Thank you very much for uploading!!!! The sessions took place in February 1973 (track 1), January 1974 (track 4), October 1974 (tracks 2 & 3), and May 1975 (tracks 5 & 6). Holger Czukay - bass guitar Michael Karoli - guitar Jaki Liebezeit - drums Irmin Schmidt - keyboards Damo Suzuki - vocals
@@mihmih7623 It's true, their live shows suffer from poor sound recording, I rely on those I've had the opportunity to listen to in the past (I don't have the memory to name them). There are also titles that exist on studio albums, played live, are heavily improvised, and they sometimes lose quality. We stay on the studio version and we don't find the initial writing (the same game). To answer the question, the recording of Peel sessions remains exemplary in my opinion, I haven't found better, apart perhaps from the live performance of Mother Sky given in Soest (1970), video WVR.
Super groupe de ces bonnes années, pour anecdote, j'ai une ancienne copine (perdu de vue) elle a vu un concert de Can,cinq heures, sept rappels, ils ont fini une trentaine assis sur la scène,duuuu délire 😵💫😵💫
The guitar-piano duet in Mighty Girl 57:26 is peak Karoli and Schmidt. A sublime combination with Jaki on drums. See also the studio version (November) but this is better. They were in the zone here.
"Tape Kebab" at 27.15. Astounding track!!! Karoli's guitar and Czukay's tape loops are so good together. Why haven't I heard this before? And the last track "Mighty Girl" at 57.26. Brilliance beyond words. I would like to see a super hero film, called Mighty Girl, with this music on loop as no action happens in slow motion. In the early 90s, after uni, I remember driving on the motorway at night, listening to Animal Waves by Can, high as a kite. with my girlfriend at the time. Things became very unreal. After some time, I realised I was doing 15mph in the slow lane.
No "Czukay's tape loops" on "Tape Kebab". He's playing the bass as usual. And his tape technique never involved making loops to any significant extent, it was more about editing sections from improvisations and very occasionally repeating one to make a verse-chorus structure. in fact "Tape Kebab" sounds as if it could have been done live in one take - guitar, bass, drums and a tremolo on the electric piano/organ which is more or less in time with the music (Irmin Schmidt's Alpha 77 was basically a couple of tape echoes, ring modulators and filters easily capable of making such an effect - the same "chuffing" effect is heard on "Transcendental Express" ). The band also used Farfisa Sfaerasounds on almost everything, from overdrive to tremolo effects. There are versions of this track which go on a bit longer, but it becomes a bit scrappy.
@@alexeyA1 Being from a Peel Session says nothing about whether it was live in one take or not. BBC engineers were quite capable of managing a bit of over-dubbing or multitracking even in the limited amount of time available to create each session.
Highly educated musicians who found a new groove, Who needs drugs if you have music from Can? Definetly one of THE German bands in history of music. Since Jaki Liebezeit metronoms are adjusted after his playing.
Check out the Radio Waves album, there's a 35 minute version of Up The Bakerloo that they recorded for the Anne Nightingale program which, imho, is much better than this one - stuff really takes off and Damo's vocals are more engaging.
Are these songs all originals for the broadcast? Love it when bands to that. Like a free ep! That sounds great! And like Can would come on the M.F. John Peel show with some half prepared not spectacular shit ha damn fools. Band members imnsure thought we are not going to waste a chance for free use of the studios superior recording equipment. Rocking Can
Mighty Girl is a better take on November from the Out of Reach album. The studio version is great (recorded October 1977) but this live version (May 75) is brilliant. Geheim is a live take on Half Past One from Landed (September 75) Can improvs can catch magic in a bottle.
RIP Damo Suzuki
Rip my father
The recording quality is beyond words. So much better than the mushy stuff we get nowadays.
Thank you very much for uploading!!!!
The sessions took place in February 1973 (track 1), January 1974 (track 4), October 1974 (tracks 2 & 3), and May 1975 (tracks 5 & 6).
