To me THIS is Oldfield's masterpiece. Such incredible structuring and layering of themes. So passionate. So efficient. So visceral. Then he does it live at Knebworth, with all those incredible musicians (vale Pierre Moerlen), and he takes to a new level entirely. It's hard not to watch the version in that live concert without falling in love with the man.
Ommadawn isn't only a marvellous piece of music: it's an experience.🙂 I've listened to it thousands of times since the 1970s and I never tire of it. It's great to see new generations fall under its spell.😊
Funny! I was born in 1970. I started listening seriously to M O in 1996. Starting with his contemporary music which I really was impressed with. Then… Amarok which I first didn’t get but a few months later at night in bed I got it… it was a cosmic experience. I got his sense of brilliant timing. Then after that I gradually listened to his whole catalogue. And really started to appreciate his first albums too….Btw Amarok is a Native American wolf spirit guide. You can hear the wolf in the middle of the album
Mike: will be considered as one of biggest composer of 20th century. Ommadawn is a tremendous masterpiece. We are very hapy to have the oppurtinity to ear this.
I guess, or I surely can say that this is ranked among The 10 best things ever made in The realm of músic. It's does not belong to The concrete world, it's something else.
Ommadawn and Incantations; two of the best albums EVER made. Incredible imagination and musical prowess. I can't imagine the first listen being anywhere close to the full range of emotions that one feels after living with this music for thirty odd years. Both albums will always be within my personal canon. It's beyond just good music, I feel like it's imprinted on my soul.
@@JustJP what about the uillean pipes on part two! Found this video today by chance because it had come round, once again, to my sporadic need to listen to the album. I really enjoyed your vid, thanks man 👍
This part 1 is my favorite Oldfield song ever! good old celtic music. Incantations is my alltime favorite album though which comes after this album its a double album with 4 long sides which are just classically beautiful
An old favourite for me from the first time I heard it, my brother gave me the record for Christmas in 1975, I got Incantations as a Christmas present as well and they have always had a link with that time of year for me because of that, great pieces of music.
I first heard this as a teenager in the 70s, and would listen to it with a school friend and just be transported away. Looking back, my father had died not long before, and I think I found this album cathartic and something of an emotional release. I also feel dad would have loved Ommadawn had he heard it. Condolences on your grandmother's passing, mate.
Superb! No-one, or very few on YT bother to listen to or react to Mike Oldfield and they are missing out! I found MO through the albums Crises and Five Miles Out and went from there. His stuff is timeless. Ommadawn sounds as good today as it did the first time I heard it.
Delighted that you got to this. The good news is that you can listen 100s more times and it will never become stale with the key transitions evoking the same positive emotional responses augmented by anticipation but also other small elements gradually revealing themselves in your focus each time you listen. Scary good!
Ommadawn is beautiful. I had it on tape first and would play it in the car, (it's a wonder I never crashed, blissing out to it), but soon got it on LP. It's been a firm favourite of mine since the release. It almost always sends shivers down my spine and has on occasion made me actually weep.
It gives me hope for the future to see other people getting so much joy from music that's so old. I've been listening to this regularly for decades, and your face at the end said everything. You clearly feel it too.
Thank you JP :) Knew you would like that ending. It truly is amazing. Nice to come across someone who really appreciates music. Really hoping you continue with the albums or some of them from Mike Oldfield. . Keep up the good work, it's greatly appreciated.
I loved your reaction to the African drums when they started. For me, Ommadawn takes me on a journey through a mystical wood, soaring high above rolling hillsides, riding a horse through long grass, and deep into a primordial forest. According to his biography, when he heard his mother had died, he got drunk, picked up his red Fender Telecaster, and ad libbed the screaming guitar at the end. I can't listen to it without getting tears in my eyes. Thanks for sharing. (Also, the start of side 2 sounds like a funeral dirge to me.)
Strange that this evokes a mystical forest for you. I'm a Pagan, and 40 years ago we used to play this quietly in the background while casting the circle for Sabbats.
I hope you start to realize how rich the 70's were musically from all the rock, punk, prog rock and just uncategorizable unique individuals like Mike Oldfield and see how in comparison how impoverished music has become in these times. I hope many more like you discover this decade and the unique music it offers.
I like your comparison of Oldfield’s music to the process of painting, I had never thought of it like that but it seems spot on. Also your description of the feeling of comfort in the opening presentation of the main theme. It always seemed to me to have a feeling of slightly happy-go-lucky calm. Each time the music drops back into it it becomes more assertive, driving the build up. The final guitar solo is perfectly shaped, each link in the chain being spot-on for the build up and final release of tension, I think this is part of the reason why the sudden drop into the solo drumming works so well. As others have said, Incantations takes the meditative trance effect even further, though some might argue it goes on too long. It probably does need to in order to achieve its full effect.
The pure joy of music is you can take whatever you want or need from it at different times. I feel the sorrow up until 5.30 then the anger then about 7 minutes on the acceptance. Rarely can music feel so wonderful as this. Like watching a classic film.
This album is unquestionably his pinnacle. As you said, the most cohesive & ambitious. Also the most emotional in my opinion. It really takes you places. Wait til you hear Pt. II, my definite favorite. After this album he began to experiment a lot, & eventually, like a lot of 70's greats, got lost in AOR hell in the 80's. At least until 1990 when he released AMAROK, the first sequel to Ommadawn, created as a big "FUCK YOU" to his record label, Virgin, that wanted a hit, so he created his longest, most abrasive epic as a response. That'd be my suggestion as to where to go next. There's also Tubular Bells II, released not long after, but it's not quite as good, a bit more subdued. Still ultimately worth a listen, After this he spent 20 years mostly making electronica-tinged experimental releases. Also, his most recent album, from 2017, is actually a much more direct stylistic & thematic sequel to this record, called Return To Ommadawn. After spending the majority of 40 years searching for a new sound, he did an insane 180, returned completely to his original style, & created an album that even lifelong Prog enthusiasts are putting in his top 3 albums ever. It really is that good. If you're wanting more of the core Oldfield, those are my suggestions, Return To Ommadawn most of all.
@@ProgMannen Yeah, that would be fair, as would TB III & Incantations, though I'd consider them, as well as Platinum through Crises, the 2nd tier of his discog.
