Mozart - Variations on a Minuet by Duport, K.573 (1789) {Ingrid Haebler}
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- Опубліковано 20 вер 2024
- Wolfgang Amadeus Mozart (27 January 1756 - 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music.
Variations (9) on a minuet by Duport for piano in D major, K. 573. Potsdam, 29 April, 1789
Ingrid Haebler, piano
Description by Robert Cummings [-]
Pierre Duport's cello sonata, Op. 4/6, was quite popular in the late eighteenth century -- at least it was with Friedrich Wilhelm II, the King of Prussia, for whom Mozart may have written this set of variations on one of its themes. The theme, taken from the minuet of Duport's sonata, is unimpressive on its own, but Mozart manages to wring a charming set of variations from it.
The first two variations maintain the theme's lively mood, the second exhibiting much scale-like writing, the melody heard in cascades of running notes. The theme appears in muscular but playful chords in the next variation and with lively accompaniment. With the fourth variation, the mood relaxes just a bit, but the pacing remains fast, the manner playful -- and playful describes the mischievous fifth variant, as well. The sixth is dreamy in its slower tempo and mostly upper register writing. Things turn lively and playful again in the ensuing variant, but slower once more and also reflective in the eighth. The last variation is driven and full of brilliant colors and dazzling writing. This charming masterwork closes with a brief restatement of the minuet theme.
Thema: 00:00
var01: 01:16
var02: 02:22
var03: 03:30
var04: 04:40
var05: 05:52
var06(minor): 07:16
var07: 08:58
var08: 10:08
var09: 11:55
coda: 12:42
a tempo: 13:21
This channel is one of the reasons I watch UA-cam.
Mozart the genius took a simple melody and showed what can be done if you are Mozart. As for Ingrid Haebler's Mozart interpretations , they just can not be equalled, and I have believed this for nearly 60 years. There is that sweet clarity, the sensitive phrasing and a general wholesomeness in her playing whic gladdens my heart to this day. Many thanks for this wonderful post.
Poor Monsieur Duport never thought that he will gain immortality thanks to the variations on his own theme, written by somebody whom he despised.
Variation no. 6 is simply breathtaking - how Mozart arrived here from an original theme is a mystery.
Many thanks of publishing!
Woah, i didnt know that!
He's actually quite known for his cello works
The crystalline perfection of last Mozart ..... variation 6th is touching....
Yes. Like Diamonds.
Really enchanting what Meister Mozart has done to this, quite lovely, Minuet. How light and virtuoso Ingrid Haebler glides through the in some spots demanding tempo. Thank you for this listening ... and reading along ... JOY !
Herrlich: die Tõne perlen geradezu wie Wassertropfen ! Das ist eben typisch Ingrid Haebler - meisterhaft und echt
MOZART - lich !!!
Your channel is gold😃💥👌🏻
Thanks! 😃
@@bartjebartmans ❤️❤️ yes!
Tú é Br porra?
@@Cayres18 What do you think of Mozart?
Yes!
Love mozart so much!
Thank you so much for this channel! It introduces me to new compositions of Mozart and some old ones. I thought I had previously heard it all!
Ingrid Haebler recorded these Variations at Concertgebouw Amsterdam, in December 1975.
I will be practicing this Mozart K.573 song piece for my ATCL Diploma in few years time.
Wish me luck with the variation that has all fast running notes 😂😅
fantastica esecuzione di Haebler....
Theme: 0:00
Var 5: 5:52
Var 6: 7:17
Ingrid is the Best.
Una sencilla melodia Mozart la convierte en una joya maravillosa
Estas variaciones junto con Ah! Vous dirai-je, Maman, son muy divertidas de estudiar, se disfruta mucho con ellas. Fantástica interpretación, ¡y Mozart es muy difícil!
