Other than the fact that the entire beginning is two hands on cymbals and pulling off to hit the toms. In other words the cymbals are being played twice as fast, and Bill Bruford was playing two cymbals at the same time. It means that both hands were moving at the same speed, which is VERY fact for an extended time period and is such an endurance challenge that I don't think even HE wanted to play it again. It's probably the hardest drum part from the olden days of Prog Rock. This is how it was played. And if you've ever heard it on an isolated track of you have really good hearing for the drums you can hear the different cymbals being played at the beginning. ua-cam.com/video/hrBp-gpC8Sg/v-deo.html
@@johndoh5182 Thanks for sharing the video. More very impressive stuff to clarify just how innovative Bruford is. Funny you mentioned Tarkus and Carl Pamer as that album was my introduction to Progressive rock and a love affair that still stands strong. Palmers' work on Pictures at an Exhibition is fantastic. So sad that the early brilliance of ELP turned to hoaky and bombast that soured on me. Curious how you feel about Phil Collins and his early Genesis contributions.
This is simply the best cover of this difficult and beautiful masterpiece of a song on UA-cam or elsewhere. J. Anderson should check it out! Believe he will feel the same. Drum tuning is practically flawless and he emulates almost the entirety of Bruford's performance with only subtle variations. Timing was impeccable.
@@JimWilson_Music I can reproduce most Yes stuff but Close to the Edge has so many times changes...I respect you figured it all out and you sure tuned your drums perfectly. That is an art form! I figured out Yes Album and Fragile. I am trying to get there myself on Close to the Edge entire album but it will be awhile. You are hands down someone Bruford and Anderson would respect as a professional.
Beautiful. Being a drummer myself, I lived vicariously through you as you played what I had long ago studied and memorized as well. Playing that drum part is more than just music...it's a meditation...a journey. Thanks for leading!
It really is, as a drummer myself...Those Bruford offbeat counts and tempos are just so tasty and fun to play......His cymbal work was really close to the studio... If you can play this; you can practically play anything ... Except some Billy Cobham stuff...:)...
Wonderful watching Jim; I bought the album in 1972 so know it back to front, drum tone and playing spot on. So good to focus totally on the percussion for CTTE which films of the band playing it never did. Thanks.
Other than the fact that the entire beginning is two hands on cymbals and pulling off to hit the toms. In other words in the original the cymbals are being played twice as fast, and Bill Bruford was playing two cymbals at the same time. It means that both hands were moving at the same speed, which is VERY hard for an extended time period and is such an endurance challenge that I don't think even HE wanted to play it again. It's probably the hardest drum part from the olden days of Prog Rock, minus a couple things Carl Palmer did., especially Tarkus live. This is how it was played. And if you've ever heard it on an isolated track of you have really good hearing for the drums you can hear the different cymbals being played at the beginning. ua-cam.com/video/hrBp-gpC8Sg/v-deo.html
@@johndoh5182 it's really great that technology has finally caught up to allow us access what we could never really hear on an album, even with the best components of that era. Thanks to this, bands like Yes, ELP and especially for me lately, Genesis, I'm able to 'rediscover' this music, all over again. Excellent point about Bill and his amazing abilities!
Estoy practicando esta cancion por meses, sin duda esta ejecución es perfecta! Muchas gracias por este cover . Me gustaria ver mas cover en tu oerfil ! Saludos desde chile
Oh my God! Absolutely nailed this Yes classic! Very very well done. Not easy stuff to play... What a pleasant surprise. Excellent. Thanks for posting this.
I wasn't expecting this at all, absolute perfect, Bill's drumming is so unpredictable, don't think Bill himself ever played a tune the same twice, so you must of really studied this track off by heart, I'm been listening to YES 49 years now and I still make mistakes, you even have your Tom's tuned the same
Other than the fact that the entire beginning is two hands on cymbals and pulling off to hit the toms. In other words in the original the cymbals are being played twice as fast, and Bill Bruford was playing two cymbals at the same time. It means that both hands were moving at the same speed, which is VERY hard for an extended time period and is such an endurance challenge that I don't think even HE wanted to play it again. It's probably the hardest drum part from the olden days of Prog Rock, minus a couple things Carl Palmer did., especially Tarkus live. This is how it was played. And if you've ever heard it on an isolated track of you have really good hearing for the drums you can hear the different cymbals being played at the beginning. ua-cam.com/video/hrBp-gpC8Sg/v-deo.html
Nicely done. Goes to show how much can be accomplished with a snare, kick drum, a few toms and some cymbals. No need for a 21 piece kit. Bruford's fills and grooves really stitched these complex compositions together.
