Testing the Music Timing Clutch - Marble Machine X #77
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- Опубліковано 15 жов 2024
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Machining Precision meets Music precision! Finally a design idea and solution that delivers 100% :).
Check out the video from Machine Thinking here:
• Perfect Timing (with t...
Thanks so much to Machine Thinking for making this Masterpiece.
Thank you all for following this Journey, I rarely mentioning it but I wanted to say a special thanks to all of you that supports this project through through Patreon and UA-cam Channel Memberships, it makes a huge difference, thank you!
► / wintergatan
► www.youtube.co...
Two things I forgot to mention: Once we know the values of the Timing clutch, they will always be the same. So live in concert we will know the settings for each song without having to test it every time. “Song 3 = 13 steps +” etcetera. This one adjustment will make sure both that the treadle pedal and the crank hits 6 o clock on the rotation in time with the beat and also make sure that the rhythm machine and marble hits are synched.
Yesterday I hit a milestone in the studio, I had a full marble loop with the whole marble lifting system working perfectly for the first time ever, including the conveyer belt, the two gear lifts and the demag wheel. The marble divider has been having an issue where the marbles got stuck on top and I found a super simple solve that reduced resistance for the rolling marbles and that worked instantly. I could have the kick drum playing and the marbles were picked up and transported all the way up. Its getting there. Thank you for following along!
All best/ Martin
Marble Machine X "I Believe" t-shirt
► teespring.com/...
The video was edited by Johan Weber and Martin
Johan also makes music: spoti.fi/2KOXv4i
#Marble #Machine #X
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INSTAGRAM ► / wintergatan2000
REDDIT ► / marblemachinex
DISCORD ► / discord
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Thanks to the Marble Machine X Team 2019
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MUSIC DOWNLOADS ► wintergatan.ba...
WINTERGATAN RECORDS ► www.wintergatan...
SPOTIFY ► bit.ly/2oKxXWd
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MERCH ► teespring.com/...
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Everything about this is beautiful.
It's quite a feat of design, engineering and collaboration isn't it?
I never would have guessed my second comment on an MMX video would be for a part I made
Curiosity. Is this part even working as YOU envisioned it. Or did Martin throw a surprise at you??
@@peterkelley6344 Exactly as I (we, really) envisioned it. There was much discussion and CAD work to make sure the need was met exactly.
@@machinethinking i wish he knew just how beautifully you empowered him to join his analog machine to digital calibration!!! your genius
Totally ingenious. As a master automotive technician, it blows my mind the thought process required to create a such a device.
However, I'm surprised he couldn't correct the timing issue in the recording software.
@@knunyabeasewhacks8744 the MMX is supposed to be an instrument played live afaik.
I really like the futureproof thinking here. By making this adjustable, you can use MMX on other planets where gravity is different.
First moon based concert?
This makes me imagine him playing it on Pluto and it takes a whole minute for one marble to fall all the way onto an instrument, but the machine is still releasing them regularly so there is just a wall of slowly falling marbles that are still hitting the instruments at the right moment. Sadly they wouldn't gain enough momentum to be able to strike with the force to make audible music.
Mackinstyle The marbles would just get flung off the machine at the lifting part
Still needs gravity though... Not ready for intergalactic action unfortunately
Something about a flyby of the moon comes into mind here :)
That's how you properly credit a channel, good gracious, nice!
Do you know de wey
to properly credit a channel
i love when he procrastinates and makes music.
Procrastination songs are the best
Looks like someone else is procrastinating as well XD
Jk take as much time as you want, no rush ;)
Technically, the machine is him procrastinating making music lol. Just a funny thought, live his mid build noodles.
r/woooosh
*Doesn't upload a single video in 7 months*
Loved the lil' jingle announcing the clutch 😂
The spring as a miniature airhorn was brilliant. Every part of this thing is an instrument!
Fancy seeing you here, salut
Finally a design idea and solution that delivers 100% right off the bat :). No tweaking with the angle grinder, no mishaps under rare circumstances, just pure delivery sweetness. I could get used to that!
