Just when I thought Sakura Sakura was the smoke on the water/stairway to heaven/seven nation army/wonderwall of traditional Japanese music. I get reminded of Haru no Umi. XD Great composition, but when you hear it for the 420th time, it has lost a lot of its feeling. Maybe if I don't hear the song for 5 years and then listen back. hehe Probably won't happen though, I cannot not hear a tune for that long. Lots of 80's classics I (re)discovered have lost their initial value to me because I've listened to them too much by now. Just like tolerance for a drug. Or anything else remotely pleasurable for that matter. Your reward system gets desensitized. When I first learned about shakuhachi +5 years ago, it was da bomb. Now that I'm getting great tone and meri after playing as an amateur for that time, it hits me way less harder. The more I learn about it, the less special it becomes. Like it has become routine or something, rather then art, pleasure, etc. If only I could keep my beginners mind. But in practicality that's impossible, except if you suffer serious brain damage. Just like you will never be able to replicate your initial experience with a psychoactive substance. Certain music will never 'hit' you as hard (thinking about dopamine hits here) anymore. I guess lots of professional musicians face the same issues as well. If you perform the same thing for the 100th time, after having it practiced for 1000 times. It just becomes a technical routine and loses its dopamine hit, probably even its initial meaning(s)?
Too many words to say nothing. You don't need as much theory. You feel it or you don't feel it. Miles Davis made the band rehearse over and over until they could master the technique and then forget it, that's when the feeling came out. Playing well and practicing for hours doesn't mean losing spontaneity. The western rock mentality can't understand it, for sure. Drugs are not part of the disciplined Japanese mindset, thankfully.
何度聴いてもいいですね！今では、お正月の歌になってしまいましたが、お正月には何の関係もありません。昔はエアコンなどありませんからこの曲を聴くと、ああもうじき春だと思ったのでしょう、何しろ寒かったですから。それにしても、作曲家の、宮城道雄先生が、びっくりしていることでしょう、あれ三味線がはいているぞ、噓などと、天国で笑っていると思います。これも、作曲家、はなわ ちえさんの凄さです。 ゴロちゃん。
How awesome to listen to this live in some small club, slow drinking cold beer... very inspirational and soulful... much respect from the U.S.
子供のころ聞いた宮城道雄さんの春の海、正月のころは必ず聞こえてきました。父も母も聞いていました。想い出します。小林憲一郎 72歳 2019/12/15
日本の正月 この音 落ち着く 😊
Just when I thought Sakura Sakura was the smoke on the water/stairway to heaven/seven nation army/wonderwall of traditional Japanese music.
I get reminded of Haru no Umi.
XD
Great composition, but when you hear it for the 420th time, it has lost a lot of its feeling.
Maybe if I don't hear the song for 5 years and then listen back. hehe
Probably won't happen though, I cannot not hear a tune for that long.
Lots of 80's classics I (re)discovered have lost their initial value to me because I've listened to them too much by now.
Just like tolerance for a drug.
Or anything else remotely pleasurable for that matter.
Your reward system gets desensitized.
When I first learned about shakuhachi +5 years ago, it was da bomb.
Now that I'm getting great tone and meri after playing as an amateur for that time,
it hits me way less harder.
The more I learn about it, the less special it becomes.
Like it has become routine or something, rather then art, pleasure, etc.
If only I could keep my beginners mind.
But in practicality that's impossible, except if you suffer serious brain damage.
Just like you will never be able to replicate your initial experience with a psychoactive substance.
Certain music will never 'hit' you as hard (thinking about dopamine hits here) anymore.
I guess lots of professional musicians face the same issues as well.
If you perform the same thing for the 100th time, after having it practiced for 1000 times. It just becomes a technical routine and loses its dopamine hit, probably even its initial meaning(s)?
Too many words to say nothing. You don't need as much theory. You feel it or you don't feel it. Miles Davis made the band rehearse over and over until they could master the technique and then forget it, that's when the feeling came out.
Playing well and practicing for hours doesn't mean losing spontaneity.
The western rock mentality can't understand it, for sure. Drugs are not part of the disciplined Japanese mindset, thankfully.
久しぶりに♫春の海 聴きたくなりました。外国の方に是非とも聴いてもらいたい1曲です。伝統文化に根差した発展系の珠玉の逸品 まさに 琴線が魂を震わせます。
Amazingly, Koto and Shamisen did get along very well.
本当に素晴らしいです
琴・三味線の力強いアタック感と尺八の太く甘い伸びのある音が相互に補完しあって感動的な響きですね
Thank you for upload this. I really like it.
Love this. I play the Shakuhachi.
It's my favorite version of 春の海.
Wow nice i respect very much
静かな音色ですね!
What a beautiful piece this is.....
This awakened something very ancient within my being. Totally beautiful music, expertly played. 5 stars!
2016年にペルーで行ったコンサートに参加しました。ペルーと日本の文化センターで、そのプレゼンテーションのビデオはありますか？
すばらしい
聞けば聞くほど、退屈になる曲も多い中。
この曲は、逆に益々面白くなってくる一曲。作曲が、サスガだと思う。
全然、飽きないんだよね。有名すぎる故、どう演奏するかが、とても面白い。
Muito lindo Parabéns as três.
Song: The spring sea
Band: 結～yui～
Musica deliziosa!
Que linda 🎶🎵
なかなか、いいですね！！！
won-der-ful interpretation. I still have a lot of work (sob)
gorgeous
お正月だ あけましておめでとうございます言いたくなる
結～yui～ 『春の海～結バージョン２～』
🎋🌊🙏
Chuan hai
めでたくすがすがしい気分になってきた
🐞🐞🐞🐞🐞🐞🐞🐞🐞🐞🐞🐞🐞🌻
Великолепно!!!
c