Thank you, Han, for undertaking this phenomenal transcription for me--and in two weeks, what ought to have taken a year! I've posted it all the main ELP groups, and the posts have received already close to 200 likes. I'm going to add what you told me as it may be helpful to others: "Also, for the organ bits, it's virtually impossible to exactly write out which notes are played because of the nature of the instrument - a single key press can send air through several pipes, including notes 1, 2, 3 octaves above the original, sometimes even fifths and thirds above. Instead, I wrote out the notes that the player most likely played to create the particular sounds - this comes from previous experience from playing the organ."
Great Hao, perfect transcription. This is a too underrated masterpiece. Now that we can read it note by note, it reveals clearly all the geniality of Keith Emerson.
Now all that's missing is a Maurice Ravel who uses it for an orchestral version! It would be most interesting to hear something like that! With best regards from Austria, not Australia.
Bravo J’ai une autre transcription de Lachesis (sensiblement pareille)que j’ai travaillé. Chef-d’œuvre ! La 3e partie nécessite un 2e piano ET une batterie pour que cela sonne ! Merci
Excellent transcription, however I notice that in this and other transcriptions the pedal that repeats the notes D and G gets the octave of the G wrong, which is descending and not ascending. This is accentuated in bar 33 where it sounds D Bb C G.
1970 'THE THREE FATES' DEL PRIMER DISCO DE EMERSON LAKE AND PALMER: Empieza Emerson tocando un órgano de iglesia Dijo Lake "la música de inspiración clásica era algo con lo que nos identifícabamos los tres, por ser europea y sentirla como parte de nuestra cultura. Eso fue lo que nos unió a Keith y a mi en un principio. Cuando vino Carl a la audición para baterista, vimos que tocaba Rock y que era un joven con formación en el Jazz. Parte de su audición fue con música de Leonard Bernstein, que Keith y yo queríamos tocar, y Carl mostró también ser entendido en eso. El estudiaba con un profesor considerado el más importante de la percusión sinfónica en Inglaterra. Carl era la pata del trípode que nos hacia falta!"... Después piano solo de Emerson (hay quienes dicen que es lo más logrado de Emo con ELP en piano solista: hay Gershwin, hay soul r&b, y parece también un poco afrocuban Jazz el piano solista)... y para rematar una sección instrumental en forma de Latin Jazz, o quizá más en la naturaleza de lo sinfónico de Cachao López y su hermano Orestes , en Cuba, década del 40'- 50' . Palmer se mostró con la percusión además de la batería " agradecer a quien ha transcrito Los Tres Destinos o The Three Fates del disco debut de ELP... Ahí se mantiene el legado
My earlier comment was truncated weirdly. The link that works is the one that leads to the subscription forms. It's the other one that takes you to a "404" error. Also omitted comments I made about transcribing "Take A Pebble" and "Trilogy" in the distant past ... Best, RC
BTW and FYI: > This link is working correctly: @t . > But this one leads to a "404" error (I tried it a few times in the last few minutes: @t . Apart from that, your work is really quite remarkable for someone so young (I'm nearly 69) -- what you hear, attention to detail, decisions about meter signatures in passages where there might be multiple solutions, that 3-piano solution that captures the track and deploys the voices so well, etc., etc. ... committed
Thank you for your kind words. I don't know why the link is broken, for now it only works if I manually type it into the browser. I'll look into it and update when it's fixed.
Hello Han Zhao Thank you very much for this beautiful work bars 41, 42 and 43 for the treble clef, there is also a transcription with groups of 8 notes corresponding to the groups of 6 notes of the bass clef. is your transcription more faithful to the original version by Keith Emerson. To read you Hello Han Zhao Thank you very much for this beautiful work bars 41, 42 and 43 for the treble clef, there is also a transcription with groups of 8 notes corresponding to the groups of 6 notes of the bass clef. is your transcription more faithful to the original version by Keith Emerson. To read you Bonjour Han Zhao merci de tout cœur pour ce beau travail les mesures 41, 42 et 43 pour la clé de sol, il existe aussi une transcription avec des groupes de 8 notes correspondant aux groupes de 6 notes de la clé de fa. votre transcription est elle davantage fidèle à la version originale de Keith Emerson. A vous lire
Thank you, Han, for undertaking this phenomenal transcription for me--and in two weeks, what ought to have taken a year! I've posted it all the main ELP groups, and the posts have received already close to 200 likes.
I'm going to add what you told me as it may be helpful to others: "Also, for the organ bits, it's virtually impossible to exactly write out which notes are played because of the nature of the instrument - a single key press can send air through several pipes, including notes 1, 2, 3 octaves above the original, sometimes even fifths and thirds above. Instead, I wrote out the notes that the player most likely played to create the particular sounds - this comes from previous experience from playing the organ."
