an 1176 compressor; together they provide a more or less mix ready tracking experience. The APIs are amazing. I was tracking with mid-level preamps and someone lent me a pair of API 512s; the difference was phenomenal. More sense of low end; more fidelity; more nice grit; more 'in your face'; more - everything.
Ever hear of Hamptone? I have a 2 channel Hamptone JFET preamp that is awesome for kick and snare; the transformer saturation fattens them up nicely. Demeter? A 2 channel tube preamp that adds warmth to anything you run through it.
While built in mic preamps in converters have improved, most are still not that great. Expect corners to be cut when manufacturers cram budget preamps into an inexpensive interfaces. They also frequently have an odd tendency toward asymmetric amplification - the waveform in the DAW is more 'full range' on on side and almost clipped looking on the other. But if it sounds good..
P.S. I have a modified Presonus Eureka with Jensen transformers; sounds great!
One of the most common questions i get...
"Hey Joe, where you goin' with that mic in your hand"