So this is basically a medley of some of the twiddly/guitar melody parts from 5 Koiai songs- A New Picture / Straight To My Heart / Inside / One Way or Another / Future of Those Days
haha KOIAI's twin axes ain't too shabby either !!! I love how you make them really roar with a savage sound, that's some well spent time in the library xD
Holy S%$#! I know these wonderful guitarist’s from front to back,or inside out. There is no better guitar duo in Japan, currently. IMO. Sure Hazuki and Saki were my previous favorites for their 7 strings and Miyako and Midori a razors edge second on their 6 strings. I’m positive Hazuki can carry the Nemophila’s guitar work on her own. However, lets be honest. This is a guitar duo made in Heaven, or something like that. Just an opinion.
@@johnpaul4784 I won’t debate as LB are my current favorite guitar duo. I have zero hope that Hazuki can marry Lisa-X. They have worked together for 7 plus years, but they are in different primary bands. They are a great combination, but yes Miyako and Midori are my current favorites. Looking forward to seeing them soon. I’m not taking away from the skill set of Hazuki and Lisa-X. Both are top shelf..
@@johnpaul4784 I like M&M but there are plenty other guitarists that can do it, it's just not their style to play sweep picking harmonies for 5 minuets every song. Midori is super fast, but also super sloppy sometimes, too many trem bar squeals. I'm not knocking Lovebites though, just don't place M&M any higher than some others. I prefer Hizaki/Teru from Versailles and Shiren/Jinya from Unlucky Morpheus a bit more, then Hazuki/Li-sa-X then M&M. They're all super awesome players!
@@Vitericus1 I respect your preferences so please respect mine and I absolutely maintain that Miyako and Midori are the best guitar duo in metal history.
@@johnpaul4784 I didn't disrespect your preference. I offered my own. Apologies if you took it that way. I'm a metal guitarist of 30+ years myself, so I'm just making some observations -- I make the same critiques on my personal favorite player, Hizaki as well.
Que gran dúo! Hazuki y Nemophila necesita si o si una guitarrista que reemplaze a Saki , Nemophila es una banda de dos guitarras! Pero quién? Lisa no! Ella tiene banda.
Si lo necesita! Una de las atracciones de Nemophila son sus impresionantes duelos de guitarras ! Además tocarian sus temas originales que son más bonitos! @@HarveyAnk
Lisa X and Hazuki are the guitar players of Koiai. But Hazuki is more known for being the guitarist of Nemophila. She also played in a band called Disqualia in the past.
Woah brilliant 😄 Thanks for sharing, my friends 😊 The Lord’s love + grace be with you His hope + peace, in Life, and beyond the grave Hope you are all well and resting in Jesus saving love + grace 😊 Warmest Love + blessings friends 😊
@@aspha60 I would never say no. Its hard to do predictions, in particular about the future. Lisa-X definitely is worthy. Now, KOIAI do play different music than Nemophila. More technical, less metal. But ... I hardly think that's a real problem.
Those ladies are scary good. And Hazuki makes me totally melt. But, I have not managed to get into Koiai music yet. Some of the songs I like, but far from everything. Sorry ladies!
@@OldheadBoomer I look at Nemophila a lot, its more my music. Saki has left Nemophila, so its only Hazuki now. But its stil one of my absolutely favorites. They have actually become slightly harder and the bassist has stepped forward. One of the main assets in Nemophila is the singer Mayo. And Nemophila also have a stellar drummer.