WOW. Fantastic ! I’ve been a Bruford fan since the beginning of Yes, and I’ve never heard anyone even come close to this level of emulation. Great job. Love the Rogers DynaSonic snare, too !
DUDE! As a drummer that has practiced to this song for decades...You did one of the most perfect covers I've seen or heard....Kudos! Thanks for the upload...You're a brave man to do it and you should be proud of your accomplishment! The drum tuning is near perfect to the album too!
@@JimWilson_Music Thanks for the reply. You never realize how many great drummers there are, until you become one...:)...Are you playing out? Seems live music has gone the way of Station Wagon...:)
WOW man, you absolutely nailed it, note for note, especially that tricky 6:57-7:10 part. That was 1 out of 2 songs I wish I’d seen live done by the original musician. Thanks to you, I can put in actual moves on what Bill did between 9:05 and 9:50. What a treat! How I wish I could have seen Bruford do this piece live but, alas, he never did.THANK YOU JIM. The second song I wish I’d seen is Phil Collins playing is The Cinema Show/Aisle of Plenty as on the Selling England by the Pound album. Again, thank you Jim, you made my week. P.S.: that green lighting is a nice CTTE touch.
Bill did play this live, just not with the official YES, but with three of the other four who recorded it with him when he toured with ABW&H. You can see video of it on UA-cam.
@@andrelevesque2405 I understand that the way Bill plays it with ABW&H is vastly different than the original, but your comment was that he had never played it live. It's one of the great losses that he didn't tour in support of Close To The Edge, so the YESSONGS version is Alan's. There is rumor to be a tape somewhere out there of the Lake Placid Union tour show in which everyone leaves the stage except the five who recorded CTTE and they play it. I've never heard it and can't locate anyone with a copy.
Using a 2/4 time signature, that pattern uses two beats and has nine notes (3 triplets) in it. Using midi with 720 ticks per quarter note times 2 = 1440 ticks per 2 notes. 1440 divided by 9 = 160 ticks per note duration. Sorry if I overdid this.
realmente es el cover mas fiel a la version original, lo increible de este video es que jim al verlo tocar la bateria lo hace tan facil y escuchar el tema parece imposible de logralo. felicitaciones jim. eres un gran baterista..impecable
I don’t know what I could add to these comments. Just astonishing. Your retention level is stellar. Anyone on the planet would be blessed to have you playing behind them🙏🏻👑
Very tasty, and props for tackling it on a smaller kit. Now that you've covered both Yes drummers and their more epic parts I'd be curious to hear you compare and contrast their styles.
Thanks alot. I would rate both drummers as superb as they both did awesome jobs of being intergal parts of Yes music. Drumming wise, Bill has the polished technique and finesse and Alan has the raw energy and adaptability (just my opinion).
Love it!! Stellar job and much impressed. Another favorite drummer of mine (with due respect), Barriemore Barlow of Jethro Tull. Thanks Jim, I really enjoyed it!
That was so effin good, I wish you were a little louder in the mix. Great though man. Really great. You should find Squire's isolated bass track here on UA-cam (it's definitely here) and record just the two of you. Nota bad gig getting to jam with Chris right? Actually there's also a bid here of Bruford and sure isolated (together) playing this. It's one of my favorite things to listen to. Cheers me up every time. During medicine. Chevy it out if you haven't heard it z we're
mirare este video millones de veces hasta que me salga hasta el ultimo compas.. este tema es realmente dificil y eso lo hace tan emocionante. me paso lo mismo con suppers ready de genesis, tarkus de emerson lake & palmer, 2112 de rush, ocean de eloy y a tab in the ocean de nektar.. gracias por inspirar a muchas personas a seguir tocando.. eres un gran baterista, saludos de argentina
Amazing. This is the best cover out there , you should try to send to Mr Bruford i bet he will appreciate your ability to play his parts . I just wish your were a bit louder on the mix , many of us could use to learn all these intricacies of this amazing peace of music that you play so so well
Hi Nick, I started out with a couple years of drum corps drumming followed by years playing in traveling rock cover bands. Also many years of trying my hand at music compostion and playing the piano. Listening to and enjoying great music of course. Make the best of what you learn and of course have as much fun as you can. Thanks for asking and stick with it my friend!
