Voleti Venkatesvarulu- Marivere Gati Evaramma- Anandabhairavi- Misra Chapu- Shyama Shastri
Вставка
- Опубліковано 17 жов 2024
- Carnatic Vocal- Concert recording.
Lyrics:
pallavi
marivErE gati evarammA
mahilO nannu brOcuTaku
anupallavi
sharaNAgata rakSaki nIvEyani
sadA nammiti nammiti mInAkSI
caraNams
madurApuri nilayA vANI
ramA sEvita padakamalA
madhukaitabha bha~njanI kAtyAyanI
marALagamanA nigamAnta vAsini || 1 ||
varamicci tIvramE brOvu
shivA ambA idi nIku baruvA
nera dAtavu nIvugadA sha”nkarI
sarOja bhavAdi nIvE rakSimpa || 2 ||
shuka shyAmaLA ghana
shyAmak.rSNa sOdari kaumArI
akaLa”nka kaLAdharI bimbAdharI
apAra k.rpAnidhi nIvE rakSimpa || 3 ||
svarasAhitym
pAda yugamu madilO dalaci
kOriti vinamu madagaja gamanA
parulu nutimpaganE varamosagu
satatamu ninumati maruvakanE
madana ripu sati nanu h.rdayamulO
gatiyani dalaci stuti salipitE
mudamutO phalamosaguguTaku
dharalO natAvana kutUhala nIvEga
Sir may God bless your soul.. and may He bestow your abilities to living mortals from time to time..
Superb ! Marivare Gati Evaramma Ragam Ananda Bhairavi Misra Chapu Talam Shyama Sastry Krithi
Syama Sastri’s handling of Anandabhairavi merits special mention. In all there are eight compositions or so of Syama Sastry in this raga. Four of his compositions are famous. Two of them, marivere gati and O jagadamba have glittering cittasvara-sahityas. His pahi shri girirajasute is considered a perfect picture of this raga. His only varnam samini rammanave is in this raga. His himAcala tanaya, which was originally set to Sastry’s characteristic chaputala, is nowadays rendered in Adi tala.Syama Satri is always associated with Anadabhairavi (along with Misra Chapu Talam). It was he who shaped this Raga to perfection in the current form. My humble pranams at his lotus feet.
Oh mother, on this earth, there is no one except you who is a sanctuary to offer me protection.
Oh mInAkSi the one who yields protection to those who take shelter in you, I always believe in you, again and again, I believe in you.
You are the one who dwells in the city of Madhura, the one whose lotus-like feet are worshiped by Sarasvati and LakSmi, you are the one who has vanquished the demons Madhu and KaiTabha, you possess a swan-like gait, you are kAtyAyani, You shine in the essence of the vEdas.
Oh shivA, oh AmbA! Please grant me my wishes and save me quickly. Is it a difficult task for you? You are the beautiful benefactor, sha”nkari, and you are the one worshiped by Indra, Brahma, and others.
Oh shuka shyAmaLa, the sister of shyAma k.rSNa, the ever youthful kaumAri, the one who wears a flawless crescent moon on the head, the one whose lips resemble the bimbafruit, you are the treasure house of infinite compassion. Please protect me.
Oh shivA, the spouse of shiva, the enemy of cupid! I constantly meditate upon your feet in my mind, your gait resembles that of an elephant. Please listen, oh mother, do not listen to other words, Please grant me my wishes. Is it not true that you gladly confer bliss and good fortune on those who sing your glory?
P mari vEre gati evarammA
mahilO nannu brOchuTaku
Oh Minakshi,who else is there on this earth to protect me?
AP SaraNAgata rakshaki neevEyani
sadA nammiti nammitini minAkshi
I have absolute faith that you are the sole protector of those who seek for your protection.
C1 madhurApuri nilaya vANi ra
mA sEvita pada kamalA
madhu kaiTabha bhanjani kAtyAyini
marALa gamana nigamAnta vAsin
You dwell at Madhura.Saraswati and Lakshmi worship your lotus feet. You destroyed the demons Madhu and Kaitabha. You are Katyayini with the gait of a swan. You are the quintessence of all the scriptures.
C2 varamichchi Seeghrame brOvu Si
vAmbA idi neeku baruvA
nera dATavu neevu gadA Sankari
sarOja bhavAdi surEndra poojitE
Oh Amba, bless me expeditiously.Is it a big task for you? Oh Sankari,you will never fail.Brahma,Indra and others worship you
C3 Suka SyAmala ghana SyAma krishNuni
sOdari koumAri
akaLanka kalAdhari bimbAdhari
apara krupAnidhi neevE rakshimpa ||
swara sAhityam :
pada yugamu madilO talachi
kOriti vinumu mada gaja gamana
parula nutimpa gAne varamosagu
satatamu ninu madi maravakanE
madana ripu sati ninu hrudayamulO
gati yani dalachi stuti salipE
mudamu tO phalamosanguTaku dharalo
natAvana kutoohala neevEgA
You are Koumari the sister of Syama Krishna who is dark blue. You are unblemished.Crescent moon graces on your head.Your lips are red like 'Bimba' fruits.You are the ocean of compassion. You alone should protect me.
Swara Sahityam:
I think of your feet and request.Please listen.Your gait is majestic like elephant's walk.You shower boons.I always think of you. Please don't forget me.You are the consort of Siva the enemy of cupid. I always keep you in my heart.You delightfully reward your devotees.Who else is there on this earth so much concerned of devotees?
Ananda bhaivari is an ancient raga, which has its origins in the folk traditions of South India. It is a janya of the 20th melakarta natabhaivari. It is classified as a Shadava sampurna vakra, which means it has six notes (shadava) in the ascent and all seven (Sampurna) in descent and the notes are not in order but take a twisted route (vakra). The Raga evokes KARUNA and SRINGARA rasams. The full effect of the Ragam is brought out when sung in VILAMBITA KALAM.
Therapeutically, it is said that Anandabhairavi supresses stomach pain in both men and women. Reduces kidney type problems and controls blood pressure
The raga uses anya swaram (external note) in comparison with its parent rāgam. The anya swaram is the usage of chathusruthi dhaivatham (D2) in some phrases of the rāgam .It is vakra rāgam since its arohana is not in proper sequence. Its arohana is “sa ga ri ga ma pa da pa sa” (“ga” comes before “ri” and after “pa” comes after “da”). These two technicalities makes this rāgam vakram but only in arohana. In avarohana it is normal, that is “sa ni da pa ma ga ri sa”.Anandabhairavi ragam is also a bhashanga rāgam, since it uses more than one anya swaram. Anya swaram of a rāgam is the swaram which does not belong to the arohana or avarohana of its melakarta (Tamil: thāi - parent) rāgam but it is sung in prayogams (phrases used in raga alapana, kalpanaswarams).
Arohana : s G2 R2 G2 M1 P D2 P S
AvarOhana: S N2 D2 P M1 G2 R2 S
🙏🙏very informative. Thank u
@@sanathkumarsarma7976 ji My Pleasure 🙏❤️🙏
Thank you for your detailed explanation sir. Really appreciate it
@@hariramaiah5152 My Pleasure
🙏🏽🙏🏽🙏🏽
Excellent
Palghat R Raghu Yen Guruve Paathame Namaskaram
The mridangam is as forceful and authoritative as only a master can be. I wonder who it is.