Jody Jazz DV Saxophone Mouthpiece Test and Review
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- Опубліковано 21 лип 2024
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Don’t waste your money on the wrong saxophone mouthpiece.
In this video, I review the Jody Jazz DV saxophone mouthpiece and show you why I think it could be a great choice for your next sax mouthpiece. I test this metal saxophone mouthpiece on alto saxophone and on tenor saxophone, so you can hear what it sounds like in a bunch of different styles from pop to jazz.
If you are looking for the best saxophone mouthpiece, watch my video review to help you choose the best sax mouthpiece for you.
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In This Video:
00:00 The Jody Jazz DV
1:20 Why I Make These Reviews
2:47 Who should upgrade to a DV?
4:33 Features of the DV
5:46 Prices
6:30 TENOR TEST
9:28 Tenor Verdict
10:40 ALTO TEST
12:48 Alto Verdict
13:34 Should you buy one?
14:37 The Giveaway
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Nigel, You sound great. Thank you very much for allowing me to do the session with your sax school and for this great demo/review of the mouthpieces. You sound perfect but I think you need either a 7* or 8* on the tenor.
Cheers Jody. I do normally play an 8. It would be interesting to see the difference.
Your videos have been extremely helpful! My son wanted to learn how to play "You Belong To The City", and came across your video on UA-cam. He's learned so much from your videos. ❤️
This is great Nigel. What a versatile mouthpiece. Great projection if you want to blast something out like Clarence Clemons and subtle enough for quiet notes in some kinds of Jazz ballad. Love it.
Hello Nigel,
You are so right about playing a professional mouthpiece too soon. By experience, I bought a Jody Jazz metal I sold it because I was not ready. Now would be a difference except that now I cannot afford such a jewel. Both of these mouthpieces sound great classical or jazz. Great video, Always something new to present. I like it more when you have a ''GIVE AWAY''
Your new intro clip sounds great - crisp and punchy. I have a JJ HR* 6 for my alto and it's my main mouthpiece - very responsive and versatile, precision made.
I have a DV for alto and it plays very well, but I do find it a little too bright for some situations. Projection is terrific.
Great video, Nigel (as usual), and thanks for the opportunity with the giveaway!
I play the HR* (6* tip opening) on tenor and love it. It is very reed-friendly and free-blowing.
In my opinion, the HR* is probably the most versatile of the Jody Jazz pieces. It could be played equally well in a wind ensemble, a big band, small group settings, and maybe even in groups playing more contemporary music. To me, the DV is a mouthpiece suited to semi-pro players and above, since its price point is above the cost of a budget tenor sax (unless of course one has the disposable income and the desire to spend that kind of money on a mouthpiece).
Thanks again!
I love this. Lately I’ve played a Yamaha 6C with various synthetic reeds from Légère, and love all three, but I’m going to go for the DV 7 now. Big adventure, so I make a fool of myself, but I’ll learn a lot and have a lot of fun in the process. ❤️🎷
Hi Nigel. I upgraded my mouthpiece 5 weeks ago, from an Otto Link Supertone Master 7* to a Jody Jazz DV NY 7* and am really loving it. I think the NY version is closer in sound to a more traditional Jazz mouthpiece, but is so much easier to blow. I use Boston Sax shop reads (3) and play an Andy Sheppard Autograph Tenor.
Hi Nigel and saxpals, been playing tenor 3 yrs, 1.5 hrs a day, upgraded from a Yani metal 6 to JJ dv 7* 6 months ago but have found it hard going, I can get a nice sound from it but I dont really think I,m up to it yet, soon get tired chops so it,s been put away for a while in the hope my chops get a lot stronger in the future. Must say looks like a piece of jewellry.
Another great video! I've been playing for 14 months now and am looking to upgrade my Yamaha 4C. Tough times to be play testing mouthpieces.. But you've made a strong case with this for my alto!!
Thanks Nigel ✌&💚
Glad it was helpful Craig. I think Jody offers a testing option.
Thank you for the opportunity, Nigel!
Great video, Mr. McGill. Thumbs up. I play a Jody Jazz HR* 5M with a Legere American Cut 2.0 on my Conn CAS280RC. Great projection, centered sound, and so versatile. Started playing again in July 2020 after not touching a sax since 1978. P.s. Love Legere reeds, and they are GOOD to their customers, too. :)) Jody Jazz and Legere make wonderful music together. Thanks again.
Very informative, thanks Nigel!
Great review Nigel thanks! Love the new McGill Theme tune! I missed the Jody Jazz masterclass, this has reminded me to go watch it.
Cheers Jo, definitely watch the Jody Masterclass replay in Sax School - loads of great info there.
