Yes Mary Clayton's voice expresses the ultimate peak of emotion. Whenever I hear this song beginning to play I anticipate her vocals, like a little boy waiting to get through the candy store door. IMHO, there are few other vocals that match this one in intensity and 'feeling' in the rock world or any other world really.
Yes, imperfectly perfect! It feels like she momentarily hesitates when her voice cracked, so she is just behind the beat, which makes it sound incredible
The Stones and Pink Floyd both managed to stand back and let female vocalists grab us by the heart - thinking of Great Gig in the Sky, of course. Two historic performances.
The 'creaking' sound is produced by a güiro, a percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines along the notches to produce a ratchet sound. It can be made from wood, gourd, metal, plastic or fiberglass. The guiro is believed to have originated in Puerto Rico with the Taíno people (the indigenous peoples of the Caribbean), so it features mostly in Puerto Rican music.
Over here (Portugal) it is known as reco-reco, an onomatopaic word to sound like the sound the object creates. We have a lot of that popular/ folk instrument, mostly made of wood. The ornaments people do in it makes each object a unique piece.
My music teacher in elementary school had one, and I got to play it several times in his classes. When I heard this song, I knew instantly what that instrument was.
To those that came of age during the Vietnam War, and especially those that faced the prospect of something almost unimaginable today (Military Draft Conscription), there is a connection to the overall “feel” of this song that just can’t be easily explained, it’s one of those “you had to be there” scenarios. There’s a reason the phrase “Oh, Children” is used in this song . . . teenagers and children on both sides were forcibly thrown into warfare and violence that had absolutely nothing to do with them. The sense of tension and foreboding in the opening part of the song still brings back powerful emotions after almost 60 years. In other words . . . they NAILED it.
30:00 "To look at this song and recognize who is calling to whom? Gimme shelter. Who is asking to give me shelter? A storm is threatening my very life today. If I don't get some shelter - I'm going to fade away. I'm going to get lost in this... in this hell... in this war. I'm going to... the fire is going to sweep through... It's in our streets. It's going to destroy me as well... unless somebody gives me shelter. Who is this calling to..? And it's calling to all of us... anyone who has some kind of shelter to offer - for whatever kind of conflict there is... that they can aid those within it. And I guess this is the um... message that I find in this song that appeals to me." Amy - You nailed the message of the song so eloquently. Loved the way you absorbed so many things from this song - and spoke about them wonderfully. Thanks for sharing your take on the song with us. It was a joy to watch.
Simplicity is the point with The Stones. Anyone can strum along, anyone can sing the melody and they're not hard work to listen to. Their talent is subtly woven into every one of their songs which has ensured their enduring popularity. And still awesome to see live.😊
Charlie Watts drumming is a big part of the groove. It really demonstrates his reputation of tasteful drumming. It drives such a groove without being flashy.
Charlie is genius. How he gives a straightforward groove so much character and life is beyond me. No amount of training, practice or technique gives you this. I guess you just have to let your ego exit out of one door and let the song in the other.
It is a harmonica and Jagger was playing it. They might have run the signal through a guitar Amp. That was often done at the time. All the guitars were played by Keith Richards. The two to this day are the greatest rock partnership of all time. For a fan like me the words of Keith are a bedrock of truth: "There's the sun, there's the moon, and there's the Rolling Stones."
@@szeleddieWhy are you yelling calm down. I Disagree Stones had 8 number one songs and 12 number one albums. Beatles had 20 number one songs and 11 number one albums out of 12 recorded albums. Paul and John are the best working musical collaborators and you could throw in Elton John and Bernie Taupin. You're a Stones fan and that's great but please acknowledge that others were as good or even better than them.
Song is like a wake up call. Evil and violence walks this earth and is always closer than most people are willing to realize. Great dive into this beautiful piece. Thanks Virgin rock.
Such a poor interpretation by the reviewer. From start to finish, it's an ethereal, heavy, driving, and ghostly song about the kiss of death. Jagger's not singing about "love, sister," as some sort of romantic passion. That "love," is the love of killing people. The "love" of death and destruction. "It's just a kiss away." The grind of a imperial war machine. War, the ultimate rape of humanity. This song is one step away from Sympathy for the Devil. Penultimate horror.
This is a favorite of a lot of people who are Stones fans. It's probably the best song a person can pick to describe what the Stones are about, very rooted in American blues and a touch of gospel singing in this particular one.
Sadly, this song is just as relevant today as it was in 1969. Merry Clayton's vocals are so raw and emotional that it just grabs you right by the soul.
I've always loved the swampy atmosphere of the begiinning of the song. And when I realized it was an anti-war song I connected the swampy atmosphere to the fighting in the swamps of Vietnam. And told from the point of view of the frightened Vietnamese non-combants. Especially Mary Clayton's screams of horror. A mesmerizing classic.
it has a harmonica feel because it is a harmonica played electric blues style cupped close to a microphone. And Jagger is a somewhat underrated student of the blues harp masters.
The rocking chair sound is a Guiro, Latin American rhythm instrument. The harmonica sounding guitar is actually a harmonica miked and ran through an electric guitar amplifier, which gives it the classic distorted blues harmonica sound.
The best part is that she will listen to War Pigs without that stupid, ubiquitous George Orwell remake vid that causes reactors to read the lyrics wrong.
Favorite part of the song (about at 19:09 in this video) is when that woman's voice cracks as she is belting out all that soul and if you listen closely you can hear someone in the studio exclaim, "Wooo!"
The cracking of Mary Clayton's voice is accompanied by a Wooohhh from Mick Jagger who couldn't contain himself in the recording booth when he heard that. It's a really good touch and witness of how organic this piece of music was
She was worried she blew the take when her voice cracked. Jagger’s shout was his excitement at what he had just heard. Obviously, he loved it and she didn’t do another take.
I think she is the ONLY Person i know of, after hearing this for the first time, that did not talk for 5 Minutes about how amazing Merry Clayton's vocal solo was..!!! She hardly mentioned it. I thought her jaw would drop while she listened to that
I was 16 when this album came out this song in particular had a great effect on me. The reverb on the guitar.....saw them live in Chicago that year along with Chuck Berry. Great memories
That high, sort of screeching, voice is not Jagger in falsetto mode, but gospel & soul singer Merry Clayton. Gives a great sonic boost halfway to the end, into the song!
Mick is speaking for everyman/everywoman when he asks 'gimme shelter'. As Maslow has theorised, shelter is the absolute most basic human need. And the shelter that could be called for may be physical, from bullets, or mental - note that there is so much bad news in the media currently that some people are trying to avoid hearing about it, others becoming very depressed by it. As you said at the beginning, it does not start with anger, but rather gradually increases in tension and desperation. Another great analysis Amy, teaching me to appreciate these songs in more depth.
