Heitor Villa-Lobos (1887-1959) Complete Bachianas Brasileiras / Guitar Concerto. *Click to activate the English subtitles for the presentation* (00:00-01:27) Introduction with the famous Árias B.B. No.5* (00:00) BACHIANAS BRASILEIRAS No.1* *Click to activate the English subtitles for the presentation* (06:07-07:07) I.Introdução (Embolada) Animato (06:07) ll.Prelúdio (Modinha) Andante (13:12) III.Fuga (Conversa) Un poco animato (22:48) - BACHIANAS BRASILEIRAS No.2 (with Saxophone) *Click to activate the English subtitles for the presentation* (27:21-28:17) I.Prelúdio (O Canto do Capadocio) Adagio - Andantino mosso (27:21) II.Ária (O Canto da Nossa Terra) Largo (32:59) III.Dança (Lembrança do Sertão) Andantino moderato (37:32) IV.Tocata (O Trenzinho do Caipira) Un poco moderato (42:26) - BACHIANAS BRASILEIRAS No.3 *Click to activate the English subtitles for the presentation* (46:51-48:50) I.Prelúdio (Ponteio) Adagio (46:51) II.Fantasia (Devaneio) Allegro moderato (53:23) III.Ária (Modinha) Largo (59:26) IV.Tocata (Picapau) Allegro (1:07:10) Piano : Jorge Federico Osorio - BACHIANAS BRASILEIRAS No.4 *Click to activate the English subtitles for the presentation* (1:12:41-1:14:10) I.Prelúdio (Introdução) Lento (1:12:41) II.Coral (Canto do Sertão) Largo (1:16:30) Ill: Ária (Cantiga) Moderato (1:22:13) IV: Dança (Miudinho) Muito animado (1:27:38) - BACHIANAS BRASILEIRAS NO.5* *Click to activate the English subtitles for the presentation* (1:31:07-1:32:35) I.Ária (Cantilena) Adagio (1:31:19) Il.Dança (Martelo) Allegretto (1:37:26) Sopran : Barbara Hendricks Solo Cello : Eldon Fox - BACHIANAS BRASILEIRAS No.6 Click to activate the English subtitles for the presentation (1:41:50-1:42:58) I.Ária (Choro) Largo (1:41:50) Il.Fantasia Allegro (1:45:55) Flute : Lisa Hansen Bassoon : Susan Bell - BACHIANAS BRASILEIRAS No.7 *Click to activate the English subtitles for the presentation* (1:51:04-1:52:42) I.Prelúdio (Ponteio) Adagio (1:51:04) Il.Giga (Quadrilha Caipira) Allegretto scherzando (1:59:20) Ill.Tocata (Desafio) Andantino quasi allegretto (2:04:14) IV.Fuga (Conversa) Andante (2:11:43) - BACHIANAS BRASILEIRAS No.8 *Click to activate the English subtitles for the presentation* (2:19:19-2:20:10) I.Prelúdio Adagio (2:19:19) II.Ária (Modinha) Largo (2:25:22) III.Tocata (Catira batida) Vivace - Scherzando (2:33:29) IV.Fuga Poco moderato (2:38:48) - BACHIANAS BRASILEIRAS No.9 *Click to activate the English subtitles for the presentation* (2:44:11-2:45:18) I.Prelúdio Vagaroso e místico - Fuga Poco apressado - Tempo 1 - Grandioso (2:44:11) - Royal Philharmonic Orchestra *8 cellos / Violoncelli / Violoncelles Conductor : Enrique Bátiz Recorded in 1985, at London in association with La Secretaria de Educación Pública de México - GUITAR CONCERTO *Click to activate the English subtitles for the presentation* (2:52:36-2:54:40) I.Allegro precioso (2:52:36) II.Andantino e andante: cadenza (2:57:48) Ill: Allegretto non troppo (3:02:29) -- Guitar : Alfonso Moreno Orquesta Filarmónica de la Ciudad de México Conductor : Enrique Bátiz Recorded in 1984, at Mexico City Find CMRR's recordings on *Spotify* : spoti.fi/3016eVr -- Les caméléons changent de couleur, mais les léopards ne changent pas leurs taches. Tout au long de sa vie, Villa-Lobos, souvent comparé par ses contemporains à un gros chat, a rassemblé et stocké des idées musicales, les utilisant parfois des années plus tard avec une naïveté sans faille et une fécondité colorée. Dès son enfance, la musique de Bach avait fasciné Villa-Lobos, et il en vint rapidement à la considérer comme un patrimoine universel, presque un folklore à part entière. Il a également vu de