@@Nicburon I'm currently recording the first album, so when it's done I could just put the link here if you'd want to. And btw the style is pretty much like a combination of Portal, Paysage D'hiver and Sunn O))), so it might not be for everyone but i hope you'd like it!
Been getting into drone lately. Your video inspired me to start playing around on my Helix with drone tones. I can see this opening up hours and hours of tweaking the signal chain, trying different guitars/basses. Endless fun. Thanks for this!
well done sir! solid overview and breakdown. if i may recommend the movie "Mandy" and score by Jóhann Jóhannsson its perfect balance of groovy psychedelic LSD love and heavy evil tones/themes.
@@NicolasPerrault excellent! pick a good night to watch maybe some stimulant's to aid in the experience? the "mandy love theme" haunts me. stephen o'malley also participated specifically on "temple" which features slow punctuated drums like you mentioned in the video. also if i may "the devils candy" movie is great and features stephen o'malley on guitar. the antagonist in the story also plays heavy de tuned guitar. "i have to play it loud so i dont hear him"
Very informative, learned some more about Drone Doom, which I recently got into and have embraced it fully. I noticed you mentioned using an octave pedal on the bass side of the sound, I use the Does It Doom octave pedal, but its more of a hyper octave. I have a Boss OC3 Octave pedal that I rarely use, maybe I can use it now when playing Drone. What settings should I set the OC3 to in order to get that full drone sound?
I call my own music "drone doom", but it really isn't. It's much closer to classic doom, but slowed down quite it bit, and I still like to use drums and percussion to add a bit more. Your explanation and playing really define the "drone" much better. And now I have to check out Nils Petter Molvaer.
It's a tricky thing... how slow is a glacial shift? Also: if it's not distorted, is it automatically ambient? All this genre border defining stuff is really tricky. But yes, do check out NPMs newer stuff on okay records.
Nice! That's what Death From Above 1979 and Royal Blood do for rock music as well. I think you get nicer transients and more precise low-end that way. The octave down version seems to have a sort of built-in smudge tool, which works for drone/ambient tones, but doesn't really work for anything else.
Also, I think it’s important for fledgling doom guitarists to see just how noisy the tones can be before you start laying down some thick riffs. Thanks for this.
Great stuff Man. Very thoughtful. Feedback. Check out The song Anthrax on Gang of Four's first album. Andy Gill's playing was genius. Still gets my adrenaline pumping.
Hello. I need your advice . I started to learn guitar like year ago, my teachers make me practice diatonic and arpeggios of triads , jazz chords… it’s ok to understand music, but it’s far from doom metal or dark drone ambient. Can you give me advice pls, what theory should I learn to write and improvise in this genres like stoner , doom metal, etc. I know pentatonic , but don’t know what chords play, only like quint chords
Hey! I also learned with an old jazz dude, but really all you need is basic pentatonic and blues scales. If you want it to sound a bit darker, go harmonic minor. If you want to get started, try to keep it as simple as possible. 3 to 4 notes per riff is fine. Power Chords are one thing, but especially in Stoner Rock more often than not they are just open root-fifth or an open e string and a note on the a string. Hope that helps!
Amazing, Nicolas. I agree: low and slow = heavy as shit. I'm looking to build the ultimate doom drone preset for my Neural Quad Cortex, 8 string. This was very informative, but would appreciate any feedback that could be helpful for Neural and Doom, if possible .
Thanks dude! Means a lot! If you're into the weirder music genres, check out my friends IWKC from Moscow. My drone/ambient band WilleZurMacht did a few collaborative works with them.
Any recommendations for a good and reasonably priced fuzz? I looked at some pedals recommended by other channels like "does it doom?", but they often cost as much as my whole amp.
I personally love the zvex fuzzfactory and the russian bug muff, though these are more mid-priced pedals I'd say. More affordable options I'd try would include the EHX Satisfaction fuzz (it's a very particular sound though) or the little big muff. Both should be around 50£/€/$. The other option, if you're up for some soldering, is getting a clone of a fuzzfactory as a diy kit and build one. It's really not all that difficult and kits run anywhere from 20$/€/£ to 60$/£/€. Also try reverb or Craigslist for secondhand pedals.