The Rolling Stones have a way of burrowing in under your skin. Strange genius there. "Can't Always Get What You Want" next please... Another great reaction!
I'm so glad you returned to the Stones, particularly since this is probably my favorite song of theirs, although tough competition. I am glad you had the lyrics handy since Jagger is known for not fully articulating the words. Don't feel out of place not liking Jagger's voice, many do not. He doesn't necessarily have a great singing voice, but he has a great Rolling Stones voice since it is so characteristic of their sound. He is probably the most famous front man in rock history, due in part to his on stage persona and energy, which is still present to this day for a man in his 80s. Even though the melodic structure is repetitive, the variety of musical textures, slight variations, and dynamics from the various instruments keeps it interesting. They exemplify the essence of the rock sound the most amongst the top iconic bands, which by nature has a repetitive structures. As with most Stones songs I am a huge fan of Keith Richards guitar. The guitar that sounds like a harmonica, is in fact actually a harmonica.😉 Great commentary and message by you Amy, particularly at the end.
Merry Clayton background vocals are amazing. I recommend watching the documentary 20 Feet from Stardom for all the amazing vocalists. Props to Lisa Fisher who continued the tradition for many tours.
This song you really need a couple of listens to fully appreciate it. It came about when everything seemed on the brink of collapse for the band, as it often was for them, frankly. This is possibly really what motivates the song. Strangely enough, they managed to hold their career together, strokes of fortune coupled with hard work. The production is undoubtedly what saves it; I'd say it contributes a solid 60% to its musical success. That, along with the session singer's performance. Some of the musicianship especially the guitar is very "loose" and jumbled, and rambling, Until it locks together, giving a powerful feeling of relief. This is another factor that people can maybe pick up,
Oh honey, that's a blues harp! Keith Richards, the guitarist here, arranged and assembled this entire song. It is a masterpiece. Mick wrote the incredible lyrics. Mary Clayton brought the gospel vocals. Perfect!
I can't wait for Amy to realize that it was a harmonica, all along ... and it sounded like Mick's vocals, because it was his mouth, and those famous lips! :) * * Mick Jagger - lead vocals, backing vocals, harmonica Keith Richards - backing vocals, lead and rhythm guitars Bill Wyman - bass Charlie Watts - drums Additional personnel Merry Clayton - lead and backing vocals Nicky Hopkins - piano Jimmy Miller - güiro, maracas * (Courtesy of Wikipedia)
This song is in my First Aid Kit for difficult moments. It's a mantra, a thing of empathy and intensity underlined by the once-in-a-lifetime delivery by Merry Clayton. And yes that's an harmonica - and yes it matches Jaggers's voice, as he's playing it. You nailed it at the end, it's not just about a War zone specifically, it's about the conflict in our everyday lives, the psychological violence, the hopelessness, the constant fight for the legal tender (as Jackson Browne says). God where would I be without the weekly therapy brought by this tune. Eternal. Thanks for the great review.
When the bass drops and Micks voice kicks in it takes you back to the 60s. True rock and roll. You can just picture American G.I.'s sitting there in a bunker smoking, listening to this on a radio.
**** They voice you are talking about is Merry Clayton, (one of the all time great background singers of the age). She also sang on Neil Young's self titled album on (The Old Laughing Lady).
Just wanted to say I love your videos. I'm old so I love classic rock and the Stones have been my favorite band since I first really started paying attention to music when I was about fourteen. Keep up the good work and please, please never change.
Absolutely iconic Stones song and a favorite of many. The imagery of fire sweeping, burning like a “red coal carpet” in the streets surrounding my own home does indeed make me think how fortunate many of us are and how fragile our sense of peace and security really is; you hit the nail on the head with this assessment of the lyrics. I find it interesting that your impression of the intro is so different from my own… I’ve always thought that it sounds haunting, and foreboding; anticipating the horrors of what is to come. It also sets this really vintage, seedy kind of vibe that I feel is a bit of a Stones hallmark. I’ve never thought of it as homey in a rocking chair hahaha, maybe part of my listening experience is knowing what is coming. Much like you, when there’s the shift in mood with “Love, Sister”; it adds something magical, something worthy of reverence. I’m so glad that you did this song and hope you do more Stones songs soon!
Amy - that "creaking sound" at the beginning. Are you talking about: The güiro is a percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines along the notches to produce a ratchet sound. Jagger was playing a "blues harp," which helps explain why it has the same phrasing as his voice. Many, like John Lennon, distinguish between a harmonica (which "has a button" to allow for a chromatic scale of 12 notes) and a blues harp (a diatonic instrument, using a so-called natural scale of 7 notes). These blues harps are usually available in a few basic keys and the notes are much easier to pitch bend into specifically microtonal blue notes, those found between between the standard notes on a piano. As for the "relatively calm" nature of this song, I think you are not considering that this was released on commercial radio in 1969 - so in comparison to "Baby Love" or "Cherish," this song WAS pretty intense. The opposite of love is not hate, but indifference. Love/Hate is similar to Genius/Insanity and Heads/Tails - two sides of the same coin. As for being a fan of the Rolling Stones, "the band," I HIGHLY recommend you withhold your final judgment. Unlike most bands (excepting Beatles, Led Zep, Floyd, etc.), the Stones have a very WIDE RANGE of styles, even though they are most basically a R&B based band. You still need to hear some Brian Jones (their founder and first lead guitarist who died in 1969 and was replaced by Mick Taylor until 1973 and was replaced by Ron Wood) era Stones where they explore different sounds like Lady Jane and Ruby Tuesday. That's what I think, anyway.
31:30 Oh it grabs my emotions! To me, they really did manage to bottle something during recording that gets uncorked every time I listen to it. The rawness of the sound really lends itself to the effect.
23:59 "This guitar sound - is catching my ear because it's different from a lot of the guitar sound that I hear. It almost has a bit of a harmonica twang to it. And, in fact, it balances with this voice. It balances with Mick Jagger's voice It's as if... it is his voice without the words." You brilliantly discovered, with your ears and mind, what was actually going on in the song. Mick Jagger is playing a harmonica (when not singing) and the fact that you described how it sounds like "his voice without words"... is one of the best descriptions of what is taking place in this track - that I have ever heard. Bravo, Amy! Bravo!
They used a harp mic plugged into a guitar amp (often a Fender). Several bluesmen & bands popularised that technique in the early days of electric music to create that raw bluesy sound. There are more sophisticated tools nowadays - harp amps, directional mics and such.
