@@bigga5737 My channel is not recommended to people with "perfect pitch" (a.k.a. unable to read music other than in modern, standard pitch) as I post a lot of baroque music at various pitches, not only 414 and 392 Hz but also intermediary pitches. There is a score, and there is a performance. They do not need AT ALL to be in the same key, and the singer is allowed to improvise in some places (in baroque music, it is even mandatory).
@@MehdiCapsIIThis isn't baroque and doesn't have anything to do with improvisation. Yes you're right, there is not only one kind of pitch but in this case you're wrong
@@bigga5737 I first replied to your comment and to another one complaining about the range (not the pitch), without listening to the video that I made some years ago. After your second comment, I saw that, indeed, this is sung a full tone lower, but so what? Goerne is awesome. This is all that counts. Being used to baroque music, I am not bothered by hearing a modern F (or anything else) when I see a G. If Goerne thought he would sing it better a tone lower, he was totally right to do it. Mahler himself would have transposed it down for him. So again, on this channel, I show a score, and I illustrate it with a performance. They do not need to match exactly.
Somewhere Mahler writes a letter saying he thought St. Antonious sounded drunk, singing to this sinuous, shifting accompaniment.
Mahler 2?!
Yes, Mahler used that in Mahler 2. Also Urlicht is originally from Des Knaben Wunderhorn.
Was für ein Wunderwerk
Lol the sheetmusic is not in the same key as the recording
It is in the same key. It is sung an octave lower, that is all. These lieder are printed with a G clef but can be sung by baritones.
@@MehdiCapsII No it is not, the baritone sings an F when there is a g in the sheetmusic. Trust me I have perfect pitch
@@bigga5737 My channel is not recommended to people with "perfect pitch" (a.k.a. unable to read music other than in modern, standard pitch) as I post a lot of baroque music at various pitches, not only 414 and 392 Hz but also intermediary pitches. There is a score, and there is a performance. They do not need AT ALL to be in the same key, and the singer is allowed to improvise in some places (in baroque music, it is even mandatory).
@@MehdiCapsIIThis isn't baroque and doesn't have anything to do with improvisation. Yes you're right, there is not only one kind of pitch but in this case you're wrong
@@bigga5737 I first replied to your comment and to another one complaining about the range (not the pitch), without listening to the video that I made some years ago. After your second comment, I saw that, indeed, this is sung a full tone lower, but so what? Goerne is awesome. This is all that counts. Being used to baroque music, I am not bothered by hearing a modern F (or anything else) when I see a G. If Goerne thought he would sing it better a tone lower, he was totally right to do it. Mahler himself would have transposed it down for him. So again, on this channel, I show a score, and I illustrate it with a performance. They do not need to match exactly.
Sounds better without the yapping. Mahler made a good call making the third movement without singing
Where can I find correct sheet music for this?
IMSLP > Mahler > Des Knaben Wunderhorn > Vocal Scores
@@MehdiCapsII Thank you!
Uhm, the score is definitely not in the bass range.
It is printed with a G clef and can be sung by mezzosopranos in that range or by baritones an octave lower.
where is this score?
en.scorser.com/S/Sheet+music/Mahler+Des+Antonius+von+Padua+Fischpredigt/-1/1.html the second free sheet music pdf is one for voice and piano