ஸ்ரீ ராமகிருஷ்ண மூர்த்தி அவர்கள்...ஸ்ரீ பூச்சி அய்யங்கார் இயற்றிய க்ருதியை, பூர்வ கல்யாணி ராகத்தில் மிக அழகாக, நிதானமாக பாடி ரசிகர்களை மகிழ்வித்தார். 'பூச்சி அய்யங்கார்'...'பூர்வ கல்யாணி' - இந்த இரு வார்த்தைகளின் சேர்க்கையைப் பாருங்கள்! அந்த பரம பாவன ஸ்ரீராமனின் க்ருபை இவருக்குக் கிட்ட அந்த ஸ்ரீ ராமனையே வேண்டுகிறேன். "மண்டகொளத்தூர் சுப்ரமணியன்"
Superb ! paramapAvanarAma Ragam poorvikaLyAni 53 gamanashrama janya Adi Talam Poochi Srinivasa Iyengar Krithi This Krithi was originally composed in Telugu P paramapAvana rAma pApa vimOchana pArajoochi nannu pAlimpumayya || Oh most pious Lord Rama, you are the liberator from all sins. Please shower your compassionate glances on me and protect. AP vara marut pAla nuta vArija lOchana vAraNArti haraNA vAnchita phalaprada || Your best devotee Hanumanta worships you. Your eyes are beautiful like lotus flower. You dispelled the sufferings of Sugriva the monkey king. You are bestower of desired fruits. C kanakAmbaradhara karuNAnvita Soora kAmajanaka narakAntaka murahara vanajAsana nuta vAridhi kanyA priya vAmana roopa SrinivAsa varadAyaka || Your attire is golden. You are heroic and also compassionate. You are Manmadha's father. You are Murahara the destroyer of demon Naraka. Brahma seated on lotus adores you. Lakshmi the daughter of milk-ocean is your consort. You incarnated as Vamana. You bestow boons to your devotee Srinivasa.(Mudra). Purivikalyani is a janya raga from the 53rd mELakarta gamanashrama. It is a Vakra Shadava sampurna raga, i.e. it has six notes on the ascent and seven notes in the descent. purvikalyani has another name Poorvakalyani. The scale mentioned in the Sangeeta Sampradaya Pradarsini is s r g m p D s - S n d p m g r s, which is Gamakakriya and which is also called Poorvakalyani. Despite being a raga that can be rendered at all times, rasikas know that the effect is profound when this raga is rendered just after sunset. . Here is an interesting explanation for the name purvikalyani Raga. In the Hindustani system, Poorvi is a raga which is akin to our Panthuvarali (Kamavardhini) Mela. The poorvanga portion of purvikalyani has the same swaras of Panthuvarali or N.Indian Poorvi Raga. The Uttharanga of purvikalyani has the swaras of Kalyani Raga. Being a combination of Poorvi and Kalyani, the raga has come to be known as Poorviklayani. purvikalyani in Hindustani style is known as PuryaKalyan. The raga has a profound effect on reducing Anxiety and Abdominal pain. Also said to promote harmony and bring a pleasant feeling. The structure of purvikalyani is as follows Arohana: S R1 G3 M2 P D2 P S Avarohana: S N3 D2 P M2 G3 R1 S (Suddha rishabham, anthara gandharam, prathi madhyamam, chathusruthi dhaivatham, Kakali nishadham) Jiva Swara - R, M ,D ,N. Nyasa Swara - G , P , D Prayogas/Sancharas - G M D S- P D N D P M - G M D M N D S - D S R G - S N S R G R- G M PD P M G R G - M P D P S D R S- S R G M P M G R S - P M D P S N D P- G M P D P S etc. This is a raga which is not burdened with restrictive usages. In gamaka Prayogas M is oscillated. When N is rendered from Arohana, Nishada stands slightly elevated than the Kakali Nishada (rather close to Thara Shadjam). Janta Swara prayogas GG RR SS adds to the beauty of the raga. The phrase D N M D S S is a ranjaka prayoga. Purvikalyani with all the unique curves and prayogas can be termed as a “Gamakavarika raga”. Swaras of purvikalyani undergo melodic gamaka when rendered with imagination. This is a bhava rich aesthetically melodious raga of Carnatic Music with ample scope for Raga Alapana, Thanam, Kalpana