Rafi Saheb's train was standing on the outer...Talat Mehmood had given the green signal.
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- Опубліковано 18 тра 2024
- ये एकदम सच है कि मोहम्मद रफी साहब के गाये गानों के कारण बॉलीवुड के गोल्डन ऐरा का कंगूर...या गुम्बद दूर से ही चमकता हुआ दिखाई पड़ता है...
आमतौर पर लोग कंगूर या गुम्बद की चमक से ही चौंधिया जाते हैं...और ये भूल जाते हैं कि जिस इमारत के शिखर पर ये चमक बिखर रही है उस इमारत की नींव का पत्थर कौन था...
एक आवाज़...एक अंदाज़ ... ऐसा भी था जिसकी मखमली लरजिस ने गीतकारों को और संगीतकारों को प्रेरित किया कि वो ऐसे गीत और संगीत की रचना करें जिसे युगो युगो तक भुलाया ना जा सके...
दूसरे शब्दों में कहें तो इसी आवाज़ ने बॉलीवुड के गोल्डन ऐरा की गंगा को स्वर्ग से खींचकर धरती पर लाने में भगीरथ की भूमिका निभाई थी...
इस दिलकश आवाज़ के मालिक का नाम है तलत महमूद...
तलत महमूद...रफी साहब से पहले बॉलीवुड में आए थे...और खूब शोहरत भी बटोरी थी...फिर अचानक ऐसा क्या हुआ कि इस परिदृश्य से वो अचानक गायब हो गए...जबकि वो लगातार गा रहे थे...और इतना बेहतरीन गा रहे थे कि सात समंदर...और तेरह नदी पार कर उनकी शोहरत विदेशों में भी पहुंच गई...वो पहले ऐसे भारतीय गायक थे जिनकी विदेशों में लाइव स्टेज शोज़ हुआ करती थीं...
अपनी सिलवट वाली आवाज़ से तलत महमूद ने दौलत भी खूब कमाई...आलिशान जिंदगी जीते रहे...लेकिन बॉलीवुड की तरफ कभी पलटकर नहीं देखा...
जानकार कहते हैं कि तलत महमूद की इसी अनुपस्थिति का फायदा रफी साहब को हुआ...और रफी साहब की जो ट्रेन आउटर सिग्नल पर आकर रुकी हुई थी उसे हरी झंडी मिल गई...क्या था ये पूरा मामला...और क्यों तलत महमूद को गोल्डन ऐरा के नींव का पत्थर कहा जा सकता है जानने की कोशिश करते हैं इस वीडियो में...
It is absolutely true that due to the songs sung by Mohammed Rafi Sahab, the Kangoor or the Dome of the Golden Era of Bollywood is seen shining from a distance.
Generally, people get dazzled by the shine of a dome or dome… and forget who was the foundation stone of the building on whose peak this shine is spreading…
There was one voice... one style... whose velvety charm inspired the lyricists and musicians to create such songs and music which could not be forgotten for ages...
In other words, this voice played the role of Bhagiratha in pulling Ganga from heaven to earth in the Golden Era of Bollywood...
The name of the owner of this charming voice is Talat Mahmood...
Talat Mahmood had come to Bollywood before Rafi Saheb and had gained a lot of fame. Then what happened suddenly that he suddenly disappeared from the scene even though he was singing continuously. And he was singing so well that after crossing seven seas and thirteen rivers, his fame reached abroad also. He was the first Indian singer to have live stage shows in foreign countries.
Talat Mehmood earned a lot of wealth with his melodious voice... kept living a luxurious life... but never looked back towards Bollywood...
Experts say that Rafi Saheb benefited from this absence of Talat Mahmood... and Rafi Saheb's train which was stopped at the outer signal got the green signal... What was this whole matter... and why Talat Mahmood can be called the foundation stone of the Golden Era. Let's try to know in this video...
