Sylvie Guillem était une étoile et personnalité tellement extraordinaire que je voudrais retarder toutes les pendules et la voir à nouveau sur les scènes du monde entier. Merci Sylvie Guillem pour tant de beautés dans l'accomplissement de votre art. ❤
Just love the In The Middle of Somewhat Elevated piece. Guillem’s renditions, over the years, of this ballet has always taken that choreography to a special level. Several other great ballerinas danced it, but she defined it. A bit of trivia bout her, as echoed by most modern dance choreographers, is that Guillem was able to get & memorize a new routine w/n 1st or merely 2nd time it was shown to her. An immense talent.
it is my personal favorite piece too. Very difficult,technical,fast and you always dance on the edge while perform it. Sylvie is the only who is able to deliver it on that level.
I love how she’s the only Raymonda that stays perfectly still and strong on pointe during that variation. Every other dancer looks as though you can blow them off balance with a strong sneeze.
Sylvie was madre prima ballerina at 18yrs, you have to work incredibly hard, every day and have a love of dance as well as grow in creativity to attain her level. 5:46
The rehearsal footage is really crucial for the next gen dancers. Especially "In the Middle (Some What Elevated)" with the choreographer's comments to the first cast. (BTW, I know some of it looks odd to non-dancers. That thing where they walk around waving their hands and arms and kind of doing legs, but not really, is called "marking." It saves energy while memorizing, creating the essential mind/body links).
It's very difficult to describe, but when I see her in rehearsal or performance of "In the Middle...." it's almost as if the is coming out of her legs. I know that's a weird thing to say. I just can't think of another way to describe it. The are so many ballet dancers I admire. But if I had to choose one, Sylvie will always be It. She melds the music, the movement, a near-perfect body (because no one is perfect), feet, and ballet technique in a way no one had ever seen, and has yet to see again. And she is that unique, French-woman elegant, yet sexy, with reserve but also "ton." Unreachable, a goddess who is nevertheless vulnerable; imperious, demanding, but never over-precious, pretentious, or overdone. Without being obvious about it, she judiciously doles that quality out in each ballet to a degree absolutely appropriate to the choreography. There will never be another Sylvie Guillaume. Thank God for video. She'll inspire and educate generation after generation -- dancers, and those who love to see them dance.
The mystery of Eugene Polyakov. He joined Paris Opera ballet as a ballet master in January 1996 and died in the October. No cause of death published. Does anyone know the circumstances? The scene with him and Sylvie shows that he was a hard taskmaster.
i was going to suggest that perhaps it was a Great Pyrenees until I saw the face up close. I think sheepdog is on point (pun not intended, but I’ll accept credit it offered lol).
@@Got2Bespoke A Pyrenees mountain dog too big for the one in the video. Also, a PMD would not be able to fit inside the Paris Opera house - rooms and corridors too small, haha
That "abstract crap" revolutionized the ballet and showcased a talented new-generation of dancers. Because of Forsythe (and Kylian and McGregor and Dawson and Spuck and Duato and so many others) a new classical expression emerged, one that fit the times. Baryshnikov embraced Tharp in the 80s and Guillem retired on a beautifully contemporary note a few years ago, performing new works by Forsythe and Ek! "Abstract crap"... hush.
Mr Forsythe was the precursor of a new clever classical revolution, you’d be a fool to compare it to anything or anyone. His genius approach was clearly unseen at the time and somehow shocking but so necessary for ballet codes to evolve. Yes, it is all about protecting the passed and yet allowing to change, to evolve. This masterpiece is still nowadays thrilling and iconic and deserves to be as such.
