To a great voice master you make me a ⭐ I discovered the secret of Caruso. But I observe that Caruso had a born see Singer So I learned first voice lessons and discover your own technic or skills on making sounds And knowing your voice then You become authentic having true voice that you didn't have to emulate others artist.if they can sing better be we can make much better
your tutorials have helped me discover a genuine love for singing I've always wanted to sing, and after so much trying, I found your videos, and it changed everything. An electric, powerful tone that I actually love to train and improve. Like my voice I was meant to have. Thank you.
Dear Maestro Trimble, thank you for such an informative video. It is always a joy to learn from you. I've been using this gentle coughing. Now I'm learning to do this secretly and silently as well. Grazie mille!
Thank you for all your videos Sir. They've been incredibly helpful for me. I started singing lessons 4 months ago (age 42) and I've been struggling quite a lot with understanding and implementing correct breathing for singing. I never knew I had so much tension in my body! For me allowing particular muscle groups to relax is the hardest part. Especially my throat. I have a long road ahead of me haha.
I developed a very similar technique and have been using it to sing Seven Nation Army, Red Right Hand and other pop songs. I distend the 'womb' area of my stomach and bounce the middle region while I make a Dutch/Welsh 'cleh' sound.
Vocal technique is one thing and gets very,very confusing but developing good ear for music is a must for singing. I find breathing happens naturally When shoulders are relaxed and chest comfortably high. Most importantly keep the mind calm. Hope this helps.🥂
check out Devin Townsend his style of singing is eclectic, but the operatic style is what he's known for. the foundations are built upon what maestro Trimble teaches. once you've figured them out, you could add and take away with confidence that you won't harm yourself in doing so. Chris Liepe's videos might help you connect the dots, like they did for me.
Hi Mr. Trimble. I'm trying to understand the kleenex exercise. Are you saying there should be 0 air moving through the throat and mouth? Or is it very little air, just enough to make the sound? Should we apply that excercise to normal speaking, will it make voice healthier? Second question is about lean, are there any simple ways to do it? When I try to lock the air I get throat tension. I'm not sure how to approach it. Last question I have, I can easily breathe in just like you show, but as soon as I start to make any sound my larynx goes up almost to chin level. It it caused by the tension, no lean, or something else?
L'air n'est pas bloqué ou arrêté, c'est plutôt la fuite d'air naturelle qui l'est, il s'écoule avec le chant mais doit rester régulier et concentré, ce qui fait bouger le kleenex c'est quand il y a beaucoup d'air d'un seul coup comme lorsque l'on prononce certaines consonnes, ce qu'il décrit ici c'est une sorte de dynamique entre le début du son et la maîtrise du l'écoulement de l'air, quand il parle d'arrêter l'air au niveau de l'endroit qui réagit quand on tousse il veut dire que c'est là que se passe ce qui doit être musculaire et que ça ne doit pas se passer plus haut c'est-à-dire que la résistance ne doit pas être au niveau de la gorge. Le fait que ton larynx monte d'un seul coup très haut et peut-être lié au fait que tu bloques trop ton air et qu'inconsciemment tu fasses cela avec les muscles de la gorge, un bon exercice qu'il donne aussi qui te permettrait de détendre un peu tout cela c'est de fermer la bouche et tirer la langue, et ensuite tu prononce ou chante ton texte bouche fermée avec la langue tirée et qui ressort un peu en la faisant vibrer et en se concentrant sur le fait qu'il ne doit y avoir aucune tension ni sur la langue ni sur la gorge, quand je dire la faisant vibrer c'est-à-dire un peu comme quand on fait exercices avec les lèvres qui font des battements. Bon courage et bon succès dans ta recherche.
Try to learn first the "contrary motion" of the function of the abdomen, sir trimble has a great video of it about the abdomen. When you get this, you will feel the diaphragm as you sing, when you dont feel your diaphragm, theres a problem. Lean as in stop the breath from the chest literally while relaxing the stomach out after inhalation.
Except most of the ones you listed arent dangerous to singing or the vocal cords. We think our voices are so fragile but the glottal attack and vocal fry especially were used as tools to singing. Many singers pre 1960 were taught on these skills they knew our vocal cords weren't a delicate you pretend they are
@@Tye_silvertenor the singers pre 1960 absolutely did not use vocal fry or glottal attack. As is stated in this video, most of these things are semantics this means different things to different people. The ones who use these things misinterpreted the literature.
@@cantorcarmenaybe pre 1960 but 1910 there was lots of glotal attack and unblended registers from famous sopranos. Farrar didn't bother with smoothing registers. Like she's yodeling. ( the "addio dolce sveliare" with Caruso- pretty ugly soprano singing!
To a great voice master you make me a ⭐ I discovered the secret of Caruso.
