Jonas Kaufmann: Verdi - Ah, la paterna mano (2013)
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- Опубліковано 19 тра 2013
- This video can be viewed at highest quality for best clarity. I uploaded this video once but it was shut down by the orchestra. I see that another recording of this performance has survived on UA-cam for a month now and so I am presuming that the orchestra has relented. If the orchestra again wishes for this video to be taken down, I will really appreciate it if you can e-mail me privately at glennwcl@gmail.com.
Royal Festival Hall
21 April 2013
Otra canción con tu bozpotente y fascinante me alegro mucho de hoirte ,una feliz noche e impresionante dos besos de admiración y orgullo❤🌹🌹🌹😊
Thank you, Glenn Camillus Wong, for posting this unusual aria - I didn't know JK sang a MacDuff aria. Beautiful!
Thank you for uploading this. Memories of a wonderful evening with the great pleasure of hearing this superb young man. Bravo Jonas. Nurture that wonderful voice.
JONAS nous transporte dans un autre monde, quelle beauté de chant et d'interprétation, je suis émue, il est magnifique
cassandre
vi transporte dans le monde de la médiocrité ...
formidable!!!
Excelente y magistral interpretación en los aires musicales y vocales. Felicidades 👏 👏
Simply sublime ! I was there and it was a great concert - you get a hint of the audience enthusiasm at the end ! Jonas has no equal as far as I'm concerned, among current tenors.
Si : Veriano LUCCHETTI.
🙏Ma😪gni😪fi😪que!!! 💐💐💐💐💐💐💐💐💐🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟💓
Thank you. There is nobody better these days and he is also so gorgeous.
Merveilleux cette humanité à travers sa voix, belle comme un soleil...Merci..
Je suis tout à fait d'accord avec vous !!!Merci
Gorgeous aria, beautiful opera. Verdi rewrote this three or four times. Boy did he get it right. Kaufmann, bravo, bravo.
Love this! though I love the look that Kaufmann gives the conductor when he slips that one note.
Excelente. Bravo Sr. Kaufmann !
Thank you, Jarrod. Very kind.
Oh dio - how stunning and touching.
Thank you for uploading again. Great reminder of the night. Can't imagine why you had to take this down while the other clip still remains, ridiculous and a bit silly on the orchestra's part. He was superb and a pleasure to see again. x
Gyönyörű opera , gyönyörű hang !
Outstanding!!!!!
Gewoon zalig mooi ,zo perfect!
Oh my God, that transition into the head voice -- is there anything he can't do? Who is his teacher, who managed to get this superb voice out of that gorgeous creature?
Großartig 😮
Primer aria en concierto difícil, bravo jkaufmann
Magnifica aria, voce incomparabile piena di fascino e di intelligenza interpretativa!
I asuume the hollow sound quality is as aspect of the hall, but I find the orchestra too loud. I adore Jonas Kaufmann, so I very much prefer to hear the orchesta subordinated to the singer -- that is to acompany him, not to compete with him. But thank you, Glenn, for uploading this beatiful rendition. I also adore Verdi, so it's a lovely partnership.
Why is he doing piano in the most dramatic part of the aria?🤨
Welche Drigieren ist das :))))?
Magnifique !! ❤️❤️❤️
Superbe que dire de plus
AHHHHHHHH OJALA TODOS PENSARAN ASI.. Y TODAS LAS ORQUESTAS LO HICIERAN..... SERIA MARAVILLOSO....
C'est tout simplement magnifique, beau à vous arracher les larmes.
Bellissima voce, incantevole! Pagina di musica stupenda.
Fantastica ,Esplendida Voz .Gran interprete Verdiano .Bravo JONAS KAUFMANN .ELMEJOR.
Bravo 🎼🌷🌷🌷🌷🎼
Very suitable role!!
Gente fanatica aqui... No es que la orquesta toque muy alto, ni muy rapido el director le dio la entrada a: Ah, la paterna mano. Kaufmann se quedo atras... es que buesquen a Del Monaco en esta aria y oigan una orquesta Vs un Tenor, o a Corelli Vs una Orquesta tocando casi en Forte el aria entera!!!!!
This is Macbeth s opera :)
WOWWWWWWWWWWWWWWWWWWWWWWWWWW
What was the orchestra doing? It almost fell apart in the first bar after the recit at 1':10"
that's because he missed the entrance.
No, Kaufmann nearly missed the entrance because the orchestra was in a total mess.
+Tenorgeiger nope. I've sung this aria many times. he just blanked for a moment and came in 2 beats late.
I have sung it too, and at other times played violin in the orchestral accompaniment. Get the music and follow it. Listen carefully. The orchestra gives no pulse for the first two quarter notes. The Cellos play on beat one, followed by 3 sixteenth notes in the upper strings. The orchestra tries to play these three 16th notes at half speed, the cellos catch up a bit by the second quarter note of the bar, but the damage has already been done. Yes Kaufmann comes in late but only because the orchestra offered him no discernible rhythm in the first bar. This is the curse of youtube; one small mistake, but it's there for ever, for everyone to pick at, including you and me! Nonetheless he is a wonderful singer.
+Tenorgeiger It was an encore at the concert and the best piece of the night. And the conductor Kaufmann takes with him to these concerts is not a particularly good one.
Forgive my ignorance, but what is this opera?
that's because he missed the entrance.
Bravissimo. Commovente.
I'm personally just enjoying the lack of a close mic, all to prevalent today.
I agree that the orchestra needs better management during Kaufmann's softer parts.
I have to wonder if he knows what the character is saying ,,,,,,, this is unrecognizable ,,,,,,,, how bizarre .............