Funny how much noise the Rat gives, when not playing, but it does have this kind of (semi)transparency, when hitting single notes... But when you hook up a Rat with a fuzz (In my case an old big Big Muff, tone at 0), it sounds like the building's falling apart. 🤣
Great tutorial \m/ The first one, which is a normal and interesting video about this specific genre and not only a stupid comedy video. I have a question and i don't know if you are also playing or "writing" drone doom songs or if you know some guys in this genres but my question is about the time length. If we choose the debut album from the band KHANATE, than the song "Under Rotting Sky" is over 18 minutes long and the track "No Joy" only 11 minutes. How do you know, when to finish the song. I mean if you have no strict rules or songstructures, than you can hypothetically play a song for 2 hours. Maybe you write some songs in this style and know, when to finish the song and choose a different time lenght without playing the song for hours. Thanks
I believe the answer to this is rather complex. I suppose I just escalated the music to a climax and then tore it back down. Give me a few days and maybe I'll have thought of a better answer. In the meantime my drone/ambient band WilleZurMacht did some collabs with Russian post rockers IWKC, maybe that's something you're interested in.
@@NicolasPerrault Thanks for the answer. What scales are good for Drone Doom? Scales like the locrian or phrygian scale and some more spezific ones, like the harmonic minor scale?
I based it off a fuzzfactory, but tried a few different germanium transistors until I found the ones that sounded the closest to what I had in mind. So pretty much google for a fuzzfactory schematic. Hope that helped
My main "go to", nowadays... Caline Snakebite, Mooer Blues Mood, Rat2, Big Muff (NYC or Russian), Behringer Bass EQ, Behringer Reverb Machine, Ibanez DE7.
I really dig your take on all of this, but your overall understanding is honestly just a bit subjective. Your tone however, is right on the money. I give it three "Hail Sagans" out of five : )
Can’t wait for the Sludge episode!
It's a really good tutorial! It helped me a lot, to create a perfect tone for my experimental black metal/drone doom project. Greetings from Poland!!!
I’d love to hear your project! Can I find your work online? Greetings from USA.
@@Nicburon I'm currently recording the first album, so when it's done I could just put the link here if you'd want to. And btw the style is pretty much like a combination of Portal, Paysage D'hiver and Sunn O))), so it might not be for everyone but i hope you'd like it!
@@cosmicmonolith4446 sure, link it up when it's ready. I would also be excited to hear it!
@@cosmicmonolith4446 Any updates? Would love to hear a demo or a full release
This series is really getting somewhere.
Nice.
Thanks Martin!
Been getting into drone lately. Your video inspired me to start playing around on my Helix with drone tones. I can see this opening up hours and hours of tweaking the signal chain, trying different guitars/basses. Endless fun. Thanks for this!
It's a super fun genre to mess with gear and tunings and to just play. Glad you liked the video!
Dude your patch sounds so great here!!
Thanks!
well done sir! solid overview and breakdown. if i may recommend the movie "Mandy" and score by Jóhann Jóhannsson its perfect balance of groovy psychedelic LSD love and heavy evil tones/themes.
Mandy is definitely on my list. Jóhannsson is fantastic at composing moody score.
@@NicolasPerrault excellent! pick a good night to watch maybe some stimulant's to aid in the experience? the "mandy love theme" haunts me. stephen o'malley also participated specifically on "temple" which features slow punctuated drums like you mentioned in the video. also if i may "the devils candy" movie is great and features stephen o'malley on guitar. the antagonist in the story also plays heavy de tuned guitar. "i have to play it loud so i dont hear him"
I love Drone Metal because it's scary stuff, and it's also easy to play, and like other styles of Doom Metal it goes nicely with everything
Very informative, learned some more about Drone Doom, which I recently got into and have embraced it fully. I noticed you mentioned using an octave pedal on the bass side of the sound, I use the Does It Doom octave pedal, but its more of a hyper octave. I have a Boss OC3 Octave pedal that I rarely use, maybe I can use it now when playing Drone. What settings should I set the OC3 to in order to get that full drone sound?
I'll make a short about this. Should be out by the end of the week.