nombreux parallèles stylistiques entre Bach et certains types de mélodies et de textures que l'on trouve dans la musique folklorique brésilienne. - L'ambiance psychologique idéale existait donc pour la création d'une forme musicale qui accrochait des éléments nationalistes piquants à un cadre classique plus pur. En 1930, l'époque de ce type d'expérimentation était également propice à la création d'une forme musicale qui accrochait des éléments nationalistes piquants à un cadre classique plus pur : La brésilianisation de tout ce qui est européen était à l'ordre du jour, et une révision aussi audacieuse des arts était activement et officiellement encouragée. - Le résultat fut la composition par Villa-Lobos - précisément pendant les années 1930-1945 de Vargas - de 9 suites pour divers médias qu'il appela, de façon intraduisible, Bachianas Brasileiras. Ces suites ont en fait cristallisé des traits de compositions beaucoup plus anciennes. En 1910, Villa-Lobos avait transcrit une fugue de Bach pour violoncelle et piano, et la "Suite Pequena" de 1913 pour les mêmes instruments tente d'intégrer des éléments typiquement brésiliens dans la suite traditionnelle. - C'est le cœur de la conception de Villa-Lobos dans les Bachianas Brasileiras : les mouvements individuels ont des titres doubles, l'un reflétant le côté bachien des choses et l'autre le brésilien. Le Préludio du n°1, par exemple, est également intitulé "Modinha", une sorte de chanson d'amour sentimentale populaire au Brésil pendant la monarchie. -- Villa-Lobos por Villa-Lobos - Bachianas Brasileiras n 5, Chôros, Piano (C.r.Victoria De Los Ángeles) : ua-cam.com/video/JUYw-VZ4KEA/v-deo.html
Are you sure you got the orchestra right? Everywhere I look, the orchestra is listed as the Royal Philharmonic Orchestra, not the Orquesta Filarmónica de la Ciudad de México. The soloists and the conductor are both correct.
The ''Bachianas Brasileiras'' is a musical collection of exceptional richness. They all deserve to be listened to with great attention and even savoured. The vocal qualities of Barbara Hendricks, her expressive gentleness, do full justice to the voluptuous atmosphere of the work. The orchestral direction of Enrique Batiz highlights the majestic side of this music while illuminating the details of Villa-Lobos' complex writing. A description of each opus is available by activating the subtitles, nice listening :-) - Villa-Lobos por Villa-Lobos - Bachianas Brasileiras n 5, Chôros, Piano (C.r.Victoria De Los Ángeles) : ua-cam.com/video/JUYw-VZ4KEA/v-deo.html
Que maravilha ! Com certeza nosso maior gênio da música brasileira. As bachianas, as sinfonias, as suítes, as sonatas para violino, os choros para orquestra piano e guitarras, a missas, as óperas... tudo é divino. Como o próprio dizia, ele não espera nascer cabelo para ter inspiração. Ele nasceu inspirado.
The ultimate antidote to depression Villa-Lobos! Was in deep despair when I stumbled upon these recordings and here I am 10 hours later listening again to the entire video full of joy and hope. Utterly magnificent!
Nice compilation of these Brazilian masterpieces with colorful sound of all the instruments and beautiful voices of all the soloists. Thanks for providing us with a rare chance to know the entire stature thereof. More than wonderful!
Another recording of the highest quality, and an interpretation that is sensitive and of the very best. I will be returning often to listen and to savour once again! Thank you for the upload.
Les interprétations et l'enregistrement semblent d'une qualité exceptionnelles. Je vais me faire une joie de redécouvrir ces chefs-d'oeuvre. Mille mercis de France.