Holger Czukay - bass guitar
Michael Karoli - guitar
Jaki Liebezeit - drums
Irmin Schmidt - keyboards
Damo Suzuki - vocals
very good.............................................................
yes, you CAN
Holy Shit!
Like a whole new classic Can album!
Awesome thanks
By far the most beautiful live of Can. The first track with Damo Suzuki is grandiose.
Didn't find any live records of them with good sound quality. Can you suggest, plz
@@mihmih7623 It's true, their live shows suffer from poor sound recording, I rely on those I've had the opportunity to listen to in the past (I don't have the memory to name them). There are also titles that exist on studio albums, played live, are heavily improvised, and they sometimes lose quality. We stay on the studio version and we don't find the initial writing (the same game). To answer the question, the recording of Peel sessions remains exemplary in my opinion, I haven't found better, apart perhaps from the live performance of Mother Sky given in Soest (1970), video WVR.
@@francis4291you saw CAN live?
@@wammorrison1430 Unfortunately no.
Very special. Use is special moments that last an hour+.
A bliss for the mind
The sessions took place in February 1973 (track 1), January 1974 (track 4), October 1974 (tracks 2 & 3), and May 1975 (tracks 5 & 6).
that's the info i was looking for, thanxx
thank you, great album.
Great thank you 👍🇬🇧
Just exploring this set. Its great.
A no corporative Band made unforgettable Peel session & one of the most marvelous Great Live performance recording by a Master of Kraut Rock!
Super groupe de ces bonnes années, pour anecdote, j'ai une ancienne copine (perdu de vue) elle a vu un concert de Can,cinq heures, sept rappels, ils ont fini une trentaine assis sur la scène,duuuu délire 😵💫😵💫
Merci beaucoup anecdote Jack I am collecting these anecdotes as a huge fan who was too young to see Can live
So many distinctive ambiances with so few notes and chords.
Genius!
they CAN...
Listening to this for the first time - feels like I'm listening to it live. Electric.
Thank you for cutting this neon-green Door to musical Freedom into our Dimension!
ARE YOU FUCKING KIDDING ME CAN HAS A PEEL SESSION?
HOLY SHITTTTTTTTT BRAJ MAHAL THIS IS BRILLIANT
Brilliant beyond description! (Oxymoron? Perhaps) Godspeed Jaki
Great stuff from one of my alltime faves.Thank you for the music.
thank you
Yes, Can can.
Thank you thank you thank you for uploading this!
Улёт ❤️
Thank you for sharing this gem!
The guitar-piano duet in Mighty Girl 57:26 is peak Karoli and Schmidt. A sublime combination with Jaki on drums.
See also the studio version (November) but this is better. They were in the zone here.
The version from Out Of Reach album can't hold a candle to this.
@@dmitrymelnik8296 Can hits their peak live but Mighty Girl - wow - sheer genius
still love it!
awsome, thx for this
Maybe best Krautrock band in peak of their power .
Definitely 👍
Bless ya for uploading this good stuff playa
"Tape Kebab" at 27.15. Astounding track!!! Karoli's guitar and Czukay's tape loops are so good together. Why haven't I heard this before? And the last track "Mighty Girl" at 57.26. Brilliance beyond words. I would like to see a super hero film, called Mighty Girl, with this music on loop as no action happens in slow motion. In the early 90s, after uni, I remember driving on the motorway at night, listening to Animal Waves by Can, high as a kite. with my girlfriend at the time. Things became very unreal. After some time, I realised I was doing 15mph in the slow lane.
Sounds like Jasper Carrot and Robert Powell when driving on the motorway after eating 'stock cubes' and 'sherbet'.