Check out the video from Machine Thinking here:
ua-cam.com/video/s02m616b5AU/v-deo.html
Two things I forgot to mention: Once we know the values of the Timing clutch, they will always be the same. So live in concert we will know the settings for each song without having to test it every time. “Song 3 = 13 steps +” etcetera. This one adjustment will make sure both that the treadle pedal and the crank hits 6 o clock on the rotation in time with the beat and also make sure that the rhythm machine and marble hits are synched.
Yesterday I hit a milestone in the studio, I had a full marble loop with the whole marble lifting system working perfectly for the first time ever, including the conveyer belt, the two gear lifts and the demag wheel. The marble divider has been having an issue where the marbles got stuck on top and I found a super simple solve that reduced resistance for the rolling marbles and that worked instantly. I could have the kick drum playing and the marbles were picked up and transported all the way up. Its getting there. This thing is so much harder to build than what it looks like at first glance. After the first machine I received many emails from people who told me they were building a marble machine of their own, I haven’t heard back from one of them yet, it tells me im not the only one struggling… Some problems on the MMX are self inflicted (you could argue all) but some problems are also just plain difficult. My understanding of engineering redundancy and tolerances is growing (slowly) and I believe I will be able to follow this through all the way up onto that stage. Its not happening fast but it is happening. Thank you for following along!
All best/ Martin
Just wanted to let you know I really enjoyed this video, especially the “Ode to Machine Thinking” We are all rooting for you Martin!
This video should be studied and used as a HOW TO for giving credit to another channel that you have collaborated with. Awesome work on the music machine as well you have come a long way!
I was thinking the same thing. Science and engineering channels are seriously ignored by the platform, and I'm glad a project like wintergatan exists.
I really love how he combines music and engineering!
Well, he studied musical engineering. So... :)
Pure art
Your "Ode to Machine Thinking" sounds like it could be one the background songs to a Megaman level
Champion Luvah dr wily
Either that or an 8-Bit Keys episode!
I'm hearing it as a companion piece to Computer World by Kraftwerk
I thought the same thing. lol
it is
I love wednesdays just because of Wintergatan.
I love wednesdays AND Wintergatan
My favorite day of the week as well!
It's like waiting for a new episode of a show to come out!
Indeed! I hate Wednesdays, but then I remember "Oh wait, when I come home, there will be a new Wintergatan video up" and it turns into a great day.
who doesn´t
10:05 *slaps Marble Machine* ARE YOU RUSHING, OR DRAGGING‽
underated comment tbh xD
FASTER!!
Not quite his tempo
ARE YOU UPSET! SAY IT LOUDER!!!
Martin, when you're ready for Modulin II, it's already designed and in CAD. See Elaine for my email to PM me. Thanks!
I made my own ribbon midi controller a while back, would love to see your version!
Mod2lin
Post it on the Reddit page so Martin will see this comment.
I would love to build a Modulin of my own
hey can you send me i want my own modulin maybe i can make it work :) frkntas@gmail.com
Those marbles falling into that tiny little capture tube at 0:12!
2021: A symphony orchestra and a Raptor rocket engine were integrated into the MMX ;) Timing Clutch - masterpiece!
Methoxy-powered horns?
yeah, we need canons so that he'll be able to play 1812 Overture
@@666Tomato666 your language is clearly not natively English -- we use two Ns for Cannon.
The Raptor is too big. I say go with the Merlin for this project instead (+ it's tried and true technology, and the X is still relevant ;)
@@PatrickPoet yes, I'm sorry I made a typo when writing in my 3rd language, but if I used the 6th language I know, I don't think you'd be able to read it, let alone understand it
also, how is that relevant?
I am an engineer and a musician, but you still surprise me with your genius every week. For real, you are incredibly talented.
Why didn’t you just change gravity? Ugh, always going for the dificult solution.
(Btw, love your vids)
The denser air would've changed the pitch of the xylophone, d'uh...
@@dennisamelunxen8283 and there would be more air resistance, thus changing the timing once again
Hmmm, let just use a brunch of tiny black holes
Be could be in a vacuum chamber to increase effeciency, Duhh.