このVHSを持っていましたが、今は再生するためのデッキが無く見る事ができませんでした。
アップしてくださってありがとう😭
乳がんを患い、点滴の副作用で血管炎、手術後の痺れにより腕が上がりにくくなりました。
リハビリを兼て50代からバレエを始めて半年。
足先や動きの理解が初心者と思えないと褒めていただきました。
思い当たるのはこのビデオを擦り切れるほど何回も見た事ぐらい。
全ての瞬間が最高のお手本の様なギエムの踊りに、精神を満たされるだけで無く、身体も救われました。
自分の身体は動かなくても綺麗なポーズ、理想の足先を曲を聞けば思い出せるほど見た事が、バレエの動きへの理解を深めていた様です。
見るだけで、体の筋肉の使い方などがイメージ出来てしまうほど、正確に筋肉の繊維の一本まで制御されていたんだと改めて驚愕。
後にも先にもギエムだけ。
生で鑑賞できた幸運を改めて噛み締めています。
どのポーズをとっても、どんな動きをしてもため息が出るほど美しい。現代にも脚が上がるダンサーは沢山いるけれど、ギエムは別格。
未だに私の中ではザ・ベストなバレエダンサー。
私は乳がんの手術をしたあと 両腕が動かなくなりました
半年間このビデオを観ながらマッサージをして腕が動かせるようになりました
シルヴィに出会う機会が偶然ありました
彼女に話しました
抱きしめてくれたやさしい腕を何年経ってもわすれません
彼女は愛に満ちた素晴らしい方です
In the middle は傑作です
沼地のパドゥドゥは何百回観ても涙があふれます
Sylvie Guillem était une étoile et personnalité tellement extraordinaire que je voudrais retarder toutes les pendules et la voir à nouveau sur les scènes du monde entier. Merci Sylvie Guillem pour tant de beautés dans l'accomplissement de votre art. ❤
Just love the In The Middle of Somewhat Elevated piece. Guillem’s renditions, over the years, of this ballet has always taken that choreography to a special level. Several other great ballerinas danced it, but she defined it. A bit of trivia bout her, as echoed by most modern dance choreographers, is that Guillem was able to get & memorize a new routine w/n 1st or merely 2nd time it was shown to her. An immense talent.
it is my personal favorite piece too. Very difficult,technical,fast and you always dance on the edge while perform it. Sylvie is the only who is able to deliver it on that level.
I love how she’s the only Raymonda that stays perfectly still and strong on pointe during that variation. Every other dancer looks as though you can blow them off balance with a strong sneeze.
2024年12月、とうとう4倍速で見れるようになった🤯
それでもシルヴィ・ギエムの踊りは最高であり、究極のバレエダンサーと断言出来る‼️
I’ve never seen anyone effortlessly float with such strength and power like her. What an absolute g.o.a.t. she is
Sylvie was madre prima ballerina at 18yrs, you have to work incredibly hard, every day and have a love of dance as well as grow in creativity to attain her level. 5:46
私の中でもベストです。彼女を超えられる人はそう簡単に現れないと思います。
My goodness. Such artistic maturity at age 22.
how can somebody be so fantastic in both classic and modern will always be a mistery to me
The choreographer Maurice Béjart once said that Sylvie was such a fast learner, and had a tremendous memory.
音楽の流れに乗ってこの題材の世界観を寸分のたがいもなく表現できる。
テクニックもだけど、心情表現も完璧でこの人以上のバレリーナはなかなか現れないだろうな。
Ella es la mejor. Ella nacio para bailar.Te amo Sylvie.
Oh my god! I have wanted to watch this documentary for so long. Thank you!
Todo moviento de ella fluye con una facilidad, naturalidad y belleza impresionante
Nata per danzare...elegante, fluida, musicale, tecnica sbalorditiva, è un vero prodigio!
Everything brilliantly touches this BALLERINA!👏👏👏
Jenial, me regarde Yliana Lopatkina
@@НаташаНежданова Everyone chooses their idol 😊
Manuel Legris not getting it at 07:13 is so sweet! :)
Её хочется смотреть ,смотреть,смотреть-такие танцовщицы редкие😍😇
She is UNIQUE 💖💖
Best extension of ....just about anybody. Gorgeous to watch!
Une pure merveille!
26:45 omg their outfits and hairstyle ! So... vintage France. I didn’t expect to find it in a ballet class!