I first listened to this in 1975,and it is imo one of the greatest musical compositions ever. The bucolic passages of woodwind and harp;the emotion and power of the electric guitars; the rhythms;the evocative sonic spaciousness - it has never been bettered.
My goodness I was transported back to my teenage years,lost my copy along the way ,you know life,moving home and the rest.I had forgotten the beauty of this one but clicked as soon as it came up as I suspect other travellers of my age did here,so glad I subscribed and good to see your doing ok
Ommadawn is pure ecstasy every time I listen to it. That african drums part with the chanting (...omma dawn egg kyowl omma dawn egg kyowl...) I can sing it for hours and hours and feel out of the world.
Justin, thanks for the wonderful reaction. You ask us to tell you what the music means to us, but, frankly, I think you've probably spoken for all of us. I don't think that there's much more that we can add. It's always felt very emotional and mystical music for me, with a strong Celtic influence. Hypnotic and intoxicating. The opening is tranquil and peaceful. To me, the beauty of this music has not been surpassed since. Mike plays his central solo without a pick. I would HIGHLY RECOMMEND that you watch his performance of Ommadawn pt 1 on the live at Knebworth Festival 1980. It's astonishing and you'll really get a good display of his superb guitar-playing technique. Best wishes from England.
Great review of a timeless album. Mike Oldfield transports me back to late teen years. Can remember the anticipation of listening to this for the first time when it came out. Still have my original copy! This album never disappoints.
What I like about Ommadawn is how Oldfield can be so delicate in his music. Along all the "boombastic" sound, there's always these little gentile moments which I love.
28:34 - But hey, I know you're not just saying it! Actually, calling the intro soft, feminine and comforting is a really, really good description. I don't know, JP :) Mike Oldfield's music, and Ommadawn being one of the best, it makes me feel connected to something beyond me, like he's reflecting some fundamental human goodness, like I know him or something. His music even comes back from time to time to a certain boyishness that reminds me of Beethoven, without sounding at all like him. It's a joy to see you hear this for the first time and I'm so glad you loved it! I don't know if you noticed, but: The electric guitar phrase at 3:15 comes back here: 19:42 which are both little references to this: 9:48 Yes, not only was he a musical genius, but he became an expert at recording music so he could take the lead of the recording process. He loved learning about technology, bringing in the most state of the art stuff, and basically perfecting any craft he took up--he's just that kind of guy. I agree--I have often dreamed of having my own recording studio hehe
I was a little late to the party in the seventies and didn't discover Mike Oldfield until about 1982, but "Ommadawn" was my first song. Someone made a mix tape of Oldfield for me and this 'part one' was the first song on the tape. It is STILL my very favorite song of His very impressive discography. Amazingly He still is doing it all these years later; "Return to Ommadawn", his 2017 composition, is JUST as wonderful as the original. If you keep going in release order, you'll discover the many complexities of his evolving compositions. A roller coaster ride of great musical masterworks ahead my friend.
Excellent review as usual. Ommadawn and Oldfield’s previous two albums are three of my all time favorites ever since I bought them when they were originally released. I’ve listened to them hundreds of times and yet with each listen I find something else I love about them.
Ommadawn is soooo wonderful! I wish I was you, discovering Mike Oldfield for the first time. Intemporal classic. The painting metaphor is really pertinent, as a graphist, I fully validate this. I'm so happy you enjoy Mike like this and I'm longing for hearing and watching you continue tout musical journey in Mike's discography. The chronological order is THE way to discover Mike Oldfield's music. "I was so lost in the music" you bet ;-) That's really what Mike's music is about. It's a painting, a journey and a dream altogether. My feelings listening to Ommadawn: peacefulness, healing my soul. Condoléances pour le décès de ta grand mère.
The last section of part I is, I believe, meant to represent the experience of being born/rebirth. I once read an interview when he said that that piece of music terrifies him whenever he plays it. It’s interesting that a piece of music can be one thing to the writer and another to the listener - I always drew great strength from it from the very first time I heard it at the age of 16, laying down with my headphones on and my eyes shut. I felt a tangible sense of ‘something’ coursing through my body and out of my fingers. It still has the same effect in me 27 years on. This is easily in my top 3 favourite Mike Oldfield albums and quite high up my list of favourite albums of all time. Interesting that you compare him to classical music. In 2008 he released Music Of The Spheres, which was composed for and recorded by an orchestra. A beautiful piece of music. Thanks for yet another brilliant reaction.
Really great reaction and analysis. This album holds a special place for me because I listened to it non-stop for a month after my grandfather died in '95. It was the only thing that gave me any comfort. The final third of the 1st part is amazing. The level of emotion that continues to build and build, the guitar weeping and screaming, it never fails to move me to tears. I think only Pink Floyd in the '70s had that same ability to wring emotion out of you.
Mike's work always fascinates me .. and yes, it paints images in your mind. Because he plays most of the instruments and layers them one on top of the other it is similar to your analogy about painting a landscape. The guitar work is massively intricate and so skillful ... It is also great that the same themes/tunes keep come back again but changed, enhanced, developed. Ommadawn is frequently regarded by fans as possibly his greatest masterpiece. As a big fan I am glad you enjoyed it .. .and a little jealous of you as it was so long ago that I cannot recall the feelings from the first time I heard this album.
Thanks Justin. I had this on vinyl and loved it. I dumped my vinyl due to a house-move but never replaced it on CD. This is the first time I've heard it in 20 years...just about to order the CD on Amazon - original version of course.
Your best review too by the way. I'm amazed that you can capture what we all feel so succinctly after one listen. BTW, if you want to be moved like that again, but don't have much time, then try The Lake from Discovery. It almost makes me cry at the end every time. I so thought it was Mike's farewell track. I'm oh so glad that was wrong. Add to that the best rock drummer the world has seen (Simon Phillips) eith his first tentative steps into production, and it's a mini masterpiece. Just do it.
Omg JP, can't believe you've visited this excellence so soon. What an album, what a journey, pure escapism. Such a shame for us Mike Oldfield got over his demons lol by the 80's. It's Hergest by the way, Mike says only the locals pronounce it Hargest! He views them as backards.