Great Hao, perfect transcription. This is a too underrated masterpiece. Now that we can read it note by note, it reveals clearly all the geniality of Keith Emerson.
Beautiful! really appreciate getting a visual look at the sheet music showing Mr Emersons compositional genius and fun loving nature.
Another example of Emerson's love of fourths.
I waited 50 years for this! Thank you!
Composed by a BRILLIANT GENUIS !!
Thank you!
Brilliantly achieved. You should be very proud. Keith would be!
Now all that's missing is a Maurice Ravel who uses it for an orchestral version! It would be most interesting to hear something like that!
With best regards from Austria, not Australia.
Even the notations for “Lachesis” are beautiful. GOD I WISH I could play the piano.
I play the piano and this is beyond genius. I can't get past the first few bars. I can read it fine but playing it is the issue 😂🤷♀
Thanks for the transcription of this absolute masterpiece
Amazing transcription, amazing music !
Thanks for sharing. Greetings from Santiago Chile.
..........and for my next trick,
'I'll do KE9 second impression
Bravo
J’ai une autre transcription de Lachesis (sensiblement pareille)que j’ai travaillé.
Chef-d’œuvre !
La 3e partie nécessite un 2e piano ET une batterie pour que cela sonne !
Merci
Great work. Thanks|!
Thank you a lot!
Amazing work, Han!
Good thing Keith came in with this or the debut album would have been about 22 minutes long.
very cool!!!
Well done!
Excellent transcription, however I notice that in this and other transcriptions the pedal that repeats the notes D and G gets the octave of the G wrong, which is descending and not ascending. This is accentuated in bar 33 where it sounds D Bb C G.
1970 'THE THREE FATES' DEL PRIMER DISCO DE EMERSON LAKE AND PALMER: Empieza Emerson tocando un órgano de iglesia Dijo Lake "la música de inspiración clásica era algo con lo que nos identifícabamos los tres, por ser europea y sentirla como parte de nuestra cultura. Eso fue lo que nos unió a Keith y a mi en un principio. Cuando vino Carl a la audición para baterista, vimos que tocaba Rock y que era un joven con formación en el Jazz. Parte de su audición fue con música de Leonard Bernstein, que Keith y yo queríamos tocar, y Carl mostró también ser entendido en eso. El estudiaba con un profesor considerado el más importante de la percusión sinfónica en Inglaterra. Carl era la pata del trípode que nos hacia falta!"... Después piano solo de Emerson (hay quienes dicen que es lo más logrado de Emo con ELP en piano solista: hay Gershwin, hay soul r&b, y parece también un poco afrocuban Jazz el piano solista)... y para rematar una sección instrumental en forma de Latin Jazz, o quizá más en la naturaleza de lo sinfónico de Cachao López y su hermano Orestes , en Cuba, década del 40'- 50' . Palmer se mostró con la percusión además de la batería " agradecer a quien ha transcrito Los Tres Destinos o The Three Fates del disco debut de ELP... Ahí se mantiene el legado
My earlier comment was truncated weirdly. The link that works is the one that leads to the subscription forms. It's the other one that takes you to a "404" error.
Also omitted comments I made about transcribing "Take A Pebble" and "Trilogy" in the distant past ...
Best,
RC
Bravoooooooo
4:51
BTW and FYI:
> This link is working correctly: @t .
> But this one leads to a "404" error (I tried it a few times in the last few minutes: @t .
Apart from that, your work is really quite remarkable for someone so young (I'm nearly 69) -- what you hear, attention to detail, decisions about meter signatures in passages where there might be multiple solutions, that 3-piano solution that captures the track and deploys the voices so well, etc., etc. ...
committed
Thank you for your kind words. I don't know why the link is broken, for now it only works if I manually type it into the browser. I'll look into it and update when it's fixed.
Link is working now
Hello
Han Zhao
Thank you very much for this beautiful work
bars 41, 42 and 43 for the treble clef, there is also a transcription with groups of 8 notes corresponding to the groups of 6 notes of the bass clef.
is your transcription more faithful to the original version by Keith Emerson.
To read you Hello
Han Zhao
Thank you very much for this beautiful work
bars 41, 42 and 43 for the treble clef, there is also a transcription with groups of 8 notes corresponding to the groups of 6 notes of the bass clef.
is your transcription more faithful to the original version by Keith Emerson.
To read you
Bonjour
Han Zhao
merci de tout cœur pour ce beau travail
les mesures 41, 42 et 43 pour la clé de sol, il existe aussi une transcription avec des groupes de 8 notes correspondant aux groupes de 6 notes de la clé de fa.
votre transcription est elle davantage fidèle à la version originale de Keith Emerson.
A vous lire