...as a rock musician from long ago I really dig your point in the analysis of this classic masterpiece. I love the way you play the song from the beginning one time to another like a real musician do, getting every subtlety displayed... thanks!!!
Been watching now for many months. Your approach from what I assume is as a more fortunate upbringing, gives a wonderful insight in how popular culture you may have missed out on can be enjoyed and also a different angle of how these songs can be perceived and enjoyed.. What a wonderful job you are doing...
I love how you're not only talking about the music, but the message as well. How peace is so fragile and taken for granted for many of us. That really resonated with me. I know, on an intellectual level, that the world is in a scary state these days, yet I still tend to focus on what's happening here and now in my life, in my small and RELATIVELY safe corner of the world. It's a tough balance to strike, to be aware of the darker parts of the human condition without being completely consumed by it. Great job so far... Resuming video now. Ps, this is probably my favorite UA-cam channel I've discovered this year! Keep it coming, I think you're really going to find the evolution of the Beatles particularly interesting as they move out of their adolescence and into their more mature years. Ok.... Back to the video for real this time.
Personnel: Mick Jagger, lead vocal, harmonica; Keith Richards, all guitars; Bill Wyman, bass; Charlie Watts, drums; Merry Clayton, vocal; Nicky Hopkins (the band's go-to studio keyboardist from 1966 into the 1970s), piano; Jimmy Miller (the album's producer), additional percussion. "Let It Bleed" was the band's last studio album recorded in the 1960s, released in December 1969 as the decade was coming to a cataclysmic end, with the murders committed by the Manson family in Los Angeles and The Stones' own disastrous free concert at Altamont concluding their 1969 American tour, both events emblematic of the senseless and terrifying violence shattering the peace-and-love ethos of the '60s counterculture. It was their last studio album for their old label, Decca (in the U.K.; London Records in the U.S.); after that they would start their own eponymous label, Rolling Stones Records. The band itself was in transition, shedding founding member Brian Jones in June (he died tragically by drowning less than a month later) and hiring a new guitarist to take his place, 20-year-old Mick Taylor. The transition was occurring during the recording of the album and, as a result, the band, normally a quintet, was effectively a quartet for most of the making of "Let It Bleed." Brian Jones received just two performance credits on the album, both barely audible; Mick Taylor also received two credits as the incoming member. But Keith Richards, as the only full-time guitarist, was thus compelled to record most of the guitar parts on the album in what was normally a two-guitar band by overdubbing. He is responsible for both the quavery, tremolo-saturated (as if riven by fear) descending rhythm guitar pattern that plays through the entirety of the song as well as the piercing, angry lead guitar part and the solo (he also played the distinctive bass part on another song on the album, "Live With Me" in lieu of the band's regular bassist, Bill Wyman, who was absent when the instrumental track for the album was recorded). The Stones' 1969 U.S. tour was their first in over three years, since summer 1966, when Brian Jones was still an integral band member, and the social/cultural atmosphere of America, including the rock and roll scene, had changed dramatically in that time. Both the band and the larger culture transitioned, often with a good deal of anxiety and unrest, from the seemingly more innocent mid-'60s to the more cynical and jaded end-of-decade and on into the 1970s. No major rock and roll album of the era, to my mind, and this includes The Beatles' contemporaneous "Abbey Road," better represented these jarring and shattering disruptions than "Let It Bleed."
well, thats the most original ad i've ever seen! (of course, youre not getting paid, which makes it even more original!) 😁 ps great song and reaction as always
Keith wrote the initial track one afternoon during a thunderstorm over London, and also during a difficult point in the band's history, it's a really important song for him personally.
Mick is playing harmonica when he's not singing the guitars and harmonica weave together along with the voices the piano bass and drums do their own weave countering to create a mesmerizing sound and rhythm. One of my favorites by my favorite band. Your takes and reactions take me back to when this brand new . I was 17. I will always tune into your show 👍
The "privelege" passage at the halfway point is well-put. Having done a tour in Afghanistan, this music captures the stress of being in a war zone, but keeps it at a distance. Heavier bands might have poured on more adrenaline, but here, the focus is not on the violence, but the shelter that's a shout away. Immortal.
Ths song has one of the best intros of any rock song. Kind of glad she repeated it several times to digest it properly.. it is the perfect setup for, what I consider, to be the violence of the coming storm that this song is. Charlie Watts drumming, Keith Richards guitar, Mick's vocal (and distorted harmonica) and Merry Clayton's backup vocal is perfection in every way.
"Just a shot away… just a kiss away… which one will we choose?" Interestingly the Sisters of Mercy sing a cover of Gimme Shelter with those lines swapped around to great effect.
The effect on the guitar that is very noticeable at the beginning of the song is a tremelo. The tremelo effect along with the interplay of the different guitars and the creaking sound of the Guiro (A Latin percussion instrument) further emphasizes the syncopated rhythm, (There is also a jerky, staccato rythm guitar phrase at the end of each verse). All of this combined produces music that might seem peaceful on the surface but the tension builds in a similar way to the theme song in the movie "The Exorcist." There is something slightly unsettling about it, almost like a children's nursery rhyme in a horror film. In contrast to the guitars, the vocals by the backup singers repeat a simple haunting melody. As the song reaches it's crescendo the female vocalist screams out "war" and "r*pe!" Although the song is beautiful, I have always found it to be disturbingI "Sympathy For The Devil " might be taken as a clever attempt by the Devil at subtle persuasion as he takes credit for wars and assassinations while demanding sympathy and respect and in the end blames humans. But this song isn't gently instructive or reassuring at all, it is a warning! This song was part of the set during the Stone's Altamont concert in 1969 where someone pulled a knife and was shot by Hell's Angels who were hired as security. This event along with: the Tet offensive in Vietnam, the Tate murders by Manson, the assassination of Robert Kennedy and MLK marked the end of the so called "Summer of Love" period of the Hippie movement and began a darker phase. Let it Bleed is the Stone's best album in my opinion, this dark song contrasts well with the warmer songs "Love In Vain" and "You Can't Always Get What you Want" which are also excellent. I would like to see the "'You Can't Always Get What You Want"reviewed soon while "Gimme Shelter" is still fresh in the mind.
She's a Rainbow is a gorgeous song from the Stones. Wild Horses, Moonlight Mile, You Can't Always Get What You Want all sound just lovely as well. It's Only Rock and Roll (But I Like It) is a funny song but weirdly deep in my opinion. Their catalog is huge, but most fans and casual admirers would agree with me about the ones I've mentioned I reckon. Much love. Your comments have pointed out to me the extreme relevance of Gimme Shelter in 2023. Thank you.