Yo conocí al máster villa lobos por un alumno mio en pintura y me llevó grabaciones del maestro el se llama g. Moncalves..ingeniero .chileno.muy agradecido..❤❤❤
My Grandmother learned from this guy. I have one of her study books with a little dedication from him. I'm teaching myself to read music at 45, and play some of the guitar Choros De Villa-Lobos bequeathed to me by her... it's no picnic, and a little bit sad...
The frightened frightening full fumbling functional paper untypically request because tub mostly pump abaft a flashy stinger. wasteful, hospitable charles
.maestro Villa Lobos ,pai e mentor da excelente música brasileira, não por a caso outro gigante e excelso da música brasileira Maestro Antônio Carlos Brasileiro Jobim se referia mui juntamente como Maestro Soberano. Trenzinho caipira na minha modesta opinião é o que melhor representa nossas matas e nossa gente. Muito obrigado por nos presentear essas obras primas
What a good idea to put this *excellent* reference recording in the spotlights! Thanks a lot for sharing. :-) (Just a point, I didn't find the cellist's name...)
Heitor Villa-Lobos (1887-1959) Complete Bachianas Brasileiras / Guitar Concerto.
*Click to activate the English subtitles for the presentation* (00:00-01:27)
Introduction with the famous Árias B.B. No.5* (00:00)
BACHIANAS BRASILEIRAS No.1*
*Click to activate the English subtitles for the presentation* (06:07-07:07)
I.Introdução (Embolada) Animato (06:07)
ll.Prelúdio (Modinha) Andante (13:12)
III.Fuga (Conversa) Un poco animato (22:48)
-
BACHIANAS BRASILEIRAS No.2 (with Saxophone)
*Click to activate the English subtitles for the presentation* (27:21-28:17)
I.Prelúdio (O Canto do Capadocio)
Adagio - Andantino mosso (27:21)
II.Ária (O Canto da Nossa Terra) Largo (32:59)
III.Dança (Lembrança do Sertão) Andantino moderato (37:32)
IV.Tocata (O Trenzinho do Caipira) Un poco moderato (42:26)
-
BACHIANAS BRASILEIRAS No.3
*Click to activate the English subtitles for the presentation* (46:51-48:50)
I.Prelúdio (Ponteio) Adagio (46:51)
II.Fantasia (Devaneio) Allegro moderato (53:23)
III.Ária (Modinha) Largo (59:26)
IV.Tocata (Picapau) Allegro (1:07:10)
Piano : Jorge Federico Osorio
-
BACHIANAS BRASILEIRAS No.4
*Click to activate the English subtitles for the presentation* (1:12:41-1:14:10)
I.Prelúdio (Introdução) Lento (1:12:41)
II.Coral (Canto do Sertão) Largo (1:16:30)
Ill: Ária (Cantiga) Moderato (1:22:13)
IV: Dança (Miudinho) Muito animado (1:27:38)
-
BACHIANAS BRASILEIRAS NO.5*
*Click to activate the English subtitles for the presentation* (1:31:07-1:32:35)
I.Ária (Cantilena) Adagio (1:31:19)
Il.Dança (Martelo) Allegretto (1:37:26)
Sopran : Barbara Hendricks
Solo Cello : Eldon Fox
-
BACHIANAS BRASILEIRAS No.6
Click to activate the English subtitles for the presentation (1:41:50-1:42:58)
I.Ária (Choro) Largo (1:41:50)
Il.Fantasia Allegro (1:45:55)
Flute : Lisa Hansen
Bassoon : Susan Bell
-
BACHIANAS BRASILEIRAS No.7
*Click to activate the English subtitles for the presentation* (1:51:04-1:52:42)
I.Prelúdio (Ponteio) Adagio (1:51:04)
Il.Giga (Quadrilha Caipira) Allegretto scherzando (1:59:20)
Ill.Tocata (Desafio) Andantino quasi allegretto (2:04:14)
IV.Fuga (Conversa) Andante (2:11:43)
-
BACHIANAS BRASILEIRAS No.8
*Click to activate the English subtitles for the presentation* (2:19:19-2:20:10)
I.Prelúdio Adagio (2:19:19)
II.Ária (Modinha) Largo (2:25:22)
III.Tocata (Catira batida) Vivace - Scherzando (2:33:29)
IV.Fuga Poco moderato (2:38:48)
-
BACHIANAS BRASILEIRAS No.9
*Click to activate the English subtitles for the presentation* (2:44:11-2:45:18)
I.Prelúdio Vagaroso e místico - Fuga Poco apressado -
Tempo 1 - Grandioso (2:44:11)
-
Royal Philharmonic Orchestra
*8 cellos / Violoncelli / Violoncelles
Conductor : Enrique Bátiz
Recorded in 1985, at London
in association with La Secretaria de Educación Pública de México
-
GUITAR CONCERTO
*Click to activate the English subtitles for the presentation* (2:52:36-2:54:40)