As a matter of taste: too much technical purpose, who can shred the most - music is only a side effect and doesn't seem to be important. People, please let yourself be influenced by european romantic and classic music. You will be better musicians by listening to this. It is much more than just playing harmonic minor and diminished like Malmsteen. Put music in the focus, not skills. It is boring, boring, boring
Brush up on your...classics. It's true that it's very technical, and at first glance may seem contradictory to a "musical" content as you say, but music does not only mean romanticism and European classicism. And besides, music is very present, you just have to know how to listen to it or know where it is in these very complicated pieces that these two girls play. But you don't know that. Besides, if you knew the kind of music before you were born (according to the photo) there was the experimental music of the 70s and there was also a genre that approached and could be the distant relative of what his daughters play, and this style was called progressive (progressive music); nothing to do with today's connotation of the word progressive so no one knows its meaning anymore (apart from the epigones of wokism and a few others, of course, who claim to know classical and romantic music, Europeans please) So, it's a genre that we know, we don't know, but don't weigh romanticism (and classicism) with this kind of Hardrock fusion. To conclude, just listen to Listz's studies or Goldberg's variations and you will see that you are completely wrong and that in classical music your knowledge is far from perfect. So if you criticize, at least criticize with full knowledge of the facts, even if, in the times we all live in today, freedom of expression whose meaning and interpretation (because of general ignorance) are a mystery to many people never ceases to blind some people. Watch this clip with his brilliant kids; they express the future they imagine where music is queen and discord is impossible, because their children know what peace is that allows them to live happily in this world of morons. It is a music more to your taste perhaps. What is more it is a virtual collaboration (via the Internet.) Between a young Japanese girl, a young American, a young Indonesian and a young Chinese girl. They are all between 17 and 20 years old currently. ua-cam.com/video/8kV3sXOYPuw/v-deo.html
Thanks, but you thought that I mean only classical music was the one and only music? Sorry! I did not mean that at all! I listen to any kind of non commercial or non classical music too, whether its experimental, atonal, free jazz and whatever genre, and still I claim this music above is more an acrobatic approach than a musical one! Experimental of the 70ies, of course please, MAGMA, king crimson, gentle giant, a.s.o. _ they all produced timeless and everlasting music as well as the classic writers. Acrobatic music will not survive as long. It might be that someone puts this music on his USB stick and listens to it in the car or at home *without the video* but it is not very likely... You can also mix notes randomly by a computer and play them backwards_ Why not/but will it tell you something? What I mean is that with the background of musical approach, it is even more possible to *_touch ones soul_* meaning to talk to someone nonverbal and make a statement that can be understood. But when I repeat musical phrases at high speed, they may be understood but make no sense. So you need acrobatic components. Of course its amazing to see such young musicians playing at high level skills, but would the composition have another quality if it was played on 3 string guitars by 1year old babies? This is my try to explain that my critics has an objective point 😛 Somewhere in between!
@@tobiaslieblein2686 Désolé, je me suis laissé un peu emporté par le fait que j'ai eu l'impression que c'était une attaque injuste à la qualité technique de ses filles. Je ne voulais pas paraître un donneur de leçon, même si mon texte pourrait prêter à cette interprétation. Mais il a de plus en plus de filles qui jouent à un niveau incroyablement haut, et là je pense par exemple à toutes les filles bassistes qui ont joué dans le groupe de Jeff Beck. C'est cette émergence qui me rend confiant. C'est le début d'un style ; on ne sait pas où ça va mener. Comme la , la musique est en continu effervescence. Ce sont de truisme. Mais elles sont vraies. Ma condescendance fut, je dois l’avouer, un peu déplacée ; en aucun cas, pas digne d'un jute rhétorique de ce genre. En même temps, nous émettons tous les deux des jugements de valeur, sans pouvoir prédire l'avenir de ce style. Il y en a beaucoup qui jouent dans ce genre de Fusion Shred. Techniquement et musicalement il y a d'ailleurs très peu qui joue correctement. Beaucoup bafouillent, car leur technique et médiocre. C'est pour ça que je suis si étonné de la qualité de cette guitariste japonaise. Elle n'est pas la seule ; y en a beaucoup d'autres, mais toutes n’ont pas le même niveau. Voir ,il y a quelques années, une gosse de 16 ans jouer avec tellement d'assurance, c'est étonnant il faut l’admettre. Après, quoi dire ? Les monstres sacrés dont vous avez parlé (Gentle Gigant, Frank Zappa @ Co) sont tous hors catégories. Ritchie Blackmore aurait pu être aussi un précurseur de ces gars qui jouent ainsi ; c'est comme on comparait les Beach Boys avec Jimi Hendrix et Jimi Hendrix avec les grands guitaristes qui ont joué après lui. Et pourtant, Beach Boys ont influencé beaucoup de grands groupes musicaux. Ainsi va la vie. Vu comment vous avez rédigé votre contre-argument (vous m’avez convaincu avec la musique atonale), m'oblige à vous donner entièrement raison, avec le seul amendement, comme je l’ai dit, que nous ne savons pas quel sera le futur de ces jeunes prodiges. Ils rentreront peut-être, dans les rangs, qui sait ? Je vous souhaite une bonne continuation et je vous demande d’excuser mon style agressif initial. J'aime bien les gens qui ne répond pas violemment à la violence, soit-elle seulement verbale. Vous avez trouvé le bon style non-Shred. Cordialement.