That first understated piano chord is the first hint at something ominous, like a peel of distant but quickly approaching thunder p,s, Merry Clayton was very, very pregnant and called into the studio at night during a thunderstorm, and as she explains you can hear the nature of her mood. Tragically not long after she miscarried.
What a fantastic review! Your words and insights did bring me a stronger perspective of this song! Not that I missed out on the meaning of the song. But your depth of insight is lifting the song even higher! Thank you!
Well.... I think we've managed to establish..... after about 200 of the SAME comment......that the guitar is, indeed... a harmonica!!!! ..... glad we've sorted that out.......
So many great songs in the Stones catalogue to dissect! Their new song “Sweet Sounds of Heaven” is brilliant. Paint it Black, She’s a Rainbow, Moonlight Mile, 100 Years Ago, and Saint of Me would be great ones to unpack
I've listened to this song many time and have been in a band playing it, but the song, combined with your analysis, touched me emotionally like never before. I'm also a veteran. Thank you.
According to the 2013 film “20 feet from Stardom”, Merry Clayton was at home in her pajamas when after a phone call a car was sent to take her to the studio to record the background vocals. She was still in her pajamas!
We're always on the brink ... we never learn. In June 1914 an assassin's bullet led to WW1 a horrific conflict we're still dealing with today. This song is a tear jerker. It's passion is incredible... during the female solo she screams the words to the extent where a couple times her voice cracks. I'm not a Rolling Stone fan so to speak but Gimme Shelter is a masterpiece. Thank you for the deep dive.
Yes, it's about war -- and the Vietnam war was a huge topic at the time -- but it's also about the war in the streets, the riots and protests and the brutal police (and occasionally military) respone to them that defined the late 1960s, especially in the great USan cities.
100% true. The cerebral element in rock lyrics is often underappreciated, though. But yes, the power of a good rock song is first felt in the gut. Generally, I get the feel of a piece of music before paying attention to the finer details (after a few listens). Professional musicians are bound to have a different approach, which makes their opinions interesting and opens my ears to aspects I might have missed.
The foundation of the band includes a great deal of Chicago blues. Always assumed that the harmonica on the song reflects their love of Players like Little Walter.
The secondary guitar tone of Keith's that you describe as sounding a bit like a harmonica, yes! I hear a bit of that. That tone of Keith's still gives me the creeps, even after 45 years of loving this song. It has always reminded me too, of those squeaky, rusty old oil derricks in spooky movie scenes. It's extremely ominous and foreboding. Keith used a Maton guitar for all the tracks on Gimme Shelter. He had only used this guitar once previously on the song Midnight Rambler. Fittingly, upon the very last take while recording Gimme Shelter, the guitar completely fell apart, "as if by design" Keith had been quoted as saying. I must say, you describe the psychological breakdown of this song so beautifully and eloquently. This song has always been an absolute favourite of mine because of how emotionally moving and distressing it is, and I actually got tears in my eyes as you described your take on the line "I tell you, love, sister, it's just a kiss away." Beautifully put.
Aside from the notes, the dirty overdriven guitars set the mood for the picture.... "a storm is threatnin my very life today.. these dudes were on fire.. painting the picture.. Bone chillin
Love the channel, love the song, love the review! Thank you!
Agree on all three points! Brava!
Merry Clayton's unhinged vocals on this are one of my favorite musical moments ever.
If you haven't already heard it, Clayton's churchy backup on Carole King's Way Over Yonder is exceptional.
Yes Mary Clayton's voice expresses the ultimate peak of emotion. Whenever I hear this song beginning to play I anticipate her vocals, like a little boy waiting to get through the candy store door. IMHO, there are few other vocals that match this one in intensity and 'feeling' in the rock world or any other world really.
Yes, imperfectly perfect! It feels like she momentarily hesitates when her voice cracked, so she is just behind the beat, which makes it sound incredible
The Stones and Pink Floyd both managed to stand back and let female vocalists grab us by the heart - thinking of Great Gig in the Sky, of course. Two historic performances.
That moment sends chills down my spine, Mary captures the moment and elevates this awesome song to the next level.
The 'creaking' sound is produced by a güiro, a percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines along the notches to produce a ratchet sound. It can be made from wood, gourd, metal, plastic or fiberglass. The guiro is believed to have originated in Puerto Rico with the Taíno people (the indigenous peoples of the Caribbean), so it features mostly in Puerto Rican music.
Over here (Portugal) it is known as reco-reco, an onomatopaic word to sound like the sound the object creates. We have a lot of that popular/ folk instrument, mostly made of wood. The ornaments people do in it makes each object a unique piece.
My music teacher in elementary school had one, and I got to play it several times in his classes.
When I heard this song, I knew instantly what that instrument was.
ditto@@toddmcclellan979
Was thinking a’washboard’ type of percussion instrument from bluegrass
Some have likened the guiro part to the death rattle at the end of life ominously carried throughout the song.
To those that came of age during the Vietnam War, and especially those that faced the prospect of something almost unimaginable today (Military Draft Conscription), there is a connection to the overall “feel” of this song that just can’t be easily explained, it’s one of those “you had to be there” scenarios. There’s a reason the phrase “Oh, Children” is used in this song . . . teenagers and children on both sides were forcibly thrown into warfare and violence that had absolutely nothing to do with them.
The sense of tension and foreboding in the opening part of the song still brings back powerful emotions after almost 60 years.
In other words . . . they NAILED it.
no no, not NAILED it; N A I L E D it 🤓
30:00 "To look at this song and recognize who is calling to whom? Gimme shelter. Who is asking to give me shelter? A storm is threatening my very life today. If I don't get some shelter - I'm going to fade away. I'm going to get lost in this... in this hell... in this war. I'm going to... the fire is going to sweep through... It's in our streets. It's going to destroy me as well... unless somebody gives me shelter. Who is this calling to..? And it's calling to all of us... anyone who has some kind of shelter to offer - for whatever kind of conflict there is... that they can aid those within it. And I guess this is the um... message that I find in this song that appeals to me."
Amy - You nailed the message of the song so eloquently. Loved the way you absorbed so many things from this song - and spoke about them wonderfully. Thanks for sharing your take on the song with us. It was a joy to watch.
Simplicity is the point with The Stones. Anyone can strum along, anyone can sing the melody and they're not hard work to listen to. Their talent is subtly woven into every one of their songs which has ensured their enduring popularity. And still awesome to see live.😊
The beauty of Gimme Shelter is "The Groove". It chugs, it drives forward, its relentless, it's infestious... it's Rolling Stones and it's great imo :)
Charlie Watts drumming is a big part of the groove. It really demonstrates his reputation of tasteful drumming. It drives such a groove without being flashy.
