USTAD REHMAT KHAN: The Legendary Vocalist of Gwalior Gharana
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- Опубліковано 24 сер 2024
- Ustad Rehmat Khan also revered as ‘Bhu Gandharva’ was born in 1852 to Ustad Haddu Khan of Gwalior Gharana. Gifted with a beautiful and musical voice, he started accompanying his father from a very young age. After the demise of Haddu Khan, Rehmat Khan roamed across north India, performing as a street musician. He finally settled in Benaras. In the late nineteenth century, he came in contact with VIshnupant Chhatre. Vishnupant offered Rehmat Khan a position as a musician in his circus company. Under the patronage of Vishupant, Rehmat Khan performed for many princely states. At the beginning of the nineteenth century, he settled in Kurundwad, a small in present Sangli district of Maharashtra state. After the death of Vishnupant, Rehmat Khan completely stopped performing. With some persuasion, he recorded a few records for the Gramophone Company at Bombay (Mumbai).
Rehmat Khan’s voice was full of energy and yet fully under his command. His ‘Akar’ was exceptional and can be experienced in the short recordings that are available. The first recording is a 78 RPM record of his where he is singing a drut composition in Raga Yaman. While listening to the recording, the prominent feature which one notices is the thrust that he puts at the beginning of any Alap or Taan. It is interesting to see how his voice consistently moves across all three octaves without losing the ‘Akar’ In the second clip, he has sung Raga Shuddha Kalyan. Here is another recording of Rehmat Khan, retrieved from a 78 RPM record where he is singing a composition in Raga Malkauns in Madhyalaya Teental. The ease and command with which his voice goes from lower to higher octaves are phenomenal. Interestingly, it carries the same weight and thrust in all the octaves. Contemporary musicians like Abdul Karim Khan, Bhaskar Bua Bakhle, D.V. Paluskar and others were great admirers of his music and his music had influenced the singing of many other contemporary musicians.
Here is a short clipping of his performance in Kolkata containing two Ragas, one of them (the last one) being a very beautiful rendition of Bhairavi. His voice magnetically and with ease touches the Pancham in the Taar octave and comes down, intensifying the emotion. Rehmat Khan passed away in 1922 in Kurundwad.
I do not own the copyright to any of the records used in this video. These music records will be copyrighted by those who have actual rights over them. I express my thanks and gratitude to all the collectors of records and those who made them available to music lovers!
You can support me at / sdkd
Some links to his melodious songs:
I. Rag Malkauns: • ustad rahmat khan malk...
II. Khayal in Yaman: • Ustad Rahmat Khan yama...
III. Tappa: • Ustad Rahmat Khan tapp...
IV. Jamuna Ke Teer: • Ustad Rahmat Khan Jamu...
V. Rag Bhoop: • Ustad Rahmat Khan, Rag...
❤God bless you L4all well ❤
❤You are doing good job❤
❤❤ Salam Pakistan❤
❤❤ ❤❤ ❤❤
What a masterpiece 🙏🙏
Bahut khoob ,zabardast research hay ,keep it up
Beautiful kya bat hai 🌹🙏
Sir nyc great 👍
Very sweet
janab kya bat hye app ki mashallah
लाज़वाब, बेमिसाल क्या कह सकतें हैं
बस कायल हैं आपकी आवाज़ और आपकी प्रस्तुति के।
आदाब जनाब
Excellent thanks ❤️
Bht acha
استاد عبدلکریم خاں کی گائیکی بھی ایسی ہی ہے
❤Godis Vouce L4all well ❤
❤Great Collection Allah. ❤
❤ Salam Pakistan. ❤
❤❤ ❤❤ ❤❤
बस, लाजवाब ही कह सकते हैं।
आपके प्रस्तुतीकरण के हम कायल हैं। धन्यवाद 🙏🌷🙏
*रामेश्वर चंडक [ माहेश्वरी ]*
Bauhat shaandar Byan.... Bharpoor jaankari... Hindi Urdu ka mazzedar Mishran. Wah
आज सात महीने बाद फिर से इस वीडियो को देखने का मौका मिला। फिर से पूरी वीडियो को ध्यान से सुना है। इसमें कमेंट्री को सुनकर बहुत खुशी हुई कि कितनी अच्छी तरह से हर बारीकी को रूबरू कराया गया है।
एक बार फिर से आपको इस वीडियो को बनाने के लिए धन्यवाद है जी।
🙏🙏🙏🙏🙏
Bahut badi bat hie.khushi hi Khushi ho gai.apako hamara Naman.
Wonderful. Went back many years
This is an extra ordinary treasure of not only India but the whole world wherever the Hindustani Classical Music is being practiced.
Wonderful
You are doing great service to Indian classicàl music by reviving & preserving our rich heritage.
Bahut sunder 🙏
AAP NAEY JIS KAM KA BAERA
UTHAYA HAEY WOH YAQEENAN
AZEEM HAEY. DIL SAEY AAP KAEY LIEYE "DUAA" NIKELTEE
HAEY. BHAGWAN AAP KO LAMBEE UMER ATA FERMAIYE
Aap bahut bada aur nek kaam kar rahe hain iske liye bahut bahut shukriya !