![YES - Close To The Edge [Drum Cover by Arvid Filipsson]](http://i.ytimg.com/vi/cA5pvZsjcRg/mqdefault.jpg)
![YES - Close To The Edge [Drum Cover by Arvid Filipsson]](/img/tr.png)
This is some of the hardest stuff you could possibly attempt on the drums and this guy nailed it. Made my day!
Glad you liked it Jorge, thanks!
Astonishing! My favorite drum track and song ever and Jim played it to perfection.
👌🌝
Bruford's percussion was always so intricate and unique and you really nailed it!
Thanks Stan and nice bass covers on your page.
Jako dobro...tu su emocije bubnjara jako bitne...na ovako zahtjevnim dionicama pjesme...ČESTITAMO
Slažem se i hvala na provjeri :)
This is TOP drum cover I've ever saw!
You just nailed it by masterful and accurate playing!
Bravo, sir!
I'm listening to your drum cover again and really thank you ... even though I'm 62 years old, I'm an "old rocker" in my heart ... best regards
Keep it rockin and thanks much.
Wow, you really nailed all of Bruford’s intricacies. Love to see people covering this song, it’s my favorite. Thanks
An awesome song and fun to play for sure.
Other than the fact that the entire beginning is two hands on cymbals and pulling off to hit the toms. In other words the cymbals are being played twice as fast, and Bill Bruford was playing two cymbals at the same time. It means that both hands were moving at the same speed, which is VERY fact for an extended time period and is such an endurance challenge that I don't think even HE wanted to play it again. It's probably the hardest drum part from the olden days of Prog Rock.
This is how it was played. And if you've ever heard it on an isolated track of you have really good hearing for the drums you can hear the different cymbals being played at the beginning.
ua-cam.com/video/hrBp-gpC8Sg/v-deo.html
@@johndoh5182 Thanks for sharing the video. More very impressive stuff to clarify just how innovative Bruford is. Funny you mentioned Tarkus and Carl Pamer as that album was my introduction to Progressive rock and a love affair that still stands strong. Palmers' work on Pictures at an Exhibition is fantastic. So sad that the early brilliance of ELP turned to hoaky and bombast that soured on me. Curious how you feel about Phil Collins and his early Genesis contributions.
@@johndoh5182
It’s not two hands on cymbals . It’s a paradiddle between the ride and the snare.
Hands down the best cover of this song. Cheers king!
Coming from a speed demon that is much appreciated!
Been listening to this for 46 years and played drums. Fantastic job
Awesome and thanks!
@@JimWilson_Music you're welcome
Long live YES! Thanks, brother.
👍
This is simply the best cover of this difficult and beautiful masterpiece of a song on UA-cam or elsewhere. J. Anderson should check it out! Believe he will feel the same. Drum tuning is practically flawless and he emulates almost the entirety of Bruford's performance with only subtle variations. Timing was impeccable.
Thanks my friend. Hats off to Mr. B for the cool chops!
@@JimWilson_Music I can reproduce most Yes stuff but Close to the Edge has so many times changes...I respect you figured it all out and you sure tuned your drums perfectly. That is an art form! I figured out Yes Album and Fragile. I am trying to get there myself on Close to the Edge entire album but it will be awhile. You are hands down someone Bruford and Anderson would respect as a professional.
love it
Beautiful. Being a drummer myself, I lived vicariously through you as you played what I had long ago studied and memorized as well. Playing that drum part is more than just music...it's a meditation...a journey. Thanks for leading!
It really is, as a drummer myself...Those Bruford offbeat counts and tempos are just so tasty and fun to play......His cymbal work was really close to the studio... If you can play this; you can practically play anything ... Except some Billy Cobham stuff...:)...
You're most welcome!
Impresionante ejecución! vi el vídeo completo!❤ Saludos desde México 🇲🇽
¡Gracias, feliz de que hayas disfrutado el video, amigo!
Excellent, many thanks for posting this video. Great work on the snare and perfect tempo.
🌝
Man, I can’t watch this enough. You do such honor to the man’s music.
Glad you enjoyed my attempt. Have a great one Dylan!
Wonderful watching Jim; I bought the album in 1972 so know it back to front, drum tone and playing spot on. So good to focus totally on the percussion for CTTE which films of the band playing it never did. Thanks.
