It is refreshing to see that at least some young singers are not relying on autotuning to make their music more appealing. Best wishes in your future musical endeavors.
@@YakovPetrovich since you reacted with interest, I'll dump the rest of my harmonic overanalyzing of the first three chords sorry 🙃 Your voicing of the first chord (E minor) is EGGg, G can obv stand for "god" and E can easily stand for "elohim" (hebrew for " the lord/g-d"). This sets the song into E minor, or its sibling key G major (again, elohim/god) Next the empty g string is present in all your chords during the first movement, it's the only thing that never changes (again, god) This is particularly interesting in the second chord (D major add11) where the G creates dissonance/tension with the F# The third chord (C major changing into C major7) again has the doubled G voicing (CGGe into CGGh) which leads back to E minor This was in my head all day, it seemed super deliberate to me. If it wasn't intentional, dare I say there must've been some divine inspiration to end up with harmonies this close to god
Nice and peaceful man , awesome . Not a christan but I see the beauty in your song .
Very cool 👏🏼😁 the guitar harmonics ✨😌👌🏼
Watched it twice, good job man
🙏🙏
Good job bro.. nice to see there are others still.
It is refreshing to see that at least some young singers are not relying on autotuning to make their music more appealing. Best wishes in your future musical endeavors.
thanks boss :-)
Beautiful riff and awesome singing and lyrics.
PS: I really like how the song with "God" in the title has 3 gs in the first arpeggio
thanks!! wow thats so cool.. i didn't even know I was playing a G 😅
@@YakovPetrovich since you reacted with interest, I'll dump the rest of my harmonic overanalyzing of the first three chords sorry 🙃
Your voicing of the first chord (E minor) is EGGg, G can obv stand for "god" and E can easily stand for "elohim" (hebrew for " the lord/g-d"). This sets the song into E minor, or its sibling key G major (again, elohim/god)
Next the empty g string is present in all your chords during the first movement, it's the only thing that never changes (again, god)
This is particularly interesting in the second chord (D major add11) where the G creates dissonance/tension with the F#
The third chord (C major changing into C major7) again has the doubled G voicing (CGGe into CGGh) which leads back to E minor
This was in my head all day, it seemed super deliberate to me. If it wasn't intentional, dare I say there must've been some divine inspiration to end up with harmonies this close to god
@@blabla3375 brilliant, thank you so much for sharing this! i appreciate your thoughts and kind words 🙏