I've been a colorist for years now, but definitely the way Qazi simplifies nod tree structure and grading pipeline has helped me exponentially. I cannot express how much this how helped my day to day workflow.
Ugh.. paid/subscription plugins? Are you sure it can't be done the regular way? I mean, you've been fully using only tools from Resolve in most of your videos so far. Would there really be that much difference if you used your older techniques?
This channel is unlike any other. Quality content, engaging topics, and a professional colorist who is confident and likable. It makes me happy to see this channel is doing well. Great Job!
In my opinion, one of the best-looking movies in Kodak 2383 is _Star Wars: The Force Awakens._ In terms of the lighting and cinematography, that movie was gorgeous. And the Kodak 2383 look was just the icing on the cake.
Nice stuff brother. Yes, resolve has plenty of tools that can get the job done, but plugins make it so much faster and easier and offer tons more flexibility.
I noticed you did your (IDT / ODT) or InputTransform via the CST ofx plugin. What process in the chain would you omit out IF your going via RCM or ACES ? Guessing the First and Last node. Does it also impact the settings for the other OFX plugins for colourspace selection.
I'm more and more interested in learning how to color grade, so I'm very happy to have found your channel. Since everyone seems to do everything differently, I'm concentrating on your input to learn for now, since its the easiest to understand and I feel like you know most about what you're doing, so thank you! Still finding everything hard though. I'm capturing a lot of livemusic with a lot of harsh backlights and changing colors and color temperature, so I'm not really sure how much I can trust the scopes, especially the vectorscopes. Just throwing in a topic-wish, it'd be awesome if you could address concert-correcting and grading at some point!
Great video! Loved seeing your process. I have a few questions: In your project settings, are you using DWG for both timeline and output color space & HDR mastering for 1000 nits? Would the settings change if I were delivering the video for broadcast? Thanks!
What settings would you recommend, to have colors punchy and contrast. Like how Samsung does it in their HDR TV without the cinematic look. I am not into the washed out look. Trying to learn this software.
How would you get that look that a lot of films had in the 70s, 80s, and 90s movies like the original christopher reeve Superman movie, the 1995 mortal kombat movie, 1993 hard target, or what music videos from the 80s and early 90s had like the music video for holy wars the punishment due by megadeth with that cool looking blue lighting
Did the client ask if you could erase the paper clip holding his pants up? LOL And wish you used no plugins, especially one that cost over a $1000.00 (FilmBox).
Haha we ended up not actually using that shot in the final edit for that exact reason. I offered it to Qazi just so he could take a look at the scene from multiple angles.
I never really understood why to use third party plugins in a color grading monster like Davinci Resolve. Really can't do the same with the built in tools and with an ACES to ACES Kodak LUT? Or just wanna sell these apps?
While this is great work and a very good result, it's interesting, that digital is being used to copy film, instead of using it as its own thing. Now there are no rules that say you shouldnt, its the filmmaker and the client's choice, but the most real film look you can get is from shooting on film. Simple. You may spend more money and time, but the result is very real and natural and if lit and framed properly, it's the most beautiful thing in film cinematography
Great tutorial as always! I have a question, do you recommend using these plugins instead of using resolves built-in film emulations, grain, and halation?
I ve bee watching ur videos a lot and still can't figure out what is the best way to build the tree. Each time u r using different methods. ACES, look designer, simple CST, davinci wide gamut oh. So confused =( I m trying to find golden standart for my video grading but got lost
So far I only worked with they primary and log wheels... I don't know when to use the HDR wheels. Afaik you're only supposed to use them on 10Bit (or RAW) footage, since 8Bit wouldn't have the necessary color info anyways. But does it make sense to use them if my goal is to distribute the rendered result to UA-cam, Phones, etc... How will it impact standard REC 709 displays?...
Said who? Don't listen to any clown that tells you when you're supposed to do what. 🙄 They make this sh** rocket science and it ain't. Follow my tutorials and see for yourself.
you should show the same frame at the end, because your's get more cold so more separation with the window in the frame. But anyway, nice tutorial, thanks man !