Charlie is genius. How he gives a straightforward groove so much character and life is beyond me. No amount of training, practice or technique gives you this. I guess you just have to let your ego exit out of one door and let the song in the other.
It is a harmonica and Jagger was playing it. They might have run the signal through a guitar Amp. That was often done at the time. All the guitars were played by Keith Richards. The two to this day are the greatest rock partnership of all time. For a fan like me the words of Keith are a bedrock of truth: "There's the sun, there's the moon, and there's the Rolling Stones."
Also in the sonic mix is Nicky Hopkins' piano and some unusual percussion.
@@marrrtinNicky just nails this groove. He always does. Nicky is the glue that holds the thing together
Sorry greatest rock partnership was John and Paul
@@stevenseul361NO!!! SAME LEVEL!!!
@@szeleddieWhy are you yelling calm down. I Disagree Stones had 8 number one songs and 12 number one albums. Beatles had 20 number one songs and 11 number one albums out of 12 recorded albums. Paul and John are the best working musical collaborators and you could throw in Elton John and Bernie Taupin. You're a Stones fan and that's great but please acknowledge that others were as good or even better than them.
Song is like a wake up call. Evil and violence walks this earth and is always closer than most people are willing to realize. Great dive into this beautiful piece. Thanks Virgin rock.
And it's still as if not more violent and evil today as ever. Jim
@@bert0522 why is humanity afflicted with such perpetual horrors ?
Such a poor interpretation by the reviewer. From start to finish, it's an ethereal, heavy, driving, and ghostly song about the kiss of death. Jagger's not singing about "love, sister," as some sort of romantic passion. That "love," is the love of killing people. The "love" of death and destruction. "It's just a kiss away." The grind of a imperial war machine.
War, the ultimate rape of humanity. This song is one step away from Sympathy for the Devil. Penultimate horror.
I had tears in my eyes watching you unwrap this powerful song.
It’s just a kiss away.
This is a favorite of a lot of people who are Stones fans. It's probably the best song a person can pick to describe what the Stones are about, very rooted in American blues and a touch of gospel singing in this particular one.
Sadly, this song is just as relevant today as it was in 1969.
Merry Clayton's vocals are so raw and emotional that it just grabs you right by the soul.
Maybe even more relevant if Trump wins and puts in his 50 thousand storm troopers we will be doomed
Merry.
@briangriffin5524 Thanks, I didn't even notice! My phone just autocorrects to my name! 😂
Probably my favorite backing vocal ever. When her voice cracks...
Unbelievable passion.
The singer was deep into pregnancy and in pain
yes we get it. thanks for stating the obvious
@@47imagine stop being an ignorant and smug arse, you comment does you no favours
@@martin.baldock9719 Not 'in pain' but it was late at night and she was certainly uncomfortable.
I've always loved the swampy atmosphere of the begiinning of the song. And when I realized it was an anti-war song I connected the swampy atmosphere to the fighting in the swamps of Vietnam. And told from the point of view of the frightened Vietnamese non-combants. Especially Mary Clayton's screams of horror. A mesmerizing classic.
it has a harmonica feel because it is a harmonica played electric blues style cupped close to a microphone. And Jagger is a somewhat underrated student of the blues harp masters.
That guitar sound you noticed is actually a harmonica
Yes. Plugged in to a guitar amp i think
Played by Mick Jagger.
Thanks for explaining It.
18 years to dyscover this, thank you
The rocking chair sound is a Guiro, Latin American rhythm instrument.
The harmonica sounding guitar is actually a harmonica miked and ran through an electric guitar amplifier, which gives it the classic distorted blues harmonica sound.
Listening to your Classical perspective on classical Rock music is refreshing, insightful, and unique! Thank you so much!
I love the way you eloquently describe what the music portrays in your mind.
Did anyone else think 'I can't wait until she hears War Pigs?'
The best part is that she will listen to War Pigs without that stupid, ubiquitous George Orwell remake vid that causes reactors to read the lyrics wrong.
Or masters of war by Dylan
Machine Gun by Jimi Hendrix would be really interesting.
Yes she definitely needs to hear War Pigs and Machine Gun.
The first time I’ve ever heard someone call the opening of this song cheerful 😅
Cheerful. It's absolutely true, and I am sure many listeners feel that, but at the same time, melancholy
You and me both. I always found it haunting and foreboding.
Haunting I think is the word she should have used?
@@encoreunefois1XTotally agree with you. Cheerful?? That’s what she thinks? Interesting.
@@encoreunefois1X ^^EXACTLY^^
You must react to "You Can't Always get What You Want" by The Rolling Stones. You'll love the classic french horns in it.
Favorite part of the song (about at 19:09 in this video) is when that woman's voice cracks as she is belting out all that soul and if you listen closely you can hear someone in the studio exclaim, "Wooo!"
The cracking of Mary Clayton's voice is accompanied by a Wooohhh from Mick Jagger who couldn't contain himself in the recording booth when he heard that. It's a really good touch and witness of how organic this piece of music was
She was worried she blew the take when her voice cracked. Jagger’s shout was his excitement at what he had just heard. Obviously, he loved it and she didn’t do another take.
That is Mary singing "yeaah" . Where did people get Mick involved with her lines.
@@dougellis8904 You can hear a "Woooo!" in the background.
@@dougellis8904 "Mick get involved" lol. It's the Rolling Stones mate.
"Rocking chair" creak in the open. Damn. That's good.
I think she is the ONLY Person i know of, after hearing this for the first time, that did not talk for 5 Minutes about how amazing Merry Clayton's vocal solo was..!!!
She hardly mentioned it. I thought her jaw would drop while she listened to that
I find she's more about the instruments than the singing. That's why I also like to watch vocal coaches reacting to my favourite artists.
"Let it Bleed" is an all-time classic album.. You get what you need here!!
I've heard it a 1000 times, but I'm always startled by it, every time, from start to finish.
A fabulously mesmerizing, hypnotic, song.
I was 16 when this album came out this song in particular had a great effect on me. The reverb on the guitar.....saw them live in Chicago that year along with Chuck Berry. Great memories
That high, sort of screeching, voice is not Jagger in falsetto mode, but gospel & soul singer Merry Clayton. Gives a great sonic boost halfway to the end, into the song!
Far and away my all time favorite Stones song. Thank you for analyzing it.
Mick is speaking for everyman/everywoman when he asks 'gimme shelter'. As Maslow has theorised, shelter is the absolute most basic human need. And the shelter that could be called for may be physical, from bullets, or mental - note that there is so much bad news in the media currently that some people are trying to avoid hearing about it, others becoming very depressed by it. As you said at the beginning, it does not start with anger, but rather gradually increases in tension and desperation. Another great analysis Amy, teaching me to appreciate these songs in more depth.