Well I think the locals can pronounce it anyway they like,their ancestors probably named it after all and if Mr Oldfield really does consider them "backards" that's his problem
Thanks for listening to this album. I do it very often. His best for me! Unlike several people who don't like a lot of his output, I find treasure in almost all of his albums. However this one is the top album for me. Only thing is that after playing a day of Oldfield music my mouth is sort of fixed in the "whistle along mode". Small price to pay ;-) This music is very inspiring to me. I like to play this music while drawing and painting, sets me in a creative mood. As I know this music by heart it is almost a meditation to me. Working as an illustrator, I usually play long songs for that reason. And Oldfield has quite a few of them so his music is a great companion.
The piece features South African group Jabula on percussions. He followed the direction of this album on "Incantations", where there's also usage of choir and again Jabula.
I loved your reaction bro, This is the purest Heartbeat (that one that you felt at the end and maybe the most of the people who listened that Masterpiece) of the soul of the Earth, it's like a chant for the Mother Nature or our most ancient origen... Love it my friend!! So proud and happy to see that his music still makes feel the spirit of persons like you!
JustJP I love the way you assess and describe. I first heard Mike 1982 with Five Miles Out. I think you'll enjoy the track Taurus 2 (entire side A of the LP)
First my condolences with the loss. This album is a masterpiece. Just put on your headphones, lay down, close your eyes and be drawn into the music. This album is better than Tubular Bells. More imaginative, more guitar oriented, happier. The next album, Incantations, Maybe I like that one even more.
This albums still gives me goosebumps (after listening to it a gazillion times)...
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I just love watching and listening to Your reviews, Justin :) You have a true oratory talent. It's so on point, insightful and intelligent. It feels that you speak the things thats on my mind. I can only second that and enjoy.
I still have ny battered vinyl copy bought on day of release so glad you are enjoying it,His Sister Sally (who had hits in her own right) is one of the singers on this Album. best wishes from the uk Justin.
Thanks for doing this one! Have listened to this since it first came out. Feelings? Hard to articulate, but something like development and discovery. Almost like the plot of a book playing out, each part feels like a natural development. Even when a new chapter starts, it has the connection to what comes before. The textures of the sounds he makes, and the rhythms he uses make this piece comforting and welcoming. There is something elastic, resilient, springy that makes it feel solid and hand-crafted. This is wood, not concrete. It has integrity and life.
That sudden cut to drums at the end makes sense when it is immediatly followed by the massive primal scream that opens part two. I think Oldfield is expelling a lot of demons here. He entered a period of primal scream based therapy pretty soon after this. Then came back with possibly an even greater album "Incantations." For me these four initial albums are essential listens, the rest you can pick and choose from. According to his autobiography he emerged from his therapy sessions a chamged man and the music (to me) was never the sane again though still worth exploring and submersing yourself in.
Regarding the lyrics on this, here is what genius.com says: "As stated in Oldfield’s autobiography Changeling, Oldfield himself said that he just wanted “sounds” in Ommadawn, as appose to “sensible” lyrics. And so, he asked Clodagh Simonds, an Irish songwriter, to write the first words that came into her head. She wrote, “Daddy’s in bed, The cat’s drinking milk, I’m an idiot, And I’m laughing” Oldfield states these words were translated into Irish by a relative of Simond’s. Finally, on the album version the words were scrambled."
Clodaugh Simonds was in the band Mellow Candle who made an amazing album that went undiscovered for years. Justin... you must add that album to your queue :-)
I´ve listen to Ommadawn the first time in 1977 as i was 14 years old. In 1977 all people like Uriah Heep, Jethro Tull, Deep Purple, Manfred Mann and others, but Mike Oldfield puts aside the curtain that was covering my ears before.
This is possibly my most favourite record ever, side 2 is so powerful it nearly makes me cry. He struggled with the attention he received from TB and the pressures to make a follow up (he really didn't want to make Hergest Ridge and you can tell as it's a bit of a mess and as it wasn't as well received he struggled even more). I find it fascinating that following the passing of his mother (who had really struggled with mental health issues), IIRC his marriage had ended also, and the pressures from his record label he effectively ran away and poured all of that struggle into the most beautiful album ever. I recall when I was first dating my wife, we'd had many conversations about music and she'd played me Prince and Massive Attack from her collection, that was great as I'm a huge fan, but I then brought over an LP and told her it was the best record in the world, she sat through all of Ommadawn but looked like I'd just taken a dump on the carpet :) She never could fathom long tracks!
Thanks for that reaction, I realised I haven't listened to this in quite a few months now. The ending of Part 1 is one of THE music goosebumps moments for me. I totally understand that fast heart beat reaction at the end, I have that as well, sometimes with a tear or two. Together with "Hergest Ridge", "Incantations" and "Amarok" my highlight in his discography. I have to say though, that there are many other of his albums of which I like some parts at least. I can find good songs in every album up to "Discovery" (and there are good ones every now and then afterwards as well).
Justin, you are really getting Mike and his music now, and I said before this is the album where Mike Oldfield the guitar player comes through, he has a wonderful and unique style, touch and tone, you are yet to hear his beautiful clean playing. Ommadawn is a masterpiece by a true musical genius, bring on Part 2.
What you say Justin says everything and yes totally right brings back when hearing the album for the first time when it was released back in the '70's. Still love this track as much as when first hearing it. How Mike Oldfield manages to capture kind of mystical UK music sounds from about a thousand years and mixes it perfectly together. From medieval and before, to 17th/ 18th Century through to 20th Century including Northern Brass Band and beyond in this. Whistle along to and sing along to "Ab yul ann i dyad awt , en yab na log a toc na awd. Taw may on omma dawn egg kyowl omma dawn egg kyowl". Even reading that the music comes to mind. I love the drama is subdued and a top music track.
The thematic unity in this piece is really well developed and not always apparent until you've heard it a lot - as worthy of analysis as any classical symphony. Even two of the main themes (the opening one and the bouncy recorder one) are thematically drawn from the same material. And we hear everything come together at the end. And this is eclectic World Music long before it was hip in the 1980s. I'm not sure anyone conceived of blending African and Celtic music traditions before. Definitely his most unified, polished and well structured piece to date, though Incantations is even more impressive on that score. However Ommadawn remains my favourite because of the sheer beauty and poignancy of the themes.
Wonderful - in turns beautiful and magnificent, only surpassed in Oldfield's canon by part two. To my mind this album is a more cohesive whole than Tubular Bells. Christmas is coming up so I suggest the single "In Dulci Jubilo" nearer the time, it was a huge hit for Oldfield at Christmas 1975 in the UK.