Currently working on my directorial debut here in Namibia 🇳🇦 and I’m sifting through DP’s and the look/tone’s, I’m a shooter as well but one thing I’ve always wondered is, it’s not “wrong” per se to use film luts like Kodak as a base on high profile projects like a feature film right? Like I don’t HAVE to use real film to use the look right? I guess I’m alluding to cinema etiquette idk
Shooting on film nowadays just does not make much sense or all big cinematographers and productions would be doing that. It’s a lot cheaper to shoot on digital cameras in log or raw and then you have all the flexibility in the world to do whatever you want and post.
ohh man, again, this video should be helpful correct? And looks like without a payed plugin nothing will work. So what I need to do? buy a plugin to be able to follow it? I simply looking for clear explanation of color transform for Red Komodo - in/out especially on mac m1 and always there is something like - you need to buy this or that... Just my honest thoughts.
Looks like film and shot on film will never be the same thing. If you the film look shoot it on film but no one does that nowadays. If it was practical Hollywood would've never switched.
I've been a colorist for years now, but definitely the way Qazi simplifies nod tree structure and grading pipeline has helped me exponentially. I cannot express how much this how helped my day to day workflow.
Also, a lot of tutorials seem to talk to their audience. With these videos that certainly isn't the case.
Let's go my dude. 💪🏾
@@theqazman Does the course have subtitles in other languages?
@@rogerdc7136 not yet.
Yooo Qazi thanks for the shout out and giving another look at these clips. Love what you were able to do with them!
Of course, bro. Thank you for the footage. Great job on the color.
Ugh.. paid/subscription plugins? Are you sure it can't be done the regular way? I mean, you've been fully using only tools from Resolve in most of your videos so far. Would there really be that much difference if you used your older techniques?
This channel is unlike any other. Quality content, engaging topics, and a professional colorist who is confident and likable. It makes me happy to see this channel is doing well. Great Job!
Appreciate you saying this. ♥️
Great job. But Jack has got that film Contrast look. Especially the roll off between high and low in the tonal range.
I liked his look but brought more attention to clients needs in my version. At the end of the day it's not what you like it's what the client wants.
@@theqazman True. I literally experienced that yesterday. They wanted the image brighter.
Jack's look is 🔥 - look at the subtractive colour look in the sofa
Jack actually did a great job too, especially if he graded without plugins
He did but grading without plugins is no nobility. Hollywood looks are loaded with plugins and tailormade tools.
Definitly my fav series from this channel :D I'm glad it's back !
Awww. Happy to bring it back. Looks like it's being well received.
I'm growing with every lesson you share. Thank you, Waqas!
Happy to help.
Next time you start saying that you will use a 499$ software like look designer
What a great new videos séries ! looking forward to the next one
Thank you. Me too. 😀
You’re the best colorist I’ve come across ❤️
Thank you.
Good stuff man! As a colorist, Iove watching how everyone works. 🎉
Like the changed presentation style. BRAVO
Thank you.
In my opinion, one of the best-looking movies in Kodak 2383 is _Star Wars: The Force Awakens._ In terms of the lighting and cinematography, that movie was gorgeous. And the Kodak 2383 look was just the icing on the cake.
The force awakens looks delicious and I do agree with you.
Nice stuff brother. Yes, resolve has plenty of tools that can get the job done, but plugins make it so much faster and easier and offer tons more flexibility.
Haha bought look designer due to your recommendation and pretty much use it on every project. such a good one
@@philippscheithauer it really is! I know it’s paid but you gotta be willing to invest in your craft
Exactly. Never worked at a post studio that didn't have every plugin under the sun. And thank you. ♥️
The quality and value 🔥🔥🔥🔥
Thank you.
I noticed you did your (IDT / ODT) or InputTransform via the CST ofx plugin.
What process in the chain would you omit out IF your going via RCM or ACES ? Guessing the First and Last node.
