For sheet music of all 60 Dominant Chord Phrases in all 12 keys plus recordings and backing tracks visit: www.jazzlessonvideos.com/pdf-packages Mouthpiece: use $10 coupon code CHADXSYOS at www.syos.co/en/shop/products/signature-saxophone-mouthpiece/chad-lefkowitz-brown-tenor
I know he’s just casually playing some examples of different concepts and harmonic devices in the beginning, but that’s some of the baddest shit I’ve ever heard.
Thank you, this is a wonderful breakdown of which scales to use over dom 7 and why. Plus improv techniques, and approach patterns. There's enough in this 20 mins to keep me busy for a few years!
Thanks for your dedicated work, all of your videos have been very useful to me. They've helped me solidify my improvisation technique and how i used to see tonal music. I'm really grateful in this regard, keep up the good work and the good content !
👍👍16:07 Great stuff, Chad! This is one of the best "hacks" for digging into altered dominant sounds: The minor Pentatonic built off the #9, and the 2 adjacent Dominant Pentatonics built off the #11 and the b13th. It really showcases the resolutions inherent within the altered chord itself.
Thank you Henry Cavil, (sorry, i could not resist XD ) i'm gonna spend hundreds of hours on all of your videos! watching this one for the third time! best stuff on youtube! =D
The 9th and 13th don't need to be specified as guitarists and pianists are already going to play them, in fact it's better to just call it C7 to promote ease of reading.
👍Tom Parker I understand that Chord Symbols can both imply tonality and also represent very specific intervals. I recognize that some people assume if a C7 is written, that 9ths and 13ths are already implied. To me, a C7 has 4 notes, C9 has 5 notes, C13 has 6 notes, and C13 (#11) has 7 notes. Chad is showcasing a bunch of interesting combinations of tension over a basic harmony: C, E, G, Bb, D, and A. Depending on the context, the “C7” chord symbol could imply any type of dominant structure.
I’m trying to dig deeper into disciplined practice for turn arounds. I’m a slow learner but man, your videos are so inspirational! Thanks for posting this stuff. Honestly, I steal the philosophy of how you approach your studies and create my own. Lol!! I’m a musician. I steal other people’s ideas every day!! Lol. I should probably buy one of your studies out of respect. To be honest, I am a little intimidated by the complexity of your melodic lines. I am not sure that my skill and understanding could take on your depth which means if I had one of your studies, it might not be as useful as me making my own. I can build from where I am and hope to reach a point to where I could use your materials later. I probably will buy one just to support what you do. I really got my eye on that memorizing standards study that you guarantee works. I love the idea of getting the ability to memorize and respond to music in the way you describe in that study. It seems like probably the most practical thing for me to learn at this point. Man!! I’d love to be able to hear changes and know what they are in the heat of the moment and know what to play. That’d be amazing. Even though you said your students could get through it in a month, I think it might take me a year to get through that study thoroughly. I really would like to use it to make my own set of homemade backing tracks. That way I am working through the changes some as guitarist/comp style musician as well. I don’t have any jazz gigs on the horizon, so I am not in any hurry. It's all for the love of music and jazz. I mostly just teach beginners. It’s a humble life but a good one none the less!!
@Chad LB How do you practice voice leading while using all 7 notes of a given chord scale in a melodic way? I find I just fall back on the patterns and licks and their variations as they fit into the scale
Tom Parker you should do some research on Coltrane’s “sheets of sound” concept. He essentially worked on finding ways to implement all notes of a sound within a phrase like shoving a seven note scale into a quarter note in order to lead to the next sound he wanted.
Your vids are getting better and better. Thanks. I'm inhaling all of your shit and loving it. The way I always looked at it, your Lydian Dominant, Mix b6 and Altered scales are modes of ascending melodic minor scales. C Phrygian Dominant is a mode of an F harmonic minor scale (starting on the 4th dergree). I'm sure you know that. Just curious- Why don't you use that terminology? Kind of old school...Also, can you tell me what software you use to make your UA-cam vids? Really nice production and sound....keep em coming, Chad.
What kind of pentatonic? I can see a Ab, Bb, C, Eb, Gb. Untill I know, I can use every note as a root of the V7 disminished arpeggio and use each new V7 chord as a V7 arpeggio to get altered sound.
I've just been playing the recorder.. some people say I've been getting so good on it .. I'm better off trying to make it with the recorder ... of course it's disillusionment for all of us usually when we believe we can make it.. that's part of the challenge and acceptance.. It should all be in good fun.. I haven't been buying lottery tickets for a while I better get back to that also.
what i really dig about this is how un-guitaristic some of it is. I'm having to stretch in more ways than one. it's a block-buster for sure. I gotta leave most of my familiar patterns at the door.