Las Vous dirai-je Maman son mucho más famosas pero son tan divertidas u graciosas como éstas se disfruten enormemente con el mismo placer se escuchan y se tocan pero bien es verdad que escuchemos a nosotros mismos nos llena mucho más dentro claro de nuestro modesto arte,yo me grababa al piano durante años pocas obras pero bien escogidas,en éstas lo que hay es una perfección,equilibrio como luz única s,podríamos hacer un análisis minuto por minuto de semejante joya
A partir del 7:18 es sorprendente como ese enigmático Amadeus enseñaba su lado misterioso y oscuro pero con una perfección inigualable y un toque de pasión muy interesante,ese pasaje en re menor de tristeza y dolor anuncia un Mozart romántico que por desgracia no se pudo desarrollar 20 o 30 años
@@josswindsor8288 Si estas también son preciosas tengo pendiente estudiarlas
La variación VIII en el 10:06 es una muestra de genialidad consagrada ya que su genio extraordinario baña esas serpentinas de notas con una luz única como de tan pocas notas saca tanta elegancia y lirismo,un Miguel Ángel de la Música total y la variación IX es el remate la 1a frase que se repite 1 vez más es como una máquina de sonoridades que están perfectamente engranadas
@@josswindsor8288 Mozart era un genio en cuanto al desarrollo de la melodía simplemente era un genio
Ausgezeichnet! Vielen Dank!
Maravilloso
Fun! Fun! Fun!❤❤❤
I would like to suggest other beautiful keyboard works 4 hands of Mozart
Andante and variations in G major K 501,1786
Sonata in C major K521,1787
Sonata in D major K 381,1772
Sonata in F major k 497,1786
Sonata in B flat major K358,1773-4
Sonata for two pianos in D major K 448,1781
I already uploaded that set a few days ago. Thanks!
Thank you Bartje.In my Mozart collection in the works 4 hands ,the fortepiano is played by Bart van Oort and Ursula Dutschler.Fortepiano after Walter ca 1795,by Chris Maene,Ruiselede 2000
Beautiful 😍 thanks for sharing 😍
This is a great piece of minimalism.
Any comments about Var. II, first 16th note of the second beat?
Ingrid Haebler taught at the Mozarteum.
♥️👍👌😍🤩
very good. Is this a Boesendorfer?
I think Mozart's piano variations are better than his Sonatas (with a couple exceptions, like the K. 310, K. 576, and K. 457)
...are you joking..?
What about K.331..K.332..K.333...etc.
@@vittoriomarano8230 I love K331, but not the other two.
@@timward276 ...de gustibus...butto listen carefully to them...ideas and development....and the finale of K.333 too...
@@timward276 13 and twelve are great. But I agree that the variations are very good and should be played more.
1:17
1:38
2:22
2:44
3:30
3:54
Une écriture très fine, volontiers enfantine au service d'une forme peut-être un peu trop fixe, surtout quand l'interprète joue toutes les reprises. Je ne les ai pas jouées mais je crois ces pages presque aussi difficiles qu'une étude de Rachmaninov.
var06(minor): 07:16
Hi Bartje Bartmans.
In this easy listening album by the late Paul Mauriat
ua-cam.com/video/rxudKhKEnF0/v-deo.html
at 29:41 - 32:02 there is a piece listed as "Minuetto".
COULD YOU KINDLY TELL ME WHO COMPOSED IT (and when)?
I have been searching and searching in UA-cam, but cannot find this melody 🤕.
Bij voorbaat heel hartelijk dank!
Paul Mauriat composed "Minuetto" in 1975 in the baroque style, this elegant melody became the personification of his musical credo. This I found on Paul Mauriat Festival page on Facebook.
Great playing, but I do not understand why Mozart even spent his time to write this. No wonder this variation is not popular.
Huh. This is one of my favorite pieces Mozart wrote for piano solo, and I'm not normally a Mozart fan. But to each their own...
I am personally thankful that he did write this
Why did Bach write so many small preludes and fugues? Kinda think of it, why did Beethoven even write his piano concerto #1? That was a waste if you ask me. He should've just went straight to 4.
Thema: 00:00
var01: 01:16
var02: 02:22
var03: 03:30
var04: 04:40
var05: 05:52
var06(minor): 07:16
var07: 08:58 var08: 10:08
var09: 11:55 coda: 12:42
a tempo: 13:21