@Agent J the contact microphones would get the vibrations straight from the instruments so you would need no air
you and your audience, have learned so much since the start of the new machine. i love to watch people do well. seeing all of the generous people working together to found this great project , gives me hope for a better kinder world.
9:42 "Finally, I build something that works."
Well, congrats Doc Brown. Just watch out for lightning and Lybians.
lydians?
@@dariusduesentrieb Doc Brown allied with some Lybians terrorist so he could steal the plutonium need for his time machine.
Also he may or may not have been planing to let it run him over if it failed as he surely was on his last straw, putting his life one the line for it to work.
McBlaggart well I’m sure that in 1985 you can just walk into any convenience store and buy plutonium. But here in 1955, it’s a little hard to come by
I wondered if that was a deliberate reference or just coincidence.
@@rbbrchkn -r/whoosh
America's Iron Giants was the first video I saw from MT, that channel is great and the timing clutch looks fantastic. It's cool to see so many creators taking part in the creation of the MMX.
Yes! His videos are like mini NOVA episodes.
Part 2: French plywood giants
Best Wednesday EVER! A beautiful brass indexable timing clutch AND a successful recovery of all three Falcon Heavy boosters wahooooo!!!!
Well, the center core was damaged during transport to shore... Thus again not really a successful recovery of it.
No, I'm just nitpicking. ;) I just love when engineering and results, in this case a musical instrument, come together!
@@EltoV No way! Such a shame. I left for work as soon as it landed on the drone ship.
@@AdVentureQuizzes at least it didn't explode like all the ones in their fail video^^
It's funny but almost your exact problem occurs in internal combustion engines. Combustion takes a relatively fixed amount of time, so as engine speed increases you need the spark to come earlier before the piston reaches the top of the compression stroke to burn the fuel in the power stroke.
I wonder if, in the future, he'd be able to repurpose a spark advancer for this.
@@waterlubber no
Thats what cam shafts are for?
Sort of, but not in the way I'm talking about. The camshaft opens and closes valves and drives the distributor, but ignition advance is controlled by other means (vacuum diaphragm, mechanical weights, electronic, etc...) to move the spark further before compression tdc as engine speed increases.
@@waterlubber he effectively designed a cam phaser. Basically functions similarly to the means of variable valve timing. Although I have to wonder if he could use a cam phaser for that purpose. Would be an interesting project
On the past i have think of this probleme cause by the falling time of the marble, i thought that the MMX could juste be played at a certain speed ... what a wonderfull solution! It’s so elegant, shinny, smart, every week i’m impressed by all the ingeniosity you putt on this! Keep going !
[BTW sory for grammar...🇫🇷🤷♂️]
Your excitement fuels my excitement. This channel is like a cup of coffee that keeps me going through the whole week.
Pretty sure you've already done the math, but this is the formula I found for the offset you have to apply:
offset (degrees) = 3/500 * rpm (crank) * delay (ms)
or:
offset (steps) = 1/60000 * rpm (crank) * delay (ms) * n (total number of steps)
Once you've got the offset for a certain BPM you should also be able to calculate the offset for any other BPM, if you know the constant travel time of the ball to the drum!
I guess I can create some kind of online calculator website for Martin, but what is most important is that with the measurements on two BPMs and the exact degree offset, we can surely calculate the absolute timing delay from the command wheel to the audible drum, which will be useful for your equations!
With the falling delay we can indeed come up with an equation that describes how much you'd have to adjust the clutch when you are changing pace. Martin, if you're reading this, do you happen to have any more details/measurements?
@@koosnaamloos4291, The delay according to calculations are 180ms, not sure about precision in case of inaccurate measurements. I'll post some texts about the calculation in the main comment session.
It would be very simple to build an automatic advance mechanism. Let the machine do the calculation.
You are an artist. A mechanical ,musical, and visual artist. I love you work, and I think you are the best exemple of what the human being can do !
i love this series i ve been watching your project since the start , i am proud of you keep up the good work!!!
so have i, i remember him first talking about the project in the now discontinued music machine mondays series!
