Pablo Picasso and the new language of Cubism

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  • Опубліковано 11 тра 2018
  • Pablo Picasso, The Guitarist, 1910, oil on canvas, 100 x 73 cm (Centre Pompidou, Paris). Speakers: Dr. Steven Zucker and Dr. Beth Harris

КОМЕНТАРІ • 16

  • @everythingthrice2582
    @everythingthrice2582 4 роки тому +22

    When you see *both* sides of an argument...

  • @mahsahemmat8603
    @mahsahemmat8603 4 роки тому

    Perfect, thanks.

  • @Sasha0927
    @Sasha0927 10 місяців тому +1

    Picasso and his guitars... 😅
    I can't believe the Academic, early examples of his work, but good for him deciding to deviate / innovate.
    Love the Caravaggio cameo. I miss him. ❤
    I also love the "differently true" commentary about recreating the same image over time and perspectives. I want an example of this art to remind me in my Project Management that there's more than one way to perceive / resolve / progress a situation. It speaks to me.

  • @ElkinArts
    @ElkinArts 5 років тому +4

    The concept is interesting. This painting does not fascinate me visually although the accidental landscape in the horizontal position is curious. Anyway, is good to play on the canvas with your own rules or methods to explore more possibilities of represantions in the art language.

  • @BigBSinclair
    @BigBSinclair 3 роки тому +9

    I have a really hard time understanding abstract art and Picasso's painting...wish I could

  • @virginiabutera690
    @virginiabutera690 3 роки тому +1

    Excellent analysis of Cubism and how to look effectively at Picasso and Braque Cubist paintings.

  • @angelajsacaartistaffiliatedwpl

    🙌🙌🙌🙌

  • @piton7624
    @piton7624 4 місяці тому

    amazing analysis ❤

  • @josecazasoles1662
    @josecazasoles1662 6 років тому +10

    George Braque was not Picasso's compatriot. Picasso never became french citizen. So, Braque french and Picasso Spaniard..

  • @kaanaknc5039
    @kaanaknc5039 3 роки тому +3

    my favourite plagiarist 😍

  • @josephtermeer4595
    @josephtermeer4595 3 роки тому

    May i make a correction respectively, he was not an abstract artist. He had hatred for abstracted art.

    • @smarthistory-art-history
      @smarthistory-art-history  3 роки тому +2

      There is a critical nuance between the idea of something being abstracted from nature versus something that is abstract. For more on this, see for example Alfred Barr's catalog for the 1936 MoMA exhibition, Cubism and Abstract Art. Also, Picasso lived a long time, his ideas, like his art, changed in numerous ways over that time. To say someone has one particular belief is to peg them to an opinion that was likely in a constant state of flux. I think as historians we need to be careful ascribing such feelings with certainty.