Swaras,Niraval etc. A widely rendered raga in concert platforms this raga is suitable for all rasa bhavas including Viraha. “Satre vilagi irum pillaai” by Gopalakrishna Bharati is a very touching and noteworthy composition in this raga. This raga claims to possess all forms of songs like Thana Varnams, Krithis, Keethanams, Padams, Javalis and Ragamalika Compositions. Thyagaraja swami’s Jnanamosagaradha - a masterpiece song in this raga was mainly popularised by Dr. Semmangudi Srinivasa Iyer. Allied Ragas - Purvikalyani and Panthuvarali The presence of Suddha Rishabha, Antara Gandhara and Prati Madhyama in Purvikalyani Raga in the Poorvanga does establish similarity with Ramakriya (Pantuvarali). A good and experienced musician knows that the Rishabha in Poorvakalyani is Dwisruti Rishabha, by which we can distinguish this from Ramakriya. Vakratva in Arohana is another distinguishing factor, which however, is present only in the Arohana, imposed by some great person. The swara-samvaditva found in raga Kalyani is absent in raga Poorvakalyani. Poorvakalyani is distinct from Pantuvarali and Kalyani. One can conclude this review by making a note that the “pa-dha-pa-sa” or “ma-dha-sa” factor has great significance. Take Anandabhairavi, which has “pa-dha-pa-sa”. Take Bilahari or Mohana, with “pa-dha-sa”. Certain ragas like Mohanam, Anandabhairavi, Bilahari and Purvikalyani, generate a sense of exhilaration, happiness or ananda when heard. This is perhaps the reason why one raga got the name Anandabhairavi. Poorvakalyani belongs to this great and exclusive group of ragas. It promotes rasanubhava of Sringara, Adbhuta,Viraha and Santa rasas and unalloyed bliss or equanimity called Ananda. indeed, it is a great raga. What is there in a name? Old, indeed is gold; but remember forever that gold is always gold, as Poorvakalyani is Poorvakalyani.
What a beautiful rendition by everyone! ❤
പൂർവികല്ല്യാണി 👍👍👍👍
So beautiful
That voice never fails to give me goosebumps...🙏🙏🙏
💕💕🙏
On the steps of traditional doyens a chaste pure poorvikalyani.A delight to the ears.
My favourite composition in Poorvikalyani Raga. Remember DKP .
ஸ்ரீ ராமகிருஷ்ண மூர்த்தி அவர்கள்...ஸ்ரீ பூச்சி அய்யங்கார் இயற்றிய க்ருதியை, பூர்வ கல்யாணி ராகத்தில் மிக அழகாக, நிதானமாக பாடி ரசிகர்களை மகிழ்வித்தார். 'பூச்சி அய்யங்கார்'...'பூர்வ கல்யாணி' - இந்த இரு வார்த்தைகளின் சேர்க்கையைப் பாருங்கள்! அந்த பரம பாவன ஸ்ரீராமனின் க்ருபை இவருக்குக் கிட்ட அந்த ஸ்ரீ ராமனையே வேண்டுகிறேன்.
"மண்டகொளத்தூர் சுப்ரமணியன்"
Very good rendition
Superb ! paramapAvanarAma Ragam poorvikaLyAni 53 gamanashrama janya Adi Talam Poochi Srinivasa Iyengar Krithi
This Krithi was originally composed in Telugu
P paramapAvana rAma pApa vimOchana pArajoochi nannu pAlimpumayya ||
Oh most pious Lord Rama, you are the liberator from all sins. Please shower your compassionate glances on me and protect.
AP vara marut pAla nuta vArija lOchana
vAraNArti haraNA vAnchita phalaprada ||
Your best devotee Hanumanta worships you. Your eyes are beautiful like lotus flower. You dispelled the sufferings of Sugriva the monkey king. You are bestower of desired fruits.
C kanakAmbaradhara karuNAnvita Soora
kAmajanaka narakAntaka murahara
vanajAsana nuta vAridhi kanyA priya
vAmana roopa SrinivAsa varadAyaka ||
Your attire is golden. You are heroic and also compassionate. You are Manmadha's father. You are Murahara the destroyer of demon Naraka. Brahma seated on lotus adores you. Lakshmi the daughter of milk-ocean is your consort. You incarnated as Vamana. You bestow boons to your devotee Srinivasa.(Mudra).