Wow I really love your explanations of this!
Thank you so much!
This is great stuff. Thankful for this channel really helpful for beginers trying to find their voice with the instrument.
Thanks Rob!
Amazing as usual :D
Love your tutorials, bro!
I call my own music "drone doom", but it really isn't. It's much closer to classic doom, but slowed down quite it bit, and I still like to use drums and percussion to add a bit more. Your explanation and playing really define the "drone" much better. And now I have to check out Nils Petter Molvaer.
It's a tricky thing... how slow is a glacial shift? Also: if it's not distorted, is it automatically ambient?
All this genre border defining stuff is really tricky. But yes, do check out NPMs newer stuff on okay records.
Funny, I use an octave up on my downtuned bass, to blend in that kind of guitar-like sound, added to all those low bass frequencies.
Nice! That's what Death From Above 1979 and Royal Blood do for rock music as well.
I think you get nicer transients and more precise low-end that way.
The octave down version seems to have a sort of built-in smudge tool, which works for drone/ambient tones, but doesn't really work for anything else.
None of these tones matter without the cabinets and tubes to provide the live experience. It's about the vibrations at huge volume.
Love this!
Thanks!
Great tutorial, but about using drums with drone doom.... have you heard of Bong? They make drums work very well with this style of music.
1:49
This is what happens when I turn on my Hizumitas. Sounds phenomenal but JESUS does it make a quiet amp yell.
Also, I think it’s important for fledgling doom guitarists to see just how noisy the tones can be before you start laying down some thick riffs.
Thanks for this.
It can definitely get quite noisy real quick.
Great stuff Man. Very thoughtful. Feedback. Check out The song Anthrax on Gang of Four's first album. Andy Gill's playing was genius. Still gets my adrenaline pumping.
Thanks! That intro alone is just a masterpiece of noise, love it!
DOOMMETAL FOREVER!!!! huge into instrumental Funeral Doom here, but i have been accused of sounding like DRONE at times
haha XD
Could you do any tutorials?.Maybe some earth.Thanks in advance
Thank you for this video!
Hello. I need your advice . I started to learn guitar like year ago, my teachers make me practice diatonic and arpeggios of triads , jazz chords… it’s ok to understand music, but it’s far from doom metal or dark drone ambient. Can you give me advice pls, what theory should I learn to write and improvise in this genres like stoner , doom metal, etc. I know pentatonic , but don’t know what chords play, only like quint chords
Hey! I also learned with an old jazz dude, but really all you need is basic pentatonic and blues scales.
If you want it to sound a bit darker, go harmonic minor.
If you want to get started, try to keep it as simple as possible. 3 to 4 notes per riff is fine.
Power Chords are one thing, but especially in Stoner Rock more often than not they are just open root-fifth or an open e string and a note on the a string.
Hope that helps!
This is awesome. Danke für dieses Video!
Dankeschön!
Amazing, Nicolas. I agree: low and slow = heavy as shit. I'm looking to build the ultimate doom drone preset for my Neural Quad Cortex, 8 string. This was very informative, but would appreciate any feedback that could be helpful for Neural and Doom, if possible
.
Whilst I personally don't have a QC, I've been meaning to make a tutorial on amp modelling for a while now. Thanks for reminding me
Very good video my friend!
P.S. From Russia with LO)))VE
Thanks dude! Means a lot! If you're into the weirder music genres, check out my friends IWKC from Moscow.
My drone/ambient band WilleZurMacht did a few collaborative works with them.
Any recommendations for a good and reasonably priced fuzz? I looked at some pedals recommended by other channels like "does it doom?", but they often cost as much as my whole amp.
I personally love the zvex fuzzfactory and the russian bug muff, though these are more mid-priced pedals I'd say. More affordable options I'd try would include the EHX Satisfaction fuzz (it's a very particular sound though) or the little big muff. Both should be around 50£/€/$. The other option, if you're up for some soldering, is getting a clone of a fuzzfactory as a diy kit and build one. It's really not all that difficult and kits run anywhere from 20$/€/£ to 60$/£/€. Also try reverb or Craigslist for secondhand pedals.