Sound is clear and full round, i would try this mouthpiece
Great review Nigel! (As usual)
For my tenor, I use the Jody Jazz Custom Dark. I love it!
Nice one.
I play the DV 7 on my tenor. The best mouthpiece I have tried by far. But for alto I'm using the Jody Jazz HR custom dark 6 that produces a gorgeous sound. Both are fantastic mouthpieces.
I have always been curious about switching from the traditional hard rubber mouthpiece to a metal mouthpiece.
JodyJazz makes a wide selection of mouthpieces to suit every need for every player.
Sadly, I have never played a JodyJazz mouthpiece but I am interested in owning a metal and a hard rubber from JodyJazz...someday.
The DV model sounds like a go-to mouthpiece for the pros who know many of the techniques of sound and projection.
Nigel, I love the new beginning. It is upbeat, peppy, snappy, funky and to the point.
Bravo!
Cheers Gary!
Looks awesome 🎷🎷🎷!!!
Sounds awesome as well!
Cheers Ben
I love Jody Jazz mouthpieces. I play Jody Jazz Giant 7* for Tenor and Jets 6* for more projection. I also have the HR 6* and Jets 6* Alto.
Waiting for a Star to fall ..... brings back memories .. great sound Nigel
Every player I've ever heard playing a DV has gotten the sound I want to get out of my sax. Definitely going to enter, but one way or another, someday it will be mine 😍 Love that combination of smooth and brassy potential especially on the alto.
Thanks SO MUCH for providing this chance to win one of these amazing mouthpieces
My pleasure! Sounds like you need to try one of these.
@@McGillMusicSaxSchool Haha yeah, I almost picked up a cheap Chinese knockoff once, but I'd rather wait 'till I can afford the real deal and see how it compares to my Vandoren MP
I play a Jody Jazz DV NY alto, and it's my absolut favourite. Never played this nice sounding DV, though.
Great video Nigel
Great video and loads of good information. I play on a JJ DV Bass saxophone mouthpiece on my Martin Eb Baritone sax. It sounds amazing and makes the vintage bari play in tune.
Wow, that sounds like an interesting combo!
@@McGillMusicSaxSchool Its an idea not too many people think of. Most vintage horns are picky about mouthpieces but vintage bari’s are even more picky. This combo works on my horn and might work for others.
Man you always sound great...on anything. While my main piece is a OttoLink ToneMaster, I use the JJ Chi as my electric band piece. I found it was easier to warm up than the DV and the DV NY didnt really get me the edge I was looking for. I did need to get a more open piece and a stiffer reed.
Sound great, well designed!
I purchased a tenor DV CHI 7* about 2 months ago. I love the sound, although it took me a few weeks to adjust. One day I decided to use the Legere American Cut 2.5 reed. To my surprise, my upper lip began to bleed. Being a retired engineer, I was certainly curious as to why. I noticed that the reed was slightly wider than the Legere Signature version and my cane reeds. And it's slightly wider than the rails of the mouthpiece. Apparently, the vibrating reed buzz-sawed the left side of my upper lip. I did not blame the mouthpiece or the reed, rather, I tried to determine if my embouchure was the culprit and how to adjust. I reached out to Nigel after he interviewed Jody Espina in a previous video. Nigel was so cordial and helpful to me in my search for a solution. He reached out to Jody. There were a few exchanges of email among the three of us. Jody identified my problem. I needed more uptake of the mouthpiece into my mouth due to the relatively narrower tip to avoid the larger tip opening (7* compared to my previous mouthpiece openings of 5) acting like a buzz saw on my lip.
I have a Jody Jazz HRa 5 opening and a Vandoran Java 2.5 reed (and other Vandoran reeds) Love the warm sound of this mouthpiece
Nice one Anna.
Another great video Nigel! I'm investigating the minefield of mouthpieces, ligatures and appropriate reeds before I invest, but not sure if my Trevor Horn Revolution 2 sax would make this purchase sensible?
Sound is very clear
Awesome sound
The sound is clear ! compared to my Yamaha 4C. Does sound great for commercial songs.
Great review - If you want darker get the DV NY. I personally play an HR* 6 and I love it. I also own a Jet for fun :-)
Thank you for another highly interesting and educational upload!