Oh to have UA-cam back in those days. Thanks for the nice review Doc.
Right On. Bravo.
I take my hat off to you sir...well done!!!!!!!
😁
Amazing well done eyes were glued thanks 💪💪👍👍
Why eye thank you my friend : )
The best drum cover I have ever seen! Absolutely beautiful and flawless! Thank you!🎯
Thanks Don, very much appreciated.
@@JimWilson_Music came on back to enjoy all over again... one my all time favorites! Gotta learn to play this...
Other than the fact that the entire beginning is two hands on cymbals and pulling off to hit the toms. In other words in the original the cymbals are being played twice as fast, and Bill Bruford was playing two cymbals at the same time. It means that both hands were moving at the same speed, which is VERY hard for an extended time period and is such an endurance challenge that I don't think even HE wanted to play it again. It's probably the hardest drum part from the olden days of Prog Rock, minus a couple things Carl Palmer did., especially Tarkus live.
This is how it was played. And if you've ever heard it on an isolated track of you have really good hearing for the drums you can hear the different cymbals being played at the beginning.
ua-cam.com/video/hrBp-gpC8Sg/v-deo.html
@@johndoh5182 it's really great that technology has finally caught up to allow us access what we could never really hear on an album, even with the best components of that era. Thanks to this, bands like Yes, ELP and especially for me lately, Genesis, I'm able to 'rediscover' this music, all over again. Excellent point about Bill and his amazing abilities!
Estoy practicando esta cancion por meses, sin duda esta ejecución es perfecta! Muchas gracias por este cover . Me gustaria ver mas cover en tu oerfil ! Saludos desde chile
Gracias mi amigo!
Oh my God! Absolutely nailed this Yes classic! Very very well done. Not easy stuff to play... What a pleasant surprise. Excellent. Thanks for posting this.
Many thanks for those nice comments :}
Congrats. Thats the most accurate I have seen. And with only 3 cymbals lol! So OG
Hey, I appreciate that :)
I wasn't expecting this at all, absolute perfect, Bill's drumming is so unpredictable, don't think Bill himself ever played a tune the same twice, so you must of really studied this track off by heart, I'm been listening to YES 49 years now and I still make mistakes, you even have your Tom's tuned the same
Hey Chris thanks. I make mistakes too, it just eaiser if you just let a few ride and roll with the punches. Toms stay the same tuning on road trips.
Perfect performance! By seeing your performance, I found some details I hadn't noticed before! Thank you!
Happy to assist :) Thanks and have rockin good time!
Other than the fact that the entire beginning is two hands on cymbals and pulling off to hit the toms. In other words in the original the cymbals are being played twice as fast, and Bill Bruford was playing two cymbals at the same time. It means that both hands were moving at the same speed, which is VERY hard for an extended time period and is such an endurance challenge that I don't think even HE wanted to play it again. It's probably the hardest drum part from the olden days of Prog Rock, minus a couple things Carl Palmer did., especially Tarkus live.
This is how it was played. And if you've ever heard it on an isolated track of you have really good hearing for the drums you can hear the different cymbals being played at the beginning.
ua-cam.com/video/hrBp-gpC8Sg/v-deo.html
@@johndoh5182 Thanks for sharing! Amazing! incredible!
Epic. Simply epic. 🙇🏅🏆🫶
Thanks my drum pal Al !!
Absolute genius. I watch this nearly every night to put me in the mood to watch more music. I wish I could be a tenth of you on the drums
Well, that is very kind of you :) I wish you all the best my friend!
Very very good!
Thanks very, very much!
WOW this is impressive... Thank you for covering such a intricate song . Listening to yes for forty years now .
Thanks much 272.
Wow. Spot on Man! Never heard anybody get that part right at the 7 minute mark but you nailed it and the rest of it too. Awesome!
That part is so Brufordian and took extra effort to get. Thanks for nice comments :)
MOTHER OF GOD
✔
What a beautiful tone of the entire drum set. Sounds like Bruford's.
Thanks my classical friend!
Nicely done. Goes to show how much can be accomplished with a snare, kick drum, a few toms and some cymbals. No need for a 21 piece kit. Bruford's fills and grooves really stitched these complex compositions together.
👍
So fantastic. You genuinely make it look easy and effortless the deranged rhythm of CTTE...
Yes it's nuts 😀
Awesome. The end.