I think Oldfield's guitar tone comes in part from the fact that he's a finger-picker. I can hear some similarities with other finger-pickers like Mark Knopfler of Dire Straits and Lindsey Buckingham of Fleetwood Mac.
I was so stoked to see you react to this! It's one of my favourite albums! And that last excerpt always, ALWAYS gets me going! Something primal and pagan in it. I feel like I belong there, as if it was a former life on the land.
Great, Justin ! Personaly I can't describe exactly what Mike Oldfield's music makes to me, but sure it is healing for me at a very profound level. At a harsh period of my life as a young adult, his music was essential for helping me to survive. I still love today its incomparable style. You talk about meditation, yes there is something like that in his music... You will see it particularly in Part 2, which is more peaceful until the fabulous final climax, but that I love as much as Part 1.
Killing Fields DVD his music is barely audible, minimally used and he gets no credits in end titles. If people ignore you, you’re probably doing something very right lol
You are so gifted! I love your commentaries on Mike OLDFIELD music! Your videos have added a new dimension to listening to music! I've been pretty much a loner musically as I don't seem to meet the kind of people who can appreciate Oldfield's music. So, all these years I've not been able to share the joy that comes from listening to it. To finally meet someone and watch them react as I did when I first heard Oldfield almost makes me want to start a bromance! Lol! To see you react and to hear your thoughts is such a blessing...even therapeutic! Thank you so much for making these videos! You asked what do we feel when listening to this. I got this album from my sister as a birthday gift and at that time we were living in a farmhouse in Virginia. The autumn air was cool and crisp and the trees were brightly colored and beautiful. This album was for me, that whole scene painted in music. My sister and father were in my upstairs bedroom listening to it with me. They were not enjoying it as much as I was so they began chatting. I was a little annoyed because I loved what I was hearing. I remember when the part came on with just the vocal and the african drums it grabbed me big time and I immediately shooshed them so I could hear it! I loved it!!! The album was like the soundtrack to my life at the time. It was perfect for where I lived and for the fall season with a little 'witchiness' about it. Mystical in ways...like my surroundings. I'm a Christian and Mike Oldfield's music always seemed very spiritual to me...like Alan Parsons Project music. You say it's like meditation and I agree. The music always takes my mind to God and our relationship. You describe Oldfield's music as a journey. So, true! Always a beautiful spiritual one for me! Keep the videos coming. If you haven't already, I'd love to see you listen to Oldfield's Amorok album!
Thank you so much Rick, im so glad youve been enjoying the videos and music as much as I have. Thats a lovely memory of hearing this album with your family; I cam imagine shooshing my own if they started talking during this one😅
Amarok is the second part of Ommadawn. A specially conceived record against Virgin Records. 60 minutes of song that the record company could not get even 30 seconds for a promotion. And yet it lives up to Ommadawn and is a true masterpiece. Not only in its composition, but also in all the engineering behind it.
Yes. Virgin wanted Oldfield to name the album as part of the "Tubular Bells" series and he refused saying if anything it is a sequel to "Ommadawn". Virgin subsequently gave no promotional support. Virgin also treated XTC poorly.
Listening back to this reminds me how much Oldfield could shred, when he felt like it. especially in the context of the time, there is some real crazy guitar stuff going on here.
I have that album and it was and is a tough piece to chew and frankly, to me it does not stand by the first three albums or "Incantations". At that contractual situation he was then it is a word out of frustration rather than having something really solid and cohesive music to offer complete with morse coded f* you to record company owner.
Aw, mate yes! I haven’t watched yet but I never thought you!d do this so I’m excited in advance. I’m also excited for you to hear the end of part one because damn.
To me THIS is Oldfield's masterpiece. Such incredible structuring and layering of themes. So passionate. So efficient. So visceral. Then he does it live at Knebworth, with all those incredible musicians (vale Pierre Moerlen), and he takes to a new level entirely. It's hard not to watch the version in that live concert without falling in love with the man.
So well encapsulated! I agree. Is my favorite album too.
I couldn't click fast enough. An Incredible album that means a huge amount to SO many people of all ages.
Amen!!!
We All Second your emotion
Ommadawn isn't only a marvellous piece of music: it's an experience.🙂
I've listened to it thousands of times since the 1970s and I never tire of it.
It's great to see new generations fall under its spell.😊
Here Here !!
I listened at first on 1996 and it's still my most worn out CD (along with Hergest).
Funny! I was born in 1970. I started listening seriously to M O in 1996. Starting with his contemporary music which I really was impressed with. Then… Amarok which I first didn’t get but a few months later at night in bed I got it… it was a cosmic experience. I got his sense of brilliant timing. Then after that I gradually listened to his whole catalogue. And really started to appreciate his first albums too….Btw Amarok is a Native American wolf spirit guide. You can hear the wolf in the middle of the album
A really great and autobiographical spiritual piece is Pictures in the Dark. My favourite. Love Taurus2 too of the album Five miles out. Greetings
Listening to Ommadawn is a life changing experience.
Still my favorite music ever👌
Oldfield‘s Guitar Talks, sings, cries, screams. Always touches you deeply.
Notice that Mike Oldfield recorded Ommadawn after his mother passed away.
This 2017 Interview with Mike covers those Years. Enjoy ! ua-cam.com/video/wlM7muZztKI/v-deo.html
The good news is that, after many many listenings, it never looses that feeling of excitement!
This!
Mike: will be considered as one of biggest composer of 20th century. Ommadawn is a tremendous masterpiece. We are very hapy to have the oppurtinity to ear this.
Ty Carlos :)
One of the best records ever made, the emotions he evokes are so deep it can catch you off guard. Just s masterpiece.
I guess, or I surely can say that this is ranked among The 10 best things ever made in The realm of músic. It's does not belong to The concrete world, it's something else.
Ommadawn and Incantations; two of the best albums EVER made. Incredible imagination and musical prowess. I can't imagine the first listen being anywhere close to the full range of emotions that one feels after living with this music for thirty odd years. Both albums will always be within my personal canon. It's beyond just good music, I feel like it's imprinted on my soul.
