El sonido de esas curdas me transportan a la gloria y me hacen pensar que esos son verdaderos músicos controlados por el poder y la sabiduría que sólo Dios puede dar.Gracias mil por tan bella música. 🙏🏻 🌺 👏🏻👏🏻
Hats off to the genius of the Flamenco, Mario Escudero. What a pleaure to hear his Flamenco on the instrument made for it, guitar ! In India, the veena is said to be the instrument of the land gifted from the goddess of music and learning. Guitar is so of Spain. As an Indian, I am happy that the gypsies of India are connected intimately with both the Flamenco and the guitar and great musicians like Escudero are associated with both too.
For my own part I do appreciate that one of the bonuses of listening to flamenco is, that I do connect to the incredible heritage from the ancient traditions of India.
Increíble la limpieza; precisión; velocidad y dominio de la guitarra. -Ya veo porqué Sabicas grabó a dúo con el maestro Escudero algunos LPs. -A mi parecer estaba a la par o casi a la par con Sabicas. No lo había escuchado a el solo interpretar, solamente a dúo y escuchándolo tocar solo, me doy cuenta los alcances que tenía.
i have mit Great Marioin Sevilla on 1986 and i took some lesson from him at heliopolis was great experence y was a kind person gentelmann and open maind artist unique and postive people great art on guitar
One of the great masters with such technical virtuosity and improvisational genius. Tha ks for uploading this! We have to applaud and encourage people who have original LPs or video tapes of Mario Escudero playing to upload them to share these treasures. For anyone who has never heard of him, a simple question: how old do you think flamenco music is? And have you ever thought to explore before your own current age and time?
He would probably prefer to say he "emigrated" (not "migrated," like birds) to the U.S. Thanks for the upload and the exposure to a new artist I was unaware of before!
Mario Escudero was not only a great artist, he was a great human being. Back in the 60s it had been my privilege to work extensively as the accompanist for the great cantaor Manolo Leiva, who was a good friend and colleague of Mario’s. I had occasion to go to NYC for unrelated musical reasons, but when Manolo heard about that, he insisted that I call Mario to say hello, and he gave me Mario’s phone number. I felt completely unworthy to disturb Mario, knowing that such a master would not be sitting around twiddling his thumbs, but I had promised Manolo that I would call Mario, say hello, and pass along Manolo’s best wishes. My fear was that Mario would say “Well tell Manolo that next time his friends should make an appointment!” What happened was the exact opposite: Mario not only was willing to spend time talking to a complete stranger (in perfect English) but kept me on the phone with questions like “And how is Manolo? Please give him my greetings and best wishes.” I met him briefly in person some years later in Santa Barbara, where he was giving a concert, and he was the same wonderful gentleman, and he played a fantastic concert. Although Sabicas was influenced by masters who came before him, I believe that Mario was the only master who influenced Sabicas in his own time, and the two of them set the stage for the renaissance of flamenco guitar that followed soon after.
I love to read these things; Anita Ramos is my Aunt, ex wife of Mario, all I have is stories so it's good to hear from people that appreciate his contribution to Flamenco, thank you for the story.
He was a genius of that music genre. Ole
Also, he transcended genres.
i was luky to keet Maestro Mario in seville on 1986 and he Teach me Impetu.and a Solea he was a great Artist an person viva Mario Escudero
El sonido de esas curdas me transportan a la gloria y me hacen pensar que esos son verdaderos músicos controlados por el poder y la sabiduría que sólo Dios puede dar.Gracias mil por tan bella música. 🙏🏻 🌺 👏🏻👏🏻
Show. Excelente colección Flamenca Gitanas / Gipsys
Hats off to the genius of the Flamenco, Mario Escudero. What a pleaure to hear his Flamenco on the instrument made for it, guitar ! In India, the veena is said to be the instrument of the land gifted from the goddess of music and learning. Guitar is so of Spain. As an Indian, I am happy that the gypsies of India are connected intimately with both the Flamenco and the guitar and great musicians like Escudero are associated with both too.
For my own part I do appreciate that one of the bonuses of listening to flamenco is, that I do connect to the incredible heritage from the ancient traditions of India.
Increíble la limpieza; precisión; velocidad y dominio de la guitarra. -Ya veo porqué Sabicas grabó a dúo con el maestro Escudero algunos LPs. -A mi parecer estaba a la par o casi a la par con Sabicas. No lo había escuchado a el solo interpretar, solamente a dúo y escuchándolo tocar solo, me doy cuenta los alcances que tenía.
Mi maestro, Edward Freeman, published maestro Escudero music through Hanson Music. Los dos son grandes!
i have mit Great Marioin Sevilla on 1986 and i took some lesson from him at heliopolis was great experence y was a kind person gentelmann and open maind artist unique and postive people great art on guitar
One of not well recognized and very little appreciated flamenco masters and composers significant musician
Excelente el maestro Mario Escudero (QPD).
One of the great masters with such technical virtuosity and improvisational genius. Tha ks for uploading this! We have to applaud and encourage people who have original LPs or video tapes of Mario Escudero playing to upload them to share these treasures. For anyone who has never heard of him, a simple question: how old do you think flamenco music is? And have you ever thought to explore before your own current age and time?
He would probably prefer to say he "emigrated" (not "migrated," like birds) to the U.S. Thanks for the upload and the exposure to a new artist I was unaware of before!
gran toque de artista
Mario Escudero was not only a great artist, he was a great human being. Back in the 60s it had been my privilege to work extensively as the accompanist for the great cantaor Manolo Leiva, who was a good friend and colleague of Mario’s. I had occasion to go to NYC for unrelated musical reasons, but when Manolo heard about that, he insisted that I call Mario to say hello, and he gave me Mario’s phone number. I felt completely unworthy to disturb Mario, knowing that such a master would not be sitting around twiddling his thumbs, but I had promised Manolo that I would call Mario, say hello, and pass along Manolo’s best wishes. My fear was that Mario would say “Well tell Manolo that next time his friends should make an appointment!” What happened was the exact opposite: Mario not only was willing to spend time talking to a complete stranger (in perfect English) but kept me on the phone with questions like “And how is Manolo? Please give him my greetings and best wishes.” I met him briefly in person some years later in Santa Barbara, where he was giving a concert, and he was the same wonderful gentleman, and he played a fantastic concert. Although Sabicas was influenced by masters who came before him, I believe that Mario was the only master who influenced Sabicas in his own time, and the two of them set the stage for the renaissance of flamenco guitar that followed soon after.
Absolutely amazing piece of flamenco history you got there, wow
I love to read these things; Anita Ramos is my Aunt, ex wife of Mario, all I have is stories so it's good to hear from people that appreciate his contribution to Flamenco, thank you for the story.
hallo mr john can i write to you thanks
@@BrunoPedros-iv5nn Sure! Do you want to use email or just youtube comments?
So was Adonis Puertas another master of Flamenco guitarist
Sólo deseo corregir en mi comentario anterior la palabra ‘curdas por cuerdas.Gracias.
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