Glad you liked it!
great work! Mesmerizing…
Thanks, now scram. 🙋♂️
WOW. Fantastic ! I’ve been a Bruford fan since the beginning of Yes, and I’ve never heard anyone even come close to this level of emulation. Great job.
Love the Rogers DynaSonic snare, too !
Yea, that snare is awesome. Thanks for the encouraging feedback!
DUDE! As a drummer that has practiced to this song for decades...You did one of the most perfect covers I've seen or heard....Kudos! Thanks for the upload...You're a brave man to do it and you should be proud of your accomplishment! The drum tuning is near perfect to the album too!
Thanks, means alot from a fellow can thraser!
@@JimWilson_Music Thanks for the reply. You never realize how many great drummers there are, until you become one...:)...Are you playing out? Seems live music has gone the way of Station Wagon...:)
Presently home studio bound and being the neighborhood irritant,
@@JimWilson_Music Hey, somebody has to be!...:)
WOW!
Think I’m gonna practice this soon
👍
Excellent!!! 🤙🏽🥁
👍
Fantastic. Awesome
Thanks a lot!
WOW man, you absolutely nailed it, note for note, especially that tricky 6:57-7:10 part. That was 1 out of 2 songs I wish I’d seen live done by the original musician. Thanks to you, I can put in actual moves on what Bill did between 9:05 and 9:50. What a treat! How I wish I could have seen Bruford do this piece live but, alas, he never did.THANK YOU JIM.
The second song I wish I’d seen is Phil Collins playing is The Cinema Show/Aisle of Plenty as on the Selling England by the Pound album.
Again, thank you Jim, you made my week.
P.S.: that green lighting is a nice CTTE touch.
Glad you enjoyed the video André. Live would have been a treat for sure. His use of the paradiddle-diddle at various parts in the song is awesome.
Bill did play this live, just not with the official YES, but with three of the other four who recorded it with him when he toured with ABW&H. You can see video of it on UA-cam.
@@keithrausch3681 Saw it but the raw energy of the studio album was not there.
@@andrelevesque2405 I understand that the way Bill plays it with ABW&H is vastly different than the original, but your comment was that he had never played it live. It's one of the great losses that he didn't tour in support of Close To The Edge, so the YESSONGS version is Alan's. There is rumor to be a tape somewhere out there of the Lake Placid Union tour show in which everyone leaves the stage except the five who recorded CTTE and they play it. I've never heard it and can't locate anyone with a copy.
Yea the best I’ve seen… great feels
🌝
Nice work my man! It's an intricate song and you nailed it!!! 🤘
Thanks, and it's fun to play!
Top 👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼
Thanks!
Wow!
Thanks!
I had my glasses off and thought Rick Nielsen just drilled Close to the Edge on a drum kit. Great job.
Busted, must have been the ball cap.
I always loved that little fill at 1:11.
9 into 2. it's awesome!
@@JimWilson_Music “9 into 2”…why do you call it that? Is it easy to explain?
Using a 2/4 time signature, that pattern uses two beats and has nine notes (3 triplets) in it. Using midi with 720 ticks per quarter note times 2 = 1440 ticks per 2 notes. 1440 divided by 9 = 160 ticks per note duration. Sorry if I overdid this.
Good golly. This is spotless.
🙋♂️👍
Wow!
💯
Thanks 😊
Wow man! So awesome to watch that drum part. Perfect playing along.
Glad you enjoyed my video!
Outstanding.
😎
Wow! Nailed it. Great job
Thanks, I appreciate that very much!
ua-cam.com/video/7AVAsjpOHks/v-deo.html
He is using a paradiddle-diddle on the cymbals and snare.
Again, OUTSTANDING!!
Thanks, I appreciate that Rusty!
realmente es el cover mas fiel a la version original, lo increible de este video es que jim al verlo tocar la bateria lo hace tan facil y escuchar el tema parece imposible de logralo. felicitaciones jim. eres un gran baterista..impecable
Muchas gracias Juan, me alegro que te haya gustado mi intento de una gran canción.
I don’t know what I could add to these comments. Just astonishing. Your retention level is stellar. Anyone on the planet would be blessed to have you playing behind them🙏🏻👑
Thanks for those kind words John, very much appreciated :) Wishing you the best in all you do!
Perfect !!!!!!!!! 1 to 1 with the original
Thank you Gab.
Very tasty, and props for tackling it on a smaller kit. Now that you've covered both Yes drummers and their more epic parts I'd be curious to hear you compare and contrast their styles.