No "Czukay's tape loops" on "Tape Kebab". He's playing the bass as usual. And his tape technique never involved making loops to any significant extent, it was more about editing sections from improvisations and very occasionally repeating one to make a verse-chorus structure. in fact "Tape Kebab" sounds as if it could have been done live in one take - guitar, bass, drums and a tremolo on the electric piano/organ which is more or less in time with the music (Irmin Schmidt's Alpha 77 was basically a couple of tape echoes, ring modulators and filters easily capable of making such an effect - the same "chuffing" effect is heard on "Transcendental Express" ). The band also used Farfisa Sfaerasounds on almost everything, from overdrive to tremolo effects. There are versions of this track which go on a bit longer, but it becomes a bit scrappy.
CAN happen
@@MarkJenkinsMusic It's from The Peel Sessions, so it's indeed the one take live recording.
@@alexeyA1 Being from a Peel Session says nothing about whether it was live in one take or not. BBC engineers were quite capable of managing a bit of over-dubbing or multitracking even in the limited amount of time available to create each session.
It connected back to me!!!!😇
Очень хорошо
bandcamp there you CAN buy all of CAN exept this one
excellent album
upありがとうございます！
15:20 is some hot finger-lickin' slides! I gotta find this album.
soooo gooood
How is this not channeling ? Genius artists, connect with the creator and the sounds flow through them.
It isn't an so called artistist ripping off another artist
Don't go in for all that " Ahead of their time " bullshit. But Tape Kebab sounds like it was recorded in 2073. Not 1973
Highly educated musicians who found a new groove, Who needs drugs if you have music from Can? Definetly one of THE German bands in history of music. Since Jaki Liebezeit metronoms are adjusted after his playing.
Fantastic album - thx for sharing but sooo many ad's : unbelievable how they destroy this brilliant sound ... any tip,someone ?
CAN FOREVER ❤
Awesome sounds better than my tape did 40 years ago ha ha
O My God !!!!!!!!!!!!! Fuckin Great !!!!!!!!! Hi from Poland :-)
Witam
Track 1 is one of the last recordings with Damo Suzuki, Track 5 is Michael Karoli...but no comparison with Damo
Check out the Radio Waves album, there's a 35 minute version of Up The Bakerloo that they recorded for the Anne Nightingale program which, imho, is much better than this one - stuff really takes off and Damo's vocals are more engaging.
Are these songs all originals for the broadcast? Love it when bands to that. Like a free ep! That sounds great! And like Can would come on the M.F. John Peel show with some half prepared not spectacular shit ha damn fools.
Band members imnsure thought we are not going to waste a chance for free use of the studios superior recording equipment. Rocking Can
Mighty Girl is a better take on November from the Out of Reach album. The studio version is great (recorded October 1977) but this live version (May 75) is brilliant.
Geheim is a live take on Half Past One from Landed (September 75)
Can improvs can catch magic in a bottle.
Thank yo L.p.
Thanks, UA-cam, my eyes are closing tfb
Very Funky for Can .. Less Analog-Synths .. Shit..it is damned good Moment from this Band !
hmmm...
Wouaaah... une tuerie, putain je connaissais pas ces morceaux de Can, merci 🙏🙏
11:00
24:00
27:15
31:50
38:15
27:15 Tape Kebab
yeh
да это пиздецц!!
Ахххуеннна ®️ Абсолютна
CAN
Ohne "Vocals" ist's erträglich
What year was this recorded?
Recording Dates
1. 20/2/73
2. 8/10/74
3. 8/10/74
4. 29/1/74
5. 15/5/75
6. 14/5/75
@@wahwahwow1 Thanks👍
en.m.wikipedia.org/wiki/The_Peel_Sessions_(Can_album)
Просто КУ
This is nothing compared to Tago Mago and Future Days.😎
CAN T SEEM TO GET THIS CD ???? IS IT FOR SALE ANY WERE
Kinda, but it’s super expensive, just download this instead
allegro.pl
Can took out an injunction through Mute as soon as it got to the shops, hence not such a lot about.
CD on discogs
Who is in the vocals?
dami suzuki
9:07
Nachtmedikation zopiklönchen
Nachtwachehe
Great upload - the album goes for crazy money these days if you can find it.....I used to listen to John Peel a lot during the 70's and 80's.