Absolutely, they're stunning works
@@JustJP what about the uillean pipes on part two! Found this video today by chance because it had come round, once again, to my sporadic need to listen to the album. I really enjoyed your vid, thanks man 👍
This part 1 is my favorite Oldfield song ever! good old celtic music. Incantations is my alltime favorite album though which comes after this album its a double album with 4 long sides which are just classically beautiful
An old favourite for me from the first time I heard it, my brother gave me the record for Christmas in 1975, I got Incantations as a Christmas present as well and they have always had a link with that time of year for me because of that, great pieces of music.
One of the greatest musical accomplishments ever in my book. This album absolutely transcending, easily one of my all time favorites.
Probably Mike Oldfield's best album for flow, hypnotic percussion, soaring melodies, continuity and variation. Timeless
His best! 😁👍 It’s more economical and concise than TB and HR and the finale in particular is absolutely thrilling ❤️
I first heard this as a teenager in the 70s, and would listen to it with a school friend and just be transported away. Looking back, my father had died not long before, and I think I found this album cathartic and something of an emotional release. I also feel dad would have loved Ommadawn had he heard it.
Condolences on your grandmother's passing, mate.
My favorite Oldfield album. Love the instruments and arrangements. There are live versions equally powerful.
Superb! No-one, or very few on YT bother to listen to or react to Mike Oldfield and they are missing out! I found MO through the albums Crises and Five Miles Out and went from there. His stuff is timeless. Ommadawn sounds as good today as it did the first time I heard it.
Delighted that you got to this. The good news is that you can listen 100s more times and it will never become stale with the key transitions evoking the same positive emotional responses augmented by anticipation but also other small elements gradually revealing themselves in your focus each time you listen. Scary good!
Ommadawn is beautiful. I had it on tape first and would play it in the car, (it's a wonder I never crashed, blissing out to it), but soon got it on LP. It's been a firm favourite of mine since the release. It almost always sends shivers down my spine and has on occasion made me actually weep.
After Ommadawn, I would recommend Oldfield's Incantations.
Surely one of the greatest albums ever recorded. A masterpiece.
It gives me hope for the future to see other people getting so much joy from music that's so old. I've been listening to this regularly for decades, and your face at the end said everything. You clearly feel it too.
Thank you JP :) Knew you would like that ending. It truly is amazing.
Nice to come across someone who really appreciates music. Really hoping you continue with the albums or some of them from Mike Oldfield. .
Keep up the good work, it's greatly appreciated.
Ty XSphere! Definitely planning on it
I loved your reaction to the African drums when they started. For me, Ommadawn takes me on a journey through a mystical wood, soaring high above rolling hillsides, riding a horse through long grass, and deep into a primordial forest. According to his biography, when he heard his mother had died, he got drunk, picked up his red Fender Telecaster, and ad libbed the screaming guitar at the end. I can't listen to it without getting tears in my eyes. Thanks for sharing.
(Also, the start of side 2 sounds like a funeral dirge to me.)
For me similar almost, kind of a seasonal feeling a spring awakening to a Midsummer Night's Dream on Part 1.
Strange that this evokes a mystical forest for you. I'm a Pagan, and 40 years ago we used to play this quietly in the background while casting the circle for Sabbats.
Feeling of a journey through sound to another dimension soundscape
I hope you start to realize how rich the 70's were musically from all the rock, punk, prog rock and just uncategorizable unique individuals like Mike Oldfield and see how in comparison how impoverished music has become in these times. I hope many more like you discover this decade and the unique music it offers.
Oh trust me, ive realized quite fully 😅
I like your comparison of Oldfield’s music to the process of painting, I had never thought of it like that but it seems spot on.
Also your description of the feeling of comfort in the opening presentation of the main theme. It always seemed to me to have a feeling of slightly happy-go-lucky calm. Each time the music drops back into it it becomes more assertive, driving the build up. The final guitar solo is perfectly shaped, each link in the chain being spot-on for the build up and final release of tension, I think this is part of the reason why the sudden drop into the solo drumming works so well. As others have said, Incantations takes the meditative trance effect even further, though some might argue it goes on too long. It probably does need to in order to achieve its full effect.
The pure joy of music is you can take whatever you want or need from it at different times. I feel the sorrow up until 5.30 then the anger then about 7 minutes on the acceptance. Rarely can music feel so wonderful as this. Like watching a classic film.
This album is unquestionably his pinnacle. As you said, the most cohesive & ambitious. Also the most emotional in my opinion. It really takes you places. Wait til you hear Pt. II, my definite favorite.
After this album he began to experiment a lot, & eventually, like a lot of 70's greats, got lost in AOR hell in the 80's. At least until 1990 when he released AMAROK, the first sequel to Ommadawn, created as a big "FUCK YOU" to his record label, Virgin, that wanted a hit, so he created his longest, most abrasive epic as a response. That'd be my suggestion as to where to go next. There's also Tubular Bells II, released not long after, but it's not quite as good, a bit more subdued. Still ultimately worth a listen, After this he spent 20 years mostly making electronica-tinged experimental releases.
Also, his most recent album, from 2017, is actually a much more direct stylistic & thematic sequel to this record, called Return To Ommadawn. After spending the majority of 40 years searching for a new sound, he did an insane 180, returned completely to his original style, & created an album that even lifelong Prog enthusiasts are putting in his top 3 albums ever. It really is that good. If you're wanting more of the core Oldfield, those are my suggestions, Return To Ommadawn most of all.
I prefer TB 111 to TB 11 .. Horseguards parade concert was great.. How they dialled it into Big Ben Striking . Epic moment !
For me, _Tubular Bells III_ and _Return to Ommadawn_ jockey back and forth for my favorite Mike Oldfield album spot, depending on my mood.
Agree with u Neo, but i really like to add "songs from distant earth" to the list.
@@ProgMannen Yeah, that would be fair, as would TB III & Incantations, though I'd consider them, as well as Platinum through Crises, the 2nd tier of his discog.
I would say Amarok is the pinnacle.
DUDE I was literally just listening to this and then your notification came up. Haha might as well listen to it here. :P Can't wait for Spaceship. :)
Haha, timing can't be better!
I first listened to this in 1975,and it is imo one of the greatest musical compositions ever. The bucolic passages of woodwind and harp;the emotion and power of the electric guitars; the rhythms;the evocative sonic spaciousness - it has never been bettered.
So sorry for your loss. I hope you can find some comfort in beautiful music.