The Rolling Stones have a way of burrowing in under your skin. Strange genius there. "Can't Always Get What You Want" next please...
Another great reaction!
I'm so glad you returned to the Stones, particularly since this is probably my favorite song of theirs, although tough competition. I am glad you had the lyrics handy since Jagger is known for not fully articulating the words. Don't feel out of place not liking Jagger's voice, many do not. He doesn't necessarily have a great singing voice, but he has a great Rolling Stones voice since it is so characteristic of their sound. He is probably the most famous front man in rock history, due in part to his on stage persona and energy, which is still present to this day for a man in his 80s.
Even though the melodic structure is repetitive, the variety of musical textures, slight variations, and dynamics from the various instruments keeps it interesting. They exemplify the essence of the rock sound the most amongst the top iconic bands, which by nature has a repetitive structures. As with most Stones songs I am a huge fan of Keith Richards guitar. The guitar that sounds like a harmonica, is in fact actually a harmonica.😉 Great commentary and message by you Amy, particularly at the end.
Such a beautiful, intertwined, hypnotic beginning and, overall, an extremely powerful song.
Merry Clayton background vocals are amazing. I recommend watching the documentary 20 Feet from Stardom for all the amazing vocalists. Props to Lisa Fisher who continued the tradition for many tours.
This song you really need a couple of listens to fully appreciate it. It came about when everything seemed on the brink of collapse for the band, as it often was for them, frankly. This is possibly really what motivates the song. Strangely enough, they managed to hold their career together, strokes of fortune coupled with hard work. The production is undoubtedly what saves it; I'd say it contributes a solid 60% to its musical success. That, along with the session singer's performance. Some of the musicianship especially the guitar is very "loose" and jumbled, and rambling, Until it locks together, giving a powerful feeling of relief. This is another factor that people can maybe pick up,
Oh honey, that's a blues harp! Keith Richards, the guitarist here, arranged and assembled this entire song. It is a masterpiece. Mick wrote the incredible lyrics. Mary Clayton brought the gospel vocals. Perfect!
It's Merry.
_Gimme Shelter_ is one of those songs you simply have to play a few times before it gets under your skin. But when it does...
I can't wait for Amy to realize that it was a harmonica, all along ... and it sounded like Mick's vocals, because it was his mouth, and those famous lips! :) *
* Mick Jagger - lead vocals, backing vocals, harmonica
Keith Richards - backing vocals, lead and rhythm guitars
Bill Wyman - bass
Charlie Watts - drums
Additional personnel
Merry Clayton - lead and backing vocals
Nicky Hopkins - piano
Jimmy Miller - güiro, maracas
* (Courtesy of Wikipedia)
That moment where Merry Clayton's voice cracked because she's pushing it too hard, followed with Mick's approving "woo!" Pure magic.
This song is in my First Aid Kit for difficult moments. It's a mantra, a thing of empathy and intensity underlined by the once-in-a-lifetime delivery by Merry Clayton. And yes that's an harmonica - and yes it matches Jaggers's voice, as he's playing it. You nailed it at the end, it's not just about a War zone specifically, it's about the conflict in our everyday lives, the psychological violence, the hopelessness, the constant fight for the legal tender (as Jackson Browne says). God where would I be without the weekly therapy brought by this tune. Eternal. Thanks for the great review.
When the bass drops and Micks voice kicks in it takes you back to the 60s. True rock and roll. You can just picture American G.I.'s sitting there in a bunker smoking, listening to this on a radio.
And it's about war in the streets.
"i dont remember who's singing" "mick jagger" i love that!!!!
Knowing Jagger he would be more offended by someone not knowing it was him singing then he would be by their not liking the way he sings.
Wonderful reaction. I think you'd like, "Can't You Hear Me Knocking." My favourite Stones song.
**** They voice you are talking about is Merry Clayton, (one of the all time great background singers of the age). She also sang on Neil Young's self titled album on (The Old Laughing Lady).
Just wanted to say I love your videos. I'm old so I love classic rock and the Stones have been my favorite band since I first really started paying attention to music when I was about fourteen. Keep up the good work and please, please never change.
Probably their greatest tune. At least top 5 for sure. It has a sort of foreboding that really connects.
I love this song, and I love the Sisters of Mercy cover even more for some reason.
Great cover by a band most people don't know exists.
Not as good as their cover of Jolene...
It's a bluesy harmonica you're hearing. This came out during Vietnam and the song offers an alternative to war (Love) is just a kiss away.
It's also the way Mick says or sings the words that make his vocal style unique
Absolutely iconic Stones song and a favorite of many. The imagery of fire sweeping, burning like a “red coal carpet” in the streets surrounding my own home does indeed make me think how fortunate many of us are and how fragile our sense of peace and security really is; you hit the nail on the head with this assessment of the lyrics. I find it interesting that your impression of the intro is so different from my own… I’ve always thought that it sounds haunting, and foreboding; anticipating the horrors of what is to come. It also sets this really vintage, seedy kind of vibe that I feel is a bit of a Stones hallmark. I’ve never thought of it as homey in a rocking chair hahaha, maybe part of my listening experience is knowing what is coming. Much like you, when there’s the shift in mood with “Love, Sister”; it adds something magical, something worthy of reverence. I’m so glad that you did this song and hope you do more Stones songs soon!
Amy - that "creaking sound" at the beginning. Are you talking about:
The güiro is a percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines along the notches to produce a ratchet sound.
Jagger was playing a "blues harp," which helps explain why it has the same phrasing as his voice.
Many, like John Lennon, distinguish between a harmonica (which "has a button" to allow for a chromatic scale of 12 notes) and a blues harp (a diatonic instrument, using a so-called natural scale of 7 notes).
These blues harps are usually available in a few basic keys and the notes are much easier to pitch bend into specifically microtonal blue notes, those found between between the standard notes on a piano.
As for the "relatively calm" nature of this song, I think you are not considering that this was released on commercial radio in 1969 - so in comparison to "Baby Love" or "Cherish," this song WAS pretty intense.
The opposite of love is not hate, but indifference. Love/Hate is similar to Genius/Insanity and Heads/Tails - two sides of the same coin.
As for being a fan of the Rolling Stones, "the band," I HIGHLY recommend you withhold your final judgment. Unlike most bands (excepting Beatles, Led Zep, Floyd, etc.), the Stones have a very WIDE RANGE of styles, even though they are most basically a R&B based band.
