Gerardo Dalchiele Lueiro www.annaostanina.com/process Thank so much. Yes, I should prepare instructions. The problem is that the process is still under study. Until now, I have found innovations that make sense.
Hi Anna, your work is astonishing! To obtain this fantastic contrast, do you apply any sizing preparatory treatment to the paper, before the gum/bichromate? Thanks, Giovanni
Thank you for sharing this. I teach the History of Photography and I'm always looking for great demonstration videos for those humanities students who haven't ever been near a darkroom. Gumoil gets overlooked by historians but i personally love it. And I must say ... You know that long history of the "problem" of photographing dark skinned people (often referenced when discussing Maple Thorpe, Carrie Mae Seems, Lorna Simpson or the sensitivities of roll film over the decades)? I think you've found a beautiful solution in gumoil. Stunning.
Thank you very much for your response and interest in the process! This method is quite young and modern. Therefore, for history, this is just beginning.
@@AnnaOstanina Indeed it is. Came about in 1990, I think? I suspect we will see it used more often by contemporary artists. There's been so much emphasis on the slick color printing processes in this era of digital photography (Gursky, Struth, etc etc...) - so much so that it often seem those photographers working in "alternate photography" (a term I hate, personally) have been relatively overlooked. I suspect this will shift soon.
Hi ! Are you stil here ? It's magic ! Please, could you tell me what kind of paper do you use ? I'm a beginner but I literally found in love with this technic ! Thank you for sharing your work...
It's an old technique going back to the very early photography based on Gum oil process- but it uses a gelatin base on paper, the Potassium Dichromate painted over the gum, place a large negative on top, expose to light, ink the paper using oil printing ink, place under water, and using a brush or in this case a synthetic sponge wipe away the soft gelatin, your left with hardened gelatin that has absorbed the oil based ink. That's roughly what your seeing here. No snake oil involved.
Salve Anna, posso chiederti spiegazioni su come esegui la tua tecnica? Vedo che tu fai la stesa del pigmento sulla carta dove non esiste nessuna immagine, poi passi al lavaggio e l'immagine compare. Mi domando se sia la forza della tua volontà a impressionare la carta. Se ritieni puoi spiegarmi e comunque ti sarò grato sei una grande artista, complimenti.
Hello!!! I have a problem. I have been practicing this technique for a long time but I do not achieve an acceptable result. My problem starts when I put the oil. When wanting to take it out with water it is not easy for me to get rid of the excess and it is stained. try with diluent of oil (turpentine) although the result is a little better, I can not get the quality of your videos Atte Avompla !.
Damn, that's beautiful, the motion alone is mesmerizing and the outcome ... absolutely dramatic!
Wonderful ❤
I made my first 2 today. Wonderful piece!
Your work is excellent and I'm agree with that suggest you to give a tutorial about gum oil technique process Best regards frOM ARGENTINA
Gerardo Dalchiele Lueiro www.annaostanina.com/process Thank so much. Yes, I should prepare instructions.
The problem is that the process is still under study. Until now, I have found innovations that make sense.
Hi Anna, your work is astonishing!
To obtain this fantastic contrast, do you apply any sizing preparatory treatment to the paper, before the gum/bichromate?
Thanks, Giovanni
Thank you for sharing this. I teach the History of Photography and I'm always looking for great demonstration videos for those humanities students who haven't ever been near a darkroom. Gumoil gets overlooked by historians but i personally love it. And I must say ... You know that long history of the "problem" of photographing dark skinned people (often referenced when discussing Maple Thorpe, Carrie Mae Seems, Lorna Simpson or the sensitivities of roll film over the decades)? I think you've found a beautiful solution in gumoil. Stunning.
Thank you very much for your response and interest in the process! This method is quite young and modern. Therefore, for history, this is just beginning.
@@AnnaOstanina Indeed it is. Came about in 1990, I think? I suspect we will see it used more often by contemporary artists. There's been so much emphasis on the slick color printing processes in this era of digital photography (Gursky, Struth, etc etc...) - so much so that it often seem those photographers working in "alternate photography" (a term I hate, personally) have been relatively overlooked. I suspect this will shift soon.
Es mágico, Anna. Me puedes decir que pintura o pigmento usas?, supongo que será algún tipo de pintura de bellas artes con base de agua.
Hello Anna, I really love this beautiful method. As soon as possible I will write to you for some suggestion. Great work.
That is absolutely bad ass. Thanks for sharing!
Hi ! Are you stil here ? It's magic ! Please, could you tell me what kind of paper do you use ? I'm a beginner but I literally found in love with this technic ! Thank you for sharing your work...
www.annaostanina.com/ru/process
Could You suggest a video or text where the process is explained, a bit, or a lot more?
boredgrass www.annaostanina.com/process
ua-cam.com/users/Bromoil
Essa imagem um negativo tamanho natural ou um filme amplificado?
How do you work with the technique to obtain color images?
Excellent work.
Greetings from Spain
Vow :)
Amazing Print :)
visual artists learn by watching, then doing... good video..
Beautiful work!
Amazing video. Thanks for sharing. What kind of paper are you using???
Very kind
A little question about the process.
Are you using cyanotype chemists to sensitize paper?
Grazie!
An explanation of materials, chemicals and process would be HELPFUL!!!!
It's an old technique going back to the very early photography based on Gum oil process- but it uses a gelatin base on paper, the Potassium Dichromate painted over the gum, place a large negative on top, expose to light, ink the paper using oil printing ink, place under water, and using a brush or in this case a synthetic sponge wipe away the soft gelatin, your left with hardened gelatin that has absorbed the oil based ink. That's roughly what your seeing here. No snake oil involved.
Correction - I don't think she's used a negative, it could be a positive instead printed on acetate. hope that helps.
Salve Anna, posso chiederti spiegazioni su come esegui la tua tecnica? Vedo che tu fai la stesa del pigmento sulla carta dove non esiste nessuna immagine, poi passi al lavaggio e l'immagine compare. Mi domando se sia la forza della tua volontà a impressionare la carta. Se ritieni puoi spiegarmi e comunque ti sarò grato sei una grande artista, complimenti.
How long after the oil paint has been added to the wash
Wooww
brilliant! got to try it! thanks for sharing!
Hello i am wondering in which country or website i can print such a big picture on a film clear. Btw great job
Hi the first wash is just water??
Wow. This is what I have been looking for
Hello!!! I have a problem. I have been practicing this technique for a long time but I do not achieve an acceptable result.
My problem starts when I put the oil. When wanting to take it out with water it is not easy for me to get rid of the excess and it is stained.
try with diluent of oil (turpentine) although the result is a little better, I can not get the quality of your videos
Atte Avompla !.
Straordinario!
Does anyone know what kind or brand of paper was used in this process? Thanks.
Juan Alvarez www.annaostanina.com/process
very good. can u tell me what ink is you using....?
Thank You). I use oil colors.
Thanks:)