#talatmahmood
#lovestory #lovestorysong #bollywoodsongs #bollywoodlove #bollywoodgossips #bollywoodlovestorysong#filmhistory #rafihits #mohammadrafihits #mohammadrafisongs
#filmhistory #rafihits #mohabbat #mohammadrafihits #mohammadrafisongs #rafisongs #rafi #superhithindisongs #latamangeshkar #lata #filmmaker #musicalhits #bollyboodstars #evergreensong #sadabahar #sadabaharpuranegane #hindicinema #cinematic #filmhistory #hindistories #hindisong #behindthescenes #producer #filmproduction #filmdirector #musicdirector #musician #hindigana #purane #puranegane #puranegeet
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Talat ji is great , we can’t compare Talat ji with Mohd Rafi ❤ both of them great
Both are great singers. Rafi saab was unique ang coul sing any kind of songs.
Talat Mahmood great singer what a voice
From early 50s Rafi Sahab era started with Beju Bewra film.. O duniya ke rakhwale... this was suppose to sing by Talat but Naushad preferred Rafi Sahab over Talat due to Rafi Sbs soft behavior and dedication to the singing.. At this same time SJ duo started their career with Rafi Sb and Mukesh mainly. By mid 50s Rafi sb became No.1 singer and choice of every hero and music director and Talat Mahmood left behind. Also Rafi Sb did realize he will have to bring something new to the playback singing. He acquired the expertise of modulating his voice to suit different actors to match their style so that he will sound bit different in every song specially for every heroes style.. Also Rafi had clarity and high pitch which was needed by MD to make their tunes super hit. Rafi Sb had another quality.. He always remain humble and worked for every MD regardless of money.. But most importantly he was exceptional God gifted in terms of voice quality and by nature which made him all-time greatest singer of Indian music..
No doubt Talat is great singer
God gift aawaz hai Rafi Sahab ki aawaz me jaadu hai ji RAFI SAHAB ❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
🎉
Talat Saab ki makhmali awaz sirf Dilip Kumar, Dev Anand ya fir Sunil Dutt jaise gine chune hero par hi suit hoti thi jab ki Rafi saab to Dilip kumar, Dev Anand, Rajkumar, Shammi kapoor, Pradeep Kumar, Joy Mukarjee, Vishvajeet, Rajendra Kumar, Sunil Dutt, Dharmendra, Shashi Kapoor jaise kai hero ki awaz ban gaye the. Gulam Mohd. jaise suro ke Samrat Talat Saab ko Galat Mehmood kahkar pukarte the aisa maine kahi suna he. Hindi cinema me aaj tak kisi bhi singer ki tulna Legendary Rafi Saab ke saath nahi ki ja sakti. Rafi saab is the most precious gift to Indian Music lovers.
Excellent narration and uploading with real facts.Naushad jis politics was one main cause for downfall of great legendry singer
Mohammed Rafi was versatile. And Talat Mehmood, was equally talented but not versatile.
Talat Mehmood has given lot of loveable unforgettable songs
Yeh bahut kamlog jante hain ki rafi 1947 aayi film jugnu se hit ho gaye the us wakt tak talat filmi gane nahin gaye the unki pehli film aarzo jo 1950 men aayi thi
Rafi Sahab ne har tarah ke Geet gaaye hain.. unke andar har tarah ke Geet gaane ki Quality thi.. isliye woh aage nikal gaye ..!🎵
तलत गले से गाते थे और रफी दिल से।
Well said.
Song chal ud ja re panchhi was first recorded in the voice of Talat Mehmood, but Chitragupta was not satisfied and later on Md. Rafi did this song.
TALAT SAHIB JAISA KOI AUR SINGER NAHI NO AND NEVER TALAT IS REALLY GHAZAL KING
Narrator has forgotten or may be doesn't know that Talat Mahmood 's last recorded song was not jahanara(1964) but Aadmi (1968). Though this song was not included in the movie one the insistence of Hero Manoj Kumar. Mahendra Kapoor sung version was included in the movie.
50s me Talat sabhi male singro se aage the.Quantity me aur (sabse badi bat) quality me bhi.60s me Rafi ka zamana tha lekin quality ke bareme jyada bol nahi sakte. Achche gane bhi the aur kharab gane bhi the.
Pagal
O duniya kevralhwale.Baiju bawra ke gane tera baap ne gaya Tha kaya 1952 me ???
Right
wrong…
Talat ak kism ke gane the isliye unka sitara jaldi doob gaya
incomplete info👎🏻…