Hi everyone! I'm going to be taking questions on Instagram all day today, so if you wanna chat about this video, or the Wendy Carlos video, or really whatever, hit my up in my IG stories! @soundsgoodchannel Also if you see this after today, all the answers will be archived so you can see them there any time 💖
Writing down turntable-based music is a very interesting topic as well. The most common method is TTM, but there are very interesting alternatives. Regardless, it's a very clear example of a case when creative expression comes first, and only years if not decades after comes a need to find a way of writing it down.
Thank you. I read staff notation, but when I am learning a vocal song for performance at a high level,, I love to use my own personal symbolism to denote things that staff notation is not good for.
About DAW, soundtracker softwares from the late 80's / 90's were using a way very close from sound programming to encode together keys and sound effects
I just found your channel after Adam Neely shouted you out in one of his streams and your videos are so awesome! I will definitely be binging all of your content this weekend
Great video, It always fascinates me how the creative tools of an art medium shape it aesthetics. It's unfortunate that in music education this point is usually neglected and aesthetic guidelines are treated like universal rules.
Agreed. Hence the disdain "Proper" musicians have for ear learning. Hosts of Rock and Jazz musicians from Eric Clapton to the Beatles could not read music.
Hi Sarah! I’m a western notation reading snob, I guess? I’m pretty good at it too. But it never occurred to me that it somehow made me superior. People tell me how ‘talented’ I am and my reply is ‘all things being equal, if I went to school for 13 years and came out able to read, is that a talent?’ Something to think about!?
I love this video a lot. I would love to see a follow up video on the future of notation tbh. I am personally really curious to think about what music notation will look like in the future, and especially if traditional notation styles will even remain necessary in a world where recordings are ubiquitous. Plus, piano roll is becoming a quite popular and readable type of notation, it begs the question of whether or not piano roll may become adapted for live performance settings.
Neat video, plenty of food for thought. Have you come across the scores of Lutosławski’s music? Essentially he worked in traditional notation but looked to extend it so that cells of music could be performed more freely, forming what is often referred to as “aleatory counterpoint”. I find his large orchestral works are particularly nice to read, due to the way they’re often engraved.
I haven’t seen them before no! Thanks for the tip, sounds v cool. Aleatory counterpoint sounds like an interesting concept. Looking forward to learning more
Good video. I started on Guqin notation the other day. Four characters per note, and I don't speak Chinese..... I'm sure you are aware of Shakuhachi notation? Oh, I didn't know that the Arabic neume system had been that elaborate. (I used to play Arabic music from western notation with half sharps & flats.) Any pointers?
Love your vids and congrats on the 1k! Looking into Iannix now and I'm afraid I'm going to change my plan for a project for school a day before the deadline once again. Why do I always do thiss!??
Hey Sarah, great video! One question: The categories "prescriptive", "descriptive" and "mnemonic", is this something you came up with or is there another source for that? This distinction you are making here is quite useful for some research I am doing. Thanks!
![Score analysis #5 - William Byrd / Hugh Ashton's ground [Tregian’s ground]](http://i.ytimg.com/vi/D0wLO5vcuoQ/mqdefault.jpg)
Hi everyone! I'm going to be taking questions on Instagram all day today, so if you wanna chat about this video, or the Wendy Carlos video, or really whatever, hit my up in my IG stories! @soundsgoodchannel Also if you see this after today, all the answers will be archived so you can see them there any time 💖
Please make a video about Dodeka notation 🙌🏽
“So valid...” 🤣
I love the penmanship of those old medieval musical scores with their serpentine goose quill calligraphy.
I loved those human moments of the speaker turning alive
Writing down turntable-based music is a very interesting topic as well. The most common method is TTM, but there are very interesting alternatives. Regardless, it's a very clear example of a case when creative expression comes first, and only years if not decades after comes a need to find a way of writing it down.
there is a thriving modern tradition of byzantine notation.
i appreciate byzantine notation being covered by a youtube video for once.