My goodness I was transported back to my teenage years,lost my copy along the way ,you know life,moving home and the rest.I had forgotten the beauty of this one but clicked as soon as it came up as I suspect other travellers of my age did here,so glad I subscribed and good to see your doing ok
Ommadawn is pure ecstasy every time I listen to it. That african drums part with the chanting (...omma dawn egg kyowl
omma dawn egg kyowl...) I can sing it for hours and hours and feel out of the world.
I totally agree!
Thank you for turning it up seconds in.. We All did that too. The first time we experienced this Masterpiece!!!
Justin, thanks for the wonderful reaction. You ask us to tell you what the music means to us, but, frankly, I think you've probably spoken for all of us. I don't think that there's much more that we can add. It's always felt very emotional and mystical music for me, with a strong Celtic influence. Hypnotic and intoxicating. The opening is tranquil and peaceful. To me, the beauty of this music has not been surpassed since. Mike plays his central solo without a pick. I would HIGHLY RECOMMEND that you watch his performance of Ommadawn pt 1 on the live at Knebworth Festival 1980. It's astonishing and you'll really get a good display of his superb guitar-playing technique. Best wishes from England.
Great review of a timeless album. Mike Oldfield transports me back to late teen years. Can remember the anticipation of listening to this for the first time when it came out. Still have my original copy! This album never disappoints.
You Have GOOD Taste Justin ! ! ! I am ENTHRALLED & CAPTIVATED With THIS ALBUM ! ! !👍👍👍
What I like about Ommadawn is how Oldfield can be so delicate in his music. Along all the "boombastic" sound, there's always these little gentile moments which I love.
28:34 - But hey, I know you're not just saying it!
Actually, calling the intro soft, feminine and comforting is a really, really good description.
I don't know, JP :) Mike Oldfield's music, and Ommadawn being one of the best, it makes me feel connected to something beyond me, like he's reflecting some fundamental human goodness, like I know him or something. His music even comes back from time to time to a certain boyishness that reminds me of Beethoven, without sounding at all like him. It's a joy to see you hear this for the first time and I'm so glad you loved it!
I don't know if you noticed, but:
The electric guitar phrase at 3:15
comes back here: 19:42
which are both little references to this: 9:48
Yes, not only was he a musical genius, but he became an expert at recording music so he could take the lead of the recording process. He loved learning about technology, bringing in the most state of the art stuff, and basically perfecting any craft he took up--he's just that kind of guy. I agree--I have often dreamed of having my own recording studio hehe
I was a little late to the party in the seventies and didn't discover Mike Oldfield until about 1982, but "Ommadawn" was my first song. Someone made a mix tape of Oldfield for me and this 'part one' was the first song on the tape. It is STILL my very favorite song of His very impressive discography. Amazingly He still is doing it all these years later; "Return to Ommadawn", his 2017 composition, is JUST as wonderful as the original. If you keep going in release order, you'll discover the many complexities of his evolving compositions. A roller coaster ride of great musical masterworks ahead my friend.
Songs of distant earth is another belter
Excellent review as usual. Ommadawn and Oldfield’s previous two albums are three of my all time favorites ever since I bought them when they were originally released. I’ve listened to them hundreds of times and yet with each listen I find something else I love about them.
Ommadawn is soooo wonderful! I wish I was you, discovering Mike Oldfield for the first time. Intemporal classic. The painting metaphor is really pertinent, as a graphist, I fully validate this. I'm so happy you enjoy Mike like this and I'm longing for hearing and watching you continue tout musical journey in Mike's discography. The chronological order is THE way to discover Mike Oldfield's music.
"I was so lost in the music" you bet ;-) That's really what Mike's music is about.
It's a painting, a journey and a dream altogether.
My feelings listening to Ommadawn: peacefulness, healing my soul.
Condoléances pour le décès de ta grand mère.
The last section of part I is, I believe, meant to represent the experience of being born/rebirth.
I once read an interview when he said that that piece of music terrifies him whenever he plays it. It’s interesting that a piece of music can be one thing to the writer and another to the listener - I always drew great strength from it from the very first time I heard it at the age of 16, laying down with my headphones on and my eyes shut. I felt a tangible sense of ‘something’ coursing through my body and out of my fingers. It still has the same effect in me 27 years on.
This is easily in my top 3 favourite Mike Oldfield albums and quite high up my list of favourite albums of all time.
Interesting that you compare him to classical music. In 2008 he released Music Of The Spheres, which was composed for and recorded by an orchestra. A beautiful piece of music.
Thanks for yet another brilliant reaction.
AMAROK! But really thank you so much it's truly awesome and incredible that you've already done Tubular Bells, Hergest Ridge, and now this.
Really great reaction and analysis.
This album holds a special place for me because I listened to it non-stop for a month after my grandfather died in '95. It was the only thing that gave me any comfort. The final third of the 1st part is amazing. The level of emotion that continues to build and build, the guitar weeping and screaming, it never fails to move me to tears. I think only Pink Floyd in the '70s had that same ability to wring emotion out of you.
Mike's work always fascinates me .. and yes, it paints images in your mind. Because he plays most of the instruments and layers them one on top of the other it is similar to your analogy about painting a landscape. The guitar work is massively intricate and so skillful ... It is also great that the same themes/tunes keep come back again but changed, enhanced, developed. Ommadawn is frequently regarded by fans as possibly his greatest masterpiece. As a big fan I am glad you enjoyed it .. .and a little jealous of you as it was so long ago that I cannot recall the feelings from the first time I heard this album.
Thanks Justin. I had this on vinyl and loved it. I dumped my vinyl due to a house-move but never replaced it on CD. This is the first time I've heard it in 20 years...just about to order the CD on Amazon - original version of course.
Your best review too by the way. I'm amazed that you can capture what we all feel so succinctly after one listen.
BTW, if you want to be moved like that again, but don't have much time, then try The Lake from Discovery. It almost makes me cry at the end every time. I so thought it was Mike's farewell track. I'm oh so glad that was wrong. Add to that the best rock drummer the world has seen (Simon Phillips) eith his first tentative steps into production, and it's a mini masterpiece. Just do it.
Omg JP, can't believe you've visited this excellence so soon.
What an album, what a journey, pure escapism.
Such a shame for us Mike Oldfield got over his demons lol by the 80's.
It's Hergest by the way, Mike says only the locals pronounce it Hargest! He views them as backards.