But I observe that Caruso had a born see Singer
So I learned first voice lessons and discover your own technic or skills on making sounds
And knowing your voice then
You become authentic having true voice that you didn't have to emulate others artist.if they can sing better be we can make much better
Dear Maestro Michael, thank you for yet another excellent upload! You are looking great!
your tutorials have helped me discover a genuine love for singing
I've always wanted to sing, and after so much trying, I found your videos, and it changed everything. An electric, powerful tone that I actually love to train and improve. Like my voice I was meant to have. Thank you.
Dear Maestro Trimble, thank you for such an informative video. It is always a joy to learn from you. I've been using this gentle coughing. Now I'm learning to do this secretly and silently as well. Grazie mille!
❤
Yes, gentle cough!
Thank you for all your videos Sir. They've been incredibly helpful for me. I started singing lessons 4 months ago (age 42) and I've been struggling quite a lot with understanding and implementing correct breathing for singing. I never knew I had so much tension in my body! For me allowing particular muscle groups to relax is the hardest part. Especially my throat. I have a long road ahead of me haha.
Good luck!
Can we get get some more tips for contemporary singing. I find classical techniques easy but applying them to contemporary singing is very difficult.
If youre breathing right, as maestro teaches, there no problem at all
I developed a very similar technique and have been using it to sing Seven Nation Army, Red Right Hand and other pop songs.
I distend the 'womb' area of my stomach and bounce the middle region while I make a Dutch/Welsh 'cleh' sound.
Vocal technique is one thing and gets very,very confusing but developing good ear for music is a must for singing.
I find breathing happens naturally When shoulders are relaxed and chest comfortably high.
Most importantly keep the mind calm.
Hope this helps.🥂
Absolutely!
check out Devin Townsend
his style of singing is eclectic, but the operatic style is what he's known for.
the foundations are built upon what maestro Trimble teaches. once you've figured them out, you could add and take away with confidence that you won't harm yourself in doing so.
Chris Liepe's videos might help you connect the dots, like they did for me.
Wish I knew why my voice has started cracking in the lower mid range, then turns to dust in the lower. I have an appointment with an ENT in a months.
Mike, Is the cough the same as an onset?
Hi Mr. Trimble. I'm trying to understand the kleenex exercise. Are you saying there should be 0 air moving through the throat and mouth? Or is it very little air, just enough to make the sound? Should we apply that excercise to normal speaking, will it make voice healthier?
Second question is about lean, are there any simple ways to do it? When I try to lock the air I get throat tension. I'm not sure how to approach it.
Last question I have, I can easily breathe in just like you show, but as soon as I start to make any sound my larynx goes up almost to chin level. It it caused by the tension, no lean, or something else?
L'air n'est pas bloqué ou arrêté, c'est plutôt la fuite d'air naturelle qui l'est, il s'écoule avec le chant mais doit rester régulier et concentré, ce qui fait bouger le kleenex c'est quand il y a beaucoup d'air d'un seul coup comme lorsque l'on prononce certaines consonnes, ce qu'il décrit ici c'est une sorte de dynamique entre le début du son et la maîtrise du l'écoulement de l'air, quand il parle d'arrêter l'air au niveau de l'endroit qui réagit quand on tousse il veut dire que c'est là que se passe ce qui doit être musculaire et que ça ne doit pas se passer plus haut c'est-à-dire que la résistance ne doit pas être au niveau de la gorge. Le fait que ton larynx monte d'un seul coup très haut et peut-être lié au fait que tu bloques trop ton air et qu'inconsciemment tu fasses cela avec les muscles de la gorge, un bon exercice qu'il donne aussi qui te permettrait de détendre un peu tout cela c'est de fermer la bouche et tirer la langue, et ensuite tu prononce ou chante ton texte bouche fermée avec la langue tirée et qui ressort un peu en la faisant vibrer et en se concentrant sur le fait qu'il ne doit y avoir aucune tension ni sur la langue ni sur la gorge, quand je dire la faisant vibrer c'est-à-dire un peu comme quand on fait exercices avec les lèvres qui font des battements. Bon courage et bon succès dans ta recherche.
Try to learn first the "contrary motion" of the function of the abdomen, sir trimble has a great video of it about the abdomen. When you get this, you will feel the diaphragm as you sing, when you dont feel your diaphragm, theres a problem. Lean as in stop the breath from the chest literally while relaxing the stomach out after inhalation.
Except coughing, clearing your voice, glottal attack and vocal fry are extremely dangerous to your voice. They can cause long-term damage.
Except most of the ones you listed arent dangerous to singing or the vocal cords. We think our voices are so fragile but the glottal attack and vocal fry especially were used as tools to singing. Many singers pre 1960 were taught on these skills they knew our vocal cords weren't a delicate you pretend they are
@@Tye_silvertenor the singers pre 1960 absolutely did not use vocal fry or glottal attack. As is stated in this video, most of these things are semantics this means different things to different people. The ones who use these things misinterpreted the literature.
@@cantorcarmenaybe pre 1960 but 1910 there was lots of glotal attack and unblended registers from famous sopranos. Farrar didn't bother with smoothing registers. Like she's yodeling. ( the "addio dolce sveliare" with Caruso- pretty ugly soprano singing!