Does it also impact the settings for the other OFX plugins for colourspace selection.
I'm more and more interested in learning how to color grade, so I'm very happy to have found your channel. Since everyone seems to do everything differently, I'm concentrating on your input to learn for now, since its the easiest to understand and I feel like you know most about what you're doing, so thank you! Still finding everything hard though. I'm capturing a lot of livemusic with a lot of harsh backlights and changing colors and color temperature, so I'm not really sure how much I can trust the scopes, especially the vectorscopes. Just throwing in a topic-wish, it'd be awesome if you could address concert-correcting and grading at some point!
Great suggestion. Fill out the form in the description and send me some footage. Let's make it happen.
the davini is more than enough to achieve aesthetics without a third-party plugin that's for newbies
And Isn't film box also crazy expensive?
Qazi is there a big difference between Halo Lab from Colourlab and Filmbox? Could you please share your experience and elaborate your thought process?
Great tutorial as always Qazi! could you do a video breaking down the look from netflix’s ‘Top Boy’?
thanks and I’ll look into it.
Just got the freelance colorist Cours uff so much materil 🧨 the discount write on time !!!🎉
Welcome to FCM! 💪🏾
great series Qazi!
Thank you.
Great video! Loved seeing your process. I have a few questions: In your project settings, are you using DWG for both timeline and output color space & HDR mastering for 1000 nits? Would the settings change if I were delivering the video for broadcast? Thanks!
Gonna need to hop on the master class and snag the Look Designer plug-in!
Let's go bro! 💪🏾
I have never used such a technique with a belt on my trousers
What settings would you recommend, to have colors punchy and contrast. Like how Samsung does it in their HDR TV without
the cinematic look. I am not into the washed out look. Trying to learn this software.
Another Epic tut 🔥🔥🔥
Ty
In a cst Sandwich you can use it un hdr the filmlook luts
How would you get that look that a lot of films had in the 70s, 80s, and 90s movies like the original christopher reeve Superman movie, the 1995 mortal kombat movie, 1993 hard target, or what music videos from the 80s and early 90s had like the music video for holy wars the punishment due by megadeth with that cool looking blue lighting
Awesome! I love these series. I'd love to see more stuff on 8-bit footage.
much more in-depth content in my master class.
Did the client ask if you could erase the paper clip holding his pants up? LOL And wish you used no plugins, especially one that cost over a $1000.00 (FilmBox).
Haha we ended up not actually using that shot in the final edit for that exact reason. I offered it to Qazi just so he could take a look at the scene from multiple angles.
That was some hot sauce brother 😍
Haha. Thank you my man.
I never really understood why to use third party plugins in a color grading monster like Davinci Resolve. Really can't do the same with the built in tools and with an ACES to ACES Kodak LUT? Or just wanna sell these apps?
While this is great work and a very good result, it's interesting, that digital is being used to copy film, instead of using it as its own thing. Now there are no rules that say you shouldnt, its the filmmaker and the client's choice, but the most real film look you can get is from shooting on film. Simple. You may spend more money and time, but the result is very real and natural and if lit and framed properly, it's the most beautiful thing in film cinematography
thanks so much for this video. I shoot on Komodo so it's helpful to see your workflow for it.
Happy to help bro.
Wait Qazi why don’t you just use the Color Managed settings instead of using 2 CST nodes?? Im so confused, I thought they did the same thing??
Great tutorial as always! I have a question, do you recommend using these plugins instead of using resolves built-in film emulations, grain, and halation?
💯
Great Video, i have a Resolve 18 and dont have the Look Designer tool? do you know why?
It’s a paid plug-in
I ve bee watching ur videos a lot and still can't figure out what is the best way to build the tree. Each time u r using different methods. ACES, look designer, simple CST, davinci wide gamut oh. So confused =( I m trying to find golden standart for my video grading but got lost
Great colors!
