As a Sardinian, I must compliment you on this three-part journey of my land's mysterious treasures! Instructional, sensitive and wisely open to the theories of those who want to build one. Bravo!
25:15 Here you can clearly see that the stones are not only in horizontal line, but also in two rows 60° offset (there is a clear V pattern). For this, they had to ensure the boulders were about the same size, yet those in higher level were ever slightly smaller, which by itself helped to narrow the tower towards the top.
40:13 of all the strange godlike statuettes I thought wow, this is a first one of an ordinary man! But what does it have above his head? Aren't these the two vortices or sort of an aerial? Crazy to note, but this is also one of these rediscovered ancient technologies. This looks like the soldier of the other side, equipped with some kind of arm, coil on his head, also a question is what does he stand on, if it means some sort of an insulation under his feet, or if the statuette is just attached to something below his feet.
37:07 Here you can see the hunter brings an animal that is no longer exists. Seems like something with such clear stripes is recognizable to people of the time, but for us, the only close creature would be the Australian Thylacine (Tasmanian tiger) which is impossible. Which gave me an idea - what if we could date a bronze statuette by the fact that it clearly shows an animal which went extinct by the Younger Dryas cataclysm??? Maybe not this one, but there could be more!
First of all, I want to comment on your possible location of Atlantis in Sardinia: I'm personally also developing a speculation that Sardinia could have something to do with Atlantis, but as I believe that Atlantis was in the Atlantic ocean (Azores), my version comes from Plato saying that the Atlantis ruled parts of Mediterranean, like Portugal, Spain and today's Morocco and eastwards along the African coast, so in my opinion Sardinia would be an important Atlantean colony, and basically the frontier against the eastern Mediterranean nations. That would explain why they had that many defensive structures. The figures are unlike anything I had seen ever so far in my life. Right now, when we are on the verge of rediscovering the pre-Younger Dryas ancient civilization and their technologies (see Malcolm Bendall and others), one cannot not notice that the main figure holds something that resembles sometimes the two-pronged pitchfork, sometimes three-pronged one, which seems to had been an important feature of Atlantis (three extremely tall pointy mountains that could have given rise to the Poseidon myths), and also sometimes clearly holding what we call "vajra" from the Indian mythology. This all is worthy of more research.
22:01 Here is one of the places where the boulders look in disarray, as of they were placed haphazardly - yet you can clearly see that they are arranged in two rows 60° offset (there is a clear V letter pattern). So there are actually two spirals going up, each opposing the other. Which is also an important symbology, it is no accident!
Thank you for this documentary, as I found it very interesting.
As a Sardinian, I must compliment you on this three-part journey of my land's mysterious treasures! Instructional, sensitive and wisely open to the theories of those who want to build one. Bravo!
Glad you enjoyed it!
25:15 Here you can clearly see that the stones are not only in horizontal line, but also in two rows 60° offset (there is a clear V pattern). For this, they had to ensure the boulders were about the same size, yet those in higher level were ever slightly smaller, which by itself helped to narrow the tower towards the top.
40:13 of all the strange godlike statuettes I thought wow, this is a first one of an ordinary man! But what does it have above his head? Aren't these the two vortices or sort of an aerial? Crazy to note, but this is also one of these rediscovered ancient technologies. This looks like the soldier of the other side, equipped with some kind of arm, coil on his head, also a question is what does he stand on, if it means some sort of an insulation under his feet, or if the statuette is just attached to something below his feet.
37:07 Here you can see the hunter brings an animal that is no longer exists. Seems like something with such clear stripes is recognizable to people of the time, but for us, the only close creature would be the Australian Thylacine (Tasmanian tiger) which is impossible. Which gave me an idea - what if we could date a bronze statuette by the fact that it clearly shows an animal which went extinct by the Younger Dryas cataclysm??? Maybe not this one, but there could be more!
First of all, I want to comment on your possible location of Atlantis in Sardinia: I'm personally also developing a speculation that Sardinia could have something to do with Atlantis, but as I believe that Atlantis was in the Atlantic ocean (Azores), my version comes from Plato saying that the Atlantis ruled parts of Mediterranean, like Portugal, Spain and today's Morocco and eastwards along the African coast, so in my opinion Sardinia would be an important Atlantean colony, and basically the frontier against the eastern Mediterranean nations. That would explain why they had that many defensive structures.
The figures are unlike anything I had seen ever so far in my life. Right now, when we are on the verge of rediscovering the pre-Younger Dryas ancient civilization and their technologies (see Malcolm Bendall and others), one cannot not notice that the main figure holds something that resembles sometimes the two-pronged pitchfork, sometimes three-pronged one, which seems to had been an important feature of Atlantis (three extremely tall pointy mountains that could have given rise to the Poseidon myths), and also sometimes clearly holding what we call "vajra" from the Indian mythology. This all is worthy of more research.
Why is there so much ancient archaeology on this island ?
22:01 Here is one of the places where the boulders look in disarray, as of they were placed haphazardly - yet you can clearly see that they are arranged in two rows 60° offset (there is a clear V letter pattern). So there are actually two spirals going up, each opposing the other. Which is also an important symbology, it is no accident!