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I have a JJ SuperJet 8* for my tenor. I like it although it isn't exactly versatile. But it is nice in the way that it combines both fat and "modern" bright top-end tone in its sound and because the wide tip opening lets you do wider gliding on notes (I play a lot of guitar too, so glissando is dear to me. Bending strings, lap steel etc). The SuperJet has more lower mid-range compared to the Durga IV 8 and Shiva III 8 that I have tried, meaning the SuperJet 8* gives me a bit "warmer" sound (but rather flat and boring low notes). My tenor is a Conn 10M from 1936, a model that has a naturally darker tone and I think it sounds good with these bright MPCs. But none of these MPCs is so easy to play as my first MPC, an old Otto Link STM 9* made in the mid-seventies. Judy tried it once, at a workshop, and said "this is a great MPC, don't ever sell it". Well, the Link plays exceptionally well, for me, but the sound is so dark in the upper register that it doesn't always work well in certain types of recordings. I thought that it was the bigger tip opening (9*) that makes my Link so playable and ordered a JJ DV Chi 9*, but unfortunately, I could hardly play the Chi at all. Apparently, JJ DV pieces need smaller tip openings to match Otto Link metal (?) and I'm now selling my JJ DV Chi. My dream is to find a bright baffled MPC that is as easy to play as my old Otto Link STM 9*. I'm still searching...
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For Soprano sax my fav mpc is a JJ HR* 6* and I prefer its sound to the sound of a JJ DV 8*. But with the more open DV I can do wider glides, so I use that one when long note glides are required for a melody recording - but the JJ HR* really is my favorite.
Cheers Per, great to hear about your mouthpiece journey there. I’d like to try the HR on soprano too.
@@McGillMusicSaxSchool Ask JJ to lend you a test MPC and make a video! In this DV video, it was really great to hear you talking about how you experience the gear, and a HR* soprano shot-out of this kind would be wonderful.
YES! I liked the intro music 😀
Great to have a competition give away. #JodyJazz mouth pieces are quality!
I tried a Jody Jazz HR (6 I think) some years ago and found it hard to play. I'm now using a fairly old Otto Link metal 7* and I find it very easy to play and produces a sound that I like. Nevertheless, it would always be good to try something new. I would love to get a Theo Wanne one day.
Nigel could make a kazoo sound great. On tenor I was impressed with "Tears in Heaven" the other two not so much. I thought it was lacking on the Jazz standard.
You sound great on everything, even on a Yamaha 4C. Excellent review, clear and honest. I have an alto DV NY but I find it too dark so I don't play it too often, I play a Meyer 6 or Beechler Diamond Inlay S6M instead. Maybe I'd fell more comfortable with a DV or maybe I need to spend more time with the DV NY for getting the best of it.
Thanks Luis! Well it is important to find what works for you. Perhaps the Beecher or Meyer suits you better.
@@McGillMusicSaxSchool Thank you for your reply, you're very kind. I gave the DVNY a new chance and I liked it better than before, I guess I'll use it more often on rehearsals and gigs when COVID19 allows us to do it. Best regards!
Hi I use the DV NY version 7* on my tenor. It is really responsive, with a lovely deep sound but also nice resonant upper register. Really please with it.
Cool, great to hear that Paul.
Nice review, does the DV Tenor mouthpiece come with it's own ligature, or are you using your own on the demo?
The new intro sounds nice. I liked your DV sound best on the alto. Maybe the 8 would give you more on the tenor. Still it had good body. I don't have a JJ mpc yet. Santa's coming soon, so maybe?
Cheers Orla. I’m still getting used to them.
I use a DV NY mouthpiece on my alto and am looking for a new mouthpiece for my soprano (both Yanagisawa WO1s).
Sounds great on Alto!
Love the review. Have been considering upgrading myself and have been interested in the Drake ‘Son of Slant’. Any thoughts Nigel?
Good question Dazza. I haven’t tried any of the Drake pieces. Let me know what you decide on.
Very nice on alto
I just bought a Jodyjazz jet alto 7.
Hi Nigel... I absolutely love the Jody Jazz DV. I use Them on both Tenor & Alto.
Cool! Do you use the same size on alto as tenor?
@@McGillMusicSaxSchool I use the 7 * on the Tenor and the 5 on the Alto.
If you get time go to my channel and you can hear both DV’s As I play different songs with the DV’s on Tenor and Alto. The Fifth Video I’m using the Alto and the rest are Tenor. I’m not saying listen to the whole song, just a few seconds. Here is the link if you want to check it out... ( UA-cam.com/channel/UCpnRNh8VLEzAE8Nxi9EMwHg )
Sorry Nigel, on the Channel The Alto is the 1st one.
Thanks for sharing the link James. I’ll check it out.
I do play DV jody Jazz on both alto and tenor. I really love them!
Calvin Herman
Cool. What size do you play Calvin?
@@McGillMusicSaxSchool I play #6 on both and use #3 fiberreed.