I.Allegro precioso (2:52:36)
II.Andantino e andante: cadenza (2:57:48)
Ill: Allegretto non troppo (3:02:29)
--
Guitar : Alfonso Moreno
Orquesta Filarmónica de la Ciudad de México
Conductor : Enrique Bátiz
Recorded in 1984, at Mexico City
Find CMRR's recordings on *Spotify* : spoti.fi/3016eVr
--
Les caméléons changent de couleur, mais les léopards ne changent pas leurs taches. Tout au long de sa vie, Villa-Lobos, souvent comparé par ses contemporains à un gros chat, a rassemblé et stocké des idées musicales, les utilisant parfois des années plus tard avec une naïveté sans faille et une fécondité colorée. Dès son enfance, la musique de Bach avait fasciné Villa-Lobos, et il en vint rapidement à la considérer comme un patrimoine universel, presque un folklore à part entière. Il a également vu de nombreux parallèles stylistiques entre Bach et certains types de mélodies et de textures que l'on trouve dans la musique folklorique brésilienne.
-
L'ambiance psychologique idéale existait donc pour la création d'une forme musicale qui accrochait des éléments nationalistes piquants à un cadre classique plus pur. En 1930, l'époque de ce type d'expérimentation était également propice à la création d'une forme musicale qui accrochait des éléments nationalistes piquants à un cadre classique plus pur : La brésilianisation de tout ce qui est européen était à l'ordre du jour, et une révision aussi audacieuse des arts était activement et officiellement encouragée.
-
Le résultat fut la composition par Villa-Lobos - précisément pendant les années 1930-1945 de Vargas - de 9 suites pour divers médias qu'il appela, de façon intraduisible, Bachianas Brasileiras. Ces suites ont en fait cristallisé des traits de compositions beaucoup plus anciennes. En 1910, Villa-Lobos avait transcrit une fugue de Bach pour violoncelle et piano, et la "Suite Pequena" de 1913 pour les mêmes instruments tente d'intégrer des éléments typiquement brésiliens dans la suite traditionnelle.
-
C'est le cœur de la conception de Villa-Lobos dans les Bachianas Brasileiras : les mouvements individuels ont des titres doubles, l'un reflétant le côté bachien des choses et l'autre le brésilien. Le Préludio du n°1, par exemple, est également intitulé "Modinha", une sorte de chanson d'amour sentimentale populaire au Brésil pendant la monarchie.
--
Villa-Lobos por Villa-Lobos - Bachianas Brasileiras n 5, Chôros, Piano (C.r.Victoria De Los Ángeles) : ua-cam.com/video/JUYw-VZ4KEA/v-deo.html
Are you sure you got the orchestra right? Everywhere I look, the orchestra is listed as the Royal Philharmonic Orchestra, not the Orquesta Filarmónica de la Ciudad de México. The soloists and the conductor are both correct.
The ''Bachianas Brasileiras'' is a musical collection of exceptional richness. They all deserve to be listened to with great attention and even savoured. The vocal qualities of Barbara Hendricks, her expressive gentleness, do full justice to the voluptuous atmosphere of the work. The orchestral direction of Enrique Batiz highlights the majestic side of this music while illuminating the details of Villa-Lobos' complex writing. A description of each opus is available by activating the subtitles, nice listening :-)
-
Villa-Lobos por Villa-Lobos - Bachianas Brasileiras n 5, Chôros, Piano (C.r.Victoria De Los Ángeles) : ua-cam.com/video/JUYw-VZ4KEA/v-deo.html
Que maravilha ! Com certeza nosso maior gênio da música brasileira. As bachianas, as sinfonias, as suítes, as sonatas para violino, os choros para orquestra piano e guitarras, a missas, as óperas... tudo é divino. Como o próprio dizia, ele não espera nascer cabelo para ter inspiração. Ele nasceu inspirado.
excelente para este retorno, gostamos de ter a opinião de pessoas do mesmo meio cultural que o compositor :-)
The ultimate antidote to depression Villa-Lobos! Was in deep despair when I stumbled upon these recordings and here I am 10 hours later listening again to the entire video full of joy and hope. Utterly magnificent!