बहुत अच्छा लगा
Very very apreciate narration of gwaliare ancient pillar.
You r work is very great salut to you
Dhanyabad
Thank you so much sir
La jawab paiskash, aap ke sarey videos bahut hi maloomati hotey hain, balkey aap ke alawa koi aor ne ye kaam nahi kia, aap ka bahtreen ANDAZ E BAYAN aor BAHTREEN URDU WO BHI SHANDAAR TALAFFUZ qabil e Daad hai, Allah aapko sehat aor lambi Umar de, takey hamain apney Mulk ke GAIK WO GAIKAON maloomat milti rahey.
thank you for giving such rare information.
According to your narration, today, all the
Hindustan music lovers understand , what the exact music of ancient
gwalier tradition of gayaki style. Thanking you very much.
An extraordinary presentation! I simply love it. ❤🧡💛💚💙💜
Again, it is heartening that the artists of those times did not limit sharing their talent with worthy desciples. Religion and community differences did not divide people. The undeniable bond was love and devotion to Classical Music, recognition of talent, and willingness to share the skills. Artists freely shared their knowledge with talented protégé. This is in sharp contrast to, as we have seen here too, some of them denying that to even their own (as in case of the 3 child geniuses) because of adversarial relationship between adults. If it weren't for the foresight of Maharaja Daulat Rao Scindia, who permitted the three young brothers to simply listen to the Maestro perform, the history of Hindustani Classical Music and, especially, that of Gwalior Gharana would have been very different. It speaks volumes of the potential of those children who built a musical tradition on simply witnessing the Court performances.
I am most grateful for your historic perspective on Gwalior Gharana, and it's links to various other traditions, and the artists. The rare photographs that you have included are equally impressive. Priceless!!!
Also, your references to Muhammad Shah Rangeele, and Maharaja Scindia have anchored for the viewers various personalities and their times on the calendar.
I commend you for your exceptional research in bringing to us not just the history of the musical traditions, but also the artists, their relationships, and anecdotes. The bonus is that you have given us glimpses of century-old recordings of Ustad Rahemat Khan Saheb.
Your quest for the related information... the entire journey itself
... will make an interesting writing. I must insist again that you seriously consider writing a book on your research, and other details about various artists, most of which, because of constraints on time, could not be included in various episodes of "Sureele Dinon Ki Dastan." A wealth of knowledge that must be shared far and wide.
Thanks again for a very informative and delightful presentation.
I am very grateful to you that you not only listen to every episode with great interest, but also give your feedback. Keep getting your love and encouragement, I will keep doing this work as long as I live.
@@SureeleDinonKiDastan ❤🙏❤
Please check your email... read an inquiry
बहुत कीमती र्दुलभ जानकारी के लिये धन्यवाद।
आपने पुराने समय के शास्त्रीय संगीतकारों की बहुत सुंदर जानकारी दी है। इसके लिए आपको धन्यवाद है।
शास्त्रीय संगीत की अधिक जानकारी न होने के बाद भी सुन कर बहुत सकून मिलता है। जब आज भी वह पुराना संगीत इतना असरकारक है तो फिर उस समय पर संगीत के प्रेमियों को कितना प्रभावित करता होगा, सोचा जा सकता है।
🙏🙏🙏🙏🙏
ऊस्ताद रहमत खां साहब के बारे मे बहुत अच्छी जानकारी दी
भारतरत्न लता मंगेशकर के पिता दीनानाथ मंगेशकर जी ने भी रहमत खां साहब से शिक्षा प्राप्त की थी उन्होने खा साहब को पांच साल अपने घर में रखा था
@@vijaysapre6470 एक और नई ऐसी जानकारी, जिससे मैं अनभिज्ञ था, देने के लिए आपका शुक्रिया, धन्यवाद।
🙏🙏🙏🙏🙏
You are doing a wonderful job by preserving the history and efforts of artists who passed before us, Thank you so much!
Very Rare , Thank you so much ❤️
बहुत खूब जानकारी।👌👃🏻
Precious treasure 🙏🏼
Sir, you are doing very great work. It is matchless, you are creating a great history by preserving the superb history. The way you present the legendry artists is unmatchable. The way you blend Hindi and Urdu, I have not heard anyone else. Hats off to you. Please compile all this work in a book form this will be great work for music history lovers. I also want to see your great personality. Please present programs live. May God bless you with good health and long life. Regards and blessings from Toronto.
Excellent Thanks
Dear Sir, kindly send your email ID.
You are doing a great job, carry it on. You are narrating priceless information about the classical singers of subcontinent.
Best job done by you！
Anchor ki awaaz bahut hiee aachi hai...👌
Plzzz.make episode on living legend saraswati maa lataji...🙏
Wah wah
Shandar
❤🎉
Kia ap ustad tawakal khan sahab Jalandhar waly g ka koi record upload kar skty hen
Very good
👍
Khurja gharana ki bhi docomentry bataye
Please provide info on the only student of Ustad Haddu khan who spread Khayal gaiki towards Punjab and Sindh and Other parts of western india,Ustad Bannay khan. A documentary on Ustad Bannay khan would be appreciated
🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏
If you get any information and recording of Haye Khan, please post it.Try.
