Good to hear. Tonight I launch LEARN KONNAKOL 4 in my webshop. A monster video about mastering subdivisions/ polyrhythms / nested tuplets. Probably the most insane rhythmic training on the market today
Hello Rodrik3 You have to invest a lot of time into it. I started out in 1994! The flow, dynamics, choice of syllabels & feel comes with confidence that really means take one step at a time and put some energy into that I make these videos to inspire you guys ( + to sell my books :) and its not the beginnerstuff but more a look on the horizont.: revieling the stuff that you can do with KONNAKOL and a creative mind.
This might sound a bit cheasy :) - but If you hear the music is in your mind - then you can do stuff that is beyond your technical ability! By the way- join my Facebook group "KONNAKOL" as well :)
Hello Again Henrik, thanks for your replu on my last comment...is improving a lot my konnakol and im starting to use it in composing...Im exploring several exotic instruments, but my main instrument is the didgeridoo, in which i use the breathing pattern as a base for the rhythm.. because i cant use circular breathing in konnakol, im having some difficulty, in breathing while practicing long phrases...any tips?Thanks
Absolutely LOVED this tutorial! Helps self-learners like myself get a grasp on these concepts. I tried purchasing the bundle on your site, but it's sold out?
Hello Henrik, i bought you book a few weeks a go...in the beginning it was pure evolution, but when i reach the tihai pages i dont know very well how to evolute, i feel like i miss more labguage, it all around the same, taka, takita, tadakimi, etc.. how could i get more dynamic in my practice, in this video, i hear to great dynamic of your sylabal and rhytmic choices...but its too fast, to understand, only the fist one its possible for me to go along with it
The formula to create tihaï’s is quite clear but if I understand it correctly the larger groups are left to fill in (sub-divide) at our own personal discretion - is that correct?
![These 2 Indian Rhythm Exercises Will Destroy You [ADVANCED RHYTHM THEORY + KONNAKOL]](http://i.ytimg.com/vi/duBOlIt9uMI/mqdefault.jpg)
![These 2 Indian Rhythm Exercises Will Destroy You [ADVANCED RHYTHM THEORY + KONNAKOL]](/img/tr.png)
Thank you, Henrik! This is amazing material! I saw it just yesterday and I feel very excited. Do you have your book in english?
Sorry for my late answer Александр Остапенко - yes I do :
henrikandersenmusic.com/WEBSHOP.html
01:08
Taketakite Taketakite Tadinginatum (3x)
Taketakite Da - TaketakiteDa- Taketakite (DA)
02:06
(19)
Ta - Di - Tadin-genatom Ta - Di - Ge- Na-tom (3x)
(Ta - Di - Tadin-genatom Tage Di - Ge- Na-tom)
Ta-ta Ta-ta (TA)
02:15
(18)
Ta - Di - Tadin-genatom Takedimitakejuno (3x)
DageDa- DageDa - Dage(DA)
02:24
(17)
Ta - Di - Tadin-genatom Takitetakedime (3x)
TakiteDa - TakiteDa - Takite(DA)
02:33
(16)
Ta - Di - Tadin-genatom Tadin-genatom (3x)
TakedimeDa - TakedimeDa -Takedime(DA)
02:43
(15)
Ta - Di - Tadin-genatom Taketakite (3x)
TadigenatomDa - TadigenatomDa - Tadigenatom(DA)
So for 18 just say random Ts and Ks and Ns and then doggy doggy doggy. I am so confused by literally all of this
thank you you are saving me so much time!
Do you use Ta-di for both 3-3 as for 3-2 or 2-3? I'm also totally lost at how you use the syllables for the 19 one 😅.
Woah! Konnakol never stopped amazing me
Thank u sir for this amazing material ! i am really grateful !
Love it Henrik!
Thank You Henrik. Bye Sandro from Montreuil
That was amazing, I cant wait to read your book. Thank you!!!
Fantastic
Good to hear. Tonight I launch LEARN KONNAKOL 4 in my webshop. A monster video about mastering subdivisions/ polyrhythms / nested tuplets. Probably the most insane rhythmic training on the market today
Oh my god! This is soooooo helpful! Thank you so much, Henrik :)
+Arjun Subrahmanian join my Facebook group "KONNAKOL" :)
Killing!!This exercise open the mind!!
absolutely wonderful :) thank you
Hello Rodrik3
You have to invest a lot of time into it. I started out in 1994!
The flow, dynamics, choice of syllabels & feel comes with confidence
that really means take one step at a time and put some energy into that
I make these videos to inspire you guys ( + to sell my books :) and its not
the beginnerstuff but more a look on the horizont.: revieling the stuff that you can do with KONNAKOL and a creative mind.
Thank you for the great lesson!
u are welcome
awesome video
This might sound a bit cheasy :) - but If you hear the music is in your mind - then you can do stuff that is beyond your technical ability!
By the way- join my Facebook group "KONNAKOL" as well :)
the percussion of the earths crust is beyond this lesson
Not really - but you are
Thanks, this is excelent.
Great and very useful Info Henrik! Tak Tak, mange tak, thanks! (I mix up Danish & Swedish sorry)
Good stuff
thank you, I´ll buy them sooner or later ,)
Hello Again Henrik, thanks for your replu on my last comment...is improving a lot my konnakol and im starting to use it in composing...Im exploring several exotic instruments, but my main instrument is the didgeridoo, in which i use the breathing pattern as a base for the rhythm.. because i cant use circular breathing in konnakol, im having some difficulty, in breathing while practicing long phrases...any tips?Thanks
thanks a lot sir
Absolutely LOVED this tutorial! Helps self-learners like myself get a grasp on these concepts.
I tried purchasing the bundle on your site, but it's sold out?
so good to hear - no the bundle is avaible
@@StringsOfAndersen Ah something has refreshed, and I just purchased the bundle!
Thank you, and I'll surely be in touch in the future :)
excellent
How should I clap with my hands on 7/8, 11/8, 15/8 and on more/8 cycle?
thanks a lot !!
Hello Henrik, i bought you book a few weeks a go...in the beginning it was pure evolution, but when i reach the tihai pages i dont know very well how to evolute, i feel like i miss more labguage, it all around the same, taka, takita, tadakimi, etc.. how could i get more dynamic in my practice, in this video, i hear to great dynamic of your sylabal and rhytmic choices...but its too fast, to understand, only the fist one its possible for me to go along with it
great
cool :)
just practise, practise and the right teqhnique will derive from that
The formula to create tihaï’s is quite clear but if I understand it correctly the larger groups are left to fill in (sub-divide) at our own personal discretion - is that correct?
Correct
Hi Andrej - check out my books and learn about the 175 different rhythms / tala (including 11, 15 etc ) and 72 the scales of the melakarta Raga system
How much this book i want to this book
ITS 200 danish kr