You still need to hear some Brian Jones (their founder and first lead guitarist who died in 1969 and was replaced by Mick Taylor until 1973 and was replaced by Ron Wood) era Stones where they explore different sounds like Lady Jane and Ruby Tuesday.
That's what I think, anyway.
Is Mick playing harmonica of course. He's a master on that.
The best way I could describe the Stones is this: All band members are wondering through the song independently yet weaving it together.
31:30 Oh it grabs my emotions! To me, they really did manage to bottle something during recording that gets uncorked every time I listen to it. The rawness of the sound really lends itself to the effect.
23:59 "This guitar sound - is catching my ear because it's different from a lot of the guitar sound that I hear. It almost has a bit of a harmonica twang to it. And, in fact, it balances with this voice. It balances with Mick Jagger's voice It's as if... it is his voice without the words."
You brilliantly discovered, with your ears and mind, what was actually going on in the song. Mick Jagger is playing a harmonica (when not singing) and the fact that you described how it sounds like "his voice without words"... is one of the best descriptions of what is taking place in this track - that I have ever heard. Bravo, Amy! Bravo!
Omg this is another level of music reactions! Love it! Food for my musically analphabet, but very passionate, mind. Thank you!
That guitar sound that has a harmonica-ish sound is Mick Jagger on harmonica. I don't know what they used to get the distortion on it.
They used a harp mic plugged into a guitar amp (often a Fender). Several bluesmen & bands popularised that technique in the early days of electric music to create that raw bluesy sound. There are more sophisticated tools nowadays - harp amps, directional mics and such.
The most quietly scary song ever. The Stones looked into the abyss, and the abyss stared back.
Brutal in its calm skin it hides behind
...as a rock musician from long ago I really dig your point in the analysis of this classic masterpiece. I love the way you play the song from the beginning one time to another like a real musician do, getting every subtlety displayed... thanks!!!
Been watching now for many months. Your approach from what I assume is as a more fortunate upbringing, gives a wonderful insight in how popular culture you may have missed out on can be enjoyed and also a different angle of how these songs can be perceived and enjoyed.. What a wonderful job you are doing...
One of my fav songs ever. Merry Clayton? Raw power!
This distinct sound you mention is indeed a harmonica, played in that characteristically bluesy, distorted, way, by Mick Jagger.
I'm not a Stones fan either, but I do love this song. To me it almost seems like the point when rock & roll became rock.
I love how you're not only talking about the music, but the message as well. How peace is so fragile and taken for granted for many of us. That really resonated with me. I know, on an intellectual level, that the world is in a scary state these days, yet I still tend to focus on what's happening here and now in my life, in my small and RELATIVELY safe corner of the world. It's a tough balance to strike, to be aware of the darker parts of the human condition without being completely consumed by it. Great job so far... Resuming video now. Ps, this is probably my favorite UA-cam channel I've discovered this year! Keep it coming, I think you're really going to find the evolution of the Beatles particularly interesting as they move out of their adolescence and into their more mature years.
Ok.... Back to the video for real this time.
Personnel: Mick Jagger, lead vocal, harmonica; Keith Richards, all guitars; Bill Wyman, bass; Charlie Watts, drums; Merry Clayton, vocal; Nicky Hopkins (the band's go-to studio keyboardist from 1966 into the 1970s), piano; Jimmy Miller (the album's producer), additional percussion.
"Let It Bleed" was the band's last studio album recorded in the 1960s, released in December 1969 as the decade was coming to a cataclysmic end, with the murders committed by the Manson family in Los Angeles and The Stones' own disastrous free concert at Altamont concluding their 1969 American tour, both events emblematic of the senseless and terrifying violence shattering the peace-and-love ethos of the '60s counterculture. It was their last studio album for their old label, Decca (in the U.K.; London Records in the U.S.); after that they would start their own eponymous label, Rolling Stones Records. The band itself was in transition, shedding founding member Brian Jones in June (he died tragically by drowning less than a month later) and hiring a new guitarist to take his place, 20-year-old Mick Taylor. The transition was occurring during the recording of the album and, as a result, the band, normally a quintet, was effectively a quartet for most of the making of "Let It Bleed." Brian Jones received just two performance credits on the album, both barely audible; Mick Taylor also received two credits as the incoming member. But Keith Richards, as the only full-time guitarist, was thus compelled to record most of the guitar parts on the album in what was normally a two-guitar band by overdubbing. He is responsible for both the quavery, tremolo-saturated (as if riven by fear) descending rhythm guitar pattern that plays through the entirety of the song as well as the piercing, angry lead guitar part and the solo (he also played the distinctive bass part on another song on the album, "Live With Me" in lieu of the band's regular bassist, Bill Wyman, who was absent when the instrumental track for the album was recorded).
The Stones' 1969 U.S. tour was their first in over three years, since summer 1966, when Brian Jones was still an integral band member, and the social/cultural atmosphere of America, including the rock and roll scene, had changed dramatically in that time. Both the band and the larger culture transitioned, often with a good deal of anxiety and unrest, from the seemingly more innocent mid-'60s to the more cynical and jaded end-of-decade and on into the 1970s. No major rock and roll album of the era, to my mind, and this includes The Beatles' contemporaneous "Abbey Road," better represented these jarring and shattering disruptions than "Let It Bleed."
I love your transition for classical music teacher to a rock and roller !!🤗👍💕
well, thats the most original ad i've ever seen! (of course, youre not getting paid, which makes it even more original!) 😁 ps great song and reaction as always
Keith wrote the initial track one afternoon during a thunderstorm over London, and also during a difficult point in the band's history, it's a really important song for him personally.
Mick is playing harmonica when he's not singing the guitars and harmonica weave together along with the voices the piano bass and drums do their own weave countering to create a mesmerizing sound and rhythm. One of my favorites by my favorite band. Your takes and reactions take me back to when this brand new . I was 17. I will always tune into your show 👍
Vlad perhaps you might consider “Rock Lobster” by B52s. Very fun Rock and roll song. Very popular to this day.
The "privelege" passage at the halfway point is well-put. Having done a tour in Afghanistan, this music captures the stress of being in a war zone, but keeps it at a distance. Heavier bands might have poured on more adrenaline, but here, the focus is not on the violence, but the shelter that's a shout away. Immortal.
glad to hear your take on the song, as I also reacted to it on my channel
Ths song has one of the best intros of any rock song. Kind of glad she repeated it several times to digest it properly.. it is the perfect setup for, what I consider, to be the violence of the coming storm that this song is.
Charlie Watts drumming, Keith Richards guitar, Mick's vocal (and distorted harmonica) and Merry Clayton's backup vocal is perfection in every way.
The best intro of any song ever !!😂
Yep. The Stones were masters at creating openings where you felt, there's menace just around the corner.