Muy interesante, me gustó más el sonido con el saxo tenor, no tanto con el alto
Very nice, warm sound. I play mostly classical on a very old C* and Big Band on a Meyer 5. I've been playing on the Legere 2.5 Signature Series (US) having moved from a VanDoren 3 for years. I play Pit on both and Meyer on my soprano. At the end of your video, you say the DV "could" work for Big Band. I'm looking specifically for a Big Band mouthpiece. The Meyer 5 is just a bit too thin sounding. I actually end up playing on the C* which works, but would like a more commercial sound. I've been playing for 60 yrs. Would you still recommend the DV? Thanks for much.
PS My alto is a Selmer Mark IV. I'm the original owner.
I play on JJ DV on alto and tenor 🎷
Awesome
I need help. I learn better when I do live. I need somewhere in or around Elyria Ohio to take live sax lessons. What do you suggest?
Have you tried Claude lakey? If so what's your opinion?
The big question to Nigel is: ''Is it going to replace your Theo Wanne Durga IV as your main mouthpiece on Tenor?''
Not sure Dolph. I have been using the Theo Wanne Slant Sig a lot but lately I’ve been exploring those more commercial sounds. Also I really do like the DV on my alto.
Nice! They have a full, round sound. Beautifully engineered.
Sorry, which brand of reed do you use for the JodyJazz DV Alto Saxophone Mouthpiece Model 9 (.100 tip)
I live it
Very nice sound, but too expensive for me. You played on the alto with a Légère with Signature american cut and a standard on the tenor. Could you explain the differences you found between american and standard cut. My music vendor could not explain me the advantages of the american cut. I saw only a increased price.
Good question. Actually I was only playing an Signature Cut on my tenor because I don’t have an American Cut in the right strength for the DV. I normally play 2.5 but 2.75 seemed to work better for me. I really like the Signature and have played them exclusively for the past few years, but since the American Cut came out I’m using them all the time. For me the American Cut has more body and just responds better than the Signature. I really like them.
Thanks very nice. One thing I was wondering about is the chamber and air support. When I find a mpc that I really like it will always have a large chamber. If its a 7* or larger I can't keep the horn up and running. I get great sound but can't hold low notes with out huffing and puffing. I'm 77 years old and have some lung issues so I no I have to adapt to what works. I'm currently playing a 6* with soft reed but it has large chamber. I'm beginning to think the chamber is as important as tip opening. Do you think these new chamber and baffling take more air. Some resistance is good for me. This would be a great subject for video. It's very expensive to try new things on the market. Thanks Dick
Interesting question Dick. I don’t find the DV takes more air, in fact it probably takes less air than my hard rubber Theo Wanne Slant Sig. Also finding the right reed combo is super important.
@@McGillMusicSaxSchool Thanks for ur response. I look foward to ur videos. Not only are u a great player you no what you're talking about. Dick
I would think the DV actually WOULD benefit some one new because it is a "do everything" mouthpiece. The mouthpieces a new player I think should avoid are the ones known for being dark or "loud". Like the Ambika and the Shiva. Or Jody Jazz's DV NY and Super Jet. Get a mouthpiece that's considered neutral...in the middle...Once the player determines what kind of sound they're looking for or prefer...dark, are they then in a band doing live performances? THEN get a mouthpiece that helps them project "cut through"...play "louder"...that's after picking the "right sax" HEH...do they know if they want a "focused" sound or a "spread out" sound? Do they know what that sounds like?
I am finding the American cut Legere reeds are slightly wide on the the DV and cut my lip.
Do you find this?
I am finding the new Legere French Cut reeds are really working with my alto DV size 6.
Still playing the Dave Guardala tenor?
What kind of ligature you use? And what do you think is best for beginners alto sax?
Good question. With my Jody jazz pieces I’m using their ligature - it’s kind of like a Rovner style with a single screw on top. If you are just starting out on sax I would actually go for something like a Yamaha 4c until to you get your skills together. Check out my video: ua-cam.com/video/lN9FI7_m3P8/v-deo.html
@@McGillMusicSaxSchool Thank you
@@McGillMusicSaxSchool I’m trying to get the Yamaha 4c if I can get it thank you
I use a Jody Jazz Jet 7 on tenor and alto sax ....
Cool!
I play dv 😇😇😇
Sounds great...but cannot justify the cost.
Maybe because it has goold?
"The quality is remembered long after the price is forgotten".
I can't figure out how to enter the competition. Can anyone give me some clues?
Sure Giles. Enter from our website here: www.mcgillmusic.com/jody-jazz-giveaway/
@@McGillMusicSaxSchool Thanks very much.
👌👍🤘
Altisamo,,, scratchy up high. Others OK
the tenor sounds like alto
Who is the one sole person to dislike this video?! lol