Well I think the locals can pronounce it anyway they like,their ancestors probably named it after all and if Mr Oldfield really does consider them "backards" that's his problem
This was great. Another amazing song I had never heard before. Now I can hardly wait to hear part 2.
This is a great composition to dissect, a masterclass in dynamic composition AND studio production.
Thanks for listening to this album. I do it very often. His best for me! Unlike several people who don't like a lot of his output, I find treasure in almost all of his albums. However this one is the top album for me. Only thing is that after playing a day of Oldfield music my mouth is sort of fixed in the "whistle along mode". Small price to pay ;-) This music is very inspiring to me. I like to play this music while drawing and painting, sets me in a creative mood. As I know this music by heart it is almost a meditation to me. Working as an illustrator, I usually play long songs for that reason. And Oldfield has quite a few of them so his music is a great companion.
The piece features South African group Jabula on percussions. He followed the direction of this album on "Incantations", where there's also usage of choir and again Jabula.
No words to describe this Masterpiece.
omma-God at last!
🤣
I loved your reaction bro, This is the purest Heartbeat (that one that you felt at the end and maybe the most of the people who listened that Masterpiece) of the soul of the Earth, it's like a chant for the Mother Nature or our most ancient origen... Love it my friend!! So proud and happy to see that his music still makes feel the spirit of persons like you!
JP I Love you response when the English Folk part starts. And the Smile that Stayed on your Face!!!!
JustJP I love the way you assess and describe. I first heard Mike 1982 with Five Miles Out. I think you'll enjoy the track Taurus 2 (entire side A of the LP)
Ty Arnold!
First my condolences with the loss.
This album is a masterpiece. Just put on your headphones, lay down, close your eyes and be drawn into the music.
This album is better than Tubular Bells. More imaginative, more guitar oriented, happier.
The next album, Incantations, Maybe I like that one even more.
Absolutely my favorite oldfield's title ever. It's like in his first trilogy each new album was an upgrade of the previous !
This albums still gives me goosebumps (after listening to it a gazillion times)...
I just love watching and listening to Your reviews, Justin :) You have a true oratory talent. It's so on point, insightful and intelligent. It feels that you speak the things thats on my mind. I can only second that and enjoy.
Ty so much Skirmantas
Hi Justin, I knew you'd get this immediately and enjoy it. I guess my hat is safe from being eaten for a while.😏
I usually hate reaction videos, but yours are so much better than the rest. Your descriptions are really insightful. Thanks!
Ommadawn, an old single malt and Lord of THE rings.
Preferably with a Woman of taste!
Keep Up your Good work JP!!
I still have ny battered vinyl copy bought on day of release so glad you are enjoying it,His Sister Sally (who had hits in her own right) is one of the singers on this Album. best wishes from the uk Justin.
Thanks for doing this one! Have listened to this since it first came out. Feelings? Hard to articulate, but something like development and discovery. Almost like the plot of a book playing out, each part feels like a natural development. Even when a new chapter starts, it has the connection to what comes before. The textures of the sounds he makes, and the rhythms he uses make this piece comforting and welcoming. There is something elastic, resilient, springy that makes it feel solid and hand-crafted. This is wood, not concrete. It has integrity and life.
Wood and concrete, I like that
So many of these musicians like Mike and so many you've played here are not just rock and rollers etal. They are composers. Bravo Maestro Oldfield!
A masterpiece of an outstending artist.
That sudden cut to drums at the end makes sense when it is immediatly followed by the massive primal scream that opens part two. I think Oldfield is expelling a lot of demons here. He entered a period of primal scream based therapy pretty soon after this. Then came back with possibly an even greater album "Incantations." For me these four initial albums are essential listens, the rest you can pick and choose from. According to his autobiography he emerged from his therapy sessions a chamged man and the music (to me) was never the sane again though still worth exploring and submersing yourself in.
That last 7 minutes from that piece is like going to heaven and back
Regarding the lyrics on this, here is what genius.com says: "As stated in Oldfield’s autobiography Changeling, Oldfield himself said that he just wanted “sounds” in Ommadawn, as appose to “sensible” lyrics. And so, he asked Clodagh Simonds, an Irish songwriter, to write the first words that came into her head. She wrote,
“Daddy’s in bed, The cat’s drinking milk, I’m an idiot, And I’m laughing”
Oldfield states these words were translated into Irish by a relative of Simond’s. Finally, on the album version the words were scrambled."
Clodaugh Simonds was in the band Mellow Candle who made an amazing album that went undiscovered for years. Justin... you must add that album to your queue :-)
I´ve listen to Ommadawn the first time in 1977 as i was 14 years old. In 1977 all people like Uriah Heep, Jethro Tull, Deep Purple, Manfred Mann and others, but Mike Oldfield puts aside the curtain that was covering my ears before.
so glad you like is music, been a fan since the beginning remember listening to this on my old record player in 1975
This is possibly my most favourite record ever, side 2 is so powerful it nearly makes me cry. He struggled with the attention he received from TB and the pressures to make a follow up (he really didn't want to make Hergest Ridge and you can tell as it's a bit of a mess and as it wasn't as well received he struggled even more). I find it fascinating that following the passing of his mother (who had really struggled with mental health issues), IIRC his marriage had ended also, and the pressures from his record label he effectively ran away and poured all of that struggle into the most beautiful album ever.
I recall when I was first dating my wife, we'd had many conversations about music and she'd played me Prince and Massive Attack from her collection, that was great as I'm a huge fan, but I then brought over an LP and told her it was the best record in the world, she sat through all of Ommadawn but looked like I'd just taken a dump on the carpet :) She never could fathom long tracks!
Yes, Ommadawn is quite exquisite! Thats funny about you and your wife, love Massive Attack 😄
I loved Mike Oldfields recent Return to Ommadawn.
Thanks for that reaction, I realised I haven't listened to this in quite a few months now. The ending of Part 1 is one of THE music goosebumps moments for me. I totally understand that fast heart beat reaction at the end, I have that as well, sometimes with a tear or two. Together with "Hergest Ridge", "Incantations" and "Amarok" my highlight in his discography. I have to say though, that there are many other of his albums of which I like some parts at least. I can find good songs in every album up to "Discovery" (and there are good ones every now and then afterwards as well).
Justin, you are really getting Mike and his music now, and I said before this is the album where Mike Oldfield the guitar player comes through, he has a wonderful and unique style, touch and tone, you are yet to hear his beautiful clean playing. Ommadawn is a masterpiece by a true musical genius, bring on Part 2.