@@inun5086 kein Problem, Sie haben vollkommen Recht, ich war auch etwas zu streng! Zudem hat natürlich jede Form von Musik Ihre Daseinsberechtigung! Merci beaucup!
Two ladies on the cutting edge of guitar playing!.....Awesome display!
Lisaの凄い所、身体で弾ける事❤
Thanks! You're so lucky to have been there
Amazing shredfest.. Cool!
We can see they are so happy to play alongside each other
Amazing!
So this is basically a medley of some of the twiddly/guitar melody parts from 5 Koiai songs- A New Picture / Straight To My Heart / Inside / One Way or Another / Future of Those Days
I would love to see Li-Sa-X and Hal-Ca of Asterism playing together sometime!
That would be a great duo.
A new picture is a great song.
haha KOIAI's twin axes ain't too shabby either !!! I love how you make them really roar with a savage sound, that's some well spent time in the library xD
Holy S%$#! I know these wonderful guitarist’s from front to back,or inside out. There is no better guitar duo in Japan, currently. IMO. Sure Hazuki and Saki were my previous favorites for their 7 strings and Miyako and Midori a razors edge second on their 6 strings. I’m positive Hazuki can carry the Nemophila’s guitar work on her own. However, lets be honest. This is a guitar duo made in Heaven, or something like that. Just an opinion.
Yes because for me Midori and Miyako are a little better especially in the harmonies.
@@johnpaul4784 I won’t debate as LB are my current favorite guitar duo. I have zero hope that Hazuki can marry Lisa-X. They have worked together for 7 plus years, but they are in different primary bands. They are a great combination, but yes Miyako and Midori are my current favorites. Looking forward to seeing them soon. I’m not taking away from the skill set of Hazuki and Lisa-X. Both are top shelf..
@@johnpaul4784 I like M&M but there are plenty other guitarists that can do it, it's just not their style to play sweep picking harmonies for 5 minuets every song. Midori is super fast, but also super sloppy sometimes, too many trem bar squeals. I'm not knocking Lovebites though, just don't place M&M any higher than some others. I prefer Hizaki/Teru from Versailles and Shiren/Jinya from Unlucky Morpheus a bit more, then Hazuki/Li-sa-X then M&M. They're all super awesome players!
@@Vitericus1 I respect your preferences so please respect mine and I absolutely maintain that Miyako and Midori are the best guitar duo in metal history.
@@johnpaul4784 I didn't disrespect your preference. I offered my own. Apologies if you took it that way. I'm a metal guitarist of 30+ years myself, so I'm just making some observations -- I make the same critiques on my personal favorite player, Hizaki as well.
Great performance! Some Cacaphony vibes!
Amazing duo guitarist 🔥🔥🔥 Hazuki ♥
Wow !!! 😮😊❤
ライブでは見ることの出来ない
ナイス！アングル！
I’d like to see Hazuki showing more her great skills in the new Nemophila.
She will have to now that Saki has left.
Two brilliant mucians,Hazuki is Bad Ass with Nemphila and Lisa has a very bright future,to become a "Bad As Chick" .......
Insane!
Amazing! Both of them.
Amazing...the harmony at 2:14 onwards is epic
talent is always nice to see
Amazing
Wow…….😊😊😊
葉月さんメガネがステキです❤
Beyond awesome!!💖 💖
演奏も容姿も大人になりましたね
More!
Que gran dúo! Hazuki y Nemophila necesita si o si una guitarrista que reemplaze a Saki , Nemophila es una banda de dos guitarras! Pero quién?
Lisa no! Ella tiene banda.
Si lo necesita! Una de las atracciones de Nemophila son sus impresionantes duelos de guitarras ! Además tocarian sus temas originales que son más bonitos! @@HarveyAnk
葉月さん怖いわ
凄まじいギタリストだよ
Lisa wearing a wrist bandage, hopefully no carpal tunnel syndrome!
the proof of practicing hard
新しい音楽の快楽。さあ扉を開けましょう。合掌、
WTF? I can't even play the wrong notes that fast.