Remember when he was drawing blueprints with a marker? He's come so far since
This is by far the best implementation of plugin delay compensation I've seen..
This week on Wintergatan Wednesday: A high calibre calibration collaboration!
That's a tongue twister.
I don't know what is more awesome about Martin: the absolute attention to detail on the MMX or the fact that he can create music on a toy keyboard that is actually good :)
Please make a poster of the "I believe!" blueprint!
Even better, an etch on aluminium... :-)
Yes Yes Yes!
@@CasperMeenink Yeeeees, I would totally buy that for more than the shirt's price and hang it in my room!!!
As far as I know he is currently working on it! Check out his instagram account, he posted some test prints a few days back ;)
He has already shared a master file that he will be using for the poster design in his comment here:
ua-cam.com/video/93OjIcpNuWY/v-deo.html&lc=UgySPK4bZ7kJrSvXQn94AaABAg
Every single video I watch it becomes more and more clear that this is one of the best UA-cam channels of all time, ever since the original marble machine, the combination of engineering, music, and art is just so joyous! You make every Wednesday that much more enjoyable! Thanks Martin :)
Today dragon slayer acquires “The Ring of Time!!!”
not just the ring of time, but the ring of perfect timing. ^^
As someone who makes instruments as a hobby, it's super fun watching you turn you make music with such machinery. Literally friggin perfect as always. Been watching since the start! Here's to seeing dis boi to completion!
I don't even understand anything but I keep watching your video idk why
This project has far already surpassed the boundaries between art and engineering
Honestly love your vids. Can say with confidence that I look forward to seeing and hearing this project done but will miss the Wensdays. Inspired every time
The worst of your videos the adds that continuously interrupts when we just want to watch you do magic, then again that's not your fault. The best: ABSOLUTELY EVERYTHING
Holy cow, that is an amazing mechanism in every way.
A fascinating story, charmingly told. What a lovely quixotic project. Kudos to all.
You should definetely release all of these nice pieces of music you composed/played in the mmx project and these videos. :D
Procrastination songs are the best
I work as an construktor and I am really amazed by your work. This project shows what people are capable of if they believe in something and have passion for it. My work is a joy and i like going to work by seeing the results of my work afterwards, but I never started a project that I am thinking about ever. Everytime I see your videos I comin that nearer and become lust to express myself. Keep going forward. You inspire many people with the MMX and yes you should give us the opportunity to get a "I believe" poster ;)
"Ode to Machine Thinking" sounds straight out of Sonic The Hedgehog
It’s hard to believe the progress you’ve made, moved home (and country!) and the machine had its ups and downs but one thing stands out the most, you......I’m so glad I’ve followed you right from the start and will continue even after this has been built.....let the music play!! 👍🏼😊
Martin, assuming that the amount of steps on the clutch is directly proportional to the bpm, it looks like you can get the amount of steps needed by taking the bpm and dividing by around 4.8. Likewise, you could calculate how many steps you need to add/take away when changing bpm by dividing the change in bpm by about 4.8. This looks like it adds up with your tests in the video.
Also, because the marbles accelerate when they fall, marbles with a longer falling distance (like the ones for the vibraphone compared to the kick) will take a little longer to fall and so will be offset by a different amount. You'd lose about 45ms in delay from releasing the marble 30cm above the target as opposed to 20. I'm not sure how important this is, because it should have been definitely noticeable in the first machine, so maybe it's not a huge issue. Humans are imperfect at this, so realistically perfection in this aspect is not essential.
TL;DR Looks like you can divide the bpm by 4.8 to get how many steps you should move the clutch from the neutral position for synchronized playing.
I was visiting Amsterdam for the week, and your channel convinced me to visit Utrecht and Museum Speelklok. Unfortunately, the bell tower was undergoing renovations so I could see it in its full glory, but it still sounded nice. I loved every minute of Utrecht. Fantastic city.
Won't you have to make sure now that the marble drops take the exact same time for the kick, vibraphone, snare etc. ?