Thanks
i loved Brad Pitt in Flight Club
So far I only worked with they primary and log wheels... I don't know when to use the HDR wheels. Afaik you're only supposed to use them on 10Bit (or RAW) footage, since 8Bit wouldn't have the necessary color info anyways. But does it make sense to use them if my goal is to distribute the rendered result to UA-cam, Phones, etc... How will it impact standard REC 709 displays?...
Said who? Don't listen to any clown that tells you when you're supposed to do what. 🙄 They make this sh** rocket science and it ain't. Follow my tutorials and see for yourself.
Can you please do a video on 2 strip color or 3 strip color look like in "beetle juice" before the car accident scene
did the client ask to remove the bull dog clip from behind his back...classic wardrobe trick !!
you should show the same frame at the end, because your's get more cold so more separation with the window in the frame. But anyway, nice tutorial, thanks man !
Good afternoon, where can I get your "film look lut"?
I watched the webinar and didn't receive it(
Please dm me on IG
Currently working on my directorial debut here in Namibia 🇳🇦 and I’m sifting through DP’s and the look/tone’s, I’m a shooter as well but one thing I’ve always wondered is, it’s not “wrong” per se to use film luts like Kodak as a base on high profile projects like a feature film right? Like I don’t HAVE to use real film to use the look right? I guess I’m alluding to cinema etiquette idk
Shooting on film nowadays just does not make much sense or all big cinematographers and productions would be doing that. It’s a lot cheaper to shoot on digital cameras in log or raw and then you have all the flexibility in the world to do whatever you want and post.
Qazi, please bring back another series of editing Sony 8bit high iso footage! These are the most problematic and difficult to work with :(
tons of content on that in my master class brother. Right now I’m doing a flash sale, so look into it check out the link in description.
U r always awesome❤
Thank you bro.
Is your Masterclass subtitled in Portuguese?
Unfortunately not yet.
Please tutorials on how to get Wednesday and Lyle Lyle corcdile colour grading look
I'll check them out.
qazi wich color management you use for this toturial please
Hi ! Most probably Da Vinci Wide Gamut - Intermediate :)
DWG
Wow. This is handy
Filmbox is great but it's sooo pricey. Does anybody know some Coupons for that? 😀
Working on it. 😀
it was very useful
Happy to help.
Fight club wasn't shot on 2383 stock, it was printed on it.
That's what I meant and it's assumed.
ohh man, again, this video should be helpful correct? And looks like without a payed plugin nothing will work. So what I need to do? buy a plugin to be able to follow it? I simply looking for clear explanation of color transform for Red Komodo - in/out especially on mac m1 and always there is something like - you need to buy this or that... Just my honest thoughts.
Would you take more footage for this series from any other DP? Killer content as always.
Of course. Link in the description.
were to download look designer
Thank you ❤
You're welcome
Flight Club my favourite movie
crazy if you showed me either i couldn't give you a preference.
We need this channel in spanish :c
😀
was the client happy :) ?
Why didn't you work in ipp2 ?
I did
Because DWG is bigger
😍Wow Qaziiiiiiiiiiiiiiiiiiiiii
🙏🏽
🙏🏽🙏🏽🔥🔥
💪🏾
Bruh... "Flight" Club? 🧐
First comment from
Sundram shah
🙏🏾
No Links for Downloads at the end of the free webinar. What a pitty. 👎🏻
Dm me on IG
Don’t talk about Flight Club 😉
🤫
nice
Ty
❤
😀
You should be in Bollywood
Jacks looked better 😂🤷🏻♂️
You didn't watch the video huh? 😂 Headline readers will always crack me up.
@@theqazman I saw it to the end where u posted your edit and his.. I stand by the comment
Then you have to train your eye... Qazi's has so much color separation and film like!
A $250/year subscription plug-in? Ridicilous. Everybody wants to be Adobe, while Adobe business model is tanking. Shame.
looks like OK video, but no where near looking like film.
Looks like film and shot on film will never be the same thing. If you the film look shoot it on film but no one does that nowadays. If it was practical Hollywood would've never switched.
lit
💪🏾
❤
🙏🏾