Suki, suki, suki :'D
I started playing the guitar with 17 to impress girls. Now things are quite reversed ...
🏹🏹🏹🏹🏹🏹🏹🏹🎯🎯🎯🎯🎯🎯🎯🎯🎯
하주키상. 한국에도 함 오소😅
how i wish señor pablo gilberto and john petrucci would see this showcase.
Song title please?
"A New Picture" KOIAI
many different songs by KOIAI and LISA x band
この2人にわかざえもんが加わったら、NEMOPHILA無くなってしまうかも😢って思ってしまう。
当初はサポートで、Lisaが入ってくれればと思ってたのだが…
What bands are they in?
Lisa X and Hazuki are the guitar players of Koiai. But Hazuki is more known for being the guitarist of Nemophila. She also played in a band called Disqualia in the past.
@@raistlin906 cool thanks!
Female Racer X!!!!
くそうま😂
Lisa X should join Nemophila! 🎸🔥🎸🔥🤘
Eat your heart out Madonna! ♨️🪨♨️
ポールギルバートにしか見えん
Woah brilliant 😄 Thanks for sharing, my friends 😊
The Lord’s love + grace be with you
His hope + peace, in Life, and beyond the grave
Hope you are all well and resting in Jesus saving love + grace 😊
Warmest Love + blessings friends 😊
Could this be the new member?? Saki's replacement???🤔
Nope
NO, they are KOIAI and they're Awesome!
@@aspha60 I would never say no. Its hard to do predictions, in particular about the future.
Lisa-X definitely is worthy.
Now, KOIAI do play different music than Nemophila. More technical, less metal. But ... I hardly think that's a real problem.
Those ladies are scary good. And Hazuki makes me totally melt. But, I have not managed to get into Koiai music yet. Some of the songs I like, but far from everything. Sorry ladies!
What about Nemophila? Hazuki and Saki are amazing in that band, much heavier than Koiai
@@OldheadBoomer I look at Nemophila a lot, its more my music. Saki has left Nemophila, so its only Hazuki now. But its stil one of my absolutely favorites. They have actually become slightly harder and the bassist has stepped forward. One of the main assets in Nemophila is the singer Mayo. And Nemophila also have a stellar drummer.
右の人エミリンかおもた
As a matter of taste:
too much technical purpose, who can shred the most - music is only a side effect and doesn't seem to be important. People, please let yourself be influenced by european romantic and classic music.
You will be better musicians by listening to this.
It is much more than just playing harmonic minor and diminished like Malmsteen.
Put music in the focus, not skills.
It is boring, boring, boring
Brush up on your...classics.
It's true that it's very technical, and at first glance may seem contradictory to a "musical" content as you say, but music does not only mean romanticism and European classicism. And besides, music is very present, you just have to know how to listen to it or know where it is in these very complicated pieces that these two girls play.
But you don't know that. Besides, if you knew the kind of music before you were born (according to the photo) there was the experimental music of the 70s and there was also a genre that approached and could be the distant relative of what his daughters play, and this style was called progressive (progressive music); nothing to do with today's connotation of the word progressive so no one knows its meaning anymore (apart from the epigones of wokism and a few others, of course, who claim to know classical and romantic music, Europeans please)
So, it's a genre that we know, we don't know, but don't weigh romanticism (and classicism) with this kind of Hardrock fusion.
To conclude, just listen to Listz's studies or Goldberg's variations and you will see that you are completely wrong and that in classical music your knowledge is far from perfect. So if you criticize, at least criticize with full knowledge of the facts, even if, in the times we all live in today, freedom of expression whose meaning and interpretation (because of general ignorance) are a mystery to many people never ceases to blind some people.
Watch this clip with his brilliant kids; they express the future they imagine where music is queen and discord is impossible, because their children know what peace is that allows them to live happily in this world of morons. It is a music more to your taste perhaps. What is more it is a virtual collaboration (via the Internet.) Between a young Japanese girl, a young American, a young Indonesian and a young Chinese girl. They are all between 17 and 20 years old currently.
ua-cam.com/video/8kV3sXOYPuw/v-deo.html
Fusion Shred, tu connais ?