Yea, I'm worrying about that as well...
i was thinking the same here.
Was thinking this too, they'd have to be cadded to all have the same falling distance, but I believe that was controllable at the dropper
@@pippinsmith Yeah, IIRC he mentioned that the drop points are movable up and down the rails, allowing individual tuning of drop timing for every channel!
I think Martin has already built in adjustability to each of the individual channels? That said, I'm not sure how he'll be able to alter each of these in-between songs when playing songs with different tempos live (If he even needs to at all?)
I love how much this episode showed off how truly modular the system is so far. Not only to swap existing parts easily with replacements for repairs, but for upgrades in the future - even adding new features. Excellent engineering.
I think it's *hecking* funny when he whips out his synth turning the elegant video of the new part into a fun montage. Great work!
I know this comment will probably go unseen but I must make it. The first 5 minutes of this video are amazing, really from opening the package, the ode to machine thinking is just amazing and the timing with all the processes... Priceless
I've watched this section of the video no less than 40 times, sometimes just to hear the song, but usually I also watch the video. Excellent work!
If Leonardo da Vinci had a UA-cam channel... So interesting!
I know, right?!
I have developed a theory that he is Da Vinci in disguise
This was the first episode in a while that got me properly excited for this machines future. That part looks incredibly professional.
Built-in gravity metronome! :D Very cool! Thanks Machine Thinking!
Great example of "if you can't make it perfect, make it adjustable". And another great collaboration! This machine is what pulls the UA-cam maker community into an unstoppable force.
*sees complicated mechanical object*
“Ehh probably too complicated” *leaves it alone for half the day*
*sees the same thumbnail again but also notices wintergatan*
S***, here we go again
Amazing this project worked out so well! I had tears of triumph as you did the homage to Machine Thinking. This is humanity at it's best!
Machine engineering in symbiosis with music. Just beautiful!
Aesthetically that piece goes so well with the MMX, and the mechanism of getting the rhythm exact sounds like the kind of ingenuity I hear about in old machines' design from before we relied on computers in nearly everything.
You should design a variable speed gear system that uses centrifugal force to automatically adjust the beat offset.
I thought he needs the drum to help him manually maintain speed. Centrifugal governor would be a better fit for this, though.
@@Repligon he could easily have a metronome into his in-ear monitors, and have the drum as well (because of multiple microphones) and he can see if he's getting de-synced.
I think he's aiming to have just the drum running though, most musicians can at least keep a bpm in their head after some practice.
Exactly my thoughts. I was thinking if the song had a time change, you'd have to stop and adjust, whereas if you had a centrifugal mechanism, it would adjust on the fly
@@chadjensenster I guess for the time being, he could just mute the Rythm Machine while doing a tempo change. Nobody will notice a few milliseconds delay/speed up in the other instruments if the underlying beat is muted. Also keep in mind, for this interval, he still has kickdrum, snare and hihat, which are affected in the same way as the other instruments since they're played with marbles. Once he returns to the song's original tempo, he can switch the Rythm Machine back on and it will be in sync angain.
Something like a centrifugal governor and a CVT
A piece of musical artwork! It's mystifying and beautiful at the same time. Bravo!
Watching your videos is just like falling into a dream world!
Please keep making such great content.^^
Not gonna lie, the mutual respect and appreciation made me teary. Seriously... You both rock.
Cool, think we'll get to see the marbles make a complete journey around the machine soon? It looks like you just need to connect the demagnetizer to the conveyer at this point.
Check the description, he succeded in doing so
MMX is such a beautiful machine to watch work. Even if I was deaf I would still appreciate the complexity and attention to detail.
Cant wait for the finished machine... it will be awesome
I absolutely love everything about this build series. The complexities, the dedication but above all the collaborations.
But I have to admit to having an affinity with the original marble machine. I think its because of it complex simplicity (if that makes sense), it was all hand made and it was built with simple materials.
Of course, they both need the genius of Martin to bring them to life.
Does this remind anyone of the old IBM Selectric machines? Like a few thousand parts of ingenious engineering beautifully put together and it all functions perfectly.