@@NicolasPerrault thanks. I already had an eye on the green Big Muff and 80-100 is exactly my budget.
Sf300 $30
great stuff dude....any earth tutorials? that would be great
dope vid! learned a lot
Funny how much noise the Rat gives, when not playing, but it does have this kind of (semi)transparency, when hitting single notes...
But when you hook up a Rat with a fuzz (In my case an old big Big Muff, tone at 0), it sounds like the building's falling apart. 🤣
🤣 yeah, they're not quiet pedals
@@NicolasPerrault, I know.
I mainly use headphones, in order to keep the windows from falling out ouf their panes, and for my neighbours' sake. 🤣
Great tutorial \m/ The first one, which is a normal and interesting video about this specific genre and not only a stupid comedy video.
I have a question and i don't know if you are also playing or "writing" drone doom songs or if you know some guys in this genres but my question is about the time length.
If we choose the debut album from the band KHANATE, than the song "Under Rotting Sky" is over 18 minutes long and the track "No Joy" only 11 minutes.
How do you know, when to finish the song. I mean if you have no strict rules or songstructures, than you can hypothetically play a song for 2 hours.
Maybe you write some songs in this style and know, when to finish the song and choose a different time lenght without playing the song for hours.
Thanks
I believe the answer to this is rather complex. I suppose I just escalated the music to a climax and then tore it back down. Give me a few days and maybe I'll have thought of a better answer.
In the meantime my drone/ambient band WilleZurMacht did some collabs with Russian post rockers IWKC, maybe that's something you're interested in.
@@NicolasPerrault Thanks for the answer.
What scales are good for Drone Doom? Scales like the locrian or phrygian scale and some more spezific ones, like the harmonic minor scale?
I love Sunn0)) and i love your tutorial (liked and subscribed). What does the flag behind you say?
Thanks mate! It's an IWW flag and reads 'an injury to one is an injury to all'
Hey Nicolas, can you tell us what pedals do you use? It was hard to hear what exactly is the model
Hey Se Se, I'm using a headrush gigboard. On it I emulate a Rat Pedal, a Muff on the bass side and some Overdrive in front.
Hope it helps
@@NicolasPerrault wow! fully equipped and compact. Very cool!
Amazing videos thx!!
Thanks mate! If you have any other things you'd like me to cover please let me know.
You deserve way more subs
Thanks mate! You can definitely help out by sharing a video 🤷♂️😅
I run an octave as well, but both up and down, 'cause I'm playing bass with chords....
Quite a bass heavy self built fuzz...
Got schematics?
I based it off a fuzzfactory, but tried a few different germanium transistors until I found the ones that sounded the closest to what I had in mind.
So pretty much google for a fuzzfactory schematic. Hope that helped
@@NicolasPerrault Okay. Clear...
I use a Rat, and different fuzzes, and a Laney pre-amp. With reverbs both before and after dirt pedals.
My main "go to", nowadays...
Caline Snakebite, Mooer Blues Mood, Rat2, Big Muff (NYC or Russian), Behringer Bass EQ, Behringer Reverb Machine, Ibanez DE7.
DRONE & DOOM = Subscribed
Thx, mate!
2:18 😩 yessss
🤘💀
Signal chain?
Refer to minutes 2-5.
I explain everything there
Love your beard.
Thanks!
What pedals are you using
I use a Headrush gigboard and a germanium fuzz I built a while back.
@@NicolasPerrault at 1:50 and 1:55 what are you turning on?
@@jeremiahbear175 ah..that would be the germanium fuzz. It's loosely based on a fuzz-factory - so maybe give that a try?
can you share the patch?
Sure thing! I'll put up a doom pack for free once the series is finished.
You'll even get some sweet IRs.
@@NicolasPerrault great! can’t wait!
I really dig your take on all of this, but your overall understanding is honestly just a bit subjective. Your tone however, is right on the money. I give it three "Hail Sagans" out of five : )
Remember children...robes are part of impact on tone and sustain 🤣🤣🤣
🤣🤣🤣🤣🤣
Way too fast for me! Slower, please. Slower. Thank you.
I was nervous 🫀
It sounds like a 5-year-old playing with an instrument he shouldn't be playing with