So much information. 🎵thank you.
The thing to remember about notation is that music, is what you hear, not what you see.
I’m digging your videos.
This video is fantastic. I ran into this when doing research on experimental music notations.
This was super nice, glad I found this channel
Loved this video Sarah! Also I appreciate a lot the resources that you put in the description :)
Thank you. I read staff notation, but when I am learning a vocal song for performance at a high level,, I love to use my own personal symbolism to denote things that staff notation is not good for.
Very good and educative video
About DAW, soundtracker softwares from the late 80's / 90's were using a way very close from sound programming to encode together keys and sound effects
This was so cool!! And thanks for introducing me to Baude Cordier!
I just found your channel after Adam Neely shouted you out in one of his streams and your videos are so awesome! I will definitely be binging all of your content this weekend
Your rhetoric is spot on thanks
This video is so informative, it's amazing and incredibly helpful!
Omg your channel is the BEST!!
Wow, this makes me miss music appreciation class!
Great video, It always fascinates me how the creative tools of an art medium shape it aesthetics. It's unfortunate that in music education this point is usually neglected and aesthetic guidelines are treated like universal rules.
Agreed. Hence the disdain "Proper" musicians have for ear learning.
Hosts of Rock and Jazz musicians from Eric Clapton to the Beatles could not read music.
This video was really good, thank you
I just found your chanel, realy great content !!!
Crazy fascinating. I'm gonna watch this, like, ten times! Great content as always
tysm!
Lot of cool infos ! Thanks :)
Love this video!
You should do a video on Sophie
might just happen! ;)
What a great channel concept, thank you for all this work!
Love this channel! "#cancled" cool sense of humor. Subbed immediately! (Adam Neely sent me)
Hi Sarah! I’m a western notation reading snob, I guess? I’m pretty good at it too. But it never occurred to me that it somehow made me superior. People tell me how ‘talented’ I am and my reply is ‘all things being equal, if I went to school for 13 years and came out able to read, is that a talent?’ Something to think about!?
Very cool!!
great vid, you are imcredible
I love this video a lot. I would love to see a follow up video on the future of notation tbh. I am personally really curious to think about what music notation will look like in the future, and especially if traditional notation styles will even remain necessary in a world where recordings are ubiquitous. Plus, piano roll is becoming a quite popular and readable type of notation, it begs the question of whether or not piano roll may become adapted for live performance settings.
Excellent and informative video! I'm really glad to have found your channel.
Thanks so much! 💖
@@SoundsGoodChannel You're welcome!
@3:40 amazed kid
I have read a kind of music sheet, the sheet is a picture of a catface, as works of art. is that a piece of music or a piece of painting.
SUPER!
Neat video, plenty of food for thought. Have you come across the scores of Lutosławski’s music? Essentially he worked in traditional notation but looked to extend it so that cells of music could be performed more freely, forming what is often referred to as “aleatory counterpoint”. I find his large orchestral works are particularly nice to read, due to the way they’re often engraved.
I haven’t seen them before no! Thanks for the tip, sounds v cool. Aleatory counterpoint sounds like an interesting concept. Looking forward to learning more
Cool 🙏
Good video. I started on Guqin notation the other day. Four characters per note, and I don't speak Chinese..... I'm sure you are aware of Shakuhachi notation? Oh, I didn't know that the Arabic neume system had been that elaborate. (I used to play Arabic music from western notation with half sharps & flats.) Any pointers?
Love your vids and congrats on the 1k! Looking into Iannix now and I'm afraid I'm going to change my plan for a project for school a day before the deadline once again. Why do I always do thiss!??
Hahah Iannix IS really cool!! Good luck with your proj :)
Hey Sarah, great video! One question: The categories "prescriptive", "descriptive" and "mnemonic", is this something you came up with or is there another source for that? This distinction you are making here is quite useful for some research I am doing. Thanks!
question : how to make it ?
Wat how do you sound masculine?
What are your top five music notation systems?