Use coupon code “CLB5” for $5 off an instant download of “Modern Etudes: Melodic Cells” at: www.jazzlessonvideos.com/pdf-packages Mouthpiece: use $10 coupon code CHADXSYOS at www.syos.co/en/shop/products/signature-saxophone-mouthpiece/chad-lefkowitz-brown-tenor Become a Text Lessons studio member: www.jazzlessonvideos.com/text-lessons
Hi Brother Noah I wanted to buy a PDF but I can't access a bank account because I live in exile in South Africa. Please do me a favor and send me a PDF 🙏🙏
Like Jaco Pastorius’ “The Birthday Concert” I’m going to have to listen to this many, many, many times to fully approach the concepts in this video. Thanks for the vid! :: goes back to looking at scales::
Hi! I have a question about practicing scales. I have a lot of your books but I don't know where to start, how long should I practice a shape and so on. What would you suggest? Thanks in advance
Hey Sergej! That’s a great question. Check out my video on “Better Practicing” for an elaborate answer on how to pace your practicing and some other tips that I’ve learned over the years :)
Chad LB I actually do watch don’t worry :) you got some sick vids. I’m no quitter. My bari super action series ii comes in the mail in about 2 weeks. Been Doing my homework
@6:41. Chad says you can treat a iii7 as a I Maj7. He doesn't really say it (well, he does, by labeling the notes in terms of Bb) but it's a substitution and the reason is the notes of a iii7 are essentially the upper extensions of a I Maj7, which you'll see if you stack 3rds. 3579 of a Bb Maj 7 are the same as 1357 of a Dm7. Just thought I'd put that out, in case someone could use it. 😁
I know this might be far off brand, but often for gigs I've heard there are 4 things to do: Show up on time, be prepared, be a good hang and wear good threads. I think even a small segment on the 4th, such as what clothes are appropriate in which settings, such as casuals, artist, big band, etc., perhaps as a tag team with someone like Alexa Tarantino, would be very interesting.
I enjoyed the video and I understood the concept well although I didn't understand every little thing. I just started playing piano and I dont know where to start from, I really like jazz and the idea of the extremely creative process of improvisation but a small problem is that I come from playing the cello which is mostly used to play in classical music and my only experience in jazz is that I also play the bass. Can you give me some tips or help me in some way?
Hi Chad! Thank you for all these amazing videos and pdf. It would be great if you could do a pdf about Pentatonic Shifting (Technical exercises? Patterns?) AND a pdf of study and etudes using pentatonics on standard chord progressions and tunes as said before. Just as you did with melodic cells or approach notes/enclosures. Thanks a lot!
Another fantastic video!!! What do you think of taking John Coltrane solo on but not for me and explaining to us with your technical knowledge all of the things he is doing over that chord progression? It would probably be a lot of work, but it would be awesome I would think! Thanks for all the videos Chad
You’re a marketing genius. I keep saying, “I don’t need this pdf set, I have enough others to work on”, and then I see your video and get excited and go out and buy it.
Hi Chad ! Thank you for all of that great material and sharing your talent .What about a next pdf of study and etudes about pentatonics one day ? On standard progression and tunes . Would be (very) cool !
@@ChadLefkowitzBrown Great ! Thank you for such a quick answer . I will get it for sure . Got about 90% of the material studies and transcriptions you have on jazzlessonvideos.com . What you share is unique :) Stay safe and keep on groovin' & shredding !
All music is based on ‘intervals’ and rhythm. These are 4 note phrases that obviously include intervals. These phrases are then layered over changes. So why is this ‘intervalic’ improvisation? Can someone explain?
porque a veces todo tan rapido cual es el sentido o la explicacion sincera de tocar tan rapido? es un lenguaje para comunicar? imaginate si uno habla asi para comunicarse con otra persona..... me cuesta mucho comprender esa parte de tocar
6:50...Amaj7 over G7 "same intervallic shape" throws me off...the Bbmaj7 and Bmaj7 have the "same intervallic shape" but that Amaj7 over G7 "shape" is a bit of a stretch for me...need a bit more explanation please.
The extensions you can use over a dominant chord is b9 (half step above root), 9 (whole step above root), #9 (minor 3rd above root), #11 (Tritone above root, regular 11 doesn't work because it's a 4th above root which clashes with the 3rd because it's a half step above it), and 13 or 6th above root. A major 7 over G7 starts on A, the 9th of G7, C#, the #11 of G7, E, the 13th of G7, and G#/Ab, the b9 of G7
Hi Chadm your lessons are one of my favourites(I play guitar but last ten years I am studying seriously piano, with a very good teacher)Generic modality cOMPRESSION IS MAYBE INTERESTING TOPIC I t makes use of a compressed Root and the remaining triads mostly sus4 or at least one of them the other in some cases also...are two triads that have a lot incommen with melodic cells I think...I am studying that on giant steps but of course I would love to see you using it and then again learn some new stuff about how you would approach that of course the remaining 6 notes are free what triads you chose...
This is a rhetorical comment. I’m impressed by Chad’s skill, but some of this stuff is obviously over my head. I played swing jazz in high school and into college. We learned the song by listening to others and otherwise played by ear. Ten years ago I started playing again afte a 35 years break. I was fortunate to be able to play with some very good musicians. I have had to read some of the music to have the basics on order. However, when I’m having a solo, I “hear” what I want to play. My challenge is to be technically good enough to get it through my saxophone which I’m working on. So what is the goal of this video? Learning several licks to use in a solo? Then there is no longer improvising, you have learned a new song.
Use coupon code “CLB5” for $5 off an instant download of “Modern Etudes: Melodic Cells” at: www.jazzlessonvideos.com/pdf-packages
Mouthpiece: use $10 coupon code CHADXSYOS at www.syos.co/en/shop/products/signature-saxophone-mouthpiece/chad-lefkowitz-brown-tenor
Become a Text Lessons studio member: www.jazzlessonvideos.com/text-lessons
You are actually a CHAD in music, damn thanks for your videos.
Your clear and concise explanation coupled with your genial presentation are a winning combination. Thanks Chad!
0:51
He even speaks in sax 😳
These videos just give me a greater respect for the incredible musician that is Chad LB.
Thank you, Lucas! That means a lot to me!
I love you Chad 😊😊😊 Thanks for this video ❤❤❤
I just got the PDF package, super excited to work on it!
Thank you, Noah! Happy shedding :)
Hi Brother Noah I wanted to buy a PDF but I can't access a bank account because I live in exile in South Africa. Please do me a favor and send me a PDF 🙏🙏
I didn't really understand a great deal of the theory, but I love your playing!
Be Bop Forever !
Like Jaco Pastorius’ “The Birthday Concert” I’m going to have to listen to this many, many, many times to fully approach the concepts in this video. Thanks for the vid!
:: goes back to looking at scales::
Me too!
Hi! I have a question about practicing scales. I have a lot of your books but I don't know where to start, how long should I practice a shape and so on. What would you suggest?
Thanks in advance
Hey Sergej! That’s a great question. Check out my video on “Better Practicing” for an elaborate answer on how to pace your practicing and some other tips that I’ve learned over the years :)
Thank you for this Chad :)
This is great!!!
How do I practise my chords sir?
I mean some exercises for chords
Please Melodic Cells and Patterns are They different ?
Does this book come with TAB notation for us dumb guitarists?
still sounds like 80s bebop
Hey dude, where are you from?
Heaven
👍👍👍
Everytime. I click on one of your videos, hear you playing at god Tier level and just exit the video because I could never
Haha thank you! Hope you stick around one of these days!
Chad LB I actually do watch don’t worry :) you got some sick vids. I’m no quitter. My bari super action series ii comes in the mail in about 2 weeks. Been Doing my homework
EvenWhyProductions thank you!! Happy shedding!
@6:41. Chad says you can treat a iii7 as a I Maj7. He doesn't really say it (well, he does, by labeling the notes in terms of Bb) but it's a substitution and the reason is the notes of a iii7 are essentially the upper extensions of a I Maj7, which you'll see if you stack 3rds. 3579 of a Bb Maj 7 are the same as 1357 of a Dm7. Just thought I'd put that out, in case someone could use it. 😁
I know this might be far off brand, but often for gigs I've heard there are 4 things to do: Show up on time, be prepared, be a good hang and wear good threads. I think even a small segment on the 4th, such as what clothes are appropriate in which settings, such as casuals, artist, big band, etc., perhaps as a tag team with someone like Alexa Tarantino, would be very interesting.
Haha cool man yeah that could be fun!
@@ChadLefkowitzBrown all black, all the time. Done. Oh, and suit for weddings. ;)
...and the 5th: be sober...
@@musikerman52 are you sure? ;)
I was told the official uniform in NYC was either 1) a suit or 2) whatever you woke up wearing.
I enjoyed the video and I understood the concept well although I didn't understand every little thing. I just started playing piano and I dont know where to start from, I really like jazz and the idea of the extremely creative process of improvisation but a small problem is that I come from playing the cello which is mostly used to play in classical music and my only experience in jazz is that I also play the bass. Can you give me some tips or help me in some way?
Hey Chad, I've recently been getting much more into jazz and specifically improv, do you have any tips on how to build a good foundation for jazz sax?
Thanks Bro. You make it so plain and easy to understand.
Thanks, Renwick! Glad you’re enjoying the content!!