One of the best collaborations I have ever seen and both are geniuses.
When he started unboxing the timing clutch and put on those gloves, I immediately felt like I was watching an episode of The Relaxing End for a brief moment.
Nice engineering on that solution. This thing is really coming together. I am excitedly waiting for the final result. I know it's a long way to go, but these weekly videos make the wait bearable. This really is a highlight of my week.
The opening to "Ode to Machine Thinking" reminded me of the Mega Man II title theme.
Amazing how you were able to explain to him what you needed and he was able to build it for you. Great work from you both. What great talent and great minds.
Ww- "...Let's do seven lines!"
UA-cam- "Demonitize?"
Hey Martin! I’m such a huge fan of your work and the Marble Machine X!
I’m absolutely amazed by how much you get done every single week. Every week I see you designing parts, machining, experimenting, assembling, communicating with people around the world, filming, editing, and composing beautiful music. Your work ethic and passion are incredibly inspiring.
I just want to take a moment to make sure you’re taking enough time to take of yourself. I just want to make sure you’re getting enough sleep and eating right. I couldn’t think of a greater tragedy than seeing this beautiful machine come to fruition but have you unable to take that world tour due to health reasons.
I’m not sure that I can speak for everyone but take it from me: if the completion of this project has to be delayed a couple of months to ensure that you’re staying fit and healthy, then I would more than understand. You’re one of my absolute favorite people on the internet, so stay healthy!
With great admiration,
Rhys
from
NotMyMajor
Question 1: You're calibrating the offset for the kick drum, but the distance from the marble release to the other instruments is different. With gravity being a constant but the bpm changing for different songs, you're going to still have a difference for when the marble hits other instruments like the bells or bass. If the marble drop distance were exactly the same for each instrument this would be perfect but with the distances varying, you'll have some minute variation. Right?
Question 2: I presume you'll have to do a calibration check before playing each song live since it appears you might be able to get the calibration index out of phase if you don't return it back to zero every time. Without a hard stop you could conceivably keep rotating it in one direction and get confused. IE the number value on the index may be erroneous if you move it forward an entire count or bar.
IIRC he's built in adjustability for each channel's drop height, which should solve Q1.
For Q2, again only iirc, there are only 64 bars, so with a ratio of 1:64 of programming wheel:hand crank (which I think is what he said in the video) this would make a full rotation of the timing clutch cause the song to move by exactly a bar, which wouldn't throw anything out.
Epic as usual. I love that this video also briefly goes over some other features of the MMX which is a helpful refresher course and makes the video easier to understand and the engineering even more impressive.
Music, engineering, computer modeling, welding, cinematography?
Is there anything this man cannot do?
Speak danish! :)
Finish the Machine and walk Away.
And yet again Martin you did it! It’s an awesome piece of machinery you’ve made (with a little help of course from your friends) all though the first MM you’ve made never really worked such as good as MMX, I’ll think both machines are a feast for everybody’s eyes! A very big two thumbs up 👍 👍 thanks 🙏 for sharing this beautiful vid with me.
Hm ... I see two potential issues here.
1. The timing clutch gets between the rhythm machine and everything else, including the fishstair. The fishstair doesn't need adjustments; like the rhythm machine, it is fixed to the crankshaft movement and should never be off. The timing clutch breaks that connection; in the tests, you can clearly hear the clicking of the mechanics no longer lines up with the rhythm machine.
2. The required programming wheel delay is a function of turn speed vs marble drop time. This means that in order for one fixed delay to work, all marbles in all channels have to have the same drop time, i.e. time from release to hitting the instrument. Can your system actually do this?
I'm not sure, but I believe those are solved problems.
1. Which part of the video are you referring to? In ua-cam.com/video/CBfd0Tjii9Y/v-deo.html he seems to say that it *is* fixed to the crankshaft and thus not on the clutch. The clutch is there to offset the timing for the marble release only. If conveyor belt is also on the clutch, it should be fine as well. First step would be to align crank and conveyor, then use that setting as the base-line "zero" for the rest of the adjustments and hope it didn't change too much.