Thanks alot.
I would rate both drummers as superb as they both did awesome jobs of being intergal parts of Yes music. Drumming wise, Bill has the polished technique and finesse and Alan has the raw energy and adaptability (just my opinion).
Love it!! Stellar job and much impressed. Another favorite drummer of mine (with due respect), Barriemore Barlow of Jethro Tull. Thanks Jim, I really enjoyed it!
Always enjoyed Barriemore's tasty chops also. Thanks Bob!
This is great!
Why thank you!
Wow... very clean.. great job
Thanks, I appreciate that!
That was so effin good, I wish you were a little louder in the mix. Great though man. Really great. You should find Squire's isolated bass track here on UA-cam (it's definitely here) and record just the two of you. Nota bad gig getting to jam with Chris right? Actually there's also a bid here of Bruford and sure isolated (together) playing this. It's one of my favorite things to listen to. Cheers me up every time. During medicine. Chevy it out if you haven't heard it z we're
Thanks! Will do!
mirare este video millones de veces hasta que me salga hasta el ultimo compas.. este tema es realmente dificil y eso lo hace tan emocionante. me paso lo mismo con suppers ready de genesis, tarkus de emerson lake & palmer, 2112 de rush, ocean de eloy y a tab in the ocean de nektar.. gracias por inspirar a muchas personas a seguir tocando.. eres un gran baterista, saludos de argentina
¡Muchas gracias, Juan! Todo lo mejor en tu aprendizaje y juego.
Great! Next, Heart of the Sunrise plz :)
Thanks and working on it!
Bravissimo
Grazie!
Amazing. This is the best cover out there , you should try to send to Mr Bruford i bet he will appreciate your ability to play his parts . I just wish your were a bit louder on the mix , many of us could use to learn all these intricacies of this amazing peace of music that you play so so well
👍
Been listening to the isolated tracks, got stuck on a few parts. That really cleared things up. Really nice work sir, I appreciate the effort!!
Thanks Vernon, always glad to help out.
Awesome!
Thanks!
Good job Jim. I love changes of pace of this song. Where did you found the drummles track of Close to the edge? I can't find it
Hey Antonio, thanks. I did not find one either. Did my best to eq out the drums.
So good Jim. Great job!
🌝
You killed it! Just closed my eyes and all I could hear was Bill. Are those paradiddles on ride and snare on the intro? Great job.
😀 Thanks, those are paradiddle-diddles. RLRRLL
PROG ON
You got it!
👏👏👏👏
🌝
Damm every accent 👌
👍
Any chance you will cover Heart of the Sunrise?
A good chance and a good choice.
Wow impressive work!!!!, may i ask how you working on this song and the drum kit tune? Im working on this song also
I used the isolated drum ua-cam.com/video/9FsVpN0rlLY/v-deo.html which helped and did my best at tuning to the original. Good luck on your drumming!
@@JimWilson_Music Thank you very much!!!
Impressive work :)
TY and nice channel DM.
@@JimWilson_Music Thanks a lot
muy bueno jim
Muchas gracias, Diego!
Man!
You gave me a helluva inspiration! But WHERE IS THE GATES OF DELIRIUM?????? It disappeared!!!
ua-cam.com/video/oe0vNh6xVpg/v-deo.html
it says private. aww..
Buford is the secret sauce.
👌
i need some sheet music so i can play this know where i can get it to print it out
ua-cam.com/video/HR4Bh2AR55I/v-deo.html
@@JimWilson_Music thanks
Jim, I am curious as to your musical training, background. Did you study Jazz drumming? I ask because I am a drum student.
Hi Nick, I started out with a couple years of drum corps drumming followed by years playing in traveling rock cover bands. Also many years of trying my hand at music compostion and playing the piano. Listening to and enjoying great music of course. Make the best of what you learn and of course have as much fun as you can. Thanks for asking and stick with it my friend!
Ti piacerebbe suonare anche una canzone di The Revealing Science Of God?
La maggior parte sicuramente, uno dei miei preferiti.
This chap must have played this a thousand times . Not reading . Just from memory. Tricky part. Don't think there is a 4/4 in the whole song.
Tirou a música igualzinha. Você havia publicado um vídeo com a música The gates of delirium. Mas, acho que você apagou o vídeo!
👍
Fantastic !!!!
👍
Fantastic!!!
Thanks Roberto. : )