Was having a blast jamming along to this backing track, and was rudely interrupted by an AD. What a way to kill a vibe. And the plus side good practice because unexpected interruption happen live.
Their just adding in a. Brief. "Counterpoint chord" I like to call it. A melodic chordal sensibility kinda like a 1-5 pattern common for a baseline. In a lot of songs. But it's a chord that is an anchoring counterpoint. There are only so many possibilities. As far as chordal ornamentation Yet. To be determined which almost certainly is determined. By the root or relative minor. I could be I'll afforded the information yet I don't think so.
It's the same as a simpler. Pattern of chords save a very brief. Hop step. Of an added. Passing chord it's anchoring same as the 1-5 on the bass. Or. Melodically. Logical or most pleasing to the ear. So it ends up being more about the feeling Music sounds complex but it is not Whence I. Remind myself there are only twelve tones. It's. Really much. Less combination to consider. Within the twelve once the root is determined than it all. Refers back to root. Any. Pattern of chords and then there is ornamentation. Beyond that. There are an F-ton of chords and scales However exotic they are named to evoke. A sense. Of mystery. Can be displeasing to the ear. So. Not that dissonance. Doesn't have it's place. For contrast. But really. What is most. Novel or distinctive to hear and is most broad reaching. Is. Also fairly simple and intuitive to play. I like this pattern.
![[BackingTrack] Jazz Swing ii-V-i E minor BPM140](http://i.ytimg.com/vi/LFx3-ciqlug/mqdefault.jpg)
![[BackingTrack] Jazz Swing ii-V-i E minor BPM140](/img/tr.png)
![[BackingTrack] Jazz Swing ii-V-i A minor BPM140](http://i.ytimg.com/vi/qESTHo-vQlo/mqdefault.jpg)
Was having a blast jamming along to this backing track, and was rudely interrupted by an AD. What a way to kill a vibe. And the plus side good practice because unexpected interruption happen live.
I know, WTF dude! Happened to me for the first time yesterday - couldn't believe it.
just pay
Thanks for this backing track.
Hi
That's classical jazz.
It's hot and beautiful to play.❤❤❤ 10 4 that
I like it!
Very nice!
Brilliant!
Nice one.. 😎🎸
putting ads in the middle of a backing track should be a crime .
fr i don’t give a shit about expedia bro 😭
Their just adding in a. Brief. "Counterpoint chord" I like to call it. A melodic chordal sensibility kinda like a 1-5 pattern common for a baseline. In a lot of songs. But it's a chord that is an anchoring counterpoint. There are only so many possibilities. As far as chordal ornamentation Yet. To be determined which almost certainly is determined. By the root or relative minor. I could be I'll afforded the information yet I don't think so.
So what your saying is murf ugrhg huuj gyrt
What chords are they exactly?
bmin7 e7 amin7
actually its Bm7b5 E7b9 Amin7@@oinkimus
Fa7-Mi7-Lam
2 -5 -1
It's the same as a simpler. Pattern of chords save a very brief. Hop step. Of an added. Passing chord it's anchoring same as the 1-5 on the bass.
Or. Melodically. Logical or most pleasing to the ear. So it ends up being more about the feeling
Music sounds complex but it is not
Whence I. Remind myself there are only twelve tones. It's. Really much. Less combination to consider.
Within the twelve once the root is determined than it all. Refers back to root. Any. Pattern of chords and then there is ornamentation. Beyond that. There are an F-ton of chords and scales
However exotic they are named to evoke. A sense. Of mystery. Can be displeasing to the ear. So. Not that dissonance. Doesn't have it's place. For contrast. But really. What is most. Novel or distinctive to hear and is most broad reaching. Is. Also fairly simple and intuitive to play.
I like this pattern.
Too much drums. One wants to hear the harmonies to improvise o that base.... .