2. Can't say where this has been covered before, but that should be a known requirement at any tempo so most probably in the design already for the first Marble Machine. The
same "beat" in the musical program must hit respective instrument with proper timing. This can't be tweaked with the clutch.
3. If there is a "computer delay" added for kick and snare compared to vibraphone, because the sound is actually processed rather than directly from mic, it should be unrelated to the BPM. Martin can adjust that by moving the drum closer to the release and get the hit slightly earlier. Each instrument can be adjusted like that in assembly. It may also be slightly modified in the computer as well. This was covered in the original MM videos I think. If he used he clutch to fix this now, he may redo it later.
4. The video was possibly edited out of sequence. That may explain if it sounded off at some point in the video.
7:36 ua-cam.com/video/CBfd0Tjii9Y/v-deo.html late, moves in one direction
8:14 ua-cam.com/video/CBfd0Tjii9Y/v-deo.html still late, moves the other direction...
What a wonderful piece of machinery - both in function and looks!
It is Wednesday my dudes...
Indeed
Sup my dude
Arer you a bot? You're so quick.
How are you this fast every week? Have you made a bot just to post a comment
already Thursday where I am :) (and seeing this vid is how I know i"m up too late and should get to bed!)
This is so awesome. If you do not come to Southern California so I can hear X play live, I will definitely cry.
So happy that you are collaborating with so many interesting and talented people. That they are helping to realize someone's dream. Now I have more people wirth to following.
Hot damn, that song in the montage is EXTREMELY catchy. Will we ever get a full version?
Agreed.
I want to download the Ode to Machine Thinking as well, so I may jam out with it.
Wow. I'm just stunned at both the amazing mechanical engineering that has been added to MMX, and your corresponding glorious ode. Bless your work, Martin
i replayed the song starting a 2:45 like 5 times because it's so catchy xD
Your videos are a weekly burst of happiness and your music makes me move, I love it
*sees thumnail* ooo perdy ring ad
*realizes the BG is white and its about time for wintergaten weds* oooo perdy gears
*clicks video*
I love how you incorporate your music into these
Indexable Clutch... for the win! Great stuff! I look forward to Wednesday's. :-)
Awesome engineering, killer results,
and everyone should watch the building of this gorgeous piece of machining.
SO MUCH WIN! Hearing that fine tuning in on the beats... pure satisfaction.
i would say "static phase adjuster coupling", "timing coupling" or "timing Hub" but not a clutch.
I'm not an engineer, I'm a contractor, but I love your comment about the sign of great engineering being that the mechanism looks like it belonged there all along: What a beautiful truth on thought.
I was just listening to Sommarfågel... and the discord notification came in!!!
Same with me. However, it is no big deal, because I listen to Sommerfågel most of my time 😄.
I am always absolutely blown away every Wednesday by how everything on the MMX is taken into account.
Another wednesday, another episode! I love the fill song, you can just hear the beat:
pro - cras - ti - nation - pro - cas - ti - nation - pro - cas - ti - nation : Can you tell I'm supposed to be doing homework right now?
This project keeps amazing me, Machine Thinking clutch is a work of art well-fitting on your machine, it's great!
tis indeed the third twenty four hours, those in which i label: 'my dudes'
Watching these videos gives me so much joy
You are the equivalent of the Musical Nickola Tesla.
Nikola please
Best video so far!
Very complex subject.
Elegant engineering solution.
Pointer to the Machine Thinking and Wintergatan solution.
Your original composition tied everything together.
Multicam view showing the parts of the music working together is engaging.
An easy to understand audio/visual explanation of the timing problems with the marble machine and how the timing clutch allow for the adjusting of the rhythm assembly to the physical ball release / kick drum real time (IRL) sound. I enjoyed hearing the kick and click track align as you made the clutch adjustment.
Your great cinematography and editing brought it to life and your little doodle is an original song for the clutch. Nice B roll audio for future clips.
Definitely meets Design Requirement 10: Cool Factor.