Thanks! I love the creativity of Akane's drumming. For example in Shake That: the differently-accented 16ths (2nd measure) and off-beat snare hits (measure 6). There are plenty of drummers who impress me with their invariable speed, but only a few who explore the possibilities of rhythm.
Thank you for your comment. As you say, this solo has a lot of her charm, especially bars 2 and 6, where she uses her signature polyrhythmic technique of grouping 16th notes into 3. What makes her solos great, of course, is her technique, but also her structure, with its introduction, development, turn, and conclusion, and the variety of phrase ideas. コメントありがとうございます。あなたの言うようにこのソロには彼女の魅力が詰まっていて特に2,6小節目は彼女が得意とする16分音符を3つにグループ化するポリリズム的手法が使われています。彼女のソロが素晴らしいのはテクニック的にはもちろんですが起承転結がしっかりしていることとフレーズのアイデアの多彩さでしょう。
Akane. Such a clever girl.
ドラム最光! 🥁格光いぃ!!⚡🎶☝🏻🤘🏻👍🏻✨🌠🌟
Thanks! I love the creativity of Akane's drumming. For example in Shake That: the differently-accented 16ths (2nd measure) and off-beat snare hits (measure 6). There are plenty of drummers who impress me with their invariable speed, but only a few who explore the possibilities of rhythm.
Thank you for your comment. As you say, this solo has a lot of her charm, especially bars 2 and 6, where she uses her signature polyrhythmic technique of grouping 16th notes into 3. What makes her solos great, of course, is her technique, but also her structure, with its introduction, development, turn, and conclusion, and the variety of phrase ideas.
コメントありがとうございます。あなたの言うようにこのソロには彼女の魅力が詰まっていて特に2,6小節目は彼女が得意とする16分音符を3つにグループ化するポリリズム的手法が使われています。彼女のソロが素晴らしいのはテクニック的にはもちろんですが起承転結がしっかりしていることとフレーズのアイデアの多彩さでしょう。