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A Comprehensive Guide to Classical Music Cadences | 1. Perfect Authentic Cadence and Progressions
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- Опубліковано 17 сер 2024
- Link to second part: • A Comprehensive Guide ...
New series on classical music cadences, let me know your thoughts.
I'm going through this again, adding to my notes, and getting a better understanding. This video has been enormously helpful. Sidenote: During a long ride yesterday, I went through some repertoire books, analyzing harmony, and spotted my first real period in the wild, composed of two sentences, first with HC and second with IAC. I recognized it almost the instant I saw it. I would have whooped and hollered but it would have alarmed the driver. So I just said, "Zarty!" under my breath.
I'm so glad to hear that, this is precisely why I started to make this type of content. Keep it up.
At 5:50, I see the words "less recommended." The notes played are exactly the same as the previous example, but the notation shows middle C played in both the bass and treble clef. Does "not recommended" refer to the notation? I'm a little confused by this.
Hello. I agree it's not clear enough in the video. Duplication of the tonic chord's third (in this example, the note E) is not recommended by most theorists in cadential contexts, even when said duplication leads to a unison. This is specially important for vocal and orchestral music where different instruments can actually play the same note at once, but as you pointed out, for piano writing the doubling of a given note as unison is only a visual thing.
@@Zarty-Music OK now I understand. Thank you for replying!
@@Zarty-Music And I have learned a lot from this video.
nice vídeo!
Thank you!