Glorious !!!!!!!!!!!!!!!!!!!!!
Dite quello che volete ma qui J. K
Canta veramente bene. Una delle migliori interpretazioni di questo brano. Vale la pena risentire anche Veriano Lucchetti che con Abbado è stato stratosferico. Qui JK non bravo ma bravissimo.
Maravilloso, perfecto, extraordinario.
Amneris López
Orrendo, vocalità ingolata, poco rispettoso verso il compositore e lo stile interpretativo.
nella penultima frase "possa colui le braccia" Verdi ha scritto un la naturale...mi correggo, ho guardato la partitura, in realtà è un doppio bemolle ma musicalmente non cambia nulla, qui kaufmann risolve con un si bemolle ma così cambia il senso musicale...vorrei sapere perchè.
corrado ceccaroni
bellissima domanda alla quale anche Kaufmann stesso non e' capace di trovare la risposta giusta .
io so per quale ragione Kaufmann canta il si bemolle finale ma preferisco il silenzio...
@Adrian Scofield
''illuminarti'' ?!
non trovi ''pericolosa'' quest'idea tua ?...
in poche parole :
- Jonas Kaufmann non e' nato un cantante lirico vero e tale morirà .
questa e' la mia modesta opinione .
Per farla breve ascoltate il Kaufman di oggi e scoprirete la sua voce ingolata.
Non mi piace, Macduff è Franco Corelli poi Giorgio Merighi Bruno Prevedi Barry Morell Carlo Bergonzi Peter Lindroos
Uff!
Great...bravooo Jonas...
Hélas, il ne chante plus comme cela maintenant.....car il ne le peut plus !
Genial maestro
...Ma chi è il direttore d'orchestra?
It is Jochen Rieder.
I'm curious as to what technique he sings with so as to produce a baritone timbre in the tenor range, AND not cause his voice major, major damage.
That's normal technique Sir because that's the same way Caruso more or less sang. A true dramatic tenor ALWAYS has baritone tembre. The rest is just a matter of taste.
Caruso had a hint of darker timbre in his voice, though sometimes hard to tell in older recordings. Domingo had it more so than Pavarotti or Carreras, which made his Otello so dynamic. I feel like many tenors out there who are singing with this warmer sound simply have amazing access and range from their cover, rather than singers such as Vickers or Botha, who simply had booming voices.
Nothing against the singers who mastered this type of color in their voice. I'm still gaining access to unfamiliar timbres and colors in my own studies; my point is simply that Kaufmann's voice is just so unusual for a tenor.
I'm in total agreement with you. We can also add Del Monaco to that list.
the Orchestra did not understand the Conductor and was not together with him at the beginning - and the tempo is tragically and stupidly soooo slowwww. that's a big shame in this level of concert.
since the orchestra was not all playing the first notes - jonas missed the entrance
Macbeth
Too slow the tempo.
non è vero.
È vero, ci sono versioni con un tempo un po' più spedito... E non dipende l'interprete, ma dal direttore, ovviamente.
Bravo tenore!
Nicola Manca
bravo ''compositore'' ...
Listen to Bergonzi sing this aria.
It is a very poor performance.
Unclear conduct and orchestra
And the player whose eyes are fixed on the sheet music.
He seems to be digging too busy schedule.
Puede haber un director más malo? Le ha jodido la interpretación a Kaufmann, menos mal que lo ha sabido arreglar...
Fantastica voz! Sigue siendo un hortera en su estilo.
Confunde, otra vez, el hacer algo nuevo con el mal gusto. A ver si lee la paritura donde dice forte, piano, etc. O es que a lo mejor cre que tiene mejor gusto que Verdi. O diferente. De todas maneras, una voz como Dios manda.
Wer wollte drigieren :))))?
Un baritono che cantada tenore.....certamente interpretazione sensibile, ma la voce è assai cupa.
Vkn bgtrre
voce spesso chiusa nella gola; quest'aria deve esprimere drammaticità; non servono i filati; non ritengo sia questa l'interpretazione da dare; serve vocalità intensa e stentorea, stabilità, omogeneità e armonici a non finire; bisogna tirar fuori la voce, allungare le note dove serve, e soprattutto non costringere la voce nella laringe ma farla uscire sul fiato risuando fino alla cima della testa; solo così si canta senza sforzi nella gola; serve un vibrare di tutto il corpo con la voce stessa; la tecnica di Kaufman gli ha rovinato le corde vocali; provate ad ascoltarlo oggi: voce "ingolata"
voce bellissima, purtroppo si sente troppo questo effetto ''ingolato'' nella sua vocalità ...
finale errato poco professionale,interpretazione mediocre lontano dallo stile italiano.
non mi piace affatto.
Dormiva? Non ha iniziato l'aria al momento giusto...
@Adrian Scofield Tu sei di merda: e impara l'italiano. Con tutti i soldi che prende quell'ingolato sbaglia pure l'attacco.
entra un compás después el muy sordo
penoso.
doing lots of pianisimi , cresendi and diminuendi doesn't make for a musical performance ,,,,, Mr Kaufman is applying all the right devices but in the wrong places,,,,, or maybe he's just uninspired by the aria and is doing something just to show that he can do it, ,,,,,,, I'm sorry but that is not what good musicianship should do. this is the least convincing interpretation of this aria I've ever heard. simply disappointing
horrible!!
He's a little too much Artsy Fartsy for my taste.
Can you explain? I'm curious.
Love Music
non rispetta la partitura,ancora meno lo stile interpretativo.
vocalità poco adatta alla lirica italiana .
orribile e come .
Not horrible.. but very very strange and suspicious singing and enterpretation 😅