And it’s called maqam Hijaz in Arabic music the mystic mode /raag and we use it very often in azan ✨Thank you so much sir for sharing your knowledge ♥️ from North Africa with love 🫶🏻🇹🇳
this is unique and rare video you made brother in YT ...found many video s on piano chords but chords for classic raaga i was looking from long time....well done brother
I've been binge watching your videos. Really cool and informative. I am commenting here particularly based on something you mentioned in this video at 06:32 It's interesting you say that Indian Classical music does not connect raagas with emotions. I'm not much conversant with the Carnatic style but in Hindustani, the concept of Rasa is prevelent. Although any raaga can be used to evoke any kind of emotion, the inherent emotion in every raaga is recognized and documented. Even the lakshana geet of every raaga mentions the rasa explicitly. Would love to know your thoughts on this.
Oh yes you are absolutely right. And yes rasa is a valid point, my intention of saying that is to draw a comparison between how western music sometimes broadly calls anything with a komal Ga as sad sounding. I guess I didn’t convey the message properly.
@@KarthikSekaran haha you're right about that. Any scale with flat notes, especially minor third gets described with adjectives such as dark, spooky, melancholic and what not! In fact, when you mentioned that Bhairav is called Double Harmonic Major in western terms, I went and dug into it a little. Of course they use it very differently and in totally dark sounding compositions. Rick Beato has made a video on the modes of Double Harmonic Major as well. That was quite interesting too. If I may ask, how did you find the western parallels of Indian ragas? Is it based on notes or have you studied them academically? I play guitar and I am conversant with the western music theory and I'm always looking for parallels with Indian classical music. Helps me fuse the ideas and come up with interesting ideas.
This raga is used in Misrlou which was shown in Pulp Fiction. Apart from that , this raga was used in opening track of a malayalam serial back in childhood "Kadamattathu Kathanar" , its not fully in Double Harmonic Major , starts as Phrygian Dominant and then exhibits Double Harmonic Major scale Reference - ua-cam.com/video/NBZEstgaIuE/v-deo.html
And it’s called maqam Hijaz in Arabic music the mystic mode /raag and we use it very often in azan ✨Thank you so much sir for sharing your knowledge ♥️ from North Africa with love 🫶🏻🇹🇳
wow, thank you for sharing this information with me..
I don't understand Anything... but can't stop watching. ❤❤❤❤
Great
this is unique and rare video you made brother in YT ...found many video s on piano chords but chords for classic raaga i was looking from long time....well done brother
Glad you liked it
I've been binge watching your videos. Really cool and informative.
I am commenting here particularly based on something you mentioned in this video at 06:32
It's interesting you say that Indian Classical music does not connect raagas with emotions. I'm not much conversant with the Carnatic style but in Hindustani, the concept of Rasa is prevelent. Although any raaga can be used to evoke any kind of emotion, the inherent emotion in every raaga is recognized and documented. Even the lakshana geet of every raaga mentions the rasa explicitly.
Would love to know your thoughts on this.
Oh yes you are absolutely right. And yes rasa is a valid point, my intention of saying that is to draw a comparison between how western music sometimes broadly calls anything with a komal Ga as sad sounding. I guess I didn’t convey the message properly.
@@KarthikSekaran haha you're right about that. Any scale with flat notes, especially minor third gets described with adjectives such as dark, spooky, melancholic and what not! In fact, when you mentioned that Bhairav is called Double Harmonic Major in western terms, I went and dug into it a little. Of course they use it very differently and in totally dark sounding compositions. Rick Beato has made a video on the modes of Double Harmonic Major as well. That was quite interesting too.
If I may ask, how did you find the western parallels of Indian ragas? Is it based on notes or have you studied them academically? I play guitar and I am conversant with the western music theory and I'm always looking for parallels with Indian classical music. Helps me fuse the ideas and come up with interesting ideas.
This raga is used in Misrlou which was shown in Pulp Fiction. Apart from that , this raga was used in opening track of a malayalam serial back in childhood "Kadamattathu Kathanar" , its not fully in Double Harmonic Major , starts as Phrygian Dominant and then exhibits Double Harmonic Major scale
Reference - ua-cam.com/video/NBZEstgaIuE/v-deo.html
Emajor chord also will come for this raga
Wow..i got educated..Im carnatic student and a new keyboard student..i was thrilled
Very nice. Excellent
Thanks a lot
Very informative and interesting! Thank you 🙂
Hey thanks. I am glad 🙏🙏
Thank you sir. ❤
May god bless you for sharing these valuable knowledge 🙏
It's my pleasure
Yes...I enjoyed your lession.Thanks a lot sir.💝🕉🕉🙏🙏
Thank you..:)
Excelant
Great.❤
Wonderful sir❤
very informative🤩
Glad you liked it
Super sir
Put vedio for carnatic to western notes.
🙏
❤❤❤
Sir plz help us with raag bhupali n yaman
Done. There are 30 videos of Raga CHords. Both yaman and Bhupali have been covered.
Yes found sir ..so grateful for these educational video... changed my world ❤❤❤❤❤
i am from tamil nadu
❤
Waiting for abheri
❤❤❤❤❤