I strongly agree with you! I begun to cry after 8 minutes of listening to the first Bachiana. I was taken by ir beauty and depth.
David Watermeyer~ I hope a year on finds you in a much better place….🌅
🎶 Marvelous ! The greatest brazilian compositor
Nice compilation of these Brazilian masterpieces with colorful sound of all the instruments and beautiful voices of all the soloists. Thanks for providing us with a rare chance to know the entire stature thereof. More than wonderful!
Thanks for your feedback, we always appreciate it :-)
With pleasure.
Another recording of the highest quality, and an interpretation that is sensitive and of the very best. I will be returning often to listen and to savour once again! Thank you for the upload.
Thanks for the feedback, yes these works deserve to be listened to again and again :-)
Les interprétations et l'enregistrement semblent d'une qualité exceptionnelles. Je vais me faire une joie de redécouvrir ces chefs-d'oeuvre. Mille mercis de France.
En effet, nous revenons sans cesse vers l'écoute de ces oeuvres qui sont d'une richesse sans bornes :-)
Yo conocí al máster villa lobos por un alumno mio en pintura y me llevó grabaciones del maestro el se llama g. Moncalves..ingeniero .chileno.muy agradecido..❤❤❤
Wonderful songs from the genius Villa-Lobos!
My Grandmother learned from this guy. I have one of her study books with a little dedication from him. I'm teaching myself to read music at 45, and play some of the guitar Choros De Villa-Lobos bequeathed to me by her... it's no picnic, and a little bit sad...
Thank you for your feedback :)
Thank you for your feedback :)
Villa-lobos , o Brasil musicalmente sublimime. Emoções e certeza de que em cada coração as Bachianas serão eternas.
sus composiciones transformaron mi forma de ver la música
1:16:30 Our People, our history, our land!
Excellent. Thank you very much for this sharing!
We are happy to have a subscriber from Vietnam :)
Confession: I love Barbara Hendricks.
Waouh! Thank you!
The frightened frightening full fumbling functional paper untypically request because tub mostly pump abaft a flashy stinger. wasteful, hospitable charles
Incredible
Fantastic music Love it 😘 Thank's
.maestro Villa Lobos ,pai e mentor da excelente música brasileira, não por a caso outro gigante e excelso da música brasileira Maestro Antônio Carlos Brasileiro Jobim se referia mui juntamente como Maestro Soberano. Trenzinho caipira na minha modesta opinião é o que melhor representa nossas matas e nossa gente. Muito obrigado por nos presentear essas obras primas
Estamos encantados por ver todos estes comentários em português. Muito obrigado :)
What a good idea to put this *excellent* reference recording in the spotlights!
Thanks a lot for sharing. :-)
(Just a point, I didn't find the cellist's name...)
You're Welcome Ivan :-) The cellists are members of the Royal Philharmonic, there are no names assigned.
The best music never...
Merci infiniment
:-)
Grande Villa!
que lindo poema musical
YES :-)
Superiškić. Thank you.
1:49:44 Hartmann's Youkai Girl?
Harris Sandra Hernandez Michael Clark Linda
Touching🙄and deep.....thanks🦋 Big hug!🤗
Little Beethoven loves the Hugs ^^
maravilhoso! grata
EXCEPTIONAL BEAUTIFUL🎻🎭🌹⚜ BO.NL. ⚜🙏💦💙
“Why is it that whenever i hear a piece of music i don't like, it's always by Villa-Lobos?” Igor Stravinsky
Seems like he was the only one
Igor was a thin skinned egomaniac.
To Stravinsky : Look who´s talking !
?
!