Karim or rehmat kabhi sath bethe the mehfilo me
Kindly make video on Hadu Hassu khan
Would you like to sponsor if we make videos on Haddu-Hassu Khan?
When you sound like you are singing through drain pipe, and still sound great...... amazing.
उस्ताद रहेमत खान और उस्ताद अब्दुल करीम खान की गायकी सुनने के बाद यह बात पक्की है कि उस्ताद अमीर खान के बाद ख्याल गायकी में ठहराव सौंदर्य और गहराई आई है वह लाजवाब है.
Bhai aapki ye koshish lajwab hai khuda aapko sehath-e-aaftha rakhe aur hidayath de ke ye kaam musalsal jari rahe 🙏
महोदय, आपने जो जानकारी दी है उसमें कुरुंदवाड़ गांव सांगली जिले में नहीं बल्कि कोल्हापुर जिले में आता है. और उनका मकबरा जीर्ण-शीर्ण अवस्था में है। अगले साल 24 जून 2022 को 100वीं वर्षगांठ है।
आप बिल्कुल सही कह रहे हैं.
@@SureeleDinonKiDastan महोदय, हम आपसे इस महान गायक और उनकी कब्र के लिए प्रयास करने का अनुरोध करते हैं।
नत्थू खां साहिब का जरूर सुनवाएं.... बड़ी तमन्ना है उनके बारे में जानने की
बो यूं कि मैं ओरछा घराने से हूं ।अब लखनऊ शिफ्ट हो चुके हैं! बाबा कांग्रेस पार्टी में मंत्री हो गए थे सो
बाबा हमेशा नत्थू खां साहिब की चर्चा करते थे जब ही होली के प्रोग्राम पर तमाम पुराने गायक तथा गायकाओं का जब आना होता था तो बाबा बोलते थे की बुंदेलखंड की शान तो खां साहिब थे , चाहे ठुमरी हो, रसिया हो या फिर लेद नत्थू खां जैसा न कोई गा सकता।
हाला की उनके बड़े लड़के मख्खू खां का उनके बाद मेरे यहां आना जाना है हर होली को बो आते हैं
लेकिन लोग कहिते हैं कि जो खान साहिब में बात थी बो इन में न!
मेरा दुर्भाग्य की में नत्थू खां साहिब को न ही देख पाया न ही सुन पाया...
And make video on Swami Haridas
Would you like to sponsor if we make videos on Swami Haridas?
@@SureeleDinonKiDastan How can I make sponsor? Please explain
Bharatlal Singh ji.. jo bate apne likhi hai, wo apne khan se jana, Kahi kuch likhi hai kya..? Agar jankari ho to batayen ye loh kahan rahe base the...
Rahemat khan ji ke record upload kare
This is already available in description of this video.
@@SureeleDinonKiDastan bhairavi kaha hain maika na chedo ji
Ustad Haddu khan Hassu khan ke Shaagird Ustad Miyan Bannay khan ki Family aur Ustad Miyan Bannay khan ke Rishteadaru ki Family jo unke Shaagird bhi they , yaani Ustad Ahmed khan Ustad Gaaman khan Gwalior ki Family Sindh me Rahtey hain
Jo Ustad Hassu khan Hassu khan ke Gharana ki Gayeki ko Aaj tak Gaa Rahe hain , Sindh ke Gwalior Gharana ki bhi Histry pesh Karna Please .
I will try brother.
No music?
Very very nice. But there are some questions about dates. Daulat Rao Scindia ruled Gwalior from 1799 to 1827. Therefore, Haddu Hassu Khan could not have lived at that time. These dates are vey confusing indeed, but further reasearch is necessary to bring clarity in the chronology.
However, I think, this or similar lacunae do not in any way diminish the quality of the work done in this series.
Achchha laga, ustad rehmat khan ko ek ladka tha, jinks name Abdul Kareem khan tha, A K khan ko 8 ladke huye, UStad usman khan sitar, Ustad bale khan sitar,ustad Rafeeq khan sitar, ustad shafeeq khan sitar, ustad chhote rehmat khan sitar, 3 logo ke name hame nahi maloom, ustad bale khan ji ko do ladke hai, UStad rais bale khan & ustad hafeej bale khan, jo ki singing aur sitar Dono bahut achchha gate aur bajate hai.
Ustad alladiya khan saheb ke bare me bhi bataye please
@Snatani Shatriya dhanyawad
@Snatani Shatriya indeed ustad rehmat khan sahab was magician...
bade surile the wo ..
maine unki kuchh recordings suni hain ...
lekin us samay ki recordings me clear voice nahi record hui.. jiska mujhe dukh hai..,,
Kya comment kare saab.Hamari kuwat hi nahi unko samajh ne ki.