Purivikalyani is a janya raga from the 53rd mELakarta gamanashrama. It is a Vakra Shadava sampurna raga, i.e. it has six notes on the ascent and seven notes in the descent. purvikalyani has another name Poorvakalyani. The scale mentioned in the Sangeeta Sampradaya Pradarsini is s r g m p D s - S n d p m g r s, which is Gamakakriya and which is also called Poorvakalyani. Despite being a raga that can be rendered at all times, rasikas know that the effect is profound when this raga is rendered just after sunset. .
Here is an interesting explanation for the name purvikalyani Raga. In the Hindustani system, Poorvi is a raga which is akin to our Panthuvarali (Kamavardhini) Mela. The poorvanga portion of purvikalyani has the same swaras of Panthuvarali or N.Indian Poorvi Raga. The Uttharanga of purvikalyani has the swaras of Kalyani Raga. Being a combination of Poorvi and Kalyani, the raga has come to be known as Poorviklayani. purvikalyani in Hindustani style is known as PuryaKalyan.
The raga has a profound effect on reducing Anxiety and Abdominal pain. Also said to promote harmony and bring a pleasant feeling.
The structure of purvikalyani is as follows
Arohana: S R1 G3 M2 P D2 P S
Avarohana: S N3 D2 P M2 G3 R1 S
(Suddha rishabham, anthara gandharam, prathi madhyamam, chathusruthi dhaivatham, Kakali nishadham)
Jiva Swara - R, M ,D ,N.
Nyasa Swara - G , P , D
Prayogas/Sancharas - G M D S- P D N D P M - G M D M N D S - D S R G - S N S R G R- G M PD P M G R G - M P D P S D R S- S R G M P M G R S - P M D P S N D P- G M P D P S etc. This is a raga which is not burdened with restrictive usages. In gamaka Prayogas M is oscillated. When N is rendered from Arohana, Nishada stands slightly elevated than the Kakali Nishada (rather close to Thara Shadjam). Janta Swara prayogas GG RR SS adds to the beauty of the raga. The phrase D N M D S S is a ranjaka prayoga. Purvikalyani with all the unique curves and prayogas can be termed as a “Gamakavarika raga”.
Swaras of purvikalyani undergo melodic gamaka when rendered with imagination. This is a bhava rich aesthetically melodious raga of Carnatic Music with ample scope for Raga Alapana, Thanam, Kalpana Swaras,Niraval etc. A widely rendered raga in concert platforms this raga is suitable for all rasa bhavas including Viraha. “Satre vilagi irum pillaai” by Gopalakrishna Bharati is a very touching and noteworthy composition in this raga. This raga claims to possess all forms of songs like Thana Varnams, Krithis, Keethanams, Padams, Javalis and Ragamalika Compositions. Thyagaraja swami’s Jnanamosagaradha - a masterpiece song in this raga was mainly popularised by Dr. Semmangudi Srinivasa Iyer.
Allied Ragas - Purvikalyani and Panthuvarali
The presence of Suddha Rishabha, Antara Gandhara and Prati Madhyama in Purvikalyani Raga in the Poorvanga does establish similarity with Ramakriya (Pantuvarali). A good and experienced musician knows that the Rishabha in Poorvakalyani is Dwisruti Rishabha, by which we can distinguish this from Ramakriya. Vakratva in Arohana is another distinguishing factor, which however, is present only in the Arohana, imposed by some great person. The swara-samvaditva found in raga Kalyani is absent in raga Poorvakalyani. Poorvakalyani is distinct from Pantuvarali and Kalyani.
One can conclude this review by making a note that the “pa-dha-pa-sa” or “ma-dha-sa” factor has great significance. Take Anandabhairavi, which has “pa-dha-pa-sa”. Take Bilahari or Mohana, with “pa-dha-sa”. Certain ragas like Mohanam, Anandabhairavi, Bilahari and Purvikalyani, generate a sense of exhilaration, happiness or ananda when heard. This is perhaps the reason why one raga got the name Anandabhairavi. Poorvakalyani belongs to this great and exclusive group of ragas. It promotes rasanubhava of Sringara, Adbhuta,Viraha and Santa rasas and unalloyed bliss or equanimity called Ananda. indeed, it is a great raga. What is there in a name? Old, indeed is gold; but remember forever that gold is always gold, as Poorvakalyani is Poorvakalyani.
Thank you 🙏 for the information and lyrics as well.
@@gayatrisivakumarkundeti2064 Ji My Pleasure
thank u for clear raga lakshana sir
@@rahmanxgamer422 Ji My Pleasur !!