That’s a properly cursed Campanella. No, I mean, look. 1831: Ignaz Pleyel, the great piano manufacturer who was probably caring about the instruments he produced, dies. 1832: this.
This is better than the etude (way harder too, even worse than the 1838 version). So unfortunate that it isn't played more often! One of Liszt's most thrilling works.
On a lot of these type of videos people usually write up paragraphs about the piece, it's history and stuff. Since I'm usually not bothered to do that I just put whatever in the description and at least the bare minimum about the piece and what I think of the pianist, if I love the pianist I usually write up an entire line about why they are pretty good.
A far cry from Un Sospiro and Au Lac de Wallenstadt. This is full of technical difficulties, and it doesn't really gel musically. I'd hate to be the poor soul playing it !
Paganini: check out my masterpiece la Campanella Violinists: cry Liszt: OUR masterpiece Pianists at his generation: cry Pianists today: hehe isnt this bad Liszt: did u forget my Fantasie Pianists: cry This dude: edit: well, this fantasy sucks
I love Liszt but this piece is terrible , it's played too fast of course , but even slower I don't think this could be better , for me it's a musical nonsense , boring and ugly
These La campanella fantasies (S.420, S.700a/i and S.700a/ii) are not really good pieces, they have some cool ideas but they aren't meshed well. You'll get more enjoyment out of them by listening to specific sections of the works rather than the entire thing in one go.
Hearing this I know why it is so seldomly played. It's not worth the effort to learn. Loads of technical difficulties and a meandering structure, overladen textures. Liszt still had a lot to learn to how to balance a piece between structure and technical demands. This is pretty weak.
I can't believe this is the first time I'm hearing Liszt's S. 420
Nice
@noahholmes1448 better late than never!
That’s a properly cursed Campanella. No, I mean, look. 1831: Ignaz Pleyel, the great piano manufacturer who was probably caring about the instruments he produced, dies. 1832: this.
lmao
Mind-blowing composition and performance. The sheet music itself is unbelievable and I wonder how it is humanly possible to play it!
Insane technically! Harmonically is SO interesting! 1834!
Ok
insane technically or insane technicality?
@@AsrielKujo ?
This is better than the etude (way harder too, even worse than the 1838 version). So unfortunate that it isn't played more often! One of Liszt's most thrilling works.
indubitably
This is really great, but there are some issues with the audio. 😢😢😢
Was Liszt doing some 420 when he composed this?
Haha, the description says, “ Written in 1832, this piece was written in 1832.”
On a lot of these type of videos people usually write up paragraphs about the piece, it's history and stuff. Since I'm usually not bothered to do that I just put whatever in the description and at least the bare minimum about the piece and what I think of the pianist, if I love the pianist I usually write up an entire line about why they are pretty good.
Being written in 1832, in 1832, this piece was written in 1832 while this piece was being written in 1832
15:30 Best Ending
How could that be a live performance! Wow!
Could be a recording
I think the applause at the end suggest otherwise. Quite extraordinary. @@Asymmetrization
@@pauljackson1029 Missed that, wow
@@AsymmetrizationYou can search up the performance on YT, it's live.
13:02 When you wish upon a star
Possibly the only pianist I've ever heard play a 3 against 4 correctly
bravo~~~~~~~~~~
Me gusta mucho la secuche la vez pasada que la pusiste
Es la primera trnscripsion ,ddespues le hizo un arreglo BUSSONY
A better version then Leslie Howards rendition, and technically superior , in my opinion
Is it La Campanella or is it just an impostor? xDD
Catchy name
Yeah, but there's better.
A far cry from Un Sospiro and Au Lac de Wallenstadt. This is full of technical difficulties, and it doesn't really gel musically. I'd hate to be the poor soul playing it !
Paganini: check out my masterpiece la Campanella
Violinists: cry
Liszt: OUR masterpiece
Pianists at his generation: cry
Pianists today: hehe isnt this bad
Liszt: did u forget my Fantasie
Pianists: cry
This dude:
edit: well, this fantasy sucks
?
What did I just read
5:27
You are in all parts
Charles-Valentin sors de ce corps !
En terme de difficulté oui, mais sinon ça ne sonne pas vraiment comme alkan
@@SeigneurReefShark oui oui croissant croissant
@@throxing8865?
@@SeigneurReefShark oui oui croissant est une baguette!
S.420 lmao
ayyyyyyyyy lmao blaze it m9 xDDDDD
420
Insuonabile
Troppo difficile
Però sarebbe bellissimo poterla suonare..
Kinda booty
Kind of.
@@thenotsookayguy yup, sure is
@@mcbainst But I still love it
Thicc
@@ValzainLumivix thicc boi
I love Liszt but this piece is terrible , it's played too fast of course , but even slower I don't think this could be better , for me it's a musical nonsense , boring and ugly
These La campanella fantasies (S.420, S.700a/i and S.700a/ii) are not really good pieces, they have some cool ideas but they aren't meshed well. You'll get more enjoyment out of them by listening to specific sections of the works rather than the entire thing in one go.
Hearing this I know why it is so seldomly played. It's not worth the effort to learn. Loads of technical difficulties and a meandering structure, overladen textures. Liszt still had a lot to learn to how to balance a piece between structure and technical demands.
This is pretty weak.
Boring and mindless piece from Liszt's youth.
9:54
best part, liszt was on opium with berlioz and pagninu
8:01