"Just a shot away… just a kiss away… which one will we choose?" Interestingly the Sisters of Mercy sing a cover of
Gimme Shelter with those lines swapped around to great effect.
The effect on the guitar that is very noticeable at the beginning of the song is a tremelo. The tremelo effect along with the interplay of the different guitars and the creaking sound of the Guiro (A Latin percussion instrument) further emphasizes the syncopated rhythm, (There is also a jerky, staccato rythm guitar phrase at the end of each verse). All of this combined produces music that might seem peaceful on the surface but the tension builds in a similar way to the theme song in the movie "The Exorcist." There is something slightly unsettling about it, almost like a children's nursery rhyme in a horror film. In contrast to the guitars, the vocals by the backup singers repeat a simple haunting melody. As the song reaches it's crescendo the female vocalist screams out "war" and "r*pe!"
Although the song is beautiful, I have always found it to be disturbingI "Sympathy For The Devil " might be taken as a clever attempt by the Devil at subtle persuasion as he takes credit for wars and assassinations while demanding sympathy and respect and in the end blames humans. But this song isn't gently instructive or reassuring at all, it is a warning! This song was part of the set during the Stone's Altamont concert in 1969 where someone pulled a knife and was shot by Hell's Angels who were hired as security. This event along with: the Tet offensive in Vietnam, the Tate murders by Manson, the assassination of Robert Kennedy and MLK marked the end of the so called "Summer of Love" period of the Hippie movement and began a darker phase.
Let it Bleed is the Stone's best album in my opinion, this dark song contrasts well with the warmer songs "Love In Vain" and "You Can't Always Get What you Want" which are also excellent. I would like to see the "'You Can't Always Get What You Want"reviewed soon while "Gimme Shelter" is still fresh in the mind.
Wow ...write a book already😂
She's a Rainbow is a gorgeous song from the Stones. Wild Horses, Moonlight Mile, You Can't Always Get What You Want all sound just lovely as well. It's Only Rock and Roll (But I Like It) is a funny song but weirdly deep in my opinion. Their catalog is huge, but most fans and casual admirers would agree with me about the ones I've mentioned I reckon. Much love. Your comments have pointed out to me the extreme relevance of Gimme Shelter in 2023. Thank you.
Those are all good but my favorite Stones ballad is Memory Motel.
Great list, I would like to ad ,,Anybody 've seen my babe" ?!
That first understated piano chord is the first hint at something ominous, like a peel of distant but quickly approaching thunder
p,s, Merry Clayton was very, very pregnant and called into the studio at night during a thunderstorm, and as she explains you can hear the nature of her mood. Tragically not long after she miscarried.
What a fantastic review! Your words and insights did bring me a stronger perspective of this song! Not that I missed out on the meaning of the song. But your depth of insight is lifting the song even higher! Thank you!
Well.... I think we've managed to establish..... after about 200 of the SAME comment......that the guitar is, indeed... a harmonica!!!!
..... glad we've sorted that out.......
Probably my favorite Stones song (along with Can't You Hear Me Knockin).
Heaviest Stones song !!!I love it!!!
Sounds like your driving down the road in chill mode!
So many great songs in the Stones catalogue to dissect! Their new song “Sweet Sounds of Heaven” is brilliant. Paint it Black, She’s a Rainbow, Moonlight Mile, 100 Years Ago, and Saint of Me would be great ones to unpack
How about ,,The worst" the little gem written by Keith, so ... stone - ish little song !
I've listened to this song many time and have been in a band playing it, but the song, combined with your analysis, touched me emotionally like never before. I'm also a veteran. Thank you.
According to the 2013 film “20 feet from Stardom”, Merry Clayton was at home in her pajamas when after a phone call a car was sent to take her to the studio to record the background vocals. She was still in her pajamas!
Rollers and 8 months pregnant - and 2 in the morning
Very deservedly a short list classic. Excited to enjoy your always astute, detailed analysis.
We're always on the brink ... we never learn. In June 1914 an assassin's bullet led to WW1 a horrific conflict we're still dealing with today. This song is a tear jerker. It's passion is incredible... during the female solo she screams the words to the extent where a couple times her voice cracks. I'm not a Rolling Stone fan so to speak but Gimme Shelter is a masterpiece. Thank you for the deep dive.
I love the picturesque way you describe soundscapes
“Menacing” is the way I’ve described Stones songs like this one, “Sympathy,” “Bitch,” “Can’t You Hear Me Knocking,” etc.
Yes, it's about war -- and the Vietnam war was a huge topic at the time -- but it's also about the war in the streets, the riots and protests and the brutal police (and occasionally military) respone to them that defined the late 1960s, especially in the great USan cities.
You really need to see the video of the backup singer she made a few years ago.
Most rock music isn't directed at the brain, it's directed at the gut. To really love it, you have to feel it inside and let it build.
It’s still constructive to consult the brain to analyze how the music so effectively created a gut reaction.
Absolutely. that lets you appreciate it but it doesn't make you feel it.@@thundernels
100% true. The cerebral element in rock lyrics is often underappreciated, though. But yes, the power of a good rock song is first felt in the gut. Generally, I get the feel of a piece of music before paying attention to the finer details (after a few listens). Professional musicians are bound to have a different approach, which makes their opinions interesting and opens my ears to aspects I might have missed.
The foundation of the band includes a great deal of Chicago blues. Always assumed that the harmonica on the song reflects their love of Players like Little Walter.
Miss, that was NOT a guitar. It was indeed a HARMONICA.
you need to make paint it black also with rolling stones a lot of people love that song
The secondary guitar tone of Keith's that you describe as sounding a bit like a harmonica, yes! I hear a bit of that. That tone of Keith's still gives me the creeps, even after 45 years of loving this song. It has always reminded me too, of those squeaky, rusty old oil derricks in spooky movie scenes. It's extremely ominous and foreboding. Keith used a Maton guitar for all the tracks on Gimme Shelter. He had only used this guitar once previously on the song Midnight Rambler. Fittingly, upon the very last take while recording Gimme Shelter, the guitar completely fell apart, "as if by design" Keith had been quoted as saying. I must say, you describe the psychological breakdown of this song so beautifully and eloquently. This song has always been an absolute favourite of mine because of how emotionally moving and distressing it is, and I actually got tears in my eyes as you described your take on the line "I tell you, love, sister, it's just a kiss away." Beautifully put.
Aside from the notes, the dirty overdriven guitars set the mood for the picture.... "a storm is threatnin my very life today.. these dudes were on fire.. painting the picture..
Bone chillin
To me....the beginning sounds haunting...knowing something is coming that may not be good.