What you say Justin says everything and yes totally right brings back when hearing the album for the first time when it was released back in the '70's. Still love this track as much as when first hearing it. How Mike Oldfield manages to capture kind of mystical UK music sounds from about a thousand years and mixes it perfectly together. From medieval and before, to 17th/ 18th Century through to 20th Century including Northern Brass Band and beyond in this. Whistle along to and sing along to "Ab yul ann i dyad awt
, en yab na log a toc na awd. Taw may on omma dawn egg kyowl omma dawn egg kyowl". Even reading that the music comes to mind. I love the drama is subdued and a top music track.
The thematic unity in this piece is really well developed and not always apparent until you've heard it a lot - as worthy of analysis as any classical symphony. Even two of the main themes (the opening one and the bouncy recorder one) are thematically drawn from the same material. And we hear everything come together at the end. And this is eclectic World Music long before it was hip in the 1980s. I'm not sure anyone conceived of blending African and Celtic music traditions before. Definitely his most unified, polished and well structured piece to date, though Incantations is even more impressive on that score. However Ommadawn remains my favourite because of the sheer beauty and poignancy of the themes.
Great comments, Richard. Thanks.
Wonderful - in turns beautiful and magnificent, only surpassed in Oldfield's canon by part two. To my mind this album is a more cohesive whole than Tubular Bells. Christmas is coming up so I suggest the single "In Dulci Jubilo" nearer the time, it was a huge hit for Oldfield at Christmas 1975 in the UK.
I think Oldfield's guitar tone comes in part from the fact that he's a finger-picker. I can hear some similarities with other finger-pickers like Mark Knopfler of Dire Straits and Lindsey Buckingham of Fleetwood Mac.
I was so stoked to see you react to this! It's one of my favourite albums!
And that last excerpt always, ALWAYS gets me going! Something primal and pagan in it. I feel like I belong there, as if it was a former life on the land.
Totally agree Kain!
I have never herd this one!! Fantastic!!!
Great, Justin ! Personaly I can't describe exactly what Mike Oldfield's music makes to me, but sure it is healing for me at a very profound level. At a harsh period of my life as a young adult, his music was essential for helping me to survive. I still love today its incomparable style. You talk about meditation, yes there is something like that in his music... You will see it particularly in Part 2, which is more peaceful until the fabulous final climax, but that I love as much as Part 1.
That Mike is not mentioned among THE best guitarist is a Huge joke!!
Yep, along with Richard Thompson
thats true- he is the best
@@willrichardson519Richard Thompson is killer
Killing Fields DVD his music is barely audible, minimally used and he gets no credits in end titles. If people ignore you, you’re probably doing something very right lol
You are so gifted! I love your commentaries on Mike OLDFIELD music! Your videos have added a new dimension to listening to music! I've been pretty much a loner musically as I don't seem to meet the kind of people who can appreciate Oldfield's music. So, all these years I've not been able to share the joy that comes from listening to it. To finally meet someone and watch them react as I did when I first heard Oldfield almost makes me want to start a bromance! Lol! To see you react and to hear your thoughts is such a blessing...even therapeutic! Thank you so much for making these videos! You asked what do we feel when listening to this. I got this album from my sister as a birthday gift and at that time we were living in a farmhouse in Virginia. The autumn air was cool and crisp and the trees were brightly colored and beautiful. This album was for me, that whole scene painted in music. My sister and father were in my upstairs bedroom listening to it with me. They were not enjoying it as much as I was so they began chatting. I was a little annoyed because I loved what I was hearing. I remember when the part came on with just the vocal and the african drums it grabbed me big time and I immediately shooshed them so I could hear it! I loved it!!! The album was like the soundtrack to my life at the time. It was perfect for where I lived and for the fall season with a little 'witchiness' about it. Mystical in ways...like my surroundings. I'm a Christian and Mike Oldfield's music always seemed very spiritual to me...like Alan Parsons Project music. You say it's like meditation and I agree. The music always takes my mind to God and our relationship. You describe Oldfield's music as a journey. So, true! Always a beautiful spiritual one for me! Keep the videos coming. If you haven't already, I'd love to see you listen to Oldfield's Amorok album!
Thank you so much Rick, im so glad youve been enjoying the videos and music as much as I have. Thats a lovely memory of hearing this album with your family; I cam imagine shooshing my own if they started talking during this one😅
Lots of keen Mike Oldfield fans online, from all around the world.
Amarok is the second part of Ommadawn. A specially conceived record against Virgin Records. 60 minutes of song that the record company could not get even 30 seconds for a promotion. And yet it lives up to Ommadawn and is a true masterpiece. Not only in its composition, but also in all the engineering behind it.
Yes. Virgin wanted Oldfield to name the album as part of the "Tubular Bells" series and he refused saying if anything it is a sequel to "Ommadawn". Virgin subsequently gave no promotional support. Virgin also treated XTC poorly.
Like the stuff you're listening to. Out of the box. Great album.
Listening back to this reminds me how much Oldfield could shred, when he felt like it. especially in the context of the time, there is some real crazy guitar stuff going on here.
i think part one of this is my favorite Mike Oldfield. It just transports me to another place. Smooths out the rough edges.
Amarok, if you have the guts.
Yes!
Anyone who samples Maggie Thatcher (Janet Brown) has guts IMO lol.
Yes!
I have that album and it was and is a tough piece to chew and frankly, to me it does not stand by the first three albums or "Incantations". At that contractual situation he was then
it is a word out of frustration rather than having something really solid and cohesive music to offer complete with morse coded f* you to record company owner.
That album is the reason my wife refuses to listen to Mike Oldfield with me anymore
This album means so much to me. Especially the final minutes of Part I. Every note just makes sense.
After Ommadawn Pt 2 go for Crises, his album from 1983. Great blend between prog and very solid "pop rock" songs.
Mike Oldfield has a slew of good, under-rated songs
Great analysis. Watching you enjoy it for the first time was a real pleasure. This album reduces me to tears more than any other.
Aw, mate yes! I haven’t watched yet but I never thought you!d do this so I’m excited in advance. I’m also excited for you to hear the end of part one because damn.
Oh, you did Hergest Ridge already? I’m that case.: I’ll be back.
I’m back. Hit it.
you don't need words just sit back and enjoy