Thanks, but you thought that I mean only classical music was the one and only music?
Sorry!
I did not mean that at all!
I listen to any kind of non commercial or non classical music too, whether its experimental, atonal, free jazz and whatever genre, and still I claim this music above is more an acrobatic approach than a musical one!
Experimental of the 70ies, of course please, MAGMA, king crimson, gentle giant, a.s.o. _ they all produced timeless and everlasting music as well as the classic writers. Acrobatic music will not survive as long.
It might be that someone puts this music on his USB stick and listens to it in the car or at home *without the video* but it is not very likely...
You can also mix notes randomly by a computer and play them backwards_
Why not/but will it tell you something?
What I mean is that with the background of musical approach, it is even more possible to *_touch ones soul_* meaning to talk to someone nonverbal and make a statement that can be understood.
But when I repeat musical phrases at high speed, they may be understood but make no sense. So you need acrobatic components.
Of course its amazing to see such young musicians playing at high level skills, but would the composition have another quality if it was played on 3 string guitars by 1year old babies?
This is my try to explain that my critics has an objective point 😛
Somewhere in between!
@@tobiaslieblein2686
Désolé, je me suis laissé un peu emporté par le fait que j'ai eu l'impression que c'était une attaque injuste à la qualité technique de ses filles. Je ne voulais pas paraître un donneur de leçon, même si mon texte pourrait prêter à cette interprétation.
Mais il a de plus en plus de filles qui jouent à un niveau incroyablement haut, et là je pense par exemple à toutes les filles bassistes qui ont joué dans le groupe de Jeff Beck. C'est cette émergence qui me rend confiant.
C'est le début d'un style ; on ne sait pas où ça va mener. Comme la , la musique est en continu effervescence. Ce sont de truisme. Mais elles sont vraies.
Ma condescendance fut, je dois l’avouer, un peu déplacée ; en aucun cas, pas digne d'un jute rhétorique de ce genre.
En même temps, nous émettons tous les deux des jugements de valeur, sans pouvoir prédire l'avenir de ce style. Il y en a beaucoup qui jouent dans ce genre de Fusion Shred. Techniquement et musicalement il y a d'ailleurs très peu qui joue correctement. Beaucoup bafouillent, car leur technique et médiocre.
C'est pour ça que je suis si étonné de la qualité de cette guitariste japonaise. Elle n'est pas la seule ; y en a beaucoup d'autres, mais toutes n’ont pas le même niveau.
Voir ,il y a quelques années, une gosse de 16 ans jouer avec tellement d'assurance, c'est étonnant il faut l’admettre.
Après, quoi dire ? Les monstres sacrés dont vous avez parlé (Gentle Gigant, Frank Zappa @ Co) sont tous hors catégories. Ritchie Blackmore aurait pu être aussi un précurseur de ces gars qui jouent ainsi ; c'est comme on comparait les Beach Boys avec Jimi Hendrix et Jimi Hendrix avec les grands guitaristes qui ont joué après lui. Et pourtant, Beach Boys ont influencé beaucoup de grands groupes musicaux. Ainsi va la vie.
Vu comment vous avez rédigé votre contre-argument (vous m’avez convaincu avec la musique atonale), m'oblige à vous donner entièrement raison, avec le seul amendement, comme je l’ai dit, que nous ne savons pas quel sera le futur de ces jeunes prodiges. Ils rentreront peut-être, dans les rangs, qui sait ?
Je vous souhaite une bonne continuation et je vous demande d’excuser mon style agressif initial. J'aime bien les gens qui ne répond pas violemment à la violence, soit-elle seulement verbale.
Vous avez trouvé le bon style non-Shred.
Cordialement.
@@inun5086 kein Problem, Sie haben vollkommen Recht, ich war auch etwas zu streng!
Zudem hat natürlich jede Form von Musik Ihre Daseinsberechtigung!
Merci beaucup!
レベルが違いすぎるぞ。下手だけに下手。上手だけに上手い。
boring
u must be soo jealous my friend
@@kuroi5860 lol
@@kuroi5860 He is jealous he can't play like them 😆
一緒にしてやんなよ。実力が違い過ぎる。お話にならんぞ。
葉月ネモフィラ辞めた方がいいね。