Salve, non parlo l'inglese ma mi attrezzerò con un traduttore, volevo complimentarmi per la sua bravura nel suonare, Le volevo chiedere dove posso comprare e la marca o modello dei bocchini che usa. Spero di non aver disturbato porgo cordiali saluti. Giuseppe
part of the thing, though, is working out fingerings yourself. this guy's stuff is packed with music and good information but its not all that easy to get at on the guitar. just pause the video and read it slow, or slow down the video. You'll get it it. half the fun is getting there.
For sheet music of all 60 Dominant Chord Phrases in all 12 keys plus recordings and backing tracks visit:
www.jazzlessonvideos.com/pdf-packages
Mouthpiece: use $10 coupon code CHADXSYOS at www.syos.co/en/shop/products/signature-saxophone-mouthpiece/chad-lefkowitz-brown-tenor
To find this video again, all I had to search was "dominant chad" and it came up as the first result. Well done, Dominant Chad.
The strongest chad, with the Mightiest jawbone
@@cjgreen4331 hello my friend
HOLY SHIT IT WORKED
I know he’s just casually playing some examples of different concepts and harmonic devices in the beginning, but that’s some of the baddest shit I’ve ever heard.
i know right, I love that breakdown in the approach note section so much
Thank you, this is a wonderful breakdown of which scales to use over dom 7 and why. Plus improv techniques, and approach patterns. There's enough in this 20 mins to keep me busy for a few years!
A great player generous with his knowledge is a rare thing.
Now this is an intro that wants to make you instantly subscribe
Thanks for your dedicated work, all of your videos have been very useful to me. They've helped me solidify my improvisation technique and how i used to see tonal music. I'm really grateful in this regard, keep up the good work and the good content !
Respect, Chad! You're a beast both as a player and jazz educator! 🎷
This is the real deal. Excellent content!
So clear, when you explain the lines. Usefull
Now I just need to be able to articulate this fast lol
Thanks for your vídeos, you help to understand Many things!!
im pretty sure charlie parker sent you from jazz heaven, this is the lexic
👍👍16:07 Great stuff, Chad! This is one of the best "hacks" for digging into altered dominant sounds:
The minor Pentatonic built off the #9, and the 2 adjacent Dominant Pentatonics built off the #11 and the b13th. It really showcases the resolutions inherent within the altered chord itself.
Muchas Gracias y Feliz Navidad !
Thank you Henry Cavil, (sorry, i could not resist XD ) i'm gonna spend hundreds of hours on all of your videos! watching this one for the third time! best stuff on youtube! =D
3:46 "C7 concert"
(with both the 9th and 13th in the voicing)
Birth in the scale
Birth of the Cool
your point being
The 9th and 13th don't need to be specified as guitarists and pianists are already going to play them, in fact it's better to just call it C7 to promote ease of reading.
👍Tom Parker
I understand that Chord Symbols can both imply tonality and also represent very specific intervals.
I recognize that some people assume if a C7 is written, that 9ths and 13ths are already implied. To me, a C7 has 4 notes, C9 has 5 notes, C13 has 6 notes, and C13 (#11) has 7 notes.
Chad is showcasing a bunch of interesting combinations of tension over a basic harmony:
C, E, G, Bb, D, and A. Depending on the context, the “C7” chord symbol could imply any type of dominant structure.
Heavy ... 👍🏽
I’m trying to dig deeper into disciplined practice for turn arounds. I’m a slow learner but man, your videos are so inspirational! Thanks for posting this stuff. Honestly, I steal the philosophy of how you approach your studies and create my own. Lol!! I’m a musician. I steal other people’s ideas every day!! Lol. I should probably buy one of your studies out of respect. To be honest, I am a little intimidated by the complexity of your melodic lines. I am not sure that my skill and understanding could take on your depth which means if I had one of your studies, it might not be as useful as me making my own. I can build from where I am and hope to reach a point to where I could use your materials later. I probably will buy one just to support what you do. I really got my eye on that memorizing standards study that you guarantee works. I love the idea of getting the ability to memorize and respond to music in the way you describe in that study. It seems like probably the most practical thing for me to learn at this point. Man!! I’d love to be able to hear changes and know what they are in the heat of the moment and know what to play. That’d be amazing. Even though you said your students could get through it in a month, I think it might take me a year to get through that study thoroughly. I really would like to use it to make my own set of homemade backing tracks. That way I am working through the changes some as guitarist/comp style musician as well. I don’t have any jazz gigs on the horizon, so I am not in any hurry. It's all for the love of music and jazz. I mostly just teach beginners. It’s a humble life but a good one none the less!!
Have to tell you, this guy grooves.
Thanks Chad as a trombonist this work great for practicing approaches....
Straight out of the the rabbit hole. Great explenations to understand the concept behind 'stepping out'
You are the Best.
Love your stuff, man! Real good tips here.
I like to think i know a good amount of music theory but this video was humbling lol. Imma watch it a few more times
@Chad LB How do you practice voice leading while using all 7 notes of a given chord scale in a melodic way? I find I just fall back on the patterns and licks and their variations as they fit into the scale
Tom Parker you should do some research on Coltrane’s “sheets of sound” concept. He essentially worked on finding ways to implement all notes of a sound within a phrase like shoving a seven note scale into a quarter note in order to lead to the next sound he wanted.
