Destiny+ Czochralski Cells and 16 Psyche ???

a patch utilizing the four oscillators on cells both to generate the rhythm through the pulse network but also the changes in pitch via their sq waves stacked to create an average between them all and then passed through a VCA to tame the range a bit. I then mixed that with the offset from one of the joysticks to also modulate pitch on psyche.
there's a bunch of other unconventional patching techniques being used throughout.. these synths are really great with that in mind and I find them more and more rewarding the more I think outside the box in how I use it's seemingly familiar individual functions.

[@JuanDale]

6:25 That's niiiiiice. EDIT: ... Really nice.

[@Petajaja]

This was just a quick patch I made before work this morning but I'm happy with where two of the key patch techniques are taking me which is as you've mentioned before, using the oscillators as LFO's for the PN aswell as stacking sq waves to generate pitch CV

[@JuanDale]

I hadn't thought of stacking the square waves, but I liked the results here. Sync'ing the oscillator(s) to an LFO provides some unique rhythms as well. @@Petajaja

[@Petajaja]

@@JuanDale yeah that's a good idea, do you use the hard sync inputs for that or do the soft sync work fine here too? (I imagine soft would work fine)
I'm sure there's some interesting feedback patches using the complex LFO's syncing the 4 oscillators and then them FMing the complex oscillators. These instruments really are amazing in how much more there is to them than what's immediately obvious, especially when you come from a more traditional architecture synth background.

[@JuanDale]

I really like the hard sync input for it, it's a little easier to hear/feel what is happening with the resulting rhythms. It's basically setting a meter within which the sync'd oscillator will create a continuously variable set of divisions. IOW, it makes the patterns repeat at the interval of the syncing oscillator's frequency. Cool shit. @@Petajaja