TARTINI // 'Concerto for Cello, Strings and Basso Continuo in A Major, GT 1.A28: III. Allegro assai'

Release date → November 2020
Stream//Download//Buy → lnk.to/Tartini...
To mark the 250th anniversary of the death of Giuseppe Tartini, Mario Brunello and the Accademia dell’Annunciata commemorate one of the great partnerships in the history of eighteenth-century music: the relationship between Tartini and Antonio Vandini, a cellist born in Bologna (cradle of the Italian cello school), active in Padua for fifty years, and the author of the first biography of Tartini, whom he had known since the 1720s. Coupled here for the first time are Tartini’s two cello concertos, probably intended for his friend and colleague, alongside the only surviving concerto by Vandini himself. According to reports of the period, he ‘played in such a way as to make his instrument speak’, that instrument being the violoncello piccolo practised by the virtuosos of Padua in the mid-eighteenth century, here played by Mario Brunello. The expressive heart of the concertos is to be found in the beautiful slow movements: in Tartini the long, eloquent melodic arches create a free inner monologue, while the rich ornamentation recalls folk motifs from the Balkan region, which he may have known. In his marvellous Andantino, Vandini gives the cello a gently symmetrical Vivaldian melody that expands in dialogue with the orchestra.
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[@ingriddurden3929]

Good to see this young orchestra. Lovely music. Beautiful place, too. Gorgeous ceiling and paintings. Abbiatogrosso. Will have to check that out! Well, all of Italy needs to be checked out, including the fabulous music. Thanks so much for sharing!

[@litoboy5]

cool

[@biberfan]

What’s with the pins holding the celli off the ground?

[@gertmuller9936]

And what is it with the Metalstrings one might ask