Yes yes... if I ever get another saxophone again ...
that's music.... I'd like to learn music
He's not a chad... He's a *GIGA* *CHAD* !
I have to say that I've always treated #9 and (alt) the same way. Default normally dim whole tone. Man you paied yer duez bra.
Qual o nome e numeração da sua boquilha ??? Onde posso comprá-la ???? Som incrível !!!!¡!
Great man, thanks!!
Chad have you made videos for all the pdf books you have for sale? If so that would be awsome.
Hello Chad, I don't see the 60 Dominant Chord Phrases by itself on the website. Where can I find it? Thank you
🔥🔥🔥
Your vids are getting better and better. Thanks. I'm inhaling all of your shit and loving it. The way I always looked at it, your Lydian Dominant, Mix b6 and Altered scales are modes of ascending melodic minor scales. C Phrygian Dominant is a mode of an F harmonic minor scale (starting on the 4th dergree). I'm sure you know that. Just curious- Why don't you use that terminology? Kind of old school...Also, can you tell me what software you use to make your UA-cam vids? Really nice production and sound....keep em coming, Chad.
What kind of pentatonic? I can see a Ab, Bb, C, Eb, Gb. Untill I know, I can use every note as a root of the V7 disminished arpeggio and use each new V7 chord as a V7 arpeggio to get altered sound.
Dude. This is gonna change everything.
I've just been playing the recorder.. some people say I've been getting so good on it .. I'm better off trying to make it with the recorder ... of course it's disillusionment for all of us usually when we believe we can make it.. that's part of the challenge and acceptance.. It should all be in good fun.. I haven't been buying lottery tickets for a while I better get back to that also.
7:19 goals
Yeah man
what i really dig about this is how un-guitaristic some of it is. I'm having to stretch in more ways than one. it's a block-buster for sure. I gotta leave most of my familiar patterns at the door.
Indeed, it's really helping me think of the fret board in different ways.
Salve, non parlo l'inglese ma mi attrezzerò con un traduttore, volevo complimentarmi per la sua bravura nel suonare, Le volevo chiedere dove posso comprare e la marca o modello dei bocchini che usa. Spero di non aver disturbato porgo cordiali saluti. Giuseppe
You're a 'monster player', but I can't get that Kenny G image of playing on the side of the mouth out of my mind) :)
0:36
What's the mouthpiece / ligature combination? Looks like some alien biotech
0:19 😳
0:37 😱
What mouthpiece and ligature are you using?
www.syos.co/en/shop/products/signature-saxophone-mouthpiece/chad-lefkowitz-brown-tenor
Hey man, I just discovered your channel, I look forward to checking it out.
Why it look like he posing for Calvin Klein while playing lol good content man killed it agian
Pdf guitar version! (It means TAB)
part of the thing, though, is working out fingerings yourself. this guy's stuff is packed with music and good information but its not all that easy to get at on the guitar. just pause the video and read it slow, or slow down the video. You'll get it it. half the fun is getting there.
@@tristanavakian fingering is subjective, its a fact!
He's not a guitar player, do you *really* want him doing that?
he is not alone, are more people with him, you think he is far away from TAB, but is here to stay
Hello man, I want to buy all your courses with discount
I'll wait at private chat
Alright now
Hey so what’s does superimpose mean
to place something on top of something else
with these scales/shapes he's placing a different sound on the dominant chord
Yes !!Great but why do you play so fast ??? My ears do not have the time to understand ... ;-)
Christophe MEYNIER it’s what he feels man
@@8PedroFerreira Yes but not me man ;-)
Use the playback speed function here on youtube if you need to hear it slower :)
@@SimonMSvensson Yes but even like that it's too fast :-)
Practice more
Imma drummer why am I here
Cool, but how often do you get to play over four straight measures of a dominant chord?
bridge of caravan
Sweet Georgia brown
Tunes like Maiden Voyage, Bolivia, A BLUES ........ literally any funk situation you find yourself in with a vamp
Haha
I love this sound but it's so unnatural to play these lines on guitar and awkward for the fingering Arghhh gonna take some getting used to
"shred" ???????
No???
Are you asking whether he meant "shed"? He meant shred which means to solo very quickly. You could say he's showing how us to shed shredding.
How does anyone think THAT fast !!!
the trick is to do it over and over again until you dont have to think.
practice practice practice, then forget all that shit and just play
Well, ok, this is how to shred.
But how to make music? 😅
your mouthpiece and ligature looks fake lmao (i know it's not but it's just interesting lol)
Nathan Graybeal syos is new 3D printed stuff and it is really good
It looks kinda fake like he doesn't know how to play properly just me though
What makes you say that? Because he's obviously playing...
What
He’s just so good it’s easy for him
I agree man this guy is probably faking it
Um ... he's a world class talent who's toured with Chris Botti. Maybe it's just that you don't know what sax playing should look like?