No vintage France, just classical ballet outfits and hairstyle, whether in Paris or Moscow at the Bolchoi or the Vaganova Academy.
... she's wearing Michael Denard's leggings.
A 42', le plus beau des ballets modernes interprété par la plus magnifique des danseuses.
this is so fantastic unbelievably amazing
パッと見て彼女だとわかるほど他のバレリーナとは違う❣️
my fav ballerina!
The rehearsal footage is really crucial for the next gen dancers. Especially "In the Middle (Some What Elevated)" with the choreographer's comments to the first cast.
(BTW, I know some of it looks odd to non-dancers. That thing where they walk around waving their hands and arms and kind of doing legs, but not really, is called "marking." It saves energy while memorizing, creating the essential mind/body links).
完璧な上にオーラも違うんだよなー。
日本で最後のボレロ観たけど、感想なんて言えないよ。
言葉に出来ないもん。
40:01 the way that she protects her toes👌
Mesmerising
It's very difficult to describe, but when I see her in rehearsal or performance of "In the Middle...." it's almost as if the is coming out of her legs.
I know that's a weird thing to say. I just can't think of another way to describe it.
The are so many ballet dancers I admire. But if I had to choose one, Sylvie will always be It. She melds the music, the movement, a near-perfect body (because no one is perfect), feet, and ballet technique in a way no one had ever seen, and has yet to see again.
And she is that unique, French-woman elegant, yet sexy, with reserve but also "ton." Unreachable, a goddess who is nevertheless vulnerable; imperious, demanding, but never over-precious, pretentious, or overdone. Without being obvious about it, she judiciously doles that quality out in each ballet to a degree absolutely appropriate to the choreography.
There will never be another Sylvie Guillaume.
Thank God for video. She'll inspire and educate generation after generation -- dancers, and those who love to see them dance.
I agree! Sylvie is for me « In the middle somewhat elevated »
There is nobody who has her kind of attack. She is In the Middle...indees.
Well stated!
The mystery of Eugene Polyakov. He joined Paris Opera ballet as a ballet master in January 1996 and died in the October. No cause of death published. Does anyone know the circumstances? The scene with him and Sylvie shows that he was a hard taskmaster.
does anyone know the piano music at 21:43 during the class?? many thanks!
Exquisite!
この可動域よ
Merveille...
腕…なっっっっっがっ!!!!
Да Гениально-Породоксальная😚😻
6時のポーズ
👍👍👍
What breed of dog is that?
Might be an Old English Sheepdog.
@@pheart2381 I think you might be right! Good pick
i was going to suggest that perhaps it was a Great Pyrenees until I saw the face up close. I think sheepdog is on point (pun not intended, but I’ll accept credit it offered lol).
@@Got2Bespoke A Pyrenees mountain dog too big for the one in the video. Also, a PMD would not be able to fit inside the Paris Opera house - rooms and corridors too small, haha
Боже, где перевод, он в танце и не нужен
La "torche de givre"...
That abstract crap will never hold a candle to classical ballet.
That "abstract crap" revolutionized the ballet and showcased a talented new-generation of dancers. Because of Forsythe (and Kylian and McGregor and Dawson and Spuck and Duato and so many others) a new classical expression emerged, one that fit the times. Baryshnikov embraced Tharp in the 80s and Guillem retired on a beautifully contemporary note a few years ago, performing new works by Forsythe and Ek!
"Abstract crap"... hush.
Mr Forsythe was the precursor of a new clever classical revolution, you’d be a fool to compare it to anything or anyone. His genius approach was clearly unseen at the time and somehow shocking but so necessary for ballet codes to evolve. Yes, it is all about protecting the passed and yet allowing to change, to evolve. This masterpiece is still nowadays thrilling and iconic and deserves to be as such.
That's an unprecedented combination of genius choreography, genius music, and genius dancing. Grow some taste.
Obozavam balet! Samo bi zelela da prevod bude na srpskom jeziku. Hvala!