Hi Chad! Thank you for all these amazing videos and pdf. It would be great if you could do a pdf about Pentatonic Shifting (Technical exercises? Patterns?) AND a pdf of study and etudes using pentatonics on standard chord progressions and tunes as said before. Just as you did with melodic cells or approach notes/enclosures. Thanks a lot!
Totally I’ll try to get to that soon thanks man :)
Your solos are very intensive and push into extreme technical side - do you use coffee or cannabis maybe both?
Amazing! I’m your fan!! 🇧🇷
Thank you!!
Another fantastic video!!!
What do you think of taking John Coltrane solo on but not for me and explaining to us with your technical knowledge all of the things he is doing over that chord progression?
It would probably be a lot of work, but it would be awesome I would think!
Thanks for all the videos Chad
You’re a marketing genius. I keep saying, “I don’t need this pdf set, I have enough others to work on”, and then I see your video and get excited and go out and buy it.
I love this sound! This is what I’ve been seeking. Perfect for guitar. Will be ordering etudes! Thank you.
Hi Chad ! Thank you for all of that great material and sharing your talent .What about a next pdf of study and etudes about pentatonics one day ? On standard progression and tunes . Would be (very) cool !
Thank you, Anne! Really appreciate that. Yes I’ll absolutely work to get an etude download out on that :)
@@ChadLefkowitzBrown Great ! Thank you for such a quick answer . I will get it for sure . Got about 90% of the material studies and transcriptions you have on jazzlessonvideos.com . What you share is unique :) Stay safe and keep on groovin' & shredding !
Anne Onym thank you, Anne! Happy to share what I’ve learned and continue to learn!
the thing he plays at the beginning is an etude in the book?
Your clear and concise explanation coupled with your genial presentation are a winning combination. Thanks Chad!
All music is based on ‘intervals’ and rhythm. These are 4 note phrases that obviously include intervals. These phrases are then layered over changes. So why is this ‘intervalic’ improvisation? Can someone explain?
He literally says it in the first minute. You’re not really thinking scales.
Really dig those examples and how everything can tie together musically. Thank you!
So the modern approach is like 70 years old?
Is the text lesson studio still open?
On the Shady Side of the Block, so funny!! :-)
Purchased!
Thanks for downloading!! Enjoy the content and happy shedding :)
Super!!!!!!
Thanks for watching!!
porque a veces todo tan rapido cual es el sentido o la explicacion sincera de tocar tan rapido? es un lenguaje para comunicar? imaginate si uno habla asi para comunicarse con otra persona..... me cuesta mucho comprender esa parte de tocar
Thank you Chad for sharing with all of us to the sax Brotherhood community.You are a huge blessing. Congratulations on your success!!!
Would be cool to work with you on daly jazz practice routine, although i am a cellist...
I ❣️this guy. Such a valuable source of instruction. 👍🏾
Amazing sound
Awesome information thank you
6:50...Amaj7 over G7 "same intervallic shape" throws me off...the Bbmaj7 and Bmaj7 have the "same intervallic shape" but that Amaj7 over G7 "shape" is a bit of a stretch for me...need a bit more explanation please.
The extensions you can use over a dominant chord is b9 (half step above root), 9 (whole step above root), #9 (minor 3rd above root), #11 (Tritone above root, regular 11 doesn't work because it's a 4th above root which clashes with the 3rd because it's a half step above it), and 13 or 6th above root. A major 7 over G7 starts on A, the 9th of G7, C#, the #11 of G7, E, the 13th of G7, and G#/Ab, the b9 of G7
I like that you respond to a lot of your comments showing you care about your fans, great video!
Hi Chadm your lessons are one of my favourites(I play guitar but last ten years I am studying seriously piano, with a very good teacher)Generic modality cOMPRESSION IS MAYBE INTERESTING TOPIC I t makes use of a compressed Root and the remaining triads mostly sus4 or at least one of them the other in some cases also...are two triads that have a lot incommen with melodic cells I think...I am studying that on giant steps but of course I would love to see you using it and then again learn some new stuff about how you would approach that of course the remaining 6 notes are free what triads you chose...
Thanks man I don’t think I’m familiar with these exact concepts but I’m happy to do a video on triadic concepts will work on fitting that in soon!
This is a rhetorical comment. I’m impressed by Chad’s skill, but some of this stuff is obviously over my head. I played swing jazz in high school and into college. We learned the song by listening to others and otherwise played by ear. Ten years ago I started playing again afte a 35 years break. I was fortunate to be able to play with some very good musicians. I have had to read some of the music to have the basics on order. However, when I’m having a solo, I “hear” what I want to play. My challenge is to be technically good enough to get it through my saxophone which I’m working on. So what is the goal of this video? Learning several licks to use in a solo? Then there is no longer improvising, you have learned a new song.
The etudes are just an exaggerated practice example. The core idea is just to think more about phrases and intervals while soloing.