Not only does he produce fantastic songs for his movies but he’s truly under appreciated for his background scores. Been listening to his entire album from Pariyerum Perumal, Vada Chennai and Karnan on repeat!
At around 6:20, BR talks about how SaNa has a knack for writing unpredictable chord progressions. I'm so glad someone pointed that out and appreciated this in front of him. SaNa's music writing skills are insane, and I personally love his work on chord progressions. Bravo Rangan sir!
You can see how much at ease he is with his art. SaNa reminds me of Mohanlal with respect to how easy and passionate he is about his art form. Such a genius! Such a natural! No air of arrogance.
4:21 the best question. The best. We all sana fans wanted the lyrics question to be asked to him by some anchors. Baradwaj rangan you are the best !! ❤️❤️ And sana tooo👍🏻
Hi rangan sir, I think sana is the only one person who has opened up quickly before firing your tricky questions. .. Open hearted person.. Nice interview..
After watching the interview, I listened to Sembagame song. The place where SaNa mentioned gives 3 distinct emotions in few seconds. The shock when the female voice abrubtly stops, the anticipation in the next few seconds becuase only animal sounds were used in that portion and the happiness when the male voice starts. The beginning of the same song is with only female voice. After two lines the music starts and the song starts with "Sembagame". SaNa is also doing this in his songs.
7:47 The line that Santhosh is talking about is this: (G7)ennoda pattu satham thedum unna (Bb)pinna(F)le (F)Ep(Bb)podhum (Cm)unna (G#)thottu (Bb)paada(Eb)poraen (F)thanna(Bb)la So many unexpected changes in chords for almost every phrase.
Sana brother, Like BR, Aasai oru pulveli is my the favorite composition of yours.. It was so simple but so eternal. Lately, we are missing that..Please compose albums like Cuckoo, Atta kathi, Mogathirai, Boomiyil Please 🙏🙏🙏🙏
It's such a fun experience to watch Sana explain his music , sound pallettes and layers.... I think this is the second interview where BR let's Sana explain his magical compositions. Even for a person who doesn't understand the technicalities of music , it's really enriching to get an insight into Sana's world of music! Thanks BR 😀 and also it looks like Sana thoroughly enjoys explaining his tracks 😀 Knowledge can grow and be relevant only when shared - Sana being true to his words !
சந்தோஷ் நாராயணன் சார் நீங்க பண்ற மியூசிக் டாப் டக்கர் அடி தூள் சூப்பர் ஜகமே தந்திரம் படத்துக்கு கண்டிப்பா உங்களுக்கு அவார்டு கிடைக்கும் கிடைக்கணும் வாழ்த்துக்கள்🤝🤝👍👍
SaNa in Tamil & Amit Trivedi in Hindi kind of changed the grammar of music in Indian films... SaNa is now on top of his game because of acceptance for experiments you find in Tamil Film Industry...
RAHMAN changed the grammar of Tamil and Hindi music like nobody before or after had done! Amit Trivedi was doing his 'indie'-flavoured stuff in Bollywood.. but that doesn't really work with big scale films. He never changed or dominated Bollywood film music. Today, with he relative absence of Rahman, Hindi film music is in the doldrums with the remix culture. SaNa is good in Tamil. But again, he isn't that versatile enough to shoulder the responsibility of carrying the legacy forward. He doesn't seem to have 1/1000th of the Carnatic and Hindustani depth of AR RAHMAN or ILAIYARAAJA, or even Vidyasagar. But he has been good at background scores and thematic raw songs.
@@thomsonsdiary2016 IR & ARR are the legends. I, myself is a great fan of both. They are in league of their own. Their music is a kind of polished & classy. SaNa & Amit added some rawness & some rustic flavor in their music. SaNa & Amit both worked with new age directors which helped them for doing experiments. IR, ARR both always gave importance to melody but in case of Sana & Amit, sometimes they don't stick to melody. Their music is kind of niche, so much of audience won't accept their music as much like stalwarts'. Being a Rahmaniac myself, can't wait to see Rahman back in action doing Hindi films... We are facing a lull of good music in Hindi films since Rahman is not around. (IDK why but other prominent music composers in Hindi like SEL, Pritam, Vishal-Shekhar are not doing much work nowadays.)
Always a pleasure to listen to SANA talk about music. Another great interview. BR - you asked about every top music director but you missed asking Harris Jayaraj. Would love to listen his fav Harris's song.
Absolutely the same humble and down to earth person since the beginning of his career.... There's something which sets his music apart from others....SaNa❤️❤️
The minimalistic approach of SaNa is peak of his consciousness. BR is more socialising with no compromise on professionalism. More emotional connect established with the person.
His cuckoo songs had some kind of soul, it’s entire album was beautiful and his other albums only had few songs have a soul. I think he might be one of the melody king in the future. And @33:20 true magic happens.
In 92 RAHMAN creatd a new type of music nd sounds!! Its totaly new and unique musical era... After him every composers stick into ARR zone. Only SaNa has capability to create different type of music... he creates his own style of music.... its totally different and unique from other composers! One thing SaNa should concentrate is.. some times, he over doing so called SaNa’s unique touch... sometimes it doesn’t connect with audiences as much nd its too Musical.. In that way ARR is Bloody musical genius coz he knows how to differentiate and make unique his music from others, also he knows how to connect general audiences to his music..
@@ROCKY-le7md yes.. i kow that! but as admirer of his works.. I want his music to reach more.. If he identifies the secret of knowing the pulse of audiences, He will be next to Ilaiya Raja and AR Rahman
@@Jackie_Labrador Some of ARR and Ilaiyaraaja songs are too musical but those songs accepted and liked by common people.. What Im trying to say is.. SaNa should concentrate the right balance between the Musical experiment and understanding the mind of common people
Santhosh Narayanan has a unique sound and unique music compared to others but also his songs are mostly identified if we explore his music moreover more than the instruments, voices plays a major in background score and songs..this make him look in different way..
The bgm of rhythm movie is the derivative of the songs in the movie, which gives more feel. For this case, all ARR sir's scores are so captivating, which are all derivatives. SaNa's conscious decision not to use the derivative is good to an extent. But, we as a listener, we would like to have the flavour of the mood from the derivatives. llayaraja sir's interludes in the song can be bgm for many situations. we need all derivatives. we need to dive deep. I need to immerse myself in that.
rozario uncle and that assault sethu theme story is a movie in itself
🤗
Not only does he produce fantastic songs for his movies but he’s truly under appreciated for his background scores. Been listening to his entire album from Pariyerum Perumal, Vada Chennai and Karnan on repeat!
"Modhalla , I am going to start " , When BR speaks tamil , its like GVM movie voiceover... 😍
Exactly bro
At around 6:20, BR talks about how SaNa has a knack for writing unpredictable chord progressions. I'm so glad someone pointed that out and appreciated this in front of him. SaNa's music writing skills are insane, and I personally love his work on chord progressions. Bravo Rangan sir!
I agree
But nowadays he's kind off sticking to the same template
Since attakathi, only reason I started considering SaNa just because his usage of PradeepKumar at his best!
You can see how much at ease he is with his art. SaNa reminds me of Mohanlal with respect to how easy and passionate he is about his art form. Such a genius! Such a natural! No air of arrogance.
33:19 ப்பபபா.... என்னா music ❤️❤️❤️❤️ 34:07 another one full mix 👍😉 ❤️❤️❤️
Love this guy! Highly gifted but equally sincere and humble. Even his words are emotionally evocative.
4:21 the best question. The best. We all sana fans wanted the lyrics question to be asked to him by some anchors. Baradwaj rangan you are the best !! ❤️❤️ And sana tooo👍🏻
I wish Ghibran and Nivas K Prasanna also get recognition. 2 most underrated musicians who have given outstanding albums
Yeah rightly so
Sam Cs also
Sean rolden and pradeep kumar too
Joshua Sridhar and Justin Prabhakaran
Definitely yeah.
BR is quite a musician himself! The nuances caught by his senses are just surprising to say the least!
Please give eng subtitles for this interview
Hi rangan sir, I think sana is the only one person who has opened up quickly before firing your tricky questions. .. Open hearted person.. Nice interview..
Baddy is great in bringing out the personality of any technician. This was like SaNa talking out his musical personality
After watching the interview, I listened to Sembagame song. The place where SaNa mentioned gives 3 distinct emotions in few seconds. The shock when the female voice abrubtly stops, the anticipation in the next few seconds becuase only animal sounds were used in that portion and the happiness when the male voice starts.
The beginning of the same song is with only female voice. After two lines the music starts and the song starts with "Sembagame". SaNa is also doing this in his songs.
7:47 The line that Santhosh is talking about is this:
(G7)ennoda pattu satham thedum unna (Bb)pinna(F)le
(F)Ep(Bb)podhum (Cm)unna (G#)thottu (Bb)paada(Eb)poraen (F)thanna(Bb)la
So many unexpected changes in chords for almost every phrase.
What a human he is. So humble. Great interview.👍
Sana brother, Like BR, Aasai oru pulveli is my the favorite composition of yours.. It was so simple but so eternal. Lately, we are missing that..Please compose albums like Cuckoo, Atta kathi, Mogathirai, Boomiyil Please 🙏🙏🙏🙏
35:10 Salute To That Uncle Trumpet Uncle makes Assault Sethu Bgm 😍🔥
It's such a fun experience to watch Sana explain his music , sound pallettes and layers.... I think this is the second interview where BR let's Sana explain his magical compositions. Even for a person who doesn't understand the technicalities of music , it's really enriching to get an insight into Sana's world of music! Thanks BR 😀 and also it looks like Sana thoroughly enjoys explaining his tracks 😀 Knowledge can grow and be relevant only when shared - Sana being true to his words !
🎶Vaanam Paarthen is my all time FAVOURITEEEEE of Santosh Narayanan...
It's just bliss❤️ the song takes me to heaven😍 every time I listen...
Goosebumps - When SaNa played Jigarthanda BGM. Absolute Genius.Thanks BR for letting him talk so much/open up.., Pleasure listening to you guys
Amazing interview. I could listen to SaNa all day, be it his speech or music. Such a gem!
Very genuine music director he even criticizes himself and asks for suggestion from interviewer...👌👏👍
சந்தோஷ் நாராயணன் சார் நீங்க பண்ற மியூசிக் டாப் டக்கர் அடி தூள் சூப்பர் ஜகமே தந்திரம் படத்துக்கு கண்டிப்பா உங்களுக்கு அவார்டு கிடைக்கும் கிடைக்கணும் வாழ்த்துக்கள்🤝🤝👍👍
Who are here watching videos are surely legends!!🔥..U have a good taste of music..SANA ❤️ 4 EVER😍
Length really doesn't matter in this interview with a coffee near by with headphones on
Bless nae
SaNa in Tamil & Amit Trivedi in Hindi kind of changed the grammar of music in Indian films... SaNa is now on top of his game because of acceptance for experiments you find in Tamil Film Industry...
RAHMAN changed the grammar of Tamil and Hindi music like nobody before or after had done!
Amit Trivedi was doing his 'indie'-flavoured stuff in Bollywood.. but that doesn't really work with big scale films. He never changed or dominated Bollywood film music. Today, with he relative absence of Rahman, Hindi film music is in the doldrums with the remix culture.
SaNa is good in Tamil. But again, he isn't that versatile enough to shoulder the responsibility of carrying the legacy forward. He doesn't seem to have 1/1000th of the Carnatic and Hindustani depth of AR RAHMAN or ILAIYARAAJA, or even Vidyasagar. But he has been good at background scores and thematic raw songs.
@@thomsonsdiary2016 IR & ARR are the legends. I, myself is a great fan of both. They are in league of their own. Their music is a kind of polished & classy. SaNa & Amit added some rawness & some rustic flavor in their music.
SaNa & Amit both worked with new age directors which helped them for doing experiments.
IR, ARR both always gave importance to melody but in case of Sana & Amit, sometimes they don't stick to melody. Their music is kind of niche, so much of audience won't accept their music as much like stalwarts'.
Being a Rahmaniac myself, can't wait to see Rahman back in action doing Hindi films... We are facing a lull of good music in Hindi films since Rahman is not around. (IDK why but other prominent music composers in Hindi like SEL, Pritam, Vishal-Shekhar are not doing much work nowadays.)
Always a pleasure to listen to SANA talk about music. Another great interview. BR - you asked about every top music director but you missed asking Harris Jayaraj. Would love to listen his fav Harris's song.
when Artists explains bits and pieces of his work. Its just amazing
Thanks BR for bringing santhosh narayanan so close to us...
One of the best interviews I've watched in recent times. Thanks BR and SaNa for this. Best wishes for Jagame Thanthiram.
Ohhh Godddd Sanaaaaaaa !! That jiguruthanda BGMs Mattum release panuga Raw in UA-cam. Please !! Pure Eargasam❤️❤️❤️❤️❤️🔥🔥🔥🔥
Jigarthanda Bobby simha BG score... gooosebumps play panone... claps
Absolutely the same humble and down to earth person since the beginning of his career.... There's something which sets his music apart from others....SaNa❤️❤️
Completely enjoyed this interview!!! SaNa spoke his heart out 😊
Thank you, BR, for the great questions!
The minimalistic approach of SaNa is peak of his consciousness. BR is more socialising with no compromise on professionalism. More emotional connect established with the person.
SaNa is a student who is not satisfied with 99/100 ♥️
And Anirudh who gets 100 by mugging up the answers and just writing whatever is there in the text book as it is
His cuckoo songs had some kind of soul, it’s entire album was beautiful and his other albums only had few songs have a soul. I think he might be one of the melody king in the future. And @33:20 true magic happens.
33:17 goosebumps guaranteed Sana 🖤💥🔥
In 92 RAHMAN creatd a new type of music nd sounds!! Its totaly new and unique musical era... After him every composers stick into ARR zone.
Only SaNa has capability to create different type of music... he creates his own style of music.... its totally different and unique from other composers!
One thing SaNa should concentrate is.. some times, he over doing so called SaNa’s unique touch... sometimes it doesn’t connect with audiences as much nd its too Musical.. In that way ARR is Bloody musical genius coz he knows how to differentiate and make unique his music from others, also he knows how to connect general audiences to his music..
SaNa works for situation! He don't care about audience and their taste! Itha avaru interview la kooda sollirkaru!
@@ROCKY-le7md yes.. i kow that!
but as admirer of his works.. I want his music to reach more..
If he identifies the secret of knowing the pulse of audiences, He will be next to Ilaiya Raja and AR Rahman
@@Jackie_Labrador
Some of ARR and Ilaiyaraaja songs are too musical but those songs accepted and liked by common people..
What Im trying to say is.. SaNa should concentrate the right balance between the Musical experiment and understanding the mind of common people
Sana's kannamma with pradeep &
Kulurutha pulla with Sid
All time fav❤️
Musical Gangster 🔥😍🎧
The patient of br in interviews, are great
That was a beautiful interview 👌 Sana and his clarity of taughts😍
Santhosh Narayanan has a unique sound and unique music compared to others but also his songs are mostly identified if we explore his music moreover more than the instruments, voices plays a major in background score and songs..this make him look in different way..
SaNa ❤ Pradeep combo is bliss❤
thanks
Mark my words Karnan background score will fetch National award!!!
For songs also... My inner feelings tells that kidakkuzhi mariyammal might fetch an award for kanda vara sollunga song.
Hoping for the Best ❤️😻
Love vaanam paarthen to the core 😍🥰 I sing that very often as a bed time song for my son.
30:00 Jigarthanda car scene bgm composition. Goosebumps goosebumps when you listen to all the story and finally hear the final mixing.
Biggest fan of SaNa since Day01!
BR now that you got SaNa on your show why don't you get Singer Pradeep once 🥺💗 I just can't wait him to answer your questions.
BR sir… this interview is very relevant… it’s should be like that
Santhosh Narayan Masterclass is the perfect Title for this video
Made my day❤️
Add subtitles for other viewers too, please!
Rosario Uncle Story is the best part of the interview.
Best interview ❤️
need that shirt in my life
I think it's Scotch & soda polo
19:43 about Yuvan 🔥🔥😍
Thank you
Came here looking for this😅
What a great human❤
Baradwaj Rangan forgot Harris? 🥺
The industry has actually
Sana🔥❤
Superb interview baddy...🔥🔥
Mr Bardawj , Please Interview our Legend Harris Jayaraj , we all are eagerly waiting
Modesty at its peak
Please make a interview with Anirudh ❤️... waiting for....
The unsung hero of that scene 31:15 Sana💥💥
Casual :)
Simple question. Why hasn’t film companion done an interview Pradeep Kumar yet?
BR you missed to ask the songs of Harris Jeyaraj.
Dont know why he didnt ask about Harris Jayarajs. Please do an interview with Harris.
first time music review by BR... surprised
Well done brother 👍🏿
I got goosebumps when I heard the Assault Sethu intro
Rangan sir questions
Anrum.....inrum....eppodum SANA ❤️❤️❤️
Enjami💙
Music director list la Harris Jayaraj ah kekkalaye..?😞😞😞
English subtiltles plsss
The bgm of rhythm movie is the derivative of the songs in the movie, which gives more feel. For this case, all ARR sir's scores are so captivating, which are all derivatives. SaNa's conscious decision not to use the derivative is good to an extent. But, we as a listener, we would like to have the flavour of the mood from the derivatives.
llayaraja sir's interludes in the song can be bgm for many situations.
we need all derivatives. we need to dive deep. I need to immerse myself in that.
MSV - ua-cam.com/video/5sTvm1zz9E0/v-deo.html
Raja - ua-cam.com/video/9g4BRUQCjxs/v-deo.html (Shenbagame)
ua-cam.com/video/roW8mMKAnBo/v-deo.html (madram vandha)
Rahman - ua-cam.com/video/crR9XoGVQqk/v-deo.html
Yuvan - ua-cam.com/video/pmT2kp-tn9s/v-deo.html
Anirudh - ua-cam.com/video/oLgzs8nut3A/v-deo.html
SUBTITLE it so that we could learn something
@@tyagarajakinkara i dont know why tamilians always say this thing like non tamilians wont appreciate it much.
SANAm one of the best music composers in india. He should try other language as well
He is working with two malayalam films.. check "Salute" film teaser of Dulquer Salman..
SaNA FOREVER 💥💥💥💥 Rakita Rakita Rakita
Can anyone pls tell me where is Santhosh narayanan's studio located in Chennai
Subtitles please!!!!!
Why didn't you ask about Harris Jayraj song sir? Sad that he is ignored even in ur show!
😪😪Yah man
Yes. I also wanted to know his fav Harris song. Harris ah ellarum marandhutanga pa.
Please Please subtitles please
SANA the underated🔥 but still the best ❤️❤️
Hard disk defragmentation. Really! Is SaNa a software guy or as part of tech in music he learns memory management concepts also.
SaNa always
Please subtitles please, i want to watch this, but i dont know tamil
Anyone has the link to the song mentioned at 56.46?
ua-cam.com/video/J2lmqwd_c0E/v-deo.html
@@praveenkmr thanks a lot!! 😊
SUBTITLES PLEASE!
Subtitles please
Subtitles please :(
Hello BR, if Santhosh can speak in English why don't you ask him in English for nontamils to understand, this is with others also, think about it.
Sana, nee nalla musican thaan ya..Amma sathyama nee